SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Taylor"/1) | (@(roleclean,performerclean) "Mr Taylor")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4313 matches on Event Comments, 1505 matches on Performance Comments, 618 matches on Performance Title, 28 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit Taylor, Boxkeeper. Mainpiece: Written b9 Ben Johnson

Performances

Mainpiece Title: The Alchymist

Afterpiece Title: Damon and Phillida

Dance: I: Punch-Master Ferg; III: Flanderkins-Master Ferg, Miss Wright; V: Drunken Peasant-Philips

Event Comment: Benefit Taylor, Boxkeeper. At the Desire of several Ladies of Quality. Mainpiece: Written by Beaumont and Fletcher

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Virgin Unmask'd

Dance: I: Punches-Master Ferg, Miss Wright; II: Pierots-Leviez, Pelling; IV: Ethiopian Dance-Muilment, Leviez, Baudouin, Rector, Fromont; V: French Peasants-Poitier, Mlle Roland

Song: III: The Protestation-Beard

Event Comment: Benefit Taylor, Dancing-Master

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Toy Shop

Dance: III: Faithful Lovers-Desse, Miss Oates; IV: Grand Ballet-Glover, Mlle Roland Ynger

Event Comment: Benefit Taylor, Boxkeeper

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Mock Doctor

Dance: I: Pierots-Lalauze, Leviez; II: Muilment; III: Le Tambourine-Mlle Chateauneuf

Song: IV: The Life of a Belle-Mrs Clive

Music: V: As17400517

Event Comment: Benefit Taylor, Dancing-Master

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Lethe

Event Comment: At the particular Desire of several Ladies of Quality. Benefit Taylor, Box Keeper

Performances

Mainpiece Title: The Country Wife

Afterpiece Title: The King and the Miller of Mansfield

Song: I: Blow Blow-Lowe; II: If Love be a Fault-Lowe; IV: Was Ever Nymph Like Rosamond-Lowe; End Afterpiece: The Noon@Tide Air-Mrs Clive

Dance: III: Le Matelote-Maltere, Mlle Maltere

Event Comment: Benefit Taylor, Box-Keeper (Rylands MS.). Receipts: #170

Performances

Mainpiece Title: The Man Of Mode

Afterpiece Title: The King and the Miller of Mansfield

Dance: I: Dutch Dance-Phillips; II: The Swiss, as17410926; IV: Running Footman-Phillips

Song: III: Beard

Event Comment: Benefit Thompson and Mrs Rowley. Mainpiece written by the late Mrs Centlivre. Tickets deliver'd out by Taylor and Wright will be taken

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Necromancer

Performances

Mainpiece Title: The Heroic General; Or, Briton's Darling

Performance Comment: interspers'd with the comical Humours of Awl the Cobler, Sneak the Taylor, Trim the Barber, and Kate Inlist the Serjeant's Wife.

Afterpiece Title: Harlequin Sailor; or, The Wapping Landlady

Song: Song in praise of Duke of Cumberland-

Event Comment: New Scenes, Dresses and Decorations for the dances. [No after money.] The New Grand Ballet, call'd the Turkish Pirate, and the Comic Entertainment of Dancing, the Laundress's Visiting Day were perform'd last Monday at Drury Lane, with uncommon applause. The Scenery was well contriv'd, the habits very elegant, and the dance in a taste particularly agreeable. The comic entertainment is a fine piece of low humour, the various characters were well represented and afforded a great deal of Mirth; Sig Salomon especially, in the character of the woman's taylor, show'd a great deal of a good comedian as well as an excellent dancer, and the whole was greatly approv'd of.--London Courant; or New Advertiser, 31 Dec

Performances

Mainpiece Title: Love's Last Shift; Or, The Fool In Fashion

Dance: New Grand Dance call'd The Turkish Pirate; or a descent on the Grecian Coast-Salomon, Mlle Violette, Sig Padouana, M. Mechel, Salomon's Son; Also a New Entertainment call'd the Laundress's Visiting Day-Sg Salomon, Mlle Violette, Sga Padouana, M. Mechel, Salomon's Son

