SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr The Cibber"/1) | (@(roleclean,performerclean) "Mr The Cibber")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4551 matches on Event Comments, 3064 matches on Performance Comments, 2749 matches on Author, 534 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: By Particular Desire. King of Denmark. Richard-Mr Garrick (Cross Diary). For the King of Denmark.--Richard by Mr Garrick, for the first time these six years-Beyond discription fine, -his voice clear to the last (Hopkins Diary). No money taken at stage door. None returned after curtain is up. The doors (by particular desire) will be opened at half an Hour after Five. To Begin at Seven. Neville MS Diary: Hearing about 7 o'clock that Garrick did Richard III, one of his very capital characters which he has not done these 7 or 8 years, resolved (if I could get in to see him) to bear the abhorred sight of that woman-like painted puppy, the King of Denmark. After one unsuccessful attempt got into the Pit with the greatest difficulty after the third act. Garrick is inimitably great in Richard & very different from the other Richards I have seen; his expression of the dying agony of that wretch is beyond description. Some actors speak with as strong & loud voice in that scene as if they had received no wound & were not dying. One Lloyd, who waits on Garrick sometimes, observed that he himself says he never acted better in his life, modestly observing that something must be allowed to the improvement of his judgment. During the dance (for there was no farce) I was within a yard of the Danish tyrant

Performances

Mainpiece Title: King Richard Iii

Performance Comment: Richard-Garrick; King Henry-Havard; Richmond-Aickin; Prince Edward-Miss Rogers; Duke of York-Miss Collet; Buckingham-Jefferson; Tressel-Cautherley; Norfolk-Burton; Stanley-Bransby; Lord Mayor-Baddeley; Caresby-Packer; Ratcliffe-Strange; Lieut.-Moody; Lady Anne-Mrs W. Barry; Duchess of York-Mrs Johnston; Queen-Mrs Hopkins.
Related Works
Related Work: The Tragical History of King Richard III Author(s): Colley Cibber

Dance: End: A Comic Dance call'd The Wake-Giorgi, Mrs King

Event Comment: Benefit for Weston and Miss Ogilvie. By Authority. Being the Last Night. [Many advance bills noted the continuous deferment of this on account of Weston's bad state of health.] Mr Weston's late and precarious State of Health making it extremely doubtful whether he could go through so long and laborious part as Richard, he humbly recommends to the Public Mr Gentleman's friendly intention of undertaking the Character for that Night, and will for the Capital Entertainment of his Friends, speak a new Occasional Prologue, and appear in the Farce, that the strength he has gained for some Days past may not be impaired by Fatigue

Performances

Mainpiece Title: King Richard Iii

Related Works
Related Work: The Tragical History of King Richard III Author(s): Colley Cibber

Afterpiece Title: The Apprentice

Performance Comment: Dick (with a variety of imitations)-Bannister; Simon-Weston; Chalotte-Miss Ogilvie; end of Farce, By Desire, Epilogue to The Doctor Last in His Chariot-Miss Rose; and the Original Prologue-Davis.

Entertainment: SScrub's Trip to the Jubilee (a New Occasional Prologue)-Weston

Event Comment: The Prelude The Theatrical Candidates By Desire, and for the last Time. Paid Mr Brereton on Mr G. draft #60. Receipts: #136 17s. (Treasurer's Book)

Performances

Mainpiece Title: King Richard Iii

Related Works
Related Work: The Tragical History of King Richard III Author(s): Colley Cibber

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: May Day

Event Comment: Ladies send servants by 5 to keep Places and prevent Confusion. Doors will be opened at half after five o'clock. To begin at half after 6 o'clock (playbill). Mr G. Voice and Spirits was never finer he never wanted Spirit or Voice thro' the whole part and Convinced the Audience that those Amazing powers he has always possess'd are now as brilliant as ever. Never was a part play'd with greater Propriety nor an Audience more lavish of their Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly.] [A full column letter for the Morning Chronicle this date from Theatricus to Garrick protested the fact that his announced benefit for the Theatrical Fund on the 30th of May would be all sold out to the highest bidders for tickets; that a nobleman offering ten Guineas for four box seats would get them in preference to the tradesmen who offered only a pound, the stated price of the tickets. Since charity was the cause this writer suggested that Garrick give a second benefit night to the Fund, with the hopes (1) that the Fund would be thereby vastly increased, and (2) that opportunity might be given for twice as many People to see a Garrick final performance. It was, perhaps, in response to this public request that Garrick gave a second Benefit night for the Fund on 10 June. The Morning Post, 29 May, noted: "The concourse of servants assembled yesterday morning at seven o'clock, at Drury Lane Stage Door, to take places for the approaching benefit, in which it is said Mr Garrick will again play Richard III , was astonishing, amounting to many hundreds, three fourths of which were not able to Succeed in their embassies' (Hampden, Journal).] Receipts: #307 3s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: King Richard Iii

