SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr Vernon much Applause "/1) | (@(roleclean,performerclean) "Mr Vernon much Applause ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4493 matches on Event Comments, 1799 matches on Performance Comments, 618 matches on Performance Title, 32 matches on Author, and 0 matches on Roles/Actors.
Event Comment: MMr Woodward said--I have been getting you (to Bayes) a fine parcel of Monsters, & they have knock'd me down & taken 'em from me--(thinking of the late Dispute) a little hissing &c. but it went off--Great Applause all thro'. Receipts: #220 (Cross)

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Devil to Pay

Dance: Concluding: Devisse, Mad Auguste

Event Comment: Benefit for Ryder. Public Advertiser, 20 Mar.: Tickets to be had of Ryder at his house, No. 5, Bow-street, Covent-garden. 1st piece: The Overture, Airs, &c. by Dr Arnold. The selected by Handel, Vento, Giordani, Giardini, Bertoni, Dr Arne, Carolan the Irish Bard. 2nd piece: 1st time Here. Translated from the French of La Bonne Mere, by Horatio Edgar? Robson, and at this Time reading with great success and general applause by LeTexier in Lisle-Street [and 1st acted at the hay, 22 Aug. 1788]. 3rd piece [1st time; F 2, by Thomas Ryder, altered from The Man of Parts, by Isaac Jackman; not published]. Receipts: #271 0s. 6d. (191.15.6; 5.7.0; tickets: 73.18.0)

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: Look before You Leap

Afterpiece Title: Such Things Have Been

Song: End 3rd piece: Paddy's Ramble from Dublin to Londonwritten and to be sung-Ryder

Entertainment: Monologue. In course of Entertainments: Bucks have at Ye All-Ryder

Event Comment: By Command of Their Majesties. "George? Dance, @R. A., was at Covent Garden on Wednesday evening when his musical Composition of One and All [for a band] was performed before his Majesty, with much applause" (Joseph Farington,@Diary [26 Cct.], 1922, I, 243). Receipts: #628 8s. 6d. (620.17.6; 7.11.0)

Performances

Mainpiece Title: Lovers Vows

Afterpiece Title: The Spoild Child

Event Comment: Afterpiece: Written by O'Keeffe, Author of The Poor Soldier, &c, and perform'd at the Theatre Royal, Hay-Market, with universal Applause

Performances

Mainpiece Title: Venice Preserved Or A Plot Discovered

Performance Comment: Jaffier-The Young Gentleman who, with great applause, twice recited the Apologue of Parents and Children, &c. [Gibbons (see17860719]; Priuli-Smith; Renault-Sadler (1st appearance on that stage); Bedamer-Hill; Duke-Watts; Officer-Meadows; Elliot-Price; Spinosa-Johnston; Pierre-Yatesmore; Belvidera-A Young Lady (1st appearance [Miss Fenton(see17860719]) .Miss Fenton(see17860719]) .

Afterpiece Title: The Agreeable Surprise

Event Comment: Benefit for Fawcett 1st piece: By permission of G. Colman, Esq. Never performed at that Theatre. As performed at the Theatre Royal, Haymarket, with universal Applause. With new Scenery, Dresses and Decorations. Written by the Author of The Way to Get Married [Thomas Morton]. 2nd piece [1st time; M. INT 1]. Oracle, 8 Apr.: Tickets to be had of Fawcett at his house, No. 9, Tottenham-Court-Road, opposite Howland-street. Receipts: #507 9s. 6d. (185.7.6; 10.0.0; tickets: 312.2.0)

Performances

Mainpiece Title: Zorinski

Afterpiece Title: A Nicknackatory

Afterpiece Title: Lock and Key

Dance: 2nd piece to conclude with: Highland Festivity, as17951125

Song: 1st piece: Vocal Parts-Linton, Williamson, Blurton, Street, Abbot, Holland, Rees, Lee, Little, Miss Logan, Miss Ives, Miss Leserve, Miss Walcup, Mrs Castelle, Mrs Masters, Mrs Watts

Entertainment: Monologue.End: Monsieur Tonson (Founded on Fact, and recited at Free-Mason's Hall, last Winter, with universal Applause)-Fawcett

Performance Comment: End: Monsieur Tonson (Founded on Fact, and recited at Free-Mason's Hall, last Winter, with universal Applause)-Fawcett.
Event Comment: Benefit for Mrs Vernon. Opera by Desire. Receipts: #101 4s. plus #44 4s. from tickets (Box 113; Pit 89; Gallery 26) (Account Book). Charges: #64 10s. 6d. (Account Book)

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: As17600924, but Lucy-Mrs Vernon, 1st time; with a New Musical Prologue-Mrs Vernon.

