SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr Lacy Frederick"/1) | (@(roleclean,performerclean) "Mr Lacy Frederick")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4340 matches on Event Comments, 1842 matches on Performance Comments, 663 matches on Author, 533 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Benefit Lacy. Afterpiece: A new Satyrical, Allegorical, Political, Philosophical Farce, [Apparently by Lacy.] Daily Advertiser, 30 April: Yesterday I accidentally call'd in at the Theatre in the Hay-Market, and saw the Rehearsal of a new Farce call'd Fame...Which is to be acted there on Wednesday next...for the Benefit of Mr Lacy the Author. As I am neither acquainted with him, nor the Master of the Playhouse, I cannot be accus'd of Partiality, in affirming, that I think this the best Farce this Age has produc'd. It seems to be writ in Imitation of Shakespear, and entirely calculated for the present Taste. The Characters are strong, lively, majestic, and just; the incidents natural and moving; the Conduct regular; the Distresses extremely affecting; the Stile sublime; the Sentiments grand, full of Patriotism; and the Catastrophe so masterly wrought up, that, I am persuaded, no Farce whatsoever, now acting, will draw more Tears than this. But what affected me beyond all, was, the Zeal, the exemplary Zeal of a worthy Magistrate, who so strictly adheres to the very Letter of the Law, as to send a rich and honest Merchant, and Freeholder, to the House of Correction, as a sturdy Beggar, or Loiterer. I could enlarg in its Praise, but fear I may do the Author wrong, in raising your Expectations too high. See it, and I am convinc'd you will entertain the same Sentiments of it, as does Your Humble Servant, James Lacy. Alias Fustian, alias Sour-Wit, alias--But hold:--If I should be arraign'd for the Murder of this Farce, so many Alias's will half condemn me before I am heard

Performances

Mainpiece Title: Pasquin

Afterpiece Title: Fame or Queen Elizabeths Trumpets or Never pleads Hopes of being a Lord Chancellor or The Lover turnd Philosopher or The Misers Resolve upon the Lowering of Interest

Related Works
Related Work: Fame; or, Queen Elizabeth's Trumpets; or, Never plead's Hopes of being a Lord Chancellor; or, The Lover turn'd Philosopher; or, The Miser's Resolve upon the Lowering of Interest Author(s): James Lacy
Event Comment: Mainpiece [1st time; C 5, by Frederick Reynolds. Prologue by James Boaden. Epilogue by Edward Topham (see text). For this play Reynolds and the cg manager made a new plan for payments to the author. Benefits for the author on the 3rd, 6th and 9th nights were abandoned; instead he received #33 6s. 8d. for each of the first nine nights and #100 on the 20th night. "This was the foundation of that bargain between manager and author which, I believe, exists to the present period [1826]" (Reynolds, II, 182-83)]. Morning Chronicle, 19 Jan. 1795: This Day is published The Rage! (2s.). Receipts: #259 13s. 6d. (255.17.6; 3.16.0)

Performances

Mainpiece Title: The Rage

Related Works
Related Work: The Rage! Author(s): Frederick Reynolds

Afterpiece Title: Cymon

Dance: Afterpiece to conclude with: a Dance-

Event Comment: Mainpiece [1st time; C 5, by Frederick Reynolds. Prologue by the author. Epilogue by Miles Peter Andrews (see text)]: With new Scenes, Dresses, &c. Receipts: #242 4s. (237.16; 4.8)

Performances

Mainpiece Title: Speculation

Performance Comment: Principal Characters by Lewis, Quick, Munden, Fawcett, Middleton, Claremont, Davenport, Thompson, Farley, Abbot, Blurton, Master Curties; Mrs Mansel, Mrs Davenport, Miss Wallis. Cast from text (T. N. Longman, 1795), and playbill of 17 May 1800: Tanjore-Lewis; Alderman Arable-Quick; Project-Munden; Jack Arable-Fawcett; Capt. Arable-Middleton; Sir Frederick Faintly-Claremont; Meanwell-Davenport; Promptly-Thompson; Vickery-Farley; Cecilia-Miss Mansel; Lady Project-Mrs Davenport; Emmeline-Miss Wallis; unassigned-Abbot, Blurton, Master Curties; Prologue-Harley; Epilogue-Lewis. [Prologue spoken, as here assigned, at 1st 26 performances only (see17960112); Epilogue spoken, as here assigned, at all subsequent performances, except on 29 Mar. and 13 May 1796.]Prologue spoken, as here assigned, at 1st 26 performances only (see17960112); Epilogue spoken, as here assigned, at all subsequent performances, except on 29 Mar. and 13 May 1796.]
Related Works
Related Work: Speculation Author(s): Frederick Reynolds

