SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr Tate"/1) | (@(roleclean,performerclean) "Mr Tate")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4242 matches on Event Comments, 1142 matches on Performance Comments, 528 matches on Performance Title, 354 matches on Author, and 4 matches on Roles/Actors.

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: The Rival Soldiers

Afterpiece Title: The Honest Thieves

Song: In I 1st piece: the original Duet-Mr and Mrs Pope

Entertainment: Monologue. End 2nd piece: [Collins' Ode on the Passions-Mrs Pope (1st and only Time [see17980515])

Performances

Mainpiece Title: The Deserted Daughter

Afterpiece Title: Britons Roused

Afterpiece Title: The Follies of a Day

Dance: End 2nd piece: a Minuet-Mr and Miss Betterton

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Botheration

Afterpiece Title: Voluntary Contributions

Dance: End I 1st piece: The Statute Dance-

Song: In 2nd piece: Mr O'Blarney's Description of London, as17980508

Performances

Mainpiece Title: The Raft

Afterpiece Title: The Beggars Opera

Afterpiece Title: Botheration

Dance: In III 2nd piece: Hornpipe in Fetters, as17971025

Song: In 3rd piece: Mr O'Blarney's Description of London, as17980508

Performances

Mainpiece Title: Hes Much To Blame

Afterpiece Title: Botheration

Dance: Between mainpiece and afterpiece: a Hornpipe-Jackson

Song: End: The Irish Newsman-Clarke; In afterpiece: Mr O'Blarney's Description of London, as17980508

Performances

Mainpiece Title: She Stoops To Conquer Or The Mistakes Of A Night

Afterpiece Title: The Agreeable Surprise

Song: End: a favourite duet-Mr and Mrs Humphreys; and a comic song-Twaits

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Naval Pillar

Dance: In afterpiece: New Dance (composed by Bologna Jun.)-Bologna Jun., King, Mrs Watts, Mrs Parker (1st appearance these 2 years)

Song: The Songs written or selected for the afterpiece: Black Ey'd Susan-Incledon; When Britain first her Flag uprear'd-Incledon, Johnstone, Linton; An hungry Fox one day did spy (Old Welsh tune)-Munden; When Peace smiles around-Mrs Martyr; Sir Sydney Smith-Fawcett; When a Tar returns home-Fawcett, Munden, Mrs Martyr; Mr Speaker tho' 'tis late--Incledon, Johnstone, Townsend, Linton; A Bundle of Proverbs-Munden; In praise of the Pars who have leathered the World-Johnstone; +The Navy and Army of Britain forever-Townsend; The Embarkation-Incledon; Glee and Chorus [We come, ye guardians of our isle]-Mrs Martyr, Miss Sims, Miss Wheatley, Mrs Sydney; Recitative and Finale [Britons, your country's gratitude behold]-Mrs Chapman, Incledon, Johnstone, Townsend, Linton

Opera: End IV: Solemn Dirge. The Funeral Procession of Juliet-; Vocal Parts-Incledon, Johnstone, Townsend, Hill, Linton, Gardner, Denman, Blurton, King, Street, Lee, Little, Thomas, Sawyer, Tett, Dyke, Whitmore, Ms Waters, Ms Chapman, Ms Atkins, Ms Litchfield, Ms Mills, Ms Dibdin, Ms Wheatley, Ms Iliff, Ms Sims, Ms Whitmore, Ms Follett, Ms Watts, Ms Castelle, Ms Norton, Ms Gilbert, Ms Leserve, Ms Lloyd, Ms Masters, Ms Blurton, Ms Sydney, Ms Burnett, Ms Martyr

Performances

Mainpiece Title: The Beaux Stratagem

Afterpiece Title: The Naval Pillar

Dance: As17991007

Song: afterpiece: As17991007, but Mr Speaker tho' 'tis late-_

Performances

Mainpiece Title: I Zingari In Fiera

Dance: End I: A New Divertisement (composed by D'Egville)-Didelot, Mme Rose Didelot, Mr Laborie, Mme Laborie, Mme Hilligsberg, Deshayes (1st appearance in this country), Mlle Parisot (1st appearance at this theatre these 2 years); End Opera: a new Anacreontic Ballet, in 2 parts, Les Jeux d'Egle-Deshayes, Laborie, D'Egville, Didelot, Mme Hilligsberg, Mlle Parisot, Mme Laborie, Mlle J. Hilligsberg, Mrs D'Egville, Mme Rose Didelot