Afterpiece Title: Thomasand Sally

Dance: As17600924; End of Opera: The Waggoners, as17610228

Event Comment: Benefit for Vernon. Paid Printer's Bill, #8 12s. (Treasurer's Book). [See Romantic criticism from a most Neo-Classical pen in Theatrical Review, 2 April.] Receipts: #247 1s. Charges: #71 14s. Profits to Vernon: #175 6s. (Treasurer's Book)

Performances

Mainpiece Title: Cymon

Performance Comment: Cymon-Vernon; Linco-King; Merlin-Bannister; Dorus-Parsons; Demon of Revenge-Champness; Fatima-Mrs Abington; Shepherdesses-Mrs Davies, Miss Ambrose; Urganda-Mrs Scott; Dorcas-Mrs Bradshaw; Sylvia-Mrs Fitzgerald; In which will be introduced a Grand Procession of the different Orders of the Knights of Chivalry-with proper Dances and Decorations.

Afterpiece Title: A Peep behind the Curtain

Event Comment: Benefit for Vernon. Receipts: #213 9s. Charges: #66 9s. Profit to Vernon: #147 (Treasurer's Book)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: A Peep behind the Curtain

Performance Comment: Glib-King; Sir Toby Fuz-Bransby; Sir Macaroni Virtue-Dodd; Orpheus-Vernon; Rhodope-Mrs Wrighten; Miss Fuz-Mrs Davies; Lady Fuz-Mrs Hopkins; Others-Moody, Packer, Palmer, Hartry, J. Aickin, Wright, Johnston, Mrs Love, Mrs Bradshaw.

Dance: I: The Irish Fair, as17730918

Event Comment: Benefit for Vernon. Rec'd Mrs Johnston's rent 1 year to Lady Day #6. Paid Powney (stationer) #7 2s. 6d.; Ray (linen draper) #25 6s. 6d.; Vaughan (haberdasher) #4 10s. 6d.; Norfolk (glazier) #2 3s.; Barrow and Co. Oil #54 15s. 6d.; Pryer (turner) #5 18s. 6d.; Carter (scowerer) #9 8s. 6d.; Evans for Spermacetti Candles #5; Watch Rate half year #18 15s.; Cubit (tinman) #2 6d. Receipts: #160 10s. Charges: #66 16s. Profits to Vernon: #93 14s. (Treasurer's Book)

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: Macheath-Vernon; Mat@O@Mint-Kear; Ben Budge-Burton; Player-Whitfield; Beggar-Waldron; Filch-Parsons; Peachum-Moody; Lockit-Bransby; Lucy-Mrs Wrighten; Polly-Mrs Smith; Diana Trapes-Mrs Bradshaw; Mrs Peachum-Mrs Love; In Act III, a Hornpipe-Mrs Sutton; To conclude with a Country Dance-.

Afterpiece Title: The Lying Valet

Performance Comment: Sharp-Vernon; Trippit-Lamash; Mrs Gadabout-Miss Platt; Gayless-Davies; Kitty Pry-Mrs Davies; Melissa-Miss Hopkins; Justice-Griffiths; Cook-Wright.

Dance: End Opera: The Grand Garland Dance, as17760311

Event Comment: Benefit for Vernon. Public Advertiser, 29 Feb.: Tickets to be had of Vernon, at Jones's, No. 7, Catherine Street, Strand. Receipts: #173 13s. 6d. (86.14.0; 21.10.0; 0.12.6; tickets: 64.17.0) (charge: #74 14s.)

Performances

Mainpiece Title: Love For Love

Performance Comment: As17791012, but Foresight-Parsons; Trapland-Waldron; Ben-Vernon (1st appearance in that character). [Public Advertiser assigns Tattle-Dodd.]

Afterpiece Title: Fortunatus

Event Comment: Benefit for Vernon. 2nd piece [1st time; INT I, author unknown. Larpent MS 552; not published. It had reference to the surrender of St. Eustatius by the Dutch to Admiral Rodney, 4 Feb. 1781]. Receipts: #233 19s. (106.18.0; 27.2.6; 0.3.6; tickets: 99.15.0) (charge: #108 0s. 2d.)

