SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr Theo Cibber"/1) | (@(roleclean,performerclean) "Mr Theo Cibber")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4554 matches on Event Comments, 3633 matches on Author, 3066 matches on Performance Comments, 534 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Benefit Cibber. At the particular Desire of several Ladies of Quality. Afterpiece: Taken from Moliere. [Tickets of Cibber at Newton's Warehouse (the Crown and Scepters) in Tavistock-street.]

Performances

Mainpiece Title: The Man Of Taste

Performance Comment: As17350308 but see17350325 With the Original Prologue, and a new Epilogue recommending the Support of the English Theatre To the Beauties of Great Britain, Both spoken by Mr Cibber .

Afterpiece Title: The Mock Doctor

Performance Comment: Doctor-Cibber; Dorcas-Mrs Clive, but see17341009 .
Cast
Role: Doctor Actor: Cibber

Dance: In: Drunken Peasant by Le Brun. V: Russian Sailor by Denoyer. End of Afterpiece: Amorous Swain, as17350327

Performances

Mainpiece Title: The Mourning Bride

Performance Comment: King-Mills; Osmyn-Milward; Gonzalez-Quin; Garcia-Cibber; Selim-Cross; Perez-Winstone; Alonzo-Turbutt; Heli-Este; Almeria-Mrs Thurmond; Zara-Mrs Butler; Leonora-Mrs Cross .
Cast
Role: Garcia Actor: Cibber

Afterpiece Title: The Lottery

Performance Comment: Lovemore-Salway; Stocks-Harper; Chloe-Mrs Cibber; Jack Stocks-Cibber .
Cast
Role: Chloe Actor: Mrs Cibber
Role: Jack Stocks Actor: Cibber

Dance: Drunken Peasant by Le Brun. English Maggot by Villeneuve and Mrs Walter. Revellers by Essex, Mrs Walter, &c

Performances

Mainpiece Title: The Rival Queens

Performance Comment: Roxana-Mrs Porter; Alexander-Milward; Clytus-Quin; Statira-Mrs Cibber; Cassander-Mills; Lysimachus-W. Mills; Hephestion-Este; Polyperchon-Cibber; Parisatis-Miss Holliday; Perdiccas-Berry; Phillip-Winstone; Thessalus-Cross; Eumenes-Raftor; Aristander-Turbutt; Meleager-Oates; Sysigambis-Mrs Cross; Ghosts of Darius and Statira-sung by Stoppelaer, Mrs Clive.
Cast
Role: Statira Actor: Mrs Cibber
Role: Polyperchon Actor: Cibber
Related Works
Related Work: The Rival Queans Author(s): Colley Cibber

Dance: Denoyer, Mlle Roland

Event Comment: Mainpiece: Written by Shakespear. Egerton 2320: Receipts: #80. A quarrel betwixt Mr Quin and Mrs Cibber about dressing in ye Green Room

Performances

Mainpiece Title: Othello Moor Of Venice

Performance Comment: Othello-Quin; Desdemona-Mrs Cibber; Brabantio-Milward; Cassio-Wright; Iago-Mills; Roderigo-Miller; Emilia-Mrs Butler.
Cast
Role: Desdemona Actor: Mrs Cibber

Afterpiece Title: The Virgin Unmaskd

Performances

Mainpiece Title: Venice Preservd

Performance Comment: Jaffier-Milward; Pierre-Quin; Belvidera-Mrs Cibber; Renault-Cibber; Priuli-Boman; Duke-Cross; Bedamar-Hill; Eliot-Winstone; Spinosa-Turbutt.
Cast
Role: Belvidera Actor: Mrs Cibber
Role: Renault Actor: Cibber

Afterpiece Title: The Burgomaster Trickd

Dance: Denoyer, Haughton, Miss Thompson

Performances

Mainpiece Title: Venice Preservd

Cast
Role: Belvidera Actor: Mrs Cibber
Role: Renault Actor: Cibber

Afterpiece Title: Sir John Cockle at Court

Performance Comment: Sir John Cockle-Miller; King-Cibber; Sir Timothy Flash-Beard; Greenwood-Hill; French Cooke-Woodward; Miss Kitty-Mrs Clive; Mrs Starch-Miss Tollett; Vintner-Turbutt; Joe-Marshall; Barber-Ray; Taylor-Gray; Attendants-Raftor, Woodburn, Leigh; Edition of 1738 adds: Prologue-Cibber; Epilogue-Mrs Clive.
Cast
Role: King Actor: Cibber
Role: Prologue Actor: Cibber

