SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr The Cibber"/1) | (@(roleclean,performerclean) "Mr The Cibber")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4551 matches on Event Comments, 3064 matches on Performance Comments, 2749 matches on Author, 534 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: [C$Cross suggests The Intriguing Chambermaid as afterpiece, but it is unsupported by the newspapers.] We hear that the Comedy call'd the Pilgrim is now in rehearsal, and will be acted soon, at the theatre Royal in Drury Lane; and that the Secular Masque written by Dryden and set to music by Dr Boyce will be performed with it. The Epilogue which was inserted in our Yesterday's paper, and copied from the Midwife's Magazine, we fine to be imperfect and not genuine, therefore think ourselves under a necessity of asking the Author's pardon. [Hope in a day or two to give it correctly (General Advertiser). Midwife No II, from which it was copied, adds the note: "This Epilogue was taken in shorthand the night I went to see Miss Jenny Cibber play the part of Alicia...Some few mistakes may therefore have happened which the candid reader will excuse and correct."] Receipts: #50 (Cross)

Performances

Mainpiece Title: The Careless Husband

Related Works
Related Work: The Careless Husband Author(s): Colley Cibber

Afterpiece Title: Miss in Her Teens

Dance: II: New Running Footman's Dance, as17501020

Event Comment: The Distress'd Mother deferr'd on account of the Indisposition of Mrs Cibber

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Related Works
Related Work: She Wou'd and She Wou'd Not Author(s): Colley Cibber

Afterpiece Title: Perseus and Andromeda

Related Works
Related Work: Perseus and Andromeda; or, The Spaniard Outwitted Author(s): Lewis Theobald
Related Work: Perseus and Andromeda Author(s): Lewis Theobald
Related Work: The Medley; or, Harlequin At-All Author(s): Lewis Theobald
Event Comment: Sun: 29th Dr Barrowby dy'd suddenly a good friend to ye Actors in Sickness (Cross). [Inspector No 259 appears in Daily Advertiser and London Gazette with a long comparison between actors and various styles of famous painters, Garrick, Barry, Miss Bellamy, Mrs Cibber, Mrs Pritchard, Woodward and Macklin are treated.] Receipts: #160 (Cross)

Performances

Mainpiece Title: Love's Last Shift

Related Works
Related Work: Love's Last Shift; or, The Fool in Fashion Author(s): Colley Cibber
Event Comment: Benefit for Mrs Clive. Mainpiece: Not acted in seven years [see 7 May 47]. Altered from Dryden by Colley Cibber, Esq. Part of Pit laid into boxes. Amphitheatre on Stage. Receipts: #220 (Cross)

Performances

Mainpiece Title: The Comical Lovers

Performance Comment: Palamede-Ross; Rhodophil-Palmer; Celadon-Woodward first time; Sabrina-Mrs Simson; Florimel-Mrs Pritchard, first time; Doralice-Mrs Willoughby; Flavia-Miss Minors; Melissa-Mrs James; Philotas-Mrs Cross; Olinda-Mrs Bennett; Melantha, with songs proper to the part and an Italian Mimic Song-Mrs Clive; Beleza-Mrs Toogood.
Related Works
Related Work: Marriage a la Mode; or, The Comical Lovers Author(s): Colley Cibber
Related Work: The Comical Lovers Author(s): Colley Cibber
Related Work: Celadon and Florimel; or, The Happy Counterplot Author(s): Colley Cibber

Afterpiece Title: Miss in Her Teens

Performance Comment: Fribble the only time this season-Garrick; Flash-Woodward; Loveit-Palmer; Puff-Yates; Tag-Mrs Clive; Miss Biddy-Miss Minors.

Song: III: Mattocks

Dance: IV: Mad Auretti

Event Comment: Benefit for Mrs Woffington. Mainpiece: By N. Rowe, Esq. Not acted these 20 Years. [The Young Gentlewoman possibly Miss Condill. See 1 Nov. 1756.] Afterpiece: Taken from Dryden and Colley Cibber, Poets Laureate

Performances

Mainpiece Title: Ulysses

Performance Comment: Ulysses-Clarke; Eurymachus-Ridout; Telemachus-Smith; Menton-Gibson; Semanthe-a Young Gentlewoman who never appeared on any stage; Penelope-Mrs Woffington; New Epilogue-Mrs Woffington.

