SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Tho Dogget"/1) | (@(roleclean,performerclean) "Mr Tho Dogget")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4312 matches on Event Comments, 1284 matches on Performance Comments, 541 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Siege Of Damascus

Afterpiece Title: The Devil to Pay

Event Comment: MMrs Cibber to Garrick, late Jan.: It is surprising that dl goes on acting; one night with another, to be sure, they have not received above 40 pounds; the actors are paid only three nights a week; though they play every night. But the top stroke of all was Macklin's play! It was entirely new-dressed, and no expense saved in the clothes. I shall say nothing of the piece, because you may read it; but be as vain as you will about your playing Bayes, you never made an audience laugh more than Henry VII has done. There for the first time I saw your rival, Mr Goodfellow; I should have said the rival Mr Lacy wants to make you; do not be quite dispirited about it, for Perkin Warbeck is much below anything I ever yet saw. Here I must ask Mr Stevens's pardon, to whom I have done injustice, for I think he may dispute the pass downstairs with Perkin, and as his head seems to be the heaviest of the two, I think he has the best right to it.--Boaden, Private Correspondence of Garrick, I, 49

Performances

Mainpiece Title: Henry Vii

Performances

Mainpiece Title: Venice Preserved

Related Works
Related Work: Venice Preserv'd Author(s): Thomas Otway
Related Work: Venice Preserv'd; or, A Plot Discover'd Author(s): Thomas Otway
Related Work: Venice Preserved Author(s): Thomas Otway

Afterpiece Title: The Virgin Unmask'd

Song: Beard

Dance: Cooke, Sga Campioni

Related Works
Related Work: The Battle of the Poets; or, The Contention for the Laureat Author(s): Thomas Cooke
Related Work: The Triumphs of Love and Honour Author(s): Thomas Cooke
Related Work: The Eunuch; or, The Darby Captain Author(s): Thomas Cooke
Related Work: Love the Cause and Cure of Grief; or, The Innocent Murderer Author(s): Thomas Cooke
Related Work: The Mournful Nuptials; or, Love the Cure of All Woes Author(s): Thomas Cooke

Performances

Mainpiece Title: The Relapse

Afterpiece Title: The Intriguing Chambermaid

Dance: I: Sailor's Hornpipe-Phillips late Harlequin of Drury Lane, his first in this Kingdom for three years; II: Quaker's Sermon on Viola-Phillips; III: Drunken Peasant-Phillips

Ballet: V:Pantomime Dance call'd Harlequin and Clown. Harlequin-Phillips

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Royal Chace

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: Phebe

Performances

Mainpiece Title: The Committee

Afterpiece Title: Phebe

Dance: The English Boy, English Girl

Event Comment: [The following letter appeared in the General Advertiser]: To Mr Ryan, Sir: As the Author whom you have judiciously, I think, call'd in to your Assistance on your Benefit Night is little known; his Name not having appeared upon the Stage in our Days; and from whence some may be apt to think it scarce worth while to produce him now;--it was thought advisable by many of your Friends, of which Number I profess myself, to draw up the following Account of him and his Dramatic Works, that such as are Strangers to him may have some further Inducement to favour you with their Company. Mr Thomas Randolph lived in the Reign of King Charles I, was Fellow of Trinity College, Cambridge; but died young. He was a Man of pregnant Wit, gay Humour and of excellent Learning; which gain'd him the Esteem of the Polite Part of the Town, and particularly recommended him to the Favour of Ben Johnson, who adopted him one of his Sons, and held him in equal Esteem with the ingenious Mr Cartwright, another of the Laureat's adopted Sons:--The Plays he wrote were: [he lists 5 plays, commenting from Cokayne and Rich of Christ's Church College, Oxon, and West on the ethical quality of the last one, The Muses' Looking Glass]. In short, Sir, I doubt not but his old nervous Wit will still please, and join'd with the New Masque you have added, excite Curiousity enough to answer your Design; since by your Steadiness it was absoluteley necessary you should hava Novelty, as well as Interest, to procure half so good a House, as we all wish you, and especially, Your Humble Servant, I. M. [See 14 March afterpiece.