Dance: V: Ballet-Denoyer, Haughton, Miss Thompson

Performances

Mainpiece Title: Tancred And Sigismunda

Performance Comment: Tancred-Garrick; Siffredi-Sheridan; Osmond-Delane; Rodolpho-Havard; Sigismunda-Mrs Cibber; Laura-Miss Budgell; Epilogue-Miss Budgell, Mrs Cibber [1st edition, but listed in order of actors given by General Advertiser, except General Advertiser adds Bridges & Mozeen].1st edition, but listed in order of actors given by General Advertiser, except General Advertiser adds Bridges & Mozeen].
Cast
Role: Sigismunda Actor: Mrs Cibber
Role: Epilogue Actor: Miss Budgell, Mrs Cibber
Event Comment: Benefit Cibber Jun. Tickets and places to be had of Hobson at the stage door. Tickets deliver'd out by Mr Moore, and tickets deliver'd out for the Distress'd Wife dated 16 March will be taken

Performances

Mainpiece Title: The Man Of Mode Or Sir Fopling Flutter

Performance Comment: Sir Fopling Flutter-Cibber Jun; Dorimant-Mills; Young Bellair-Blakes; Mrs Loveit-Mrs Woffington; Belinda-Mrs Elmy; Pert-Mrs Macklin; Medley-Bridges; Old Bellair-Taswell; Shoemaker-Neale; Handy-Usher; Smirk-Simpson; Page-Master Wilks; Harriet-Mrs Mills; Emilia-Mrs Ridout; Lady Townly-Mrs Bennet; Lady Woodly-Mrs Cross; Busy-Miss Minors; Orange Woman-Mrs Bridges; New Epilogue-Mrs Woffington in Man's Cloaths, and address'd to the Young Gentlemen who call themselves the Town.

Afterpiece Title: The Double Disappointment

Song: I: Mrs Mozeen; III: Lowe

Dance: II: The Mechels; IV: Muilment; V: Salomon, Sga Padouana, Salomon's son

Event Comment: MMrs Cibber Play'd (Cross). The Letter sign'd E. L. written in the Name of several Persons of Distinction, is receiv'd; and the Play of King Lear will be acted there, as soon as Mr Garrick is able to perform so long a Character (note "From the Theatre Royal Drury Lane" inserted in the General Advertiser). Receipts: #160 (Cross); #156 17s. 6d. (Powel)

Performances

Mainpiece Title: Venice Preserved Or A Plot Discoverd

Performance Comment: Pierre-Barry; Priuli-Havard; Renault-Berry; Jaffier-Delane; Duke-Winstone; Bedamar-Blakes; Belvidera-Mrs Cibber.
Cast
Role: Belvidera Actor: Mrs Cibber.

Afterpiece Title: The Double Disappointment Cross

Performances

Mainpiece Title: Boadicia

Performance Comment: Parts-Garrick, Mossop, Havard, Burton, Bransby, Davies, Mozeen, Jefferson, Mrs Pritchard, Mrs Cibber. Dumnorix-Garrick; Aenobarbus-Mossop; Flaminius-Havard; Tenantius-Burton; Ebrancus-Mozeen; Roman Ambassador Icenians and Trinobanitans-Bransby, Davies, Jefferson; Boadicia-Mrs Pritchard; Venusia-Mrs Cibber; [With new pieces of music- [between the acts, adapted to the play; Prologue-Mossop; Epilogue-Havard [(Edition of 1753).].(Edition of 1753).].