Afterpiece Title: The Frenchified Lady Never in Paris

Performance Comment: Lady-Mrs Woffington; Palamede-Dyer; Rhodophil-Gibson; Doralice-Mrs Barrington; Miss Mullart. [the middle three (Genest, IV, 471).] Miss Mullart. [the middle three (Genest, IV, 471).]
Related Works
Related Work: The Frenchified Lady Never in Paris Author(s): Colley Cibber
Related Work: Marriage a la Mode; or, The Comical Lovers Author(s): Colley Cibber

Dance: FFingalian Dance, as17551126

Music: EEllen a Roon on the German Flute-a young Gentlewoman (from Ireland)

Event Comment: Benefit for Mrs Clive. Mainpiece: Written by Colley Cibber. [The Old Maid for 8 May 1756 reviewed this performance of Lethe, or possibly the one with the same cast on 30 April. The reviewer was 'particularly diverted with Mrs Clive's Italian Song, in which this truly humorous actress parodys the Air of the Opera, and takes off the action, of the present favorite female at the Hay-Market, with such exquisite ridicule, that the most zealous partisans of both, I think, must have applauded the comic genius of Mrs Clive, however they might be displeased with this application of it." The reviewer is lukewarm in praise of the "New Character"..."What is there new in a Lord's having Gout, loving a bottle, pretending to taste, or being follow'd by a flatterer?"] Receipts: #210 (Cross)

Performances

Mainpiece Title: The Lady's Last Stake; Or, The Wife's Resentment

Performance Comment: Lord George Brilliant-Woodward; Lord Wronglove-Palmer; Sir Friendly Moral-Berry; Lady Gentle-Mrs Pritchard; Mrs Conquest-Mrs Davies; Miss Notable-Miss Macklin; Heartshorn-Miss Minors; Lady Wronglove-Mrs Clive(, being the first time of their appearance in those characters).
Related Works
Related Work: The Lady's Last Stake, or, The Wife's Resentment Author(s): Colley Cibber

Afterpiece Title: Lethe

Dance: IV: New Sailor's Dance, as17560217

Event Comment: CComus is deferr'd on account of Mrs Cibber's indisposition. Receipts: #170 (Cross)

Performances

Mainpiece Title: The Careless Husband

Related Works
Related Work: The Careless Husband Author(s): Colley Cibber

Afterpiece Title: Lilliput

Event Comment: Both pieces by Command of his Royal Highness the Prince of Wales. Mainpiece: Not acted these 10 years [see 8 May 1753]. Written by Beaumont and Fletcher. Afterpiece: Taken from Dryden and Colley Cibber, Poets Laureate. [Lucy was played by Miss Sledge; see 4 Feb. 1757.

Performances

Mainpiece Title: Wit Without Money

Afterpiece Title: The Frenchified Lady never in Paris

Related Works
Related Work: The Frenchified Lady Never in Paris Author(s): Colley Cibber
Related Work: Marriage a la Mode; or, The Comical Lovers Author(s): Colley Cibber

Dance: Poitier, Granier, Lucas, Mlle Capdeville, Miss Hilliard

Event Comment: CColly Cibber dy'd (Cross). Afterpiece: By Desire. On Monday Next will be publish'd as 1s. Isabella, or the Fatal Marriage. A Play alter'd from Southern, as it is now performing at Drury Lane (Public Advertiser). Receipts: #170 (Cross)

Performances

Mainpiece Title: The Careless Husband

Related Works
Related Work: The Careless Husband Author(s): Colley Cibber

Afterpiece Title: Lethe

Performance Comment: As17571116, but others-_Mozeen, _Bransby, _Jefferson, Miss _Minors.

