SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Nat Lee"/1) | (@(roleclean,performerclean) "Mr Nat Lee")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4403 matches on Event Comments, 1895 matches on Performance Comments, 624 matches on Author, 559 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: Bon Ton; or, High Life Above Stairs

Dance: II: The Savage Hunters, as17751020

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: Bon Ton

Performances

Mainpiece Title: The School For Lovers

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: Bon Ton

Dance: End: The Merry Peasants, as17751018

Performances

Mainpiece Title: The Provoked Husband

Afterpiece Title: Bon Ton

Dance: End: The Merry Peasants, as17751018

Performances

Mainpiece Title: The School For Lovers

Afterpiece Title: The Elopement

Dance: II: The Savage Hunters, as17751020

Performances

Mainpiece Title: Braganza

Afterpiece Title: The Elopement

Performances

Mainpiece Title: Measure For Measure

Afterpiece Title: May Day

Dance: II: By Particular Desire, The Savage Hunters, as17751020, but Blurton

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: Queen Mab

Dance: I: The Savage Hunters, as17751118

Performances

Mainpiece Title: Much Ado About Nothing

Cast
Role: Leonato Actor: Jefferson

Afterpiece Title: The Queen Mab

Dance: II: The Savage Hunters, as17751118

Performances

Mainpiece Title: Old City Manners

Afterpiece Title: The Deserter

Dance: II: The Merry Peasants, as17751018

Performances

Mainpiece Title: The Maid Of The Oaks

Afterpiece Title: The Lyar

Performances

Mainpiece Title: Braganza

Afterpiece Title: Bon Ton

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Padlock

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Lyar

Event Comment: With New Music, Scenes, Dresses, and Decorations for the Afterpiece. This Farce is brought on the Stage by Mrs Abington--it is very dull--It is vastly well got up and was receiv'd with Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly, mentioning Bickerstaff as the author. Larpent MS 397 contains elaborate stage direction at opening: "An interior apartment in the Seraglio. An arch in the middle of the back scene, which is shut with a curtian. On the right hand toward the front is a sopha in the Turkish manner, low deep, and long, covered with carpets and cushions. A little gold table about eight inches high and a foot and a half square. Upon it a rich or gold saver set with jewels, with two cups on porcelain, and a spoon made of the beak of an Indian bird, which is redder than coral, extremely rare and of extensive price." This may have been intended for a reading audience. In the piece Mrs Abington, an English slave , rebels in the confines of the Seraglio, and start a reform movement wherein men are to please the women. Concludes with demostration of the nobility of English women who will not be enslaved, who will not flatter, who will preserve their liberty and dignity, and who are capable of returning love for honor and respect. Reviewed in Westminster Magazine for Dec.: "The Audience appeared to be divided in their opinion of the merit of the Sultan, some loudly applauding, and others as loudly condemning it, when the curtain dropped. The Majority however, stood firmly for it, and a verdict was returned in its favor. The managers not only well dressed this dramatic trifle, but bestowed three new scenes on it: The Outer Gate of the Seraglio--An Interior view of it--and a Garden terminating in a prospect of the sea. The first was but la! la! The last two were beautiful and picturesque. Five airs were introduced into this piece which had a very good effect....The music of the two first was the composition of Mr Dibdin, and was exceedingly pretty."] Receipts: #143 1s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Sultan; or, A Peep into the Seraglio

Performances

Mainpiece Title: Matilda

Afterpiece Title: The Sultan

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: Miss in Her Teens

Performances

Mainpiece Title: Braganza

Afterpiece Title: The Sultan

Dance: V: The Sailors Revels, as17751220

Event Comment: Milwood Mrs King So, so, Barnwell first time by Mr Brereton very well. The Jubilee is reviv'd with Alterations and Additions in the Pageant It was receiv'd with vast Applause (Hopkins Diary). [The Westminster Magazine for Dec. remarked on The Jubilee: "It appeared with still greater splendor [than in its original performance in 1769] from the introduction of more pageants and characters. Romeo and Juliet made a different appearance in this procession, and their was likewise a new Pageant for the Tragedy of Coriolanus, which was not introduced before. The scenes were either all new painted, or quite new."] Receipts: #242 6s. (Treasurer's Book)

Performances

Mainpiece Title: The London Merchant; Or, The History Of George Barnwell

Afterpiece Title: The Jubilee

Performances

Mainpiece Title: The Hypocrite

Afterpiece Title: The Jubilee

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Jubilee

Performances

Mainpiece Title: The Conscious Lovers

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Jubilee

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: The Jubilee

Performances

Mainpiece Title: Epicoene

Afterpiece Title: The Jubilee