Music: With new pieces of Between the Acts: Music , adapted to the play, and by Dr Boyce-

Event Comment: MMrs Cibber is recover'd & plays tonight-Mr Garrick taken ill, Holland did Chamont (Cross). [Probably Havard of Davies did Polydore, as both were familiar with the part.] Receipts: #170 (Cross)

Performances

Mainpiece Title: The Orphan

Performance Comment: Chamont-Garrick; Acasto-Berry; Ernesto-Simson; Monimia-Mrs Cibber; Page-Cautherly; Castalio-Ross; Polydor-Holland, 1st time; Chaplain-Blakes; Serina-Miss Minors; Florella-Mrs Bennet.
Cast
Role: Monimia Actor: Mrs Cibber
Related Works
Related Work: The Fair Orphan Author(s): Colley Cibber

Afterpiece Title: Lilliput

Event Comment: The United Company. The date of the first performance is not known, but Luttrell dated his copy of the separately-printed Prologue and Epilogue 5 April 1684 (J. W. Dodds, Thomas Southerne, p. 48). Very probably the play first appeared during the week of 31 March-5 April, immediately following Easter. The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 191-94. This may have been the last new role William Smith undertook for some years; see Cibber, Apology, ed. Lowe, 1, 78-79, for the incident which prompted Smith's leaving the stage for awhile. One song, I never saw a face till now, with music by Captain Pack, is in The Theater of Music, the First Book, 1685; and another, O why did e'er my thoughts aspire, the music by R. King, is in the same collection. A third song, See how fair Corinna lies, the music by Captain Pack, is in A Collection of Twenty-Four Songs, 1685

Performances

Mainpiece Title: The Disappointment Or The Mother In Fashion

Event Comment: Betterton's Company. The date of this performance, which coincides with the opening of the playhouse in Lincoln's Inn Fields by Betterton's Company, is established by Downes, Roscius Anglicanus, pp. 43-44: [Betterton, Mrs Bracegirdle, Mrs Barry, and others] set up a new Company, calling it the New Theatre in Lincolns-Inn-Fields; and the House being fitted up from a Tennis-Court, they Open'd it the last Day of April 1695, with a new Comedy: Call'd, Love for Love....This Comedy being Extraordinary well Acted, chiefly the Part of Ben the Sailor, it took 13 Days Successively. Three songs in the play were published separately: I tell thee, Charmion, the music by Finger, sung by Pate and Reading, is in Thesaurus Musicus, 1696, The Fifth Book. A Nymph and a Swain, the music by John Eccles and sung by Pate; and A Soldier and a Saylour, the music by John Eccles, and sung by Dogget, are in Thesaurus Musicus, The Fourth Book, 1695. Cibber, Apology, I, 196-97: After we had stolen some few Days March upon them, the Forces of Betterton came up with us in terrible Order: In about three Weeks following, the new Theatre was open'd against us with veteran Company and a new Train of Artillery; or in plainer English, the old Actors in Lincoln's-Inn-Fields began with a new Comedy of Mr Congreve's, call'd Love for Love, which ran on with such extraordinary Success that they had seldom occasion to act any other Play 'till the End of the Season. This valuable Play had a narrow Escape from falling into the Hands of the Patentees; for before the Division of the Company it had been read and accepted of at the Theatre-Royal: But while the Articles of Agreement for it were preparing, the Rupture in the Theatrical State was so far advanced that the Author took time to pause before he sign'd them; when finding that all Hopes of Accomodation were impracticable, he thought it advisable to let it takes its Fortune with those Actors for whom he had first intended the Parts. A Comparison Between the Two Stages (1702), p. 10: Ramble: You know the New-house opened with an extraordinary good Comedy, the like has scarce been heard of. Critick: I allow that Play contributed not a little to their Reputation and Profit; it was the Work of a popular Author; but that was not all, the Town was ingag'd in its favour, and in favour of the Actors long before the Play was Acted. Sullen: I've heard as much; and I don't grudge 'em that happy beginning, to compensate some part of their Expence and Toil: But the assistance they receiv'd from some Noble Persons did 'em eminent Credit; and their appearance in the Boxes, gave the House as much Advantage as their Contributions. Ramble: Faith if their Boxes had not been well crowded, their Galleries wou'd ha' fallen down on their Heads. Sullen: The good Humour those Noble Patrons were in, gave that Comedy such infinite Applause; and what the Quality approve, the lower sort take upon trust. Gildon, The Lives and Characters (ca. 1698), p. 22: This Play, tho' a very good Comedy in it self, had this Advantage, that it was Acted at the Opening of the New House, when the Town was so prepossess'd in Favour of the very Actors, that before a Word was spoke, each Actor was clapt for a considerable Time. And yet all this got it not more Applause than it really deserv'd. An Essay on Acting (London, 1744), p. 10: The late celebrated Mr Dogget, before he perform'd the Character of Ben in Love for Love, took Lodgings in Wapping, and gather'd thence a Nosegay for the whole Town