Dance: II: The Market, as17571126

Event Comment: MMiss Pritchard did the Lady-Oh! for Mrs Pritchard's Benefit. She advertised Jane Shore, but Mrs Cibber being ill it was changed (Cross). Benefit for Mrs Pritchard. Part of the Pit will be laid into the Boxes. Tickets delivered for Jane Shore will be taken. Mainpiece: From Shakespear. Afterpiece: Never acted there. Receipts: #280 (Cross)

Performances

Mainpiece Title: The Winter's Tale

Performance Comment: Leontes-Garrick; Polixenes-Havard; Florizel-Holland; Camillo-Davies; Clown-Woodward; Autolicus-Yates; Old Shepherd-Berry; Paulina-Mrs Bennet; Hermione-Mrs Pritchard; Perdita-Miss Pritchard; The Sheep@Shearing Song-Miss Young; The Trio-Beard, Mrs Vernon, Miss Young; The Original Prologue (By Particular Desire)-Garrick.

Afterpiece Title: The Frenchified Lady never in Paris

Related Works
Related Work: The Frenchified Lady Never in Paris Author(s): Colley Cibber
Related Work: Marriage a la Mode; or, The Comical Lovers Author(s): Colley Cibber

Song: (BBy Desire,)Cymon and Iphigenia-Beard

Event Comment: MMrs Cibber extremely ill, benefit to have been tomorrow deferred. Her death reported (Winston MS 9) [but see 29 March]

Performances

Mainpiece Title: King Richard Iii

Related Works
Related Work: The Tragical History of King Richard III Author(s): Colley Cibber

Afterpiece Title: The Capricious Lovers

Event Comment: Benefit for Mrs Ward. Mainpiece: Not acted this season. Afterpiece: A comedy of one act by Mrs Cibber not acted these 12 years. [See 2 May 1753.] None admitted behind Scenes

Performances

Mainpiece Title: The Rival Queens; Or, The Death Of Alexander The Great

Performance Comment: Alexander-Ross; Lysimachus-White; Clytus-Gibson; Hephestion-Dyer; Cassander-Clarke; Polyperchon-Tindal; Aristander-Perry; Perdicas-Davis; Thessalus-Anderson; Roxana (with Epilogue in character)-Mrs Ward; Sysigambis-Mrs Vincent; Parisatis-Miss Vincent; Statira-Miss Ward; 1st time. In which will be introduc'd The Triumphal Entry of Alexander into Babylon-.
Related Works
Related Work: The Rival Queans Author(s): Colley Cibber

Afterpiece Title: The Oracle

Performance Comment: Oberon-Dyer; Fairy Queen-Mrs Ward; Cynthia-Miss Ward; dance incident to the piece,-Arnauld, Leppie, Miss Twist.
Related Works
Related Work: The Oracle Author(s): Susannah Cibber

Dance: III: The Sicilian Peasants, as17641001; End: A Hornpipe-Miss Pitt

Event Comment: By Permission. Benefit for Fearon and Kennedy. Mainpiece: A new Comedy. Afterpiece: A farce altered from Cibber['s comedy of same title]

Performances

Mainpiece Title: The Fair Orphan

Related Works
Related Work: The Rival Fools Author(s): Colley Cibber
Related Work: The Fair Orphan Author(s): Colley Cibber

Afterpiece Title: The Rival Fools

Related Works
Related Work: The Rival Fools: or, Wit at Several Weapons Author(s): Colley Cibber
Related Work: The Rival Fools Author(s): Colley Cibber

Entertainment: II: Dissertation on Hobby Horses-Wilson

Song: Scotch Song-Aitkin, first appearance on that stage

Event Comment: Mainpiece: Written by Colley Cibber, Esq. Receipts: #171 8s. (169.9; 1.19)

Performances

Mainpiece Title: The Lady's Last Stake; Or, The Wife's Resentment

Related Works
Related Work: The Lady's Last Stake, or, The Wife's Resentment Author(s): Colley Cibber

