SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Moore"/1) | (@(roleclean,performerclean) "Mr Moore")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4255 matches on Event Comments, 1243 matches on Performance Comments, 535 matches on Performance Title, 78 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Venice Preserved

Performance Comment: Jaffier-a Gentleman (first appearance on this stage); Priuli-Brownsmith; Renault-F. Gentleman; Bedamar-Wills; Spinosa-Davenport; Theodore-Wilson; Elliott-Strange; Bramville-Moore; Duke-Lloyd; Pierre-Davis; Belvidera-a young Gentlewoman, first time.
Cast
Role: Bramville Actor: Moore

Afterpiece Title: The Padlock

Entertainment: Singing-; Dancing-

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Foote; other parts-Aickin, Robson, Davis, Gardner, Jacobs, Farrel, Lloyd, Ward, Fearon, Waters, Dancer, Smith, Parsons, Bransby, Castle, Pierce, Lings, Griffith, Walker, Vowell, Moore, Groves, Francis, Weston, Miss Wentworth, Miss Platt, Miss Lings; with the Reinforcement of Bayes's New@Rais'd Troops-.

Afterpiece Title: The Cornish Knights

Entertainment: V: A Medley Cantata with imitations-Bannister

Dance: Giorgi's scholars

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: Shylock, in the Jewish Dialect-Johnson; Antonio-Lewis; Gratiano-Russell; Lorenzo (with a song)-Bradney; Duke-Saul; Launcelot-Jacobs; Gobbo-Lucas; Tubal-Errington; Bassanio-West; Nerissa-Mrs Simmons; Jessica (with a Song)-Mrs Moore; Portia-a Young Lady; first appearance on the English stage. An Occasional Epilogue written for and spoken-Johnson.
Cast
Role: Jessica Actor: Mrs Moore

Afterpiece Title: The Snuff Box; or, A Trip to Bath

Performance Comment: Parts-Johnson, West, Bradney, Lewis, Herriman, Savigny, Mrs Russell, Mrs Moore (with song in character composed by Hook), a Young Lady; Prologue-West.

Performances

Mainpiece Title: The Rival Queens; Or, The Death Of Alexander The Great

Performance Comment: As17780422, but Statira-Miss Moore (1st appearance on any stage).
Cast
Role: Statira Actor: Miss Moore

Afterpiece Title: True-Blue

Afterpiece Title: Comus

Event Comment: Richard ye Third. Coriolanus. Andronicus. Julius Ceaser. The Moore of Venice [Othello]. Anthony & Clopatra. Cymbelyne. The Doubtfull Heire [Rosania; or, Love's Victory, by James Shirley]. The Impostor. The Brothers. The Sisters. The Cardinall. The Duke of Lerma. The Duke of Millan. Alphonso. The vnnaturall Cumbat. The Gardian. Aglaura. Arviragus & Philitia 1st pt. Arviragus & Philitia 2d pt. The Spartan Ladyes. The Bashfull Lover. Bussy D'Amboys. Brenoralt [or, The Discountented Colonel]. Country Captaine. The Variety. The Emperour of ye East. The Deserveing ffavorett. The Goblins. The ffatall Dowry. The Lost Lady. The Devell of Edmonton. More Desemblers then Weomen. The Mayor of Quinborough. The Northen Lasse. The Novella. Osmond ye Great Turke [or, The Noble Servant]. The Roman Actor. The Widdow. The Widdows Teares

Performances

Mainpiece Title: Comment Continued

Performances

Mainpiece Title: London's Joy; Or, The Lord Mayor's Show

Performance Comment: Triumphantly Exhibited in Various Representations, Scenes, and splendid Ornaments, with divers pertinent Figures and Movements: Performed on Saturday, October XXIX. 1681. At the Inauguration of the Right Honourable Sir John Moore, Knight, Lord Mayor of the City of London. With the Several Speeches, and Songs, which were spoken on the Pageant in Cheapside, and Sung in Guild-Hall during Dinner. All the Charges and Expences of the Industrious Designs being the sole Undertaking of the Worshipful Company of Grocers. Devised and Composed by Tho. Jordan, Gent.
Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 69: ye Moore of Venice at Whitehall. See also Nicoll, Restoration Drama, p. 350. See also an L. C. notice, 5@147, p. 24 (in Boswell, Restoration Court Stage, p. 85) concerning Preparations for plays to be acted at court every week

Performances

Mainpiece Title: Othello, Moor Of Venice

Event Comment: The date of this amateur performance is not known, but the date generally accepted is December 1689. See Alfred Loewenberg, The Annals of Opera, Second Edition, Columns 85-86; and R. E. Moore, Henry Purcell and the Restoration Theatre (Cambridge, Mass., 1961), pp. 38-69. The Epilogue is in New Poems (1690)

