SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Nat Lee"/1) | (@(roleclean,performerclean) "Mr Nat Lee")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4403 matches on Event Comments, 1895 matches on Performance Comments, 624 matches on Author, 559 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The Double Disappointment

Performances

Mainpiece Title: Venice Preserved

Afterpiece Title: The Oxonian in Town

Dance: End: A New Comic Dance call'd The Dutch Milkmaid-Mas. Blurton, Miss Ford

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Oxonian in Town

Dance: End: The Dutch Milkmaid, as17671114

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Oxonian in Town

Dance: IV: A New Comic Dance, as17671021

Performances

Mainpiece Title: Philaster

Afterpiece Title: The Oxonian in Town

Dance: II: A Serious Dance, as17670916; III: The Sicilian Peasants-Sga Manesiere, Mrs Bulkley. [See17641001.

Event Comment: [T+Theatrical Monitor, No VI appeared this day with a blast, in the form of an occasional Epilogue, at the morals, language and plan of the Oxonian in Town. This was the first performance of Macklin's afterpiece in London. It had been played in Dublin. "Its curious idiom, half-brogue, and half Cockney, puzzled the audience, as did its highly topical Irish allusions. With his usual candor, Macklin observed: 'I believe the audience are right. (The play was withdrawn after this single performance.) There's a geography in humor as well as in morals, which I had not previously considered--'" Cooke, Macklin, p. 270. According to Kirkman, in his curtain speech Macklin "courageously admitted: 'Ladies and Gentlemen, I am very sensible tha there are several passages in this play which deserve to be probated and I assure you that they shall never offend your ears again!' As soon as Mr Macklin had finished this address, the audience testified their approbation of his determination, by loud and reiterated plaudits" (Kirkman, Memoirs of the Life of Macklin, II, 3). See Also Charles Macklin: An Actor's Life by William W. Appleton (Cambridge, Mass., 1960), p. 141.

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Irish Fine Lady

Dance: End: The Dutch Milkmaid, as17671114

Performances

Mainpiece Title: Philaster

Afterpiece Title: Midas

Dance: II: The Merry Sailors, as17671009; III: The Sicilian Peasants, as17671123

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a-la-Mode

Dance: III: A New Comic Dance, as17671126

Performances

Mainpiece Title: The Royal Merchant

Dance: I: A New Comic Dance, as17671021; II: A Grand Ballet The Garland-Fishar, Mrs Bulkley. [See17651003.

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Deuce Is in Him

Dance: End: Hearts of Oak, as17671022

Performances

Mainpiece Title: The Royal Merchant

Afterpiece Title: The Oxonian in Town

Dance: End of Opera: The Dutch Milkmaid, as17671114

Performances

Mainpiece Title: The Royal Merchant

Afterpiece Title: The Upholsterer

Dance: End of Opera: The Garland, as17671214

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Thomasand Sally

Dance: III: The Garland, as17671214

Performances

Mainpiece Title: The Cure Of Saul

Music: I: Concerto on Hautboy-Giustinelli; II: Solo on Violin-Pinto (first violin)

Performances

Mainpiece Title: False Delicacy

Afterpiece Title: The Elopement

Event Comment: By Command of their Majesties. Published Animadversions on Mr Colman's True State etc., with some remarks on his little serious piece, The Oxonian in Town (20 pp.). [Criticizes the play as having a bad influence on the young, with its characters of whores, bawds and pickpockets. Did our author flatter himself that he could wipe out these rooted impressions with a cold moral sentence uttered by the mouth of a woman of pleasure, and perhaps never reaching the ears of one half of the audience from the variety of noises which accompany the finishing speech of every play?" Concludes: "The reputation of our Universities is a national concern of the highest and most sacred importance....I blush when I see academical characters brought upon the stage, but I burn when I see them lampooned."] House Charges: #35 (Account Book)

Performances

Mainpiece Title: Samson

Music: As17680219

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Harlequin Dr Faustus (With a New Additional Scene)

Performances

Mainpiece Title: Abimelech

Music: VViolin Solo-Barthelemon; Concerto on Hautboy-Simpson

Performances

Mainpiece Title: Cymon

Afterpiece Title: The Lyar

Entertainment: End: A Search After Scrubs-Baddeley

Performances

Mainpiece Title: She Wou'd And She Wou'd Not; Or, The Kind Imposter

Afterpiece Title: Thomasand Sally

Song: I: Angelic Fair, a new song-DuBellamy; IV: By Particular Desire, the Cantata of Cymon and Iphigenia-DuBellamy

Ballet: End: The Wapping Landlady. As17680416

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Orpheus and Eurydice

Dance: II: A Hornpipe-Miss Besford, 2nd time

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: Orpheus and Eurydice

Dance: II: The Highland Reel, as17680307

Performances

Mainpiece Title: The Devil Upon Two Sticks

Afterpiece Title: Thomasand Sally

Dance: Between the acts: Duquesnay, Miss Street, scholars of Gherardi

Event Comment: Being desir'd by many Persons of Quality, for ONE NIGHT ONLY, and By Permission of the Noblemen and Gentlemen of the Catch-Club, at the Thatch'd House in St Jame's St., will be perform'd the Favourite Catches and Glees which were exhibited Last Summer at Ranelagh-House, With TWO DESIR'D ALTERATIONS. After the 2nd Act, a Concerto on the Violin, by Barthelemon. A Considerable number of the Best Vocal and Instrumental Performers are engag'd on this occasion. Books for the Performance to be had at the theatre. Great care will be taken to keep the Theatre Cool. Ladies and Gentlemen send servants before the opening of the doors, which will be at Half-past 4. No persons can possibly be admitted behind the scenes. To Begin at exactly Seven o'clock. Tickets to be had and places to be taken (ONLY) of Mr Johnston at the stage Door (playbill)

Performances

Mainpiece Title: Catches And Glees

Performances

Mainpiece Title: The Orators

Afterpiece Title: The Judgment of Paris

Dance: As17680530