Related Works
Related Work: The Tragical History of King Richard III Author(s): Colley Cibber

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber
Event Comment: House (Hopkins Diary). Last time of Garrick's performing Richard . Ladies desired to send their Servants a little after Five to keep places, to prevent Confuson. It is Vanity to endeavor to describe Mr G. Merits they beggar all Descripiton, suffice it to Say he was what he represented (Hopkins Diary). [MacMillan's note from Kemble conservatively toned down.] Paid Sg Como and Crispi in full #3 8s. 3d. Mr Hurd ditto 7s. 6d. Receipts: #284 10s. (Treasurer's Book)

Performances

Mainpiece Title: King Richard Iii

Related Works
Related Work: The Tragical History of King Richard III Author(s): Colley Cibber

Afterpiece Title: The Anatomist; or, The Sham Doctor

Event Comment: Benefit for Mons and Mme Bithmere, and Le Baruf, Composers and principal Performers of the Dramatic Romance of The Rival Knights. Gazetteer, 7 May: Tickets to be had of Mons and Mme Bithmere and of Le Boeuf at Stacy's, colourman, corner of Long-acre. Receipts: #101 8s. 6d. (73/0/6; tickets: 28/8/0) (charge: #105)

Performances

Mainpiece Title: The Double Gallant

Related Works
Related Work: The Double Gallant: or, The Sick Lady's Cure Author(s): Colley Cibber

Afterpiece Title: The Rival Knights

Cast
Role: The Devil Actor: Bannister

Afterpiece Title: Rose and Colin

Cast
Role: The Devil Actor: Bannister

Dance: End of Act II of mainpiece a Dramatic Romance, Adelaide de Brabant; or, The Triumph of Virtue. Principal Characters by Bithmere, Le Boeuf, Mme Bithmere. ["An infant son of Grimaldi (i.e. Joseph, aged 6) performs in an astonishing manner" (Gazetteer, 12 May).] End of Act IV an Allemande and Dance, called Malbrough (composed by Vestris Jun.) by Le Boeuf and Mme Bithmere

Event Comment: Mainpiece: Not acted these 3 years [acted 8 May 1784. Mrs Abington's 1st appearance as Lady Sadlife was at DL, 16 Jan. 1770]. Receipts: #193 9s. (189/15; 3/14)

Performances

Mainpiece Title: The Double Gallant

Performance Comment: Atall-Lewis; Careless-Wroughton; Clerimont-Farren; Finder-Wewitzer; Sir Harry Atall-Thompson; Mr Wilful-Fearon; Bolus-Booth; Rheubarb-Jones; Supple-Stevens; Sir Solomon Sadlife-Quick; Lady Dainty-Mrs Bates; Clarinda-Mrs Inchbald; Wishwell-Mrs Wilson; Sylvia-Mrs Lewis; Sittup-Miss Stuart; Lady Sadlife-Mrs Abington (1st appearance in that character [at this theatre]) .at this theatre]) .
Related Works
Related Work: The Double Gallant: or, The Sick Lady's Cure Author(s): Colley Cibber

Afterpiece Title: The Sultan

Dance: End of Act IV of mainpiece The Merry Sailors, as17850919; End of mainpiece The Piping Pedlar, as17851112; In afterpiece, as17851123

Performances

Mainpiece Title: The Double Gallant; Or, The Sick Lady's Cure

Related Works
Related Work: The Double Gallant: or, The Sick Lady's Cure Author(s): Colley Cibber