Afterpiece Title: Poor Vulcan

Dance: End IV: as17780309

Event Comment: Benefit for Quick. Mainpiece: Written by R. Cumberland, Esq. Afterpiece: Written by Colley Cibber, with capital Additions by Fielding, Dean Swift, G. A. Stevens, &c. &c. &c. Public Advertiser, 20 Apr.: Tickets to be had of Quick, Broad-court, Bow-street. Receipts: #327 4s. (177.2.6; 9.11.6; tickets: 140.10.0)

Performances

Mainpiece Title: The Brothers

Related Works
Related Work: The Loyal Brother; or, The Persian Prince Author(s): Thomas Southerne
Related Work: The Perfidious Brother Author(s): Lewis Theobald
Related Work: The Twins; or, Is It He, or his Brother? Author(s): Matthew Gregory Lewis

Afterpiece Title: Alexander the Little; or, The Rival Queans

Performance Comment: Alexander-Quick; Clytus-Wilson; Cassander-Munden; Polyperchon-Bernard; Philip-Reeve; Meleager-Williamson; Hibernian Fortune Teller-Rock; Hephestion and Lysimachus (a la Pugilistique)-Cubitt, Marshall; Second to Lysimachus-Follett; Second to Hephestion-Milburne; The Princess Statira-Mrs Webb; Sysigambis (Mother to the Princess)-Mrs Pitt; Roxana-Mrs Martyr.
Related Works
Related Work: Alexander the Little; or, The Rival Queans Author(s): Colley Cibber
Related Work: The Rival Queans Author(s): Colley Cibber

Dance: End: The Jockies-Ratchford, Platt, Jackson, Mrs Goodwin

Song: End II: song-Incledon; Afterpiece: The Tragedy will be interspersed with Airs, Duets, Glees, composed by Arne, Arnold, Fischer, Dibdin, with a Grand Overture(A Finale, composed by Shield), Triumphal Entry of Alexander-

Event Comment: Benefit for Mrs Kemble, being the last Time of her Appearing on the Stage. 1st piece [1st time; T 2, by John Philip Kemble, altered from the same by Philip Massinger. Larpent MS 1040: not published]: In Act I the Triumphal Entry of Domitian into the Capitolv. 2nd piece [1st time; C 3, by John Philip Kemble, altered from The Comical Lovers, by John Dryden and Colley Cibber. Larpent MS 1133: not published. Genest, VII, 243: C. Kemble on being asked, in 1821, if the above cast was right, said that he believed it was, but that he was ill and did not act]. [Address by Bertie Greatheed (European Magazine, June 1796, p. 397).] Morning Herald, 10 May: Tickets to be had of Mrs Kemble, No. 13, Caroline-street, Bedford-square. Account-Book: Paid H. S. Hargraves, Box No. 95, his Servant being turn'd out by Force, #1 4s. Receipts: #190 9s. 6d. (130.9.0; 59.10.0; 0.10.0; tickets: none listed; odd money: 0.0.6) (charge: #216 17s.)

Performances

Mainpiece Title: The Roman Actor

Performance Comment: The Emperor Domitian-Palmer; Lamia-Aickin; Aretinus-Caulfield; Rusticus-Maddocks; Sura-Webb; Parthenius-C. Kemble?; Cornellius-Trueman; Paris, the Roman Actor-Kemble; Aesopus-Whitfield; Latinus-Packer; Domitia-Mrs Powell; Julia-Miss DeCamp; Domitilla-Miss Heard; Galeria-Miss Miller.
Cast
Role: The Emperor Domitian Actor: Palmer
Role: Parthenius Actor: C. Kemble?
Role: the Roman Actor Actor: Kemble