Event Comment: For the Small Pox Hospital; Pit and Boxes 1!2 Guinea; a Treble Ticket at 26s., which admits a Gentleman and two Ladies to the Pit and Boxes, and the Gentleman to Dinner at Merchant Taylors Hall. First Gallery 5s. Upper Gallery 3s. 6d. No more Tickets will be disposed of than will conveniently fill the House, nor will any Money be taken at the Doors, or Collection at the Theatre. This being a Morning's Entertainment it is not expected that the Ladies come full-dressed. The most convenient way to the upper gallery at the Theatre, is through the King's Yard. To begin at 12 noon

Performances

Mainpiece Title: Alexander's Feast

Music: CConcerto-Stanley who is to conduct the performance

Event Comment: Receipts: #59 18s. Paid Meares, Taylor, a bill for making Richard's Dress for Lee...#3 0s. 11d. (Account Book)

Performances

Mainpiece Title: Wit Without Money

Afterpiece Title: Harlequin Sorcerer

Event Comment: Receipts: #115 3s. [The Weekly Magazine; or, Gentleman and Lady's Polite Companion (1760), pp. 61-63, deplores the lack of new plays and lack of competition for the Patent houses. "Our theatres seem now to aim at glorious opposition: Harlequin is set against Harlequin, one dancing master opposes another; the scene shifters, the singers, and even the drummers figure at each house by turns, and it is to be hoped soon that the mere actor will become useless....The Fair has scarce even pantomime probability...for instance Harlequin should never exercise his magical power without reason, and should never make escapes without being pursued, but here he conjures, leaps, runs and waggles without any apparent design; and the whole seems destitute of plot, a if contrived by a dancing master. Harlequin's Invasion at the other House is still rather more absurd." The author expected a speaking Harlequin, Pantaloon, Pierot, Mezzetin, &c. but found the customary figures banished for the substitution of a "stupid Taylor and his more stupid wife." Regrets the sinking of stage performance to such absurdity.

Performances

Mainpiece Title: The Earl Of Essex

Afterpiece Title: The Fair

Performances

Mainpiece Title: Dramatic Turtle

Performance Comment: Yates, from the Theatre Royal in Drury Lane, will dress his Dramatic Turtle for the entertainment of the town. This most excellent dish will comprise the essence of every Theatrical Rarity. IN THE CALIPASH will be found the most extraordinary Adventures of Timur Koran; or, The Favourite of the Sun. The Love and Distress of the Princess Karansa; her confinement in the Brazen Tower; the Cruelty of the Emperor Albufazar her Father; Karanza's Trial and Condemnation; the Banishment of Timor Koran; the wicked Machinations of the Vizier, Prime Minister to Albufazar, the Procession of the Princess and Timur Koran to the Funeral Pile; their strange delivery from Death by the spirit Seraphel. IN THE CALIPEE will be the Eighth Wonder of the World; or, The Heroic Taylors, with the Humours of General Trinculo and his pleasant companion Humpkinn Buzz, the merry exploits and miraculous Adventures of Barnaby Bodkin, Tom Thimble, Ben Buckram, Nich. Canvas, all Gentlemen of the Light Horse. THE BLUE FAT AND FINNS will contain the various entertainments of Singing, with the Machinery and Decorations. The whole to be seasoned by the way of Chian Butter, with a most extraordinary band of music.

Performances

Mainpiece Title: The Orators

Performance Comment: As17640712 but Players-_Hayes, Taylor.
Cast
Role: Players Actor: _Hayes, Taylor.