Afterpiece Title: Robin Hood

Dance: As17910507

Performances

Mainpiece Title: The Provok'd Husband; Or, A Journey To London

Performance Comment: Lord Townly-Kemble; Mr Manly-Bensley; Sir F. Wronghead-Parsons; Squire Richard-Burton; John Moody-Moody [sic]; Count Basset-Dodd; James-Benson; Poundage-Fawcett; Constable-Maddocks; Servant-Lyons; Lady Townly-Miss Farren; Lady Grace-Mrs Ward; Lady Wronghead-Mrs Hopkins; Miss Jenny-Miss Collins; Mrs Motherly-Mrs Booth; Myrtilla-Miss Heard; Mrs Trusty-Mrs Heard [Kemble playbill erroneously lists Miss Hagley].Kemble playbill erroneously lists Miss Hagley].
Cast
Role: Mrs Motherly Actor: Mrs Booth
Related Works
Related Work: The Provok'd Husband; or, A Journey to London Author(s): Colley Cibber

Afterpiece Title: Richard Coeur de Lion

Cast
Role: Mathew Actor: Fawcett
Event Comment: Mainpiece: Not acted these 4 years [acted 11 May 1791]. Receipts: #182 18s. (173/1; 9/17)

Performances

Mainpiece Title: The Double Gallant; Or, The Sick Lady's Cure

Related Works
Related Work: The Double Gallant: or, The Sick Lady's Cure Author(s): Colley Cibber

Afterpiece Title: LOVE AND WAR

Dance: As17931022

Event Comment: By Command of Their Majesties. Tickets and places to be taken of Mr Johnston at the Stage Door of the Theatre at Half a Guinea. Pit 5s. First Gallery 3s. 6d. Second Gallery 2s. Doors to be opened at Five o'clock. To begin at Half past Six. Theatrical Review (London, 1772), appendix, pp. 207-8: The Oratorios performed at this House were conducted by Messrs. Stanley and Smith, for their own emolument; the Managers of the theatre having had no Share of the profit arising from these performances, nor any advantage, except a premium for the use of the house. Mr Stanley's musical abilities are well known. Mr Smith, was, if we are not mistaken, a pupil of the celebrated Mr Handel's; and, we believe, that Gentleman left Mr Smith the greatest part of his music, if not his whole library; so that Mr Smith may with great propriety claim the right of succeeding Mr Handel in the exhibition and conduct of his Oratorios, which he has undertaken (in conjunction with Mr Stanley) every since Mr Handel's death. Their band was composed of some of the most capital performers in this kingdom, and was led by Mr Ximenes. The vocal performers (exclusive of Chorus singers) were Mr Norris, well known to all lovers of Music, for his taste and delicacy of execution. Mr Parry (a Bass voice) from the Cathedral Church of Salisbury. This gentleman, though very young, has an extensive compass, and a great power of voice, and acquits himself with considerable reputation. Mrs Weichsel and Mrs Scott, of whom it would be superfluous and unnecessary to say anything, since their abilities are generally known. And lastly Signora Grassi, a performer of great merit. Theatrical Review, 6 March: This is Mr Dryden's celebrated Ode on St Cecelia's Day, and not an Oratorio, but performed as such...It contains many beauties and such as are worthy of Mr Handel's genius...Being much shorter than the usual length of oratorios, Mr Handel's celebrated Coronation Anthems were added in order to make the evening's entertainment of a proper length. Also a Solo on the Violincello by Mr Janson...lately arrived from Paris, said to have been a pupil of Mr Duport's but, though his taste and excution is very astonishing, we cannot give him the preference of his master. [See 13 April 1773.Charge seems to have been #28 per night plus expenses for oil, candles &c.

Performances

Mainpiece Title: Alexander's Feast, With Coronation Anthems

Music: First Violin-Mr Ximene; with a Solo on the Violincello-Mr Janson, lately arrived from Paris, (Who has never performed in Public in England)

Event Comment: For the entire Benefit of Mr Penkethman. Note, The Subscribers Tickets have free Admittance in any part of the House that Day' and during the whole Season. To begin exactly at half an Hour after 5, by reason the Gentlemen and Ladies that come from London may have time to return again the same Night. Boxes 2s. 6d. Pit 1s. 6d. Gallery 1s. [The opening, originally advertised for Monday 12, was deferred to this day.

Performances

Mainpiece Title: Love Makes A Man

Related Works
Related Work: Love Makes A Man: or, The Fop's Fortune Author(s): Colley Cibber
Event Comment: Benefit Miss Younger. By His Royal Highness's Command. Mainpiece: Written by the late Mr Dryden. [The Prince present.