Afterpiece Title: Rosina

Performances

Mainpiece Title: Concert

Entertainment: Divine Musick in Praise of Religion and Vertue-; both Vocal and instrumental, with new Anthems compos'd by Mr Blow; an Oration by Mr Collier; Pieces by Mr Tate, her Majesty's Poet Laureat. The edition of 1702 lists: The Introductory Poem Upon the Reformation of Poetry-Mr Tate Poet-Laureat to her Majesty; The First Anthem-, Compos'd by Dr Blow, and Sung in Westminster-Abbey, at Her Majesty's Coronation; The Oration-J. Collier/M.A.; The Second Anthem, Compos'd by Dr Blow: Te Deum Laudamus-; A Poem in Praise of Virtue- , Written by Mr Tate

Event Comment: The King's Company. Pepys, Diary: I took coach and to the King's house, and by and by comes after me my wife with W. Hewer and his mother and Barker, and there we saw The Tameing of a Shrew, which hath some very good pieces in it, but generally is but a mean play; and the best part, Sawny, done by Lacy, hath not half its life, by reason of the swords, I suppose, not being understood, at least by me

Performances

Mainpiece Title: Sauny The Scot Or The Taming Of A Shrew

Performance Comment: [Adapted by John Lacy.] Sauny-Lacy.
Cast
Role: Sauny Actor: Lacy.
Related Works
Related Work: Sauny the Scot; or, The Taming of a Shrew Author(s): John Lacy

Performances

Mainpiece Title: Concert

Music: A Solo and several Pieces on the French Horn by Mr Charles. And several Songs and Duets by the two Miss Youngs. The German Flute by Mr Pelicour [Balicourt in Daily Advertiser], lately arrived from abroad; Being the first Time of his Performing in England

Event Comment: Mainpiece [1st time; C 5, by Miles Peter Andrews and Frederick Reynolds; based on Le Dissipateur; ou, L'Honnete Friponne, by Philippe Nericault, dit Destouches. Prologue by the Duke of Leeds; Epilogue by Miles Peter Andrews (see text)]: With new Scenes, Dresses and Decorations. The Scenery designed and executed by Greenwood. Gazetteer, 18 Nov.: At the rehearsal of the new comedy on Tuesday the Duke of Leeds, Major Scott, Mr Angerstein [the banker] and Mr Boswell were in the boxes. Mr Boswell said an epigrammatic thought had struck him...and he brought the following Impromptu into life: Andrews, your play is safe enough; For noble Leeds endures it; Boswell and Scott are pledged to puff, And Angerstein ensures it. World, 13 Dec. 1790: To-morrow will be published Better Late than Never (1s. 6d.). Receipts: #240 14s. (206.7; 32.6; 2.1)

Performances

Mainpiece Title: Better Late Than Never

Related Works
Related Work: Better Late than Never Author(s): Frederick Reynolds

Afterpiece Title: Don Juan

Dance: As17901026

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: The Deaf Lover

Related Works
Related Work: The Deaf Lover Author(s): Frederick Pilon
Related Work: The Device; or, The Deaf Doctor Author(s): Frederick Pilon

Performances

Mainpiece Title: The Rage

Related Works
Related Work: The Rage! Author(s): Frederick Reynolds

Afterpiece Title: Marian

Performances

Mainpiece Title: The Will

Related Works
Related Work: The Will Author(s): Frederick Reynolds

Afterpiece Title: The Prize

Related Works
Related Work: The Liverpool Prize Author(s): Frederick Pilon

Entertainment: Monologue.As17971016; An Occasional Address-Wroughton

Event Comment: Benefit Hippisley. Afterpiece: [By Lacy Ryan.] Receipts: money #64 18s.; tickets #111 13s. Probable attendance: boxes, 116 by money and 185 by tickets; stage, 31 by money; pit, 37 by money and 346 by tickets; slips, 13 by money; first gallery, 110 by money and 135 by tickets; second gallery, 122 by money

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Coblers Opera

Related Works
Related Work: The Cobler's Opera Author(s): Lacy Ryan

Performances

Mainpiece Title: Alls Well That Ends Well

Related Works
Related Work: All's Well that Ends Well Author(s): Frederick Pilon

Afterpiece Title: The Old Maid

Dance: LLa Petite Bergere-Miss Lalauze; a Hornpipe, 1st time-Miss Lalauze (Music by Dr Arne); A Ball Dance, call'd the Louvre, ending with a Minuet-a Young scholar of Mr Lalauze, Miss Lalauze. Being the last time of their appearing on the stage. These Dances By Particular Desire

Performances

Mainpiece Title: Alls Well That Ends Well

Related Works
Related Work: All's Well that Ends Well Author(s): Frederick Pilon

Afterpiece Title: Comus

Performances

Mainpiece Title: Alls Well That Ends Well

Related Works
Related Work: All's Well that Ends Well Author(s): Frederick Pilon

Afterpiece Title: Harlequin Sorcerer

Dance: II: The Merry Sailors, as17721012

Performances

Mainpiece Title: Alls Well That Ends Well

Related Works
Related Work: All's Well that Ends Well Author(s): Frederick Pilon

Afterpiece Title: Thomasand Sally

Dance: End: A Comic Dance, The Italian Gardeners-Mr and Miss West (Late pupils of Sg Grimaldi) [their first appearance on this stage. [See dl 9 Dec. 1760.