Afterpiece Title: The Apprentice

Dance: I: The Sicilian Peasants, as17640626 End: The Dutchman-Gherardi, Master Clinton, Miss Street

Event Comment: Afterpiece: By Desire. There is a new passage from the Marquis Buildings, Russel Court, to the Pit. Proper care is taken to keep the House Cool. Paid Supernumaries 13s. 6d.; Drum 5s.; a Lampmen #1 5s.; Carpenter's Bill #5 19s. 2d.; Taylor's Bill #3 1d. (Drury Lane Treasurer's Book). [These were constant weekly bills throughout the season amounting to total sums as follows, and will not hereafter be itemized further]: @Item Nightly or Weekly Average Season Total@Supers and Drum #2 5s. Nightly Supers #382; Drum #47 10s.@Lampmen #2 6s. Weekly #84 2s.@Carpenters #2 Weekly #74@Taylors #7 Weekly #259@ Receipts. #195 6s

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Daphne and Amintor

Performances

Mainpiece Title: None

Afterpiece Title: None

Dance: [I: Double Hornpipe-Mas. Cape, Miss Taylor.

Performance Comment: Cape=, Miss Taylor.]

Performances

Mainpiece Title: The English Merchant

Afterpiece Title: Catharine and Petruchio

Dance: II: Double Hornpipe-Mas. Cape, Miss Taylor; End: The Medley, as17680416

Performance Comment: Cape, Miss Taylor; End: The Medley, as17680416.
Event Comment: Alterations and additions to the afterpiece in form of a Trip to Naplesv. Includes two views of the eruption of Vesuviusv [a display used afterwards in Harlequin's Invasionv 19 March]. Theatrical Review, 26 Dec.: The Witches; or a Trip to Naples,...one of those Mummeries, in which the carpenters, painters and taylors belong1ng to the theatre are the principal projectors; who torture dull brains to furnish out most contemptible pieces of entertainment...the disgrace of the English stage. This what-shall-we-call-it...now reviv'd with alterations and the addition of two new scenes, viz. two views of Mount Vesuviusv: the first of which represents a Vulcano burning at a distance, and is reflected by the water in the bay of Naplesv. The second is a nearer land view of the Mounts, and represents the manner in which the Lava is thrown out whenever an eruption happens; the torrents of the lava, like a river of liquid fire, falling into a cascade from a rock. As far as carpenters and painters are concerned, these additional scenes seem to be well executed, but whether the resemblance is exact, we cannot pretend to say; though we suppose it is. Be this as it may we cannot help thinking, the terrific ideas these scenes naturally raise in the mind, must defeat every intention of giving pleasure, and consequently afford less satisfaction to curiosity than a written account of that Vulcano, or any descriptive drawing of it. Paid Printer's Bill #9 6d. Receipts: #235 12s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Committee; Or, The Faithful Irishman

Afterpiece Title: The Witches; or, A Trip to Naples

Event Comment: [N.B. A prompt copy in the Library of Congress adds to the Farce: Mathews-Taylor-$Dabell and unspecified parts for $Jacobs">Moss; Taylor-$Dabell and unspecified parts for $Jacobs and Fearon.

Performances

Mainpiece Title: The Maid Of Bath

Afterpiece Title: The Cooper

Dance: As17720518

Event Comment: The House Open'd September. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. Places at Stage Door from Johnson No money taken at Stage Door or after the curtain is drawn up. Doors to open at 5 p.m. To begin at 6 p.m. [Repeated in all Season's bills.] Rec'd from Mrs Groath 1 year's rent to Xmas last, #3; Paid Supernumaries & Kettle Drum #2 8s. Taylor's Bill #1 #10 11s. 1d.; Carpenters #10 2s. (Treasurer's Book). [These payments were constant during the season. The weekly average and season totals will be set forth as follows and no further itemization will be made.] @Item Weekly Average Season Total@Supers & K. Drum #13 13s. #477@Taylor #7 #250@Carpenter #7 #250@ Receipts: #156 15s. 6d