Performances

Mainpiece Title: Amphitryon; Or, The Two Sosias

Afterpiece Title: The School Boy

Related Works
Related Work: The School-Boy: or The Comical Rivals Author(s): Colley Cibber

Song: A New Cantata-Turner

Music: A New Concerto on the Violin-Bitty

Dance: As17151122; Dutch Skipper-Mrs Bicknell, Miss Younger

Performances

Mainpiece Title: The Lancashire Witches

Afterpiece Title: Hob; or, The Country Wake

Related Works
Related Work: Hob; or, The Country Wake Author(s): Colley Cibber

Performances

Mainpiece Title: Sir Martin Marall

Afterpiece Title: Hob

Related Works
Related Work: Hob; or, The Country Wake Author(s): Colley Cibber

Song: As17161004

Event Comment: Benefit Mr Price, to relieve him out of Trouble. Mainpiece: Written by the late ingenious Mrs Behn

Performances

Mainpiece Title: The False Count

Afterpiece Title: Hob

Related Works
Related Work: Hob; or, The Country Wake Author(s): Colley Cibber

Song:

Dance:

Performances

Mainpiece Title: King Richard The Third

Related Works
Related Work: The Tragical History of King Richard III Author(s): Colley Cibber

Afterpiece Title: The Dumb Farce

Event Comment: Benefit Norris. Written by the late Mr Wycherly

Performances

Mainpiece Title: The Country Wife

Cast
Role: Sparkish Actor: Cibber
Role: Alithea Actor: Mrs Younger

Afterpiece Title: Hob

Related Works
Related Work: Hob; or, The Country Wake Author(s): Colley Cibber

Dance: Shaw, Weaver, Mrs Booth, Lallie, Mrs Tenoe, Miss Lindar

Event Comment: Benefit Wood, Treasurer. N.B. The Indisposition of Mr Lun prevents the Performance of Amadis. Rece3,5#18 16s. 6d.;

Performances

Mainpiece Title: Cartouche

Afterpiece Title: The Country House

Afterpiece Title: Hob

Related Works
Related Work: Hob; or, The Country Wake Author(s): Colley Cibber
Event Comment: Mainpiece: Written by the late Mr Dryden

Performances

Mainpiece Title: Amphitryon; Or, The Two Sosias

Afterpiece Title: Hob

Related Works
Related Work: Hob; or, The Country Wake Author(s): Colley Cibber

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The School Boy

Related Works
Related Work: The School-Boy: or The Comical Rivals Author(s): Colley Cibber

Dance: HHarlequin and Pirotte-Mlle Harvay

Event Comment: Benefit Boman and Mrs Moore. Written by the late Mr Otway

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: Hob

Related Works
Related Work: Hob; or, The Country Wake Author(s): Colley Cibber

Dance: Lally, Mrs Walter, Young Rainton, Miss Robinson

Performances

Mainpiece Title: Love Makes A Man

Related Works
Related Work: Love Makes A Man: or, The Fop's Fortune Author(s): Colley Cibber

Song: End I: Si Caro, Lass of Patie's Mill-Miss Warren; III: Plain Truth, Wheel of Life-Leveridge; IV: Ballad written, set to music by Leveridge-Miss Fenton; V: Merry Cobler's Tragical End At Last-

Dance: II: Peasant-Nivelon; III: Scots Dance-Mrs Bullock

Event Comment: At Reynolds' Booth. The Beggar's Wedding acted until 8 p.m.; Damon and Phillida, 8 p.m. to 11 p.m.; The Humours of Harlequin added to each one. Daily Post, 25 Aug.: This Day his Royal Highness the Duke and their Royal Highnesses the Princesses Mary and Louisa intend to honour Mr Reynolds with their Presence at his Great Theatrical Booth

Performances

Mainpiece Title: The Beggar's Wedding

Afterpiece Title: Damon and Phillida

Related Works
Related Work: Damon and Phillida Author(s): Colley Cibber

Afterpiece Title: The Humours of Harlequin

Music: With the Original Band of Musick

Event Comment: Benefit Penkethman, Son to the late Mr Penkethman

Performances

Mainpiece Title: Love Makes A Man

Related Works
Related Work: Love Makes A Man: or, The Fop's Fortune Author(s): Colley Cibber

Afterpiece Title: The What D'ye Call It

Performance Comment: Peascod-W. Penkethman; Son to the late Mr Penkethman; Kitty-Mrs Giffard; With an Epilogue-Penkethman; riding on an Ass. riding on an Ass.