Performances

Mainpiece Title: Wild Oats

Afterpiece Title: The Deserter of Naples

Dance: After Singing at end: A New Dance- (By Permission of the Proprietors of the Royal Circus) composed by Byrne, in which Mr Byrne, Mrs Byrne, will make their 1st appearance on this stage these 4 years, assisted by the three Miss Adams', Master Byrne (Their 1st appearance on this stage), Blurton, Platt, Wilde, L. Bologna, Lewiss, Klanert, Mrs Watts, Mrs Follett, Mrs Bologna, Miss Cox, Miss Bologna, Miss Dibdin

Song: End II: Black Ey'd Susan-Incledon; End IV: The Anchor Smiths-Townsend; End: Boxing the Compass-Fawcett; Old Towler-Incledon

Performances

Mainpiece Title: Cambro britons

Afterpiece Title: The Agreeable Surprise

Song: End: Paddy's Description of Pizarro; or, Mr Paddy O'Doody and his Cousin Shaun Shaugnessy's Treat to the One Shilling Gallery-Johnstone

Performances

Mainpiece Title: A Jovial Crew

Performance Comment: The Prologue to King William & Queen Mary At a Play Acted before Their Majesties at Whitehall, on Friday the 15th of November 1689. Written by N. Tate-.
Cast
Role: Tate Actor: .

Performances

Mainpiece Title: Concert

Performance Comment: An Ode Upon the New-Year, Performed Before their Majesties. Set to Musick by Dr Blow. The Words by N. Tate, Servant to their Majesties.
Event Comment: Nahum Tate published a poem The Battle of the B@@d's in the Theatre Royal Dec. 3, 1680, in Poems Written on Several Occasions, 2d edition, 1684, pp. 153-54

Performances

Event Comment: The United Company. An order, 9 Feb. 1683@4, in L. C. 5@145, p. 14 (Nicoll, Restoration Drama, p. 356), and another, L. C. I, specify requirements for a play to be acted at Whitehall on 11 Feb. 1683@4, and name Valentinian as the drama. The first Prologue and the Epilogue Written by a Person of Quality were printed separately; Luttrell's copy (Bindley Collection, William Andrews Clark@Jr@Library) is dated 20 Feb. 1683@4. They are reprinted in Wiley, Rare Prologues and Epilogues, pp. 249-51. It is not certain on what date the first performance occurred, for premieres at court are quite rare in the Restoration period. In Nahum Tate's Poems by Several Hands (1685): Sir Francis Fane: A Masque Made at the Request of the Earl of Rochester, for the Tragedy of Vadentinian. Downes (p. 40): The well performance, and the vast Interest the Author made in Town, Crown'd the Play, with great Gain of Reputation; and Profit to the Actors. For an intended cast of Rochester's alteration of the play by John Fletcher, see the introductory note to the season of 1675-76. In A Pastoral in French by Lewis Grabu (published in 1684; advertised in the London Gazette, No. 1947, 17 July 1684) are two songs for this play for which Grabu apparently composed the music: Injurious charmer of my vanquished heart and Kindness hath resistless charms. In Choice Ayres and Songs, The Fourth Book, 1684, is: A new Song in the late reviv'd Play, call'd Valentinian: Where would coy Aminta run [the composer of the music not being indicated]

Performances

Mainpiece Title: Valentinian

Performances

Mainpiece Title: Concert

Performance Comment: A song, Celebrate this Festival the text by Nahum Tate, the music by Henry Purcell, is in Comes Amoris, 1693-.
Event Comment: Gentleman's Journal, November 1693: An Ode upon His Majesty's Birth-day, Set to Musick by Dr Staggins; and Perform'd before Their Majesties, Nov. 4. 1693. The Words by N. Tate, Servant to Their Majesties. [The Ode was published separately as a broadside in 1693. A song, Gallic force, in vain, set by Staggins and sung to the King on his birthday, is in Comes Amoris, The Fifth Book, 1694.