Performances

Mainpiece Title: The Lord Of The Manor

Afterpiece Title: The Conquest of St

Performance Comment: Eustatia. Principal Parts by Vernon, Baddeley, Gaudry, Suett, Burton. [Cast from London Chronicle, 4 Apr.: Sea Officer-Vernon; Van Brugen-Baddeley; Land Officer-Gaudry; Oliver Cant-Wrighten [recte Suett (?)]; Van Spragen-Burton; Frenchman-Lamash; Don Carlos-Norris; Governor-Griffiths.

Afterpiece Title: All the Worlds a Stage

Event Comment: MMr Reddish played Lord Townly, being his first appearance in London, --was well received and met with Applause, --but an indifferent figure, --will be useful (Hopkins MS Notes)

Performances

Mainpiece Title: The Provoked Husband

Afterpiece Title: Daphne and Amintor

Event Comment: MMr Vernon, in Garcia, tho not meddled with in the 1st Act was in the 5 hiss'd off, on account of the old affair of his Marriage--an Epilogue was spoke to ye farce by Mrs Clive--(Indiff) (Cross). Receipts: #140 (Cross)

Performances

Mainpiece Title: The Mourning Bride

Performance Comment: As17551021, but Garcia-Vernon; Perez-Mozeen.

Afterpiece Title: The Apprentice

Event Comment: MMr Vernon play'd his Wife's part & was well receiv'd (Cross). [The Public Advertiser, however, carried her name in the play notice.] Receipts: #100 (Cross)

Performances

Mainpiece Title: Eliza

Performance Comment: As17570118, but Genius of England-Vernon.

Afterpiece Title: Lilliput

Event Comment: MMr Woodward continuing ill Vernon did his Part-(all right) (Cross). Receipts: #140 (Cross)

Performances

Mainpiece Title: The Tempest

Performance Comment: As17571020, but Stephano-Vernon; Alonzo-_; Gonzalo-_; Antonio-_; Sebastian-_; Stephano-_; Boatswain-_.

Afterpiece Title: Harlequin Ranger

Event Comment: Benefit for Taswell, Bransby, and 7 more Tickets [for Jefferson, Vernon, Miss Young, Hayes, Petit, Miss Rousselet, Mrs Valcour]. Tickets deliver'd for The Inconstant will be taken. Afterpiece: By Desire. Receipts: #220 (Cross)

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: As17571126, but Indiana-Mrs Davies, 1st time; Sir John-Bransby; Daniel-Jefferson; Singing in Act II-Vernon.

Afterpiece Title: The Chaplet

Performance Comment: As17580125, but Palamon-Rooker; Damon-Vernon, 1st time.

Dance: A Masquerade Polish Dance-Delatre, Miss Rousellet; Minuet-Noverre, Miss Valcour

Song: III: Miss Young

Event Comment: Mainpiece: Not acted this season. Benefit for Johnston (housekeeper). No Building on Stage. Tickets deliver'd for This Night will be taken. [The playbill lists this night as the first appearance of Vernon and Champness in the characters of Squire and Thomas, but see 9 April, where they had appeared in them.

Performances

Mainpiece Title: The Drummer

Afterpiece Title: Thomasand Sally

Performance Comment: As17630503, but Squire-Vernon; Thomas-Champness.

Dance: II: The Irish Lilt, as17621023

Event Comment: Benefit for Vernon

Performances

Mainpiece Title: The Orphan Of China

Performance Comment: As17650305 but Hamet-Vernon, 1st time.

Afterpiece Title: Lethe

Performance Comment: Lord Chalkstone, Old Man-Shuter (from cg); Fine Gentleman-Griffith; Mercury-Vernon; Charon-Moody; Fine Lady-Mrs Clive; Drunken Man-Love; Frenchman-Baddeley; Aesop-Bransby; Bowman-Ackman.