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Lyar

Dance: III: The Sailors Revels-Atkins

Event Comment: Boxes 5s. Gallery 3s. Pit 2s. Upper Gallery 1s. Doors open at half past five. Play begin at half past six. [Repeated.] Before the Play a new Overture and New Occasional Prelude (Public Advertiser). The House has been quite alter'd since last Season and is now fitted up in the most elegant manner Possible by the Adam's etc. and is the most Compleat of any Theater in Europe. Great applause to the House before the Curtain. The Theatrical Candidates is wrote by D. G. Esq and was received with great Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording. In Judging the popularity of a play in terms of box receipts for this season one must be aware of the fact that the treasurer's account books here differ from those of the five preceding years in not recording the income from the tickets delivered out for benefit nights. Hence on those nights the stated income reflects only the money taken at the door the night of the performance, and does not indicate the larger amounts which the actors received for their tickets. Deficits to various actors listed on the following pages were all paid up, presumably from the ticket receipts. Each actor doubtless at least broke even on his benefit.] Ceiling rais'd 12 feet. Old side Boxes top and bottom remov'd. New passages to Boxes. Entrance Bridges St. Light pillars to support Boxes inlaid with plate glass on green and crimson ground. Old chandeliers remov'd. Gilt branches with two candles each on pillars. Four new chandeliers in front. No slit i Curtain. Adam architects. 4,000 guineas. Persons not employed in the night's amusement ordered not to come behind the scenes--performers by that means go cross stage (Winston MS 11, from Dr Burney's News Cuttings). Paid Renters #8; Supernumeraries and Drum #1 16s.; taylor's Bill #10 11s. 6d. (Treasurer's Book). [For the 188 acting nights of the season and for 11 Oratorio nights the Renters were paid a total of #1,692. The Supernumeraries were paid an average of #5 per night or #940 for the season. No further account of these items will be made. Full account of the new look given to Drury Lane by the Adam's brothers in the Westminster Magazine for Sept. along with an approving review of the Meeting of the Company.] From Lloyd's Evening Post, 25 Sept., "On the New Front of Drury Lane Theatre": @Garrick asham'd to poke his nose@Too sheepishly beneath the Rose:@And fearing, poor man, what were Worse,@His bashfulness might hurt his purse;@Resolves this year to push a front,@And put a better face upon't.@Not surely meaning to give o'er@His Art, and make no faces more.@Yet, fair as tis, I'd have him know@If tis the last he means to show.@This face will never make amends,@For turning tail upon his friends;@Who own, by general consent,@His face the best Stage ornament.@ (In Folger Library, David Garrick Verses, Prologues and Epilogues, MS, p. 86.) Receipts: #208 11s. (Treasurer's Book)

Performances

Mainpiece Title: The Brothers

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: The Miller of Mansfield

Event Comment: The Runaway published. Paid salary list #416 4s. 4d.; Thomson (smith) #4 14s. 6d.; Buzaglio (smith) #11 7s. 6d.; Jennings (glover) #10 4s. 6d.; Racket (taylor) #37 17s. 6d.; Mist (ironmonger) #18 19s.; Carter (scowerer) #12 16s. (Treasurer's Book). House (Hopkins Diary). Receipts: #248 1s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Runaway

Afterpiece Title: The Spleen

Performances

Mainpiece Title: Othello

Afterpiece Title: Orpheus and Eurydice; or, The Metamorphoses of Harlequin

Performance Comment: [Edition of 1739 (Tho. Wood) lists the parts: Orpheus, Pluto, Ascalax, Furies, Friends, Harlequin, Pantaloon, Gawkey, Drudge, Taylor, Shoemaker, Drawer, Hostler, Porter, Eurydice, Rhodope, Nymphs, Bacchants, Colombine, Mrs Mannerly, Witch, Frothwell, Maid, Dwarf Woman.]
Event Comment: Benefit for Mrs Kemble. "Kemble? Sen. performed the Miller...Here and there we could perceive the liberty of the country performer, by saying more than was set down by the author" (Public Advertiser, 27 Aug.). [Address by John Taylor (European Magazine, Sept. 1788, p. 217).] Public Advertiser, 21 Aug.: Tickets to be had of Mrs Kemble, No. 26, Villiers-street, York-buildings, Strand

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: The Election

Afterpiece Title: The Miller of Mansfield

Entertainment: Monologue End 3rd piece: Address (written on the Occasion)-Mrs Kemble