Performances

Mainpiece Title: Concert

Event Comment: At the Desire of several Persons of Quality. Mainpiece: Written by the late N. Tate, Esq; Poet Laureat, Author of the Tragedy of King Lear

Performances

Mainpiece Title: A Duke And No Duke

Related Works
Related Work: A Duke and no Duke Author(s): Nahum Tate

Afterpiece Title: The Amours of Billingsgate

Event Comment: Mainpiece: Alter'd from Shakespeare by N. Tate, Esq. Afterpiece: Taken from Moliere

Performances

Mainpiece Title: King Lear And H1s Three Daughters

Afterpiece Title: The Mock Doctor

Event Comment: Mainpiece: Alter'd from Shakespear by N. Tate, Esq

Performances

Mainpiece Title: King Lear And H1s Three Daughters

Afterpiece Title: The Virgin Unmaskd

Event Comment: At the particular Desire of several Ladies of Quality. Mainpiece: Alter'd from Shakespear, by $N. Tate, Esq.

Performances

Mainpiece Title: King Lear And His Three Daughters

Related Works
Related Work: The History of King Lear Author(s): Nahum Tate

Afterpiece Title: The Fall of Phaeton

Event Comment: Benefit for Shuter and Miss Haughton. Tickets at stage door. [For criticism of Shuter and Miss Haughton, see Genest, IV, p. 363, from The Present State of the Stage in Great Britain and Ireland, 1753. Nineteen of the Fifty-five pages of this pamphlet defend the stage on classicial authority and moral grounds from attacks by the religious bigots, and present an ideal picture of a manager, laying under some contribution, it would seem, the character of a manager presented ten years earlier (1743) in Queries to be Answered. The author especially likes the moral of Tate's alteration of Lear. The remaining pages give a paragraph or two of criticism to the leading actors and actresses in some of their most affecting parts (sixteen pages to Drury Lane Performers, all of whom appear in the author's eye to be either "Excellent" or "Very Good.") The remaining space is devoted to the performers at Covent Garden and at the Theatre Royal in Dublin. All those spoken of fare well in the hands of this bound-to-be pleased critic. Shuter is here commended for ability to play an Old Man convincingly though he was but 22 years old, and to play at all considering his lack of education. He possesses a great fund of drollery, and bids fair to be as great in low comedy as it is possible for man to conceive.' Miss Haughton described as an actress of promise. Seems never to have got the better of a lisp, and a Newcastle manner of pronouncing the letter 'r.'] Receipts: #290 (Cross)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Miss in Her Teens

Dance: IV: Country Amusements-Devisse, Mlle Auretti; End: A Hornpipe-Mathews, the Little Swiss

Event Comment: Mainpiece: Not acted these 10 years. [See 17 Oct. 1752. Review of this cast, if not of this particular performance, appeared in The Old Maid, 13 March. Favorable comment on Barry and Ryan. The reviewer disliked the Tate version, and the stage habit of making the Gentleman Usher a Fribble.

Performances

Mainpiece Title: King Lear And His Three Daughters

Related Works
Related Work: The History of King Lear Author(s): Nahum Tate

Afterpiece Title: Damon and Phillida

Dance: As17551114

Event Comment: Mainpiece: Written by Shakespear. Miss Pritchard did Juliet for the First time of her Acting & Met with uncommon Applause, tho' so frightened the first Act, we Scarce cou'd hear her (Cross). Miss Pritchard's was a most remarkable first appearance--the Particularity of the public for her mother--Garrick's patronage and tuition, her own beautiful face, which was fascinating to a degree, had all great attraction. Mrs Pritchard, as Lady Capulet, leading in her daughter as Juliet, the distress of the young lady, the good wishes and tenderness of the town, all combined made an affecting scene--but that partiality dwindled away in the early part of the season (Genest, IV, 474, from Tate Wilkinson). Receipts: #226 (Cross)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Anatomist

Event Comment: Benefit for Wilkinson. Mainpiece: Not acted these 3 years. [Afterpiece: Prologue by Samuel Foote. For an account of Tea see Tate Wilkinson, The Wandering Patentee, 1795, 1, 282-90.] Receipts: #221 0s. 6d. (217.5.6; tickets: 3.15.0) (charge: #70)

Performances

Mainpiece Title: She Woud And She Woud Not

Afterpiece Title: The Author

Afterpiece Title: Tea or Tragedy a la Mode

Dance: As17780129