Afterpiece Title: Celadon and Florimel; or, The Happy Counterplot

Performance Comment: Characters-Palmer, Wroughton, C. Kemble (?); Miss Farren, Mrs Goodall, Miss DeCamp, Mrs Kemble, Mrs Cuyler, Miss Granger, Miss Mellon. [Cast from Genest, VII, 243: Palamede-Palmer; Rhodophil-Wroughton; Celadon-C. Kemble; Melantha-Miss Farren; Doralice-Mrs Goodall; Florimel-Miss DeCamp; Flavia-Mrs Kemble; Olinda-Mrs Cuyler?; Sabina-Miss Granger?; Philotis-Miss Mellon. [Genest does not assign Olinda or Sabina; they are my conjecture. The names of the parts are in the Larpent MS.]Genest does not assign Olinda or Sabina; they are my conjecture. The names of the parts are in the Larpent MS.]
Related Works
Related Work: Celadon and Florimel; or, The Happy Counterplot Author(s): Colley Cibber

Afterpiece Title: No Song No Supper

Performance Comment: As17950917, but Robin (1st time)-Wathen; William-_; Servant-_.

Entertainment: Monologue.End 2nd piece: an Address-Mrs Kemble on the Occasion of her Retiring from the Stage

Performance Comment: End 2nd piece: an Address-Mrs Kemble on the Occasion of her Retiring from the Stage.
Event Comment: Benefit for Cibber. By desire of several Persons of Distinction. Doors open'd exactly at Five. The curtain will rise punctually at Quarter after Six. To prevent mistakes Ladies and Gentlemen are requested to send their servants to keep places a little before five

Performances

Mainpiece Title: An Impromptu Faragolio

Performance Comment: A variety of entertainments as17570902 as17570908 as17570912; An Address-Mr Cibber; Hooley and Fairley, A Scotch Song-Lauder; Blind Man's Buff-Lilliputians; A Concerto for French Horns-; The Comic Lectures-Mr Cibber; Music-; The Taylors-Master Settree, Miss Twist; An Auction-Mr Cibber; Italian Air-Signora Mimicotti; Bassoon-Mynheer Von Poop@Poop Broomstickado; The Italian Peasants-Joly, Madam Dulisse; Marine Boys Marching to Portsmouth-; +Hornpipe-Morris, Miss Durham; Handel's Water Music, Preamble on Kettle Drums-; Comic Epilogue-Miss Midnight; Voluntary on the Cymbalo-Mr Noel Sr; Favourite English Song-Miss Gaudry; Kitty or the Female Phaeton-Miss Gaudry; Dialogue-Mr Gaudry, Miss Gaudry; The Lark Concerto-Mr Gaudry; Country Lass-Miss Valois; What's That to You?-Lauder; Oration-Miss Midnight; Cuckow Overture-; Singing-Sadler; Dutch Peasant-Miss Valois; Louvre, Minuet-Froment, Madam Dulisse; with the addition of La Bergere-Miss Vallois (scholar to Mr LaCointe); a new Scots Dance-Froment, Mlle Dulisse; an Epi@congee-Cibber; Alli Croker a comic dance-Miss Valois.