Performances

Mainpiece Title: Love For Love

Event Comment: Betterton's Company. The date of the first performance is not certain, but the evidence points to this day as a strong Possibility. Downes, Roscius Anglicanus (p. 44) states that it was given thirteen days consecutively, and John Coke (see 16 March 1696@7) states that it was acted "till Saturday" (16 March 1696@7). If the tragedy was acted on Wednesdays but not Fridays, as was often the practice in Lent, and if the farce alluded to for Saturday, 16 March 1696@7, comprised the entire program, this day was probably the premiere. The following sequence of performances is based on these premises. Downes, Roscius Anglicanus, p. 44: The Mourning Bride...had such Success, that it continu'd Acting Uninterrupted 13 Days together. Gildon, English Dramatick Poets, p. 23: This Play had the greatest Success, not only of all Mr Congreve's, but indeed of all the Plays that ever I can remember on the English Stage, excepting some of the incomparable Otway's. Aston, A Brief Supplement (in Cibber, Apology, II, 302): His [Betterton's] Favourite, Mrs Barry, claims the next in Estimation. They were both never better pleas'd, than in Playing together.--Mrs Barry outshin'd Mrs Bracegirdle in the Character of Zara in the Mourning Bride, altho' Mr Congreve design'd Almeria for that Favour

Performances

Mainpiece Title: The Mourning Bride

Event Comment: The United Company. The date of the first performance is not certain, but Luttrell acquired his copy of the separately-printed Prologue and Epilogue on 18 Aug. 1684. (Bindley Collection, William Andrews Clark@Jr@Library), and the play was probably first performed on that day or in the preceding week. The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 221-23. In the broadside the speaker of the Prologue is identified as Jevon. A sofg, Ah poor Oliver never boast, the verse by a Lady, and the music by R. King, is in A Collection of Twenty-Four Songs, 1685. Another, Damon if you wilt believe me, the verse by a Person of Quality and the music by Alexander Damascene, is in The Banquet of Musick, The Fifth Book, 1691. Two songs, Tell me no more I am deceived, the verse by Sir George Etherege and the music by J. B. Draghi, and Who can resist my Celia's charms, the music by J. B. Drahgi, and the verse by A Person of Quality, are in the printed play. This cast contains the last new role certainly assigned to John Wiltshire, who, according to (Cibber, Apology, ed. Lowe, I, 84-85), entered the army and was killed in action

Performances

Mainpiece Title: A Duke And No Duke

Performances

Mainpiece Title: The Traytor

Performance Comment: Edition of 1692: Duke of Florence-Hodgson; Lorenzo-Kynaston; Sciarrha-Williams; Pisano-Cibber; Cosmo-Harris; Florio-Alexander [Verbruggen]; Depazzi-Haynes; Frederico-Mich. Lee; Alonzo-Bright; Petruchio-Freeman; Rogero-Tommy Kent; Amidea-Mrs Bracegirdle; Oriana-Mrs Lassells; Morossa-Mrs Cory.
Cast
Role: Pisano Actor: Cibber

Performances

Mainpiece Title: The Triumphs Of Virtue

Performance Comment: Edition of 1697: Duke of Polycastro-Williams; Lorenzo-Lee; Perollo-Harland; Antonio-Cibber; Gurello-Rogers; Rinaldo-Mills; Fidelio-Disney; Montano-Simpson; Gusman-Pinkethman; Luperto-Bullock; Massetto-Dogget; Dutchess-Mrs Finch; Bellamira-Mrs Rogers; Isidora-Mrs Cross; Prologue-Mrs Allison; Epilogue-Mrs Rogers.
Cast
Role: Antonio Actor: Cibber

