SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr Quin"/1) | (@(roleclean,performerclean) "Mr Quin")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4281 matches on Event Comments, 2112 matches on Performance Comments, 528 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Twin Rivals

Afterpiece Title: The Honest Yorkshireman

Music: As17350715

Dance: French Peasant by Vallois and Mrs Woodward. Two Pierrots by Vallois and Davenport. Le Gout Anglois by Mr and Mrs Davenport

Song: As17350718

Performances

Mainpiece Title: Sir Harry Wildair

Afterpiece Title: Hymens Triumph or Trick Upon Trick

Performance Comment: Cupid-Master Hamilton; Sylvania-Haughton; Sylvans-Vallois, Delegarde, LeSac, H. Fayting; Harlequin-Lun Jr; Colombine-Mrs Hamilton; Father to Colombine-Norris; Mr Ashley-W. Giffard; Dr Fleet-Wetherilt; Clerk-Snow; Drawer-Edward;Lookout-Miss Wilson; High Priest-Stitchbury; Priests-Kelly, Nichols, Richardson; Priestesses-Mrs Chambers, Miss James, Miss Wilson; Silvio-Yates; His Man-Penkethman; with a Grand Ballet-Haughton, Mlle Roland; Followers-Vallois, Delagarde, LeSac, H. Fayting, Mrs Bullock, Mrs Woodward, Miss Oates, Miss Gerrard.
Cast
Role: Harlequin Actor: Lun Jr

Performances

Mainpiece Title: Pasquin

Afterpiece Title: Fame or Queen Elizabeths Trumpets or Never pleads Hopes of being a Lord Chancellor or The Lover turnd Philosopher or The Misers Resolve upon the Lowering of Interest

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Lethe or Esop in the Shades

Dance: II: La Matelote-Desnoyer, Mlle Chateauneuf; III: Muilment; V: Le Tambourine-Mlle Chateauneuf

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Parting Lovers

Dance: I: Peasants-the French Boy and Girl; II: Comic Ballet-Villeneuve, Miss Oates; III: Swiss Dance-French Boy and Girl; IV: Grecian Sailors-Glover; V: Hippisley's Drunken Man-

Performances

Mainpiece Title: The Old Batchelor

Dance: Mechel, Mlle Mechel

Performances

Mainpiece Title: Rehearsal

Dance: I: Ballet, as17411015; II: Sailor's Dance, as17411015; III: The Drunken Peasant, as17411029; IV: A Dutch Dance, as17411114; V: The Swiss, as17410926

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: The School Boy

Song: Concert Air from Alexander's Feast: War he sung is Toil and Trouble-Mrs Bishop; III: Can Love be controul'd by Advice-Miss Medina

Music: V: Preamble on the Kettle Drums-Jo. Woodbridge; who never perform'd on that Stage before ending with Handel's celebrated Water Musick-; And to conclude: the Concert, the Coronation Anthem Long Live the King (never perform'd there before) by Mr Handel-an Additional Band

Dance: I: David apShenkin; II: Welsh Buffoon, as17420406 IV: Two Millers and Courtezan, as17420315 End I Afterpiece: New Scots Dance-Master and Miss Granier

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Virgin Unmasked

Dance: I: Comic Ballet, as17421203; III: Welsh Boufon, as17421203; IV: Comic Ballet, as17421203; II: La Sabotier-M LaPierre

Ballet: The facetious Grand Dance by the whole Company. Thunder, Lightning, Players, Soldiers, Bishops, Judges, Lord@Mayor, Serjeants at Arms-the Comedians; With the Total Eclipse of the Sun and Moon-; Sol-Hemskirk; Luna-Stitchbury; Orbis-Worldly; Also a Representation of a Grand Theatrical Battle-; Mr Bayes' New Rais'd Troops-