Dance: III: The Irish Lilt, as17641011; End: The Medley, as17641120

Event Comment: For twentieth night the New Masque in Three Parts call'd The Institution of the Garter, or Arthur's Round Table Restor'd, Paid six day's salary list at #83 10s. 7d. per diem #501 3s. 6d.; Paid Mrs Abington on Cloaths acct #2 2s.; Paid Mr Vernon per order on note #20; Rec'd Stopages #13 5s. (Treasurer's Book). Receipts: #142 13s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Institution of the Garter

Event Comment: Afterpiece: Published at 1s. Paid Mr Vernon on note #6 6s. (Treasurer's Book). Receipts: #156 16s. (Treasurer's Book)

Performances

Mainpiece Title: The Gamesters

Afterpiece Title: The Irish Widow

Dance: I: The Irish Fair, as17721023 (playbill)

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Englishman in Paris

Dance: HHornpipe-Miss Baker

Song: Vernon, Miss Young

Entertainment: A Lecture on Life, or all is a lottery-King, for that night only

Event Comment: [Mrs Vernon is identified in Oracle, 31 Jan. Author of Address unknown.] Receipts: #227 2s. (222.9; 4.13)

Performances

Mainpiece Title: Love In A Village

Performance Comment: As17901211, but Lucinda (1st time)-Miss Francis; Rosetta-A Lady (1st appearance on any stage [Mrs Vernon]).Mrs Vernon]).

Afterpiece Title: The Picture of Paris

Dance: End II: The Wapping Landlady, as17901204

Entertainment: Monologue Preceding: an Occasional Address-Harley

Event Comment: The United Company. There is uncertainty concerning this date; it appears on Luttrell's copy (Huntington Library) of the separately printed Prologue and Epilogue, and the date may represent the time of his purchase rather than a date of performance. The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 141-45. Downes (Roscius Anglicanus, pp. 39-40): All the preceding Plays, being the chief that were Acted in Dorset-Garden, from November 1671, to the Year 1682; at which time the Patentees of each Company United Patents; and by so Incorporating the Duke's Company were made the King's Company, and immediately remov'd to the Theatre Royal in Drury-Lane. Upon this Union, Mr Hart being the Heart of the Company under Mr Killigrew's Patent never Acted more, by reason of his Malady; being Afflicted with the Stone and Gravel, of which he Dy'd some time after: Having a Sallary of 40 Shillings a Week to the Day of his Death. But the Remnant of that Company; as, Major Mohun, Mr Cartwright, Mr Kynaston, Mr Griffin, Mr Goodman, Mr Duke Watson, Mr Powel, Sr, Mr Wiltshire, Mrs Corey, Mrs Bowtell, Mrs Cook, Mrs Montfort. [Joined the new company]. Note, now Mr Monfort and Mr Carlile, were grown to the Maturity of good Actors. The mixt Company then Reviv'd the several old and Modern Plays, that were the Propriety of Mr Killigrew, as Rule a Wife, and have a Wife: Mr Betterton Acting Michael Perez; Don Leon, Mr Smith, Cacofogo, Mr Cartwright: Margaretta, Mrs Barry: Estiphania, Mrs Cook. Next, @The Scornful Lady.@The Plain Dealer.@The Mock Astrologer.@The Jovial Crew.@The Beggars Bush.@Bartholomew-Fair.@The Moor of Venice.@Rollo.@The Humorous Lieutenant.@The Double Marriage.@ With divers others. George Powell, Preface to The Treacherous Brothers (1690): The Time was, upon the uniting of the Two Theatres, that the Reviveing of the old stock of Plays, so ingrost the study of the House, that the Poets lay dorment; and a new Play cou'd hardly get admittance, amongst the more precious pieces of Antiquity, that then waited to walk the Stage. Cibber, Apology, ed. Lowe, I, 95-96): I shall content myself with telling you that Mohun and Hart now growing old [for, above thirty Years before this Time, they had severally born the King's Commission of Major and Captain in the Civil Wars), and the younger Actors, as Goodman, Clark, and others, being impatient to get into their Parts, and growing intractable, the Audiences too of both Houses then falling off, the Patentees of each, by the King's Advice, which perhaps amounted to a Command, united their Interests and both Companies into one, exclusive of all others in the Year 1682. This Union was, however, so much in favour of the Duke's Company, that Hart left the Stage upon it, and Mohun survived not long after

Performances

Mainpiece Title: Title Unknown

Performances

Mainpiece Title: Calisto Or The Chaste Nimph

Afterpiece Title: Calistos Additional performers

Performances

Mainpiece Title: The Fathers Or The Good Naturd Man

Afterpiece Title: The Irish Widow

Dance: As17780919