Performances

Mainpiece Title: The Old Mode And The New Or Country Miss With Her Fourbeloe

Performance Comment: Ediiton of 1703 lists: Sir Fumbler Oldmode-Johnson; Frederick-Wilks; Will Queenlove-Mills; M de Pistole-Bowen; Tom Pistole-Cibber; Misterious Maggothead-Pinkeman; Major Bombard-Cross; Captain Crimp-Boyse; Abram-Bullock; Combwig-Fairbank; Lady Oldmode-Mrs Moor; Lucia-Mrs Oldfield; Gatty-Mrs Moor; Probleme-Mrs Knight; Prologue-Pinkeman; Epilogue-Mrs Moor.
Cast
Role: Tom Pistole Actor: Cibber

Performances

Mainpiece Title: The Funeral

Performance Comment: Brumpton-Keene; Hardy-Cibber; Campley-Wilks; Trusty-Mills; Sable-Johnson; Trim-Penkethman; Lady Brumpton-Mrs Rogers; Lady Sharlot-Mrs Porter; Lady Harriet-Mrs Bradshaw; Mrs d'Epingle-Mrs Bicknell; Fardingale-Norris.
Cast
Role: Hardy Actor: Cibber

Performances

Mainpiece Title: The Orphan

Performance Comment: Acasto-Bowman; Castalio-Wilks; Chamont-Mills; Polydore-Booth; Chaplain-Cibber; Monimia-Mrs Porter; Serena-Mrs Santlow.
Cast
Role: Chaplain Actor: Cibber
Related Works
Related Work: The Fair Orphan Author(s): Colley Cibber

Afterpiece Title: The What Dye Call It

Performances

Mainpiece Title: Lady Jane Gray

Performance Comment: Edition of 1715 lists: Duke of Northumberland-Mills; Duke of Suffolk-Boman; Lord Guilford Dudley-Booth; Earl of Pembroke-Elrington; Earl of Sussex-Ryan; Gardiner Bishop of Winchester-Cibber; Sir John Gates-Shepherd; Lieutenant of Tower-Quin; Captain of Guards-Maddocks; Dutchess of Suffolk-Mrs Porter; Lady Jane Gray-Mrs Oldfield; Prologue-Booth; Epilogue-Mrs Porter.

Music: In: a cantata, The Meditation by Pepusch-Mrs del'Epine, Mrs Barbier

Performances

Mainpiece Title: The Country Wife

Performance Comment: Pinchwife-Booth; Horner-Wilks; Sparkish-Cibber; Sir Jasper-Norris; Harcourt-Mills; Dorilant-Ryan; Margery-Mrs Bicknell; Lady Fidget-Mrs Saunders; Alithea-Mrs Santlow; Mrs Fidget-Miss Younger; Mrs Squeamish-Miss Willis.
Cast
Role: Sparkish Actor: Cibber

Performances

Mainpiece Title: The Country Wife

Performance Comment: Horner-Wilks; Harcourt-Mills; Dorilant-Ryan; Pinchwife-Booth; Sparkish-Cibber; Sir Jasper-Norris; Mrs Pinchwife-Mrs Bicknell; Alithea-Mrs Santlow; Lady Fidget-Mrs Saunders; Mrs Dainty-Miss Younger; Mrs Squeamish-Miss Willis.
Cast
Role: Sparkish Actor: Cibber

Performances

Mainpiece Title: The Country Wife

Performance Comment: Horner-Wilks; Harcourt-Mills; Pinchwife-Booth; Sparkish-Cibber; Sir Jasper-Norris; Mrs Pinchwife-Mrs Bicknell; Alithea-Miss Younger; Lady Fidget-Mrs Saunders; Mrs Dainty-Mrs Horton; Mrs Squeamish-Miss Willis.
Cast
Role: Sparkish Actor: Cibber

Performances

Mainpiece Title: The Way Of The World

Performance Comment: Fainall-Booth; Mirabel-Wilks; Witwoud-Cibber; Petulant-Boman; Sir Wilful-Penkethman; Waitwell-Leigh; Lady Wishfort-Mrs Saunders; Millamant-Mrs Oldfield; Mrs Marwood-Mrs Porter; Mrs Fainall-Mrs Horton; Foible-Mrs Willis; Mincing-Miss Willis.
Cast
Role: Witwoud Actor: Cibber

Dance: As17180114