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Apollo and Daphne

Event Comment: Published at 1s. 6d. Romeo and Juliet, revised by Theo. Cibber, first rev[ived] in Sept. 1744 at the Theatre in the Haymarket. Now acted at the Theatre Royal in Drury Lane. Great objects only strike the Gen'rous Heart@Praise the Sublime, o'er look the Mortal Part@Be there your judgment, Here your Candor shown@Small is our Portion-and we wish 'Twere none.-Prologue to Comus alter'd, &c. To which is added a Serio-Comic Apology for part of the life of Theophilus Cibber, Comedian, written by himself. Interspers'd with Memoirs and Anecdotes relating to the Stage managements, Theatrical Resolutions, &c., also Cursory Observations on some Pribcipal players. Particularly, Mr Quin, Ryan, Delane, Mrs Woffington, Mrs Ward, Miss Bellamy, Mr Garrick, Barry, Mrs Cibber, Mrs Clive, Mrs Pritchard and others. Likewise Original Letters that passed between the late Sir Thomas deVeil and Mr Theophilus Cibber relating to the Stage Act. "Each Puny Critic can Objections raise@The Greatest still is Knowing when to praise,"-Buckingham. Concluding with a Copy of Verses called The Contrite Comedian's Confession. Printed for C. Corbett &c. (General Advertiser). [This pamphlet details Cibber's troubles with Fleetwood during the years 1743-46.] Receipts: #160 (Cross); #151 11s. (Powel)

Performances

Mainpiece Title: Romeo And Juliet

Related Works
Related Work: The History and Fall of Caius Marius Author(s): Thomas Otway

Afterpiece Title: The Intriguing Chambermaid

Event Comment: Benefit for ye Author (Cross). Places for Boxes to be taken of Hobson at the stage door. Tickets to be had of Mr Miller, in the strand; Mr Dodsley in Pall Mall; at the Half-Moon Tavern, near Holborn Bars, and of Mr Hobson. Just Publish'd Mahomet and Palmira. A Tragedy as it is acted at the Theatre Royal in Drury Lane, by a Gentleman of Wadham College. [This would seem to be James Miller's Mahomet, with the printer capitalizing on Johnson's production at dl.] Receipts: #175 (Cross); house charges, #63 (Powel)

Performances

Mainpiece Title: Mahomet And Irene

Performances

Mainpiece Title: The Tempest; Or, The Inchanted Island

Related Works
Related Work: The Tempest; or, The Enchanted Island Author(s): Thomas Shadwell
Related Work: The Mock-Tempest; or, The Enchanted Castle Author(s): Thomas Duffett
Related Work: The Mock Tempest Author(s): Thomas Duffett

Afterpiece Title: The Anatomist

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Chaplet

Related Works
Related Work: Harlequin's Chaplet Author(s): Thomas Shaw

Performances

Mainpiece Title: Merope

Dance: GGrand Scotch Dance, as17491031

Performances

Mainpiece Title: The Roman Father

Performances

Mainpiece Title: Concert Spiritual

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: A Duke and no Duke

Dance: I: Fingalian Dance-McNeil; II: Black Joke-the Little Swiss, Miss Foulcade; III: Grand Scotch Dance, as17491031; IV: Hornpipe-Mathews; End of Play: Minuet-Mathews, Mad DeLaContri

Event Comment: A great deal of Hissing by some Gentlemen in the Pit--at ye beginning of the 4th Act an apple thrown at Mrs Pritchard, Mr Garrick call'd for by ye pit--one Gent: got up, & said they insisted upon another play for Monday--Mr Garrick said as they had met with no obstruction since ye first Night, the Author's property was concern'd & desir'd it might be play'd Monday and Tuesday, the last being ye Author's night, & wou'd give out another play for Wednesday--Several in ye House approving this--they consented & at ye end of ye play, Mr Garrick gave out Gil Blas for Monday & Tuesday & Romeo & Juliet for Wed.:--before this at ye end of ye 1st Act, & beginning of ye Second the performance, that Night had been interrupted with Groans, Hisses etc. from ye Pit (Cross). Receipts: #140 (Cross)

Performances

Mainpiece Title: Gil Blas

Event Comment: [Cast taken from 1st edn. The bill merely lists actors and notes "With proper Music, Scenes, and Decorations. Never acted before." It mentions no Prologue or Epilogue.] This Masque was wrote about eleven years ago, by Mr Malet & Mr Thomson, & play'd in the Garden at Clifden before the P. of Wales &c.--Mr Malet has now alter'd it, & it was play'd with great Applause, only some of the Dances, being too long were dislik'd, & some of the Songs had ye same reception (Cross). Receipts: #180 (Cross)