Afterpiece Title: Harlequin's Frolic

Event Comment: Rich's Company. The date of the first production is not certain, but tradition states that Dryden died on the third day (1 May 1700); if this report is correct, the first performance occurred on 29 April 1700. In A Collection of New Songs...Compos'd by Mr Daniel Purcel, Perform'd in the Revis'd Comedy call'd the Pilgrim (1700) is a song, Chronos, Chronos, mend thy pace, with Janus sung by Freeman, Momus by Pate, Diana by Mrs Erwin. Gottfried Finger apparently composed the passage sung by Venus, Calms appear when storms are past. William Egerton, Faithful Memoirs of...Mrs Anne Oldfield (1731): The Pilgrim was indeed reviv'd for the Benefit of Mr Dryden, Ann. 1700, but he dying on third Night of its Representation, his Son attended the Run of it, and the Advantages accrued to his Family. Cibber, Apology, I, 269-70: This Epilogue, and the Prologue the same Play [The Pilgrim], written by Dryden, I spoke myself, which not being usually done by the same Person, I have a mind, while I think of it, to let you know on what Occasion they both fell to my Share....Sir John Vanbrugh, who had given some light touches of his Pen to the Pilgrim to assist the Benefit Day of Dryden, had the Disposal of the Parts, and I being then as an Actor in some Favour with him, he read the Play first with me alone, and was pleased to offer me my Choice of what I might like best for myself in it. But as the chief Characters were not (according to my Taste) the most shining, it was no great Self-denial in me that I desir'd he would first take care of those who were more difficult to be pleased; I therefore only chose for myself two short incidental Parts, that of the stuttering Cook and the mad Englishman....Sir John, upon my being contented with so little a Share in the Entertainment, gave me the Epilogue to make up my Mess; which being written so much above the Strain of common Authors, I confess I was not a little pleased with. And Dryden, upon his hearing me repeat it to him, made a farther Compliment of trusting me with the Prologue. Cibber, Apology, I, 305-6: In theYear 1699, Mrs Oldfield was first taken into the House, where she remain'd about a Twelve-month almost a Mute and unheeded, 'till Sir John Vanbrugh, who first recommended her, gave her the Part of Alinda in the Pilgrim revis'd. This gentle Character happily became that want of Confidence which is inseparable from young Beginners, who, without it, seldom arrive to any Excellence: Notwithstanding, I own I was then so far deceiv'd in my Opinion of her, that I thought she had little more than her Person that appear'd necessary to the forming a good Actress; for she set out with so extraordinary a Diffidence, that it kept her too despondingly down to a formal, plain (not to say) flat manner of speaking. Nor could the silver Tone of her Voice 'till after some time incline my Ear to any Hope in he favour. A Comparison Between the Two Stages (1702), p. 27: [After Drury Lane and Lincoln's Inn Fields had revived Shakespeare and Johnson] Nay then, says the whole party at D. Lane, faith we'll e'en put the Pilgrim upon him--ay faith, so we will, says Dryden, and if youll let my Son have the Profits of the Third Night, I'll give you a Secular Mask: Done, says the House, and so the Bargain was struck

Performances

Mainpiece Title: The Pilgrim

Performance Comment: Edition of 1700: Prologue by Mr Dryden-Colley Cibber; Epilogue by Mr Dryden-Colley Cibber; Alphonso-Johnson; Pedro-Wilks; Roderigo-Powell; Governor-Simson; Scholar-Thomas; Parson-Haynes; Englishman-Cibber; Welshman-Norris; Taylor-Pinkethman; Alinda-Mrs Oldfield; Juletta-Mrs Moor.
Event Comment: Nothing said abour ye prolog: (Cross). The Music of the Funeral Procession compos'd by Dr Boyce. [See "William Boyce's 'Solemn Dirge' in Garrick's Romeo and Juliet Production of 1750," by Charles Haywood, Shakespeare Quarterly, Spring, 1960.] This day is Publish'd at 1s. 6d. Romeo and Juliet a Tragedy, revised and alter'd from Shakespear by Theophilus Cibber, First revised in September 1744, at the Theatre in the Haymarket; now acted at the Theatre Royal in Drury Lane. To which is added a Serio-Comic Apology for Part of the Life of Mr Theophilus Cibber, Comedian, written by himself. Interspers'd with memoirs and anecdotes relating to the Stage Managements, Theatrical Resolutions, &c. also cursory Observations on principal Players: particularly Mr Quin, Mr Ryan, Mrs Woffington, Mrs Ward, and Miss Bellamy; Mr Garrick, Mr Barry, Mrs Cibber, Mrs Clive, Mrs Pritchard, &c. Likewise Original Letters that passed between the late Sir Thomas DeVeil and Mr Theophilus Cibber relating to the Stage Act, Concluding with a copy of Verses, call'd the Contrite Comedian's Confession. Printed for C. Corbett, the Publisher, at Addison's Head, facing St Dunstan's Church, Fleet St; G. Woodfall, at the King's Arms, the corner of Craig's Court, Charing Cross. [See 11 Oct.] Receipts: #170 (Cross)

