Event Comment: The United Company. The date of the first performance is not certain, but it was very likely this day. Writing on 12 May 1688, Peregrine Bertie states that it had been acted nine days successively. If the ninth performance fell on Friday 12 May, the premiere probably occurred on Wednesday 3 May. The Prologue and Epilogue, printed separately, are reprinted in Wiley, Rare Prologues and Epilogues, pp. 261-63. Downes (Roscius Anglicanus, p. 41): This Play by its Excellent Acting, being often Honour's with the presence of Chancellor Jeffereies, and other great Persons had an Uninterrupted run of 13 Days together. Note, The Poet receided for his third Day in the House in Drury Lane at single Prizes 130 l. which was the greatest Receipt they ever had at that House at single Prizes. Dedication, Edition of 1688: This, I must confess, made me hope for success upon the Stage, which it met with, but so great, as was above my expectation (in this Age which has run mad after Farces) no Comedy, for these many years, having fill'd the Theatre so long together: And I had the great Honour to find so many Friends, that the House was never so full since it was built, as upon the third day of this Play; and vast numbers went away, that could not be admitted. For Leigh as Belfond Sr, see Cibber, Apology, ed. Lowe, I, 147-48; and for Underhill as Lolpoop, I, 154-55. For further comment upon the play, see 12 May 1688

Event Comment: Benefit Carey. Afterpiece: Written by Mr Carey. Being the last of that kind he intends ever to compose. At Common Prices. 6:30 P.M. No one admitted into the Boxes but by Silver Tickets or printed Tickets from the Office. [Preface points out that DL had the copy nine months, promising to perform it and returning it at the end of the season. Then Cibber Jr requested it for his summer company; it was rehearsed and then the company forced to close.] The Airs by Porpora

Event Comment: Benefit for Mrs Yates. Garrick's first appearance in Chamont in 4 years. Mrs Yates in Monimia for first time. Mrs Cibber's illness has oblig'd Mrs Yates to change her Play from Jane Shore to The Orphan. The Afterpiece (for one night only): A Burlesque Opera of two acts

Event Comment: Benefit Cibber. At the particular Desire of several Ladies of Quality. Mainpiece: Written by Sir George Etheridge. Afterpiece: Taken from the French of Moliere

Event Comment: Mainpiece: By Desire. This Morning at Ten will be publish'd at 6d. An Epistle from Mr The. Cibber to David Garrick, Esq; to which are prefix'd some occasional verses, Petitions, &c.: @Lowliness is young Ambition's ladder,@Whereto the Climber upwards turns his face;@But when he once attains the upmost Round,@He then unto the ladder turns his back,@Looks in the clouds, scorning the base degrees@By which he did ascend.@Shakespeare@"Let them not say in their hearts, Ah, so we would have it; let them not say, we have swallow'd him up," Ps. XXXV. v.25. Printed for R. Griffiths. [A thirty-five-page apologia, and bitter attack upon Garrick for supposed complicity in prohibiting the license of the Haymarket to him.] Receipts: #180 (Cross)

Event Comment: Christopher Rich's Company. The date of the resumption of playing is not certain, for Cibber (see below) beclouds the issue by referring to Easter-Monday in April, whereas the first Monday following Easter fell on 25 March 1694@5. Nevertheless, Monday 1 April 1695 seems the likely date of the resumption of playing, with Rich's Company ready to perform before the seceding company under Thomas Betterton was fully organized. A new song for Abdelazar, Lucinda is bewitching fair, the music by Henry Purcell and sung by "the Boy" (Jemmy? Bowen), is in Thesaurus Musicus, The Fourth Book, 1695. Cibber, Apology, I, 195: [The Patentees] were not able to take the Field till the Easter-Monday in April following. Their first Attempt was a reviv'd Play call'd Abdelazar, or the Moor's Revenge, poorly written, by Mrs Behn. The House was very full, but whether it was the Play or the Actors that were not approved, the next Day's Audience sunk to nothing. However, we assured that let the Audiences be never so low, our Masters would make good all Deficiencies, and so indeed they did, till towards the End of the Season, when Dues to Ballance came too think upon 'em. [See I, 195-96, for Cibber's account of his Prologue.] A Comparison Between the Two Stages, 1702, p. 7: But in my Opinion, 'twas strange that the general defection of the old Actors which left Drury-lane, and the fondness which the better sort shew'd for 'em at the opening of their Newhouse, and indeed the Novelty it self, had not quite destroy'd those few young ones that remain'd behind. The disproportion was so great at parting, that 'twas almost impossible, in Drury-lane, to muster up a sufficient number to take in all the Parts of any Play; and of them so few were tolerable, that a Play must of necessity be damn'd that had not extraordinary favour from the Audience: No fewer than Sixteen (most of the old standing) went away; and with them the very beauty and vigour of the Stage; they who were left behind being for the most part Learners, Boys and Girls, a very unequal match for them who revolted. According to a statement made in litigation, the company in Drury Lane acted 84 times between 25 March 1694@5 and 7 July 1695; and the Young Actors played 68 times from 6 July 1695 to 10 Oct. 1695 to 10 Oct. 1695. See Hotson, Commonwealth and Restoration Stage, p. 308

Event Comment: Benefit Cibber. By particular Desire. [Tickets at Cibber's House in Wild-Court, lif.

Event Comment: Benefit for Mrs Cibber. Tickets delivered for The Orphan will be taken. No building on stage. [Goldsmith, in his Bee (Vol. 1759, p. 56), commenting on Mad Clairon s' excellent preservation of character on stage, glances at Mrs Cibber, perhaps in this night's performance: 'I can never pardon a lady on the stage who, when she draws the admriation of the whole audience, turns about to make them a low courtesy for their applause. Such a figure no longer continues Belvidera , but at once drops into Mrs Cibber." See comment upon her deportment as Ophelia , 29 April 1763.