Performances

Mainpiece Title: Alfred, A Masque

Related Works
Related Work: Alfred, a Masque Author(s): James Thomson
Related Work: Alfred the Great, King of England Author(s): James ThomsonThomas Arne
Related Work: Love's Mistress; or, the Queen's Masque Author(s): Thomas Heywood
Related Work: The Subjects of Joy for the Kings Restoration Cheerfully made Known in a Sacred Masque Author(s): Anthony Sadler
Event Comment: The Play of Othello, which was performed last night at Drury Lane theatre, by some gentlemen and ladies to the most numerous and polite Audience that could be assembled, went off throughout with great approbation and applause (General Advertiser). [See A Satirical Dialogue between a Sea Captain and his friend in Town: Humble submitted to the Gentlemen who deformed the Play of Othello on Th-rs-y M- the 7th....To which is added a Prologue and Epilogue much more suitable to the occasion than their own. (London [n.d.], BM 11,795, K 31, 8pp): @'Good manners oblig'd them sometimes to applaud@Tho' they little deserv'd it...'@ The author laments the fact that the expenditure (#1,500) was not put out to charitable purposes, rather than for such entertainment.] This day is publish'd at 1s. 6d., beautifully printed, Alfred, a Masque, acting at the Theatre Royal in Drury Lane, by Mr Mallet. Printed for A. Miller, opposite Catherine St in the Strand, where may be had Alfred, a Masque, represented before their Royal Highnesses the Prince and Princess of Wales at Cliefden, on the first of August 1740. Written by Mr Thomson and Mr Mallet

Performances

Mainpiece Title: None

Performances

Mainpiece Title: Romeo And Juliet

Related Works
Related Work: The History and Fall of Caius Marius Author(s): Thomas Otway

Afterpiece Title: The Lottery

Event Comment: On Saturday next will be performed a new dramatic entertainment call'd Taste, written by Mr Foote. Mr Woodward takes this opportunity of informing those Gentlemen and ladies who have honour'd him with Memorandums for his Night of the Entertainment, that it is fix'd for Thursday next, the 19th instant. Places may be taken at the Stage Door of the Theatre, or at Mr Woodward's Lodgings in the Great Piazza, Covent Garden. Receipts: #110 (Cross)

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: Harlequin Ranger

Performances

Mainpiece Title: Eugenia

Performances

Mainpiece Title: Oroonoko

Related Works
Related Work: Oroonoko Author(s): Thomas Southerne
Related Work: The Royal Slave Author(s): Thomas Southerne

Afterpiece Title: Miss in Her Teens

Dance: IV: Sg Piettro, Janeton Auretti, Master Piettro

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Harlequin Ranger

Dance: II: L'Entree de Flore, as17521106, but Piettro, Miss +Rayner, Mad Auretti; III: A +Hornpipe-Mathews

Event Comment: Mainpiece: By Particular Desire. My oath & Mrs Simson's appear'd in ye G: Advertiser, & Mr Fitzpatrick now swore (in ye Inspector) to what before he had given his Honour to--when Woodward appear'd in ye Pant: great Noise, he said gentlemen, if you think the two affidavids to-day not sufficient I will corroberate 'em on Monday with six or Seven more. quiet on Sunday Mr Fitz: waited on Lord Chamberlain, to complain of Woodward's Insolence, my Lord sent for Garrick who told ye whole Story; & upon Mr Fitz owing he threw an apple at him, my Lord said, that act put upon a Footing with ye lowest, & judg'd him the Agressor,--upon wch Fitz; desir'd all affidavids &c shoul'd cease & he wou'd drop his resentment. which was done (Cross). Receipts: #100 (Cross). [In the General Advertiser appeared (1) Letter to the Public from Woodward disclaiming any note of insolence, and accusing Fitzpatrick of having a bad memory; (2) an Affidavit from Cross that he was present and heard Woodward say distincly "Sir I thank you," without any air of menace. He heard this from his prompter's seat "next adjoining the Stage box call'd the Prince of Wale's box"; (3) an Affidavit from Mrs Elizabeth Simson, who was standing in the "First entrance next the stage door, on the Prompter's side," that she heard what Cross Heard and no more, and understood no air of Menace to be present. In the General Advertiser also appeared a letter from one T. C. explaining the approach of Birnam Wood to Dunsinane in Macbeth on the basis of a story told him by a Scots Laird of a nearby castle, to the effect that the Clans used to distinguish themselves in battle by sprays from different trees attached to their bonnets. From this T. C. developed a theory that Macbeth's experience was one of historical face rather tahn a figment of Shakespeare's imagination.

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Queen Mab