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: As17500928, but with the additional scene representing The Funeral Procession- to the +Monument of the Capuletsv; vocal parts-Beard, Reinhold, Master Mattocks, Wilder, Mrs Clive, Miss Norris, Mrs Mathews.
Cast
Role: with the additional scene representing The Fune Actor: to the +Monument of the Capuletsv
Role: Apothecary Actor: Simpson
Event Comment: Benefit Cibber. At the Desire of several Ladies of Quality

Performances

Mainpiece Title: The Tender Husband

Performance Comment: See17100105, but Biddy-Mrs Oldfield; With a new Mimical Prologue-; an Epilogue representing the Person of Nobody, by Mr Cibber-Mr Cibber.
Cast
Role: Mr Cibber Actor: Mr Cibber.
Event Comment: Published at 1s. 6d. Romeo and Juliet, revised by Theo. Cibber, first rev[ived] in Sept. 1744 at the Theatre in the Haymarket. Now acted at the Theatre Royal in Drury Lane. Great objects only strike the Gen'rous Heart@Praise the Sublime, o'er look the Mortal Part@Be there your judgment, Here your Candor shown@Small is our Portion-and we wish 'Twere none.-Prologue to Comus alter'd, &c. To which is added a Serio-Comic Apology for part of the life of Theophilus Cibber, Comedian, written by himself. Interspers'd with Memoirs and Anecdotes relating to the Stage managements, Theatrical Resolutions, &c., also Cursory Observations on some Pribcipal players. Particularly, Mr Quin, Ryan, Delane, Mrs Woffington, Mrs Ward, Miss Bellamy, Mr Garrick, Barry, Mrs Cibber, Mrs Clive, Mrs Pritchard and others. Likewise Original Letters that passed between the late Sir Thomas deVeil and Mr Theophilus Cibber relating to the Stage Act. "Each Puny Critic can Objections raise@The Greatest still is Knowing when to praise,"-Buckingham. Concluding with a Copy of Verses called The Contrite Comedian's Confession. Printed for C. Corbett &c. (General Advertiser). [This pamphlet details Cibber's troubles with Fleetwood during the years 1743-46.] Receipts: #160 (Cross); #151 11s. (Powel)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Intriguing Chambermaid

Event Comment: Rich's Company. The date of the first performance is not certain, but the Preface refers to the Long Vacation and a thin house, suggesting a late summer production. As the play was advertised in the Post Boy, 16-18 Nov. 1697, a first performance in October 1697 is probably the latest date for this play, and September seems more likely. Among the songs are several for whom the composer and singer are named: Happy we who free from love, and How calm Eliza are these groves, the music set by Morgan and both sung by Mrs Lindsey. She comes my goddess comes, set by Morgan and sung by Mrs Cibber. Sleep shepherd sleep, the music set by Morgan and sung by Mrs Cross. All four are in A Collection of New Songs, 1697. Preface, Edition of 1698: To serve the wants of a thin Playhouse, and Long Vacation...This hasty Brat...had the Honor of keeping the Stage for five Days Reign. Animadversions on Mr Congreve's late Answer to Mr Collier (1698), pp. 34-35: The mighty Man of Wit [Congreve]...at the Representation of this Play...was seen very gravely with his Hat over his Eyes among his chief Actors, and Actresses, together with the two She Things, call'd Poetesses, which Write for his House, as 'tis nobly call'd; thus seated in State among those and some other of his Ingenious critical Friends, they fell all together upon a full cry of Damnation, but when they found the malicious Hiss would not take, this very generous, obliging Mr Congreve was heard to say, We'll find out a New way for this Spark, take my word there is a way of clapping of a Play down