Performances

Mainpiece Title: Dido And Aeneas

Event Comment: Christopher Rich's Company. The date of this revival is not certain. Apparently the revival was in preparation before the division of the company, but the publication of the Songs in 1695 confines the production to the period between mid-April and the late autumn. For the opera, see The Works of John Dryden, Vol. VIII: The Plays, edited by John Harrington Smith and Dougald MacMillan (Berkeley and Los Angeles, 1692), pp. 325-30; Moore, Henry Purcell and the Restoration Theatre, Chapter VI;and Purcell's Works, Purcell Society, Vol. XIX. The Songs (1695), the music by Henry Purcell, lists the following pieces and singers: I, Wake, wake, Quivera, sung by Freeman. I, Why shou'd men quarrel, sung by The Boy, with Flutes. Their looks are such that mercy flows, sung by Freeman. II, I come to sing, sung by Freeman. Scorn'd Envy here's nothing, sung by Freeman. Begone, curst Feinds of Hell, sung by Freeman. III, Ah, how happy we are, sung by Freeman and Church. I attempt from Love's sickness to fly, sung by Mrs Cross. IV, They tell us that you mighty powers above, sung by Mrs Cross. In addition, other parts of the opera appeared elsewhere: Act V, a Masque, set by Daniel Purcell, O Bless the Genial Bed with chast delights, in Deliciae Musicae, First Book of the Second Volume, 1696. [The others, since they do not name the performers, are omitted here.

Performances

Mainpiece Title: The Indian Queen

Event Comment: Benefit Mrs Moore. [In Daily Courant, 25 Oct., The Funeral had been advertised for this day.

Performances

Mainpiece Title: Love's Last Shift; Or, The Fool In Fashion

Song: As17031023

Dance: Mrs Bicknell, Mrs Lucas, the Devonshire Girl

Event Comment: Benefit Mrs Moore

Performances

Mainpiece Title: Oroonoko

Song: Let the Dreadful Engines-Leveridge

Dance: Country Frenchman and his Wife, Dutch Skipper-duRuel, Mrs duRuel

Entertainment: Diverting ones Clinch of Barnet

Event Comment: Benefit Mrs Moore. [This performance may have been deferred; see 6 and 17 March.

Performances

Mainpiece Title: The Recruiting Officer

Song: Leveridge, others

Music: Instrumental Music-the best Masters

Dance: duRuel, Cherrier, Miss Santlow, others

Event Comment: Mrs Moore's tickets for 3 March taken this day

Performances

Mainpiece Title: The Recruiting Officer

Song:

Dance:

Event Comment: Benefit Mrs Moore

Performances

Mainpiece Title: The Recruiting Officer

Song: Leveridge, Hughes, Mrs Lindsey

Music: Instrumental Music-the best Masters

Dance: As17070123

Event Comment: Benefit Mrs Moore. At the Desire of several Ladies of Quality

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Event Comment: Benefit Miss Santlow and Mrs Moore. At the Desire of several Persons of Quality

Performances

Mainpiece Title: Love For Love

Dance: Before the Play: Harlequin-Miss Santlow; Italian Night Scene-

Entertainment: As17100526

Event Comment: Benefit Mrs Moore. At the Desire of several Persons of Quality. There being but a short Comedy acted that Night, it is desired to begin exactly at Eight. Tickets 5s

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-the best Masters

Event Comment: Benefit Chetwood and Mrs Moore

Performances

Mainpiece Title: The History And Fall Of Caius Marius

Dance: Mrs Bicknell, Miss Younger

Song: As17170204

Event Comment: Benefit Ray and Mrs Moore. On this day a warrant for establishing an Academy of Music was issued. See Lord Chamberlain's Office, 7@3 and 5@157, p. 228

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Song: Ray

Dance: Shaw, Mrs Santlow, Wade, Mrs Bicknell, Topham, Miss Tenoe, Miss Lindar

Music: A new Piece for the Ecchoe Flute-Paisible

Event Comment: Benefit Boval and Mrs Moore. Written by Shakespear

Performances

Mainpiece Title: The History Of King Henry The Eighth

Dance:

Event Comment: Benefit Mrs Moore. Written by Shakespear

Performances

Mainpiece Title: Macbeth

Event Comment: Benefit Boman and Mrs Moore. At the particular Desire of several Persons of Quality

Performances

Mainpiece Title: The Maid's Tragedy

Afterpiece Title: Acis and Galatea

Dance: Shaw, Mrs Younger; Topham, Miss Tenoe

Event Comment: Benefit Boman and Mrs Moore. At the Desire of several Perosns of Quality

Performances

Mainpiece Title: The Rover

Dance: TTurkish Dance-Lally, Essex, others; The Muzette-Young Rainton, Miss Robinson; Whitson Holiday-Boval, Miss Tenoe

Event Comment: Benefit Shepard and Mrs Moore. Written by Shakespear

Performances

Mainpiece Title: Macbeth

Dance: HHarlequin-Young Master Lally, Miss Brett; Pieraite-Roger, Mrs Brett

Event Comment: Benefit Harbin, Woodward, Moore. Tickets for Mrs Monlass taken. At the particular Desire of several Persons of Quality and Distinction

Performances

Mainpiece Title: The Double Gallant

Afterpiece Title: The Stage Coach

Dance: II: Friendly Lasses by Miss Wherrit and Miss Sandham. III: Scotch Dance by Miss Wherrit. IV: Dutch Skipper by Vallois and Mrs Bullock. V: Milk Pail Dance by Delagarde, Sandham, &c