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Mock Doctor

Dance: Two Masters Granier, Miss Granier; Hornpipe-Williams

Performances

Mainpiece Title: The Foundling

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Genii

Cast
Role: Harlequin Actor: Woodward

Performances

Mainpiece Title: The Fatal Curiosity

Afterpiece Title: The Tragedy of Tragedies

Dance: A Hornpipe-Mrs Walker

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Lottery

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Mock Doctor

Performances

Mainpiece Title: An Impromptu Faragolio

Afterpiece Title: Harlequins Frolic

Event Comment: [This day Horace Walpole wrote as follows to George Montagu, forshadowing an event to take place on 27 July: "If you will stay with me a fortnight or three weeks, perhaps I may be able to carry you to a play of Mr Bentley's--you stare--but I am in earnest--nay, and de par le roy. In short, here is the history of it. You know the passion he always had for the Italian comedy. About two years ago he writ one, intending to get it offered to Rich--but without his name--he would have died to be supposed an author, and writing [I, 372] for gain. I kept this a most inviolable secret. Judge then of my surprise when about a fortnight or three weeks ago I found my Lord Melcomb reading this very Bentleiad in a circle at my Lady Hervey's. Cumberland had carried it to him, with a recommendatory copy of verses, containing more incense to the King and my Lord Bute, than the Magi brought in their portmanteaus to Jerusalem. The idols were propitious, and to do them justice, there is a great deal of wit in the piece, which is called The Wishes or Harlequin's Mouth Opened. A bank note of #200 was sent from the Treasury to the author, and the play ordered to be performed by the summer company. Foote was summoned to Lord Melcomb's, where Parnassus was composed of the peer himself, who, like Apollo as I am going to tell you, was dozing, the two Chief Justices and Lord Bute. Bubo read the play himself, with handkerchief and orange by his side. But the curious part is a prologue which I never saw. It represents the god of verse fast asleep by the side of Helicon. The race of modern bards try to wake him, but the more they repeat of their works, the louder he snores. At last "Ruin seize thee ruthless King" is heard, and the god starts from his trance. This is a good thought, but will offend the bards so much, that I think Dr Bentley's son will be abused at least as much as his father was. The prologue concludes with young Augustus, and how much he excels the ancient one, by the choice of his friend. Foote refused to act this prologue, and said it was too strong. 'Indeed,' said Augustus's friend, 'I think it is.' They have softened it a little, and I suppose it will be performed. You may depend upon the truth of all this; but what is much more credible, is that the comely young author appears every night in the Mall in a milkwhite coat with a blue cape, disclaims any benefit, and says he has done with the play now it is out of his own hands, and that Mrs Hannah Clio alias Bentley writ the best scenes in it. He is going to write a tragedy, and she, I suppose, is going--to court."--Horace Walpole's Correspondence with George Montagu. Ed. W. S. Lewis and Ralph S. Brown Jr (New Haven: Yale University Press, 1941), I, 372-73. [IX, 372-373.

Performances

Mainpiece Title: All In The Wrong

Dance: As17610616

Performances

Mainpiece Title: The Orators

Afterpiece Title: Taste

Performances

Mainpiece Title: The Siege Of Damascus

Afterpiece Title: The Old Maid

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Mock Doctor

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: Miss in Her Teens

Dance: V: Comic Dance, as17710921

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The What Dye Call It

Dance: II: A Hornpipe-aYoung Gentlewoman, 1st appearance; V: The Sailors Revels, as17711008

Event Comment: Afterpiece [1st time; c 3, altered from the same, probably by the author, Richard Bentley]: Written in the manner of the Italian Comedy. With new Scenes and Dresses. [Author of Prologue unknown.] "It was originally produced at Drury Lane in the summer of 1761 [27 July] . . . and has now been new dished up, and seasoned to the day" (European Magazine, ibid). J. P. Collier states that "it is not a revival of the former piece" (MacMillan, Larpent Catalogue, p. 98). It was not, strictly speaking, a "revival", but, rather, a revision, as a collation of Larpent MS 586 (the present version, which is unpublished) with MS 199 (Bentley's 1761 version) makes clear. In 1761 Bentley introduced "the speaking Harlequin after the manner of the Italians . . . Mr Harris some years after gave it a second chance on the stage" (Cumberland, Memoirs, I, 212-14). Receipts: #215 19s. (213/5/6; 2/13/6)

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: The Wishes

Performance Comment: Characters by Lee Lewes, Edwin, Booth, Whitfield, Wewitzer, Fearon, Mahon, Stevens, Thompson, Bates; Mrs Wilson, Mrs Webb, Miss Morris, Mrs Whitfield, Miss Platt, Mrs Poussin, Miss Stuart, Mrs Davenett, Mrs Mattocks. [Cast from London Chronicle, 4 Oct., and European Magazine, Oct. 1782, p. 308: Harlequin-Lee Lewes; Pierrot-Edwin; Pantaloon-Booth; Mezzetin-Whitfield; Distress-Wewitzer; Members of the Conversazione-Fearon, Mahon; Taylor-Stevens; Invoice-Thompson; Gardener-Bates; Lord Furious-W. Bates; Mr Wrath-L'Estrange; Martinette-Mrs Wilson; Virtue-Mrs Webb; Manto-Miss Morris; Pleasure-Mrs Whitfield; Lady Pindar-Miss Piatt; Lady Avontree-Mrs Poussin; Miss Yewtree-Mrs Davenett; Colombine-Mrs Mattocks. Miss Stuart is unassigned. Larpent MS 586 has unassigned parts as above, and adds: Parte-per-pale, Portico, Four Somebodies, Chorus, Servants; Jenny, Maid.] New Prologue [spoken by Lee Lewes (European Magazine, Oct. 1782, p. 308)] . Jenny, Maid.] New Prologue [spoken by Lee Lewes (European Magazine, Oct. 1782, p. 308)] .
Cast
Role: : Harlequin Actor: Lee Lewes

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Flitch of Bacon

Dance: End of Act II of mainpiece The Poney Races by Harris, Miss Matthews, and others; In Act III, as17830422

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Poor Soldier

Dance: End: The Wapping Landlady-[see17870131]