Performances

Mainpiece Title: Imposture Defeated; Or, A Trick To Cheat The Devil

Performance Comment: Edition of 1698: Prologue-Mr Powell; Epilogue-Mr Mills [ascending from under the Stage; Duke of Venice-Thomas; Hernando-Powell; Gusman Sr-Ben Johnson; Gusman Jr-Evans; Pedro-Penkethman; Artan-Mills; Alonza-Horden [error for Harland?]; Bonde-Cibber; Delay-Smeaton; Peter-Smith; Senator-Rogers; Marcella-Mrs Temple; Serena-Mrs Andrews; Lucy-Mrs Powel; [In V: Endimion The Man in a Moon- [A Masque.A Masque.
Cast
Role: Bonde Actor: Cibber
Role: Endimion The Man in a Moon Actor:
Event Comment: Rec'd by sundry charges made to Mr Theophilus? Cibber more than paid him last season...#58 8s. 5d. Paid Mr Finch for Mr Cibber's creditors the moneys stopp'd out of his sallary for their use #58 8s. 5d. Rec'd of Mr Finch a Bill paid to Forest June 1745 for a Habeus &c for Mr Cibber. Receipts: #91 19s. 6d

Performances

Mainpiece Title: Sir Courtly Nice; Or, It Cannot Be

Performance Comment: Sir Courtly-Woodward; Bellguard-Cashell; Farewell-Havard; Crack-Chapman; Surly-Bridgwater; Hothead-Marten; Testimony-Hippisley; Aunt-Mrs James; Violante-Mrs Horton; Leonora-Mrs Pritchard.
Cast
Role: Hothead Actor: Marten

Afterpiece Title: The Rape of Proserpine

Performance Comment: With an additional Comic Scene-; Harlequin-Lun; the other parts as usual. the other parts as usual.
Related Works
Related Work: The Rape of Proserpine: With The Birth and Adventures of Harlequin Author(s): Lewis Theobald
Event Comment: [T$Theophilus Cibber opened the theatre this one night. Mainpiece, a Mock Tragedy by Joseph Reed. Afterpiece, anonymous.] Tickets to be had at the Swan, Westminster Bridge; Forest's Coffee House and Cannon Tavern, Charing Cross; the Tuns in the Borough, Southwark; the Rainbow Coffee House, near the Royal Exchange; and the Bedford Coffee House, Covent Garden. N.B. Tickets for the Author to be had at Mr Briscall's at Parliament-Street Coffee House; the Bedford Head, Southampton St.; Mr Wells at the Crown and W in Russel Court, Covent Garden; Mr Long's in Little Britain; the Union Coffee House in Cornhill; the White Lion in Talbot Court; and the Sun Tavern, Shadwell

Performances

Mainpiece Title: Madrigal And Truletta

Performance Comment: Characters-Mr Cibber; & Co., with a Prologue-; Epilogue-; an Ode-; a Dirge-; a Funeralv and Processionv; With Proper Habits, Scenes, Machines, and All Heroic Decorations. Larpent MS 148 lists parts: Madrigal-; Buckramo-; Straspada-; Lyric-; Acrostic-; Fustiano-; Epigram-; Goosino-; Bodkinda-; Presboradalio-; Yardwandelli-; Buttonelli-; Thimbletorio-; Truletta-; Sculliona-; Scourella-; Ghosts of Cabbagino and Truletta-; Poets-; Taylors-; Drums-; Trumpets-.
Cast
Role: Characters Actor: Mr Cibber

Afterpiece Title: Sir ThomasCallico; or, The Mock Nabob

Performance Comment: Taken from the Comedy of Sir Courtly Nice.
Event Comment: For the Relief of Mr Chetwood, late Prompter at the Theatre-Royal in Drury-Lane, and now a Prisoner in the King's Bench. Receipts: money #219; seals #15 (Account Book); #250 Rylands MS.). [William Shenstone saw Cibber act on 12, 13, or 14 Jan. See Letters of William Shenstone, pp. 14-15.

Performances

Mainpiece Title: The Old Batchelor

Performance Comment: Fondlewife-Cibber Sr; Heartwell-Bridgwater; Bellmour-Ryan; Vainlove-Rosco; Sharper-Hale; Setter-Jones; Sir Joseph-Neale; Bluff-Mullart; Belinda-Mrs Bellamy; Araminta-Mrs Hale; Sylvia-Mrs Vincent; Laetitia-Mrs Woffington; With an Occasional Epilogue upon Himself,-Mr Cibber.

Dance: Mechel, Mlle Mechel