Event Comment: Mainpiece: Not acted these 4 years acted 6 Nov. 1775. Prologue by Nicholas Rowe. Afterpiece [ 1st time; f 2, by Frederick Pilon. Prologue by the author (Public Advertiser, 5 Nov.). In speaking a line in the Prologue that won applause Whitfield waved his hat so vehemently tha he "dislocated a Bone in his Arm. He went to the side of the stage, and one of the Scene-men taking him by the Wrist, and giving four or five pretty severe jerks, the Bone recovered its place" (ibid). In all subsequent performances the Prologue was spoken by Lee Lewes.]. Public Advertiser, 18 Nov. 1778: This Day at Noon is published The Invasion (1s.)

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Invasion or A Trip to Brighthelmstone

Related Works
Related Work: The Invasion; or, A Trip to Brighthelmstone Author(s): Frederick Pilon

Song: In: To thee O gentle sleep!-Mrs Farrell

Event Comment: Afterpiece [1st time; F 2, by Frederick Pilon]. Public Advertiser, 6 Mar. 1779: This Day is published The Liverpool Prize (1s.)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Liverpool Prize

Related Works
Related Work: The Liverpool Prize Author(s): Frederick Pilon

Dance: End I afterpiece: The Burgomaster, as17790216

Event Comment: Benefit for Lee Lewes. 1st piece [1st time; PREL I, by Frederick Pilon. Author of Epilogue unknown. This Prelude had reference to the illuminations held on 11 Feb. 1779 in honor of the acquittal, on a charge of misconduct in the naval operations off Brest, of Admiral Augustus Keppel. In 1780 it was acted at this theatre, with alterations, as A Gazette Extraordinary]. Tickets delivered for The Distress'd Mother will be received. Public Advertiser, 30 Mar.: Tickets to be had of Lee Lewes at his house in Bow-street, Covent Garden. Ibid, 4 May 1779: This Day is published Illumination (1s.)

Performances

Mainpiece Title: Illumination Or The Glaziers Conspiracy

Related Works
Related Work: Illumination; or, The Glaziers Conspiracy Author(s): Frederick Pilon
Related Work: Illumination Author(s): Frederick Pilon

Afterpiece Title: Elfrida

Afterpiece Title: The Touchstone

Event Comment: Afterpiece [1st time; F 2, by Frederick Pilon, based in part on Le Poulet, by Louis Carrogis, dit Carmontelle. Incidental music by William Shield. Larpent MS 491; not published. Author of Prologue unknown. This farce was altered, and produced on 2 Feb. 1780 as The Deaf Lover]. Paid Music the 24th Inst. #7 4s. 4d. Receipts: #190 4s. 6d. (18.5.0; 0.19.6)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Device or The Deaf Doctor

Related Works
Related Work: The Device; or, The Deaf Doctor Author(s): Frederick Pilon
Related Work: The Deaf Lover Author(s): Frederick Pilon

Dance: End III: The Dockyard, as17790924

Song: II: The Cottage on the lawn (set by Michael Arne)-Mrs Kennedy

Event Comment: Afterpiece [1st time; F 2, by Frederick Pilon, altered from his The Device (see 27 Sept. 1779); incidental music by William Shield; Prologue by the author (see text)]. Account-Book, 16 June: Paid Pilon for the Deaf Lover #100. Receipts: #192 3s. (190.0.6; 2.2.6)

Performances

Mainpiece Title: The Widow Of Delphi

Afterpiece Title: The Deaf Lover

Related Works
Related Work: The Deaf Lover Author(s): Frederick Pilon
Related Work: The Device; or, The Deaf Doctor Author(s): Frederick Pilon
Event Comment: [Mainpiece in place of Fatal Falshood, announced on playbill of 24 Apr.,] Afterpiece [1st time; MF 2, by Frederick Pilon]: The new Songs and Overture composed by Shield. The new Scenes by Richards and Carver. With a view of the English and Spanish Fleets entering the Bay. [This notice is included in all subsequent playbills.] Public Advertiser, 25 Apr. 1780: This afternon is published the Songs in The Siege Of Gibraltar (6d.). Ibid, 3 May 1780: This morning is published The Siege Of Gibraltar (1s.). Receipts: #168 5s. (166.4; 2.1)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Siege Of Gibraltar

Related Works
Related Work: The Siege of Gibraltar Author(s): Frederick Pilon
Event Comment: Afterpiece [1st time; F 1, by Frederick Pilon. Prologue by the author (Public Advertiser, 23 Oct.)]. Public Advertiser, 25 Oct. 1780: This Morning at Ten is published The Humours of an Election (1s.). Receipts: #118 12s. 6d. (116.6.0; 2.6.6)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Humours of an Election

Related Works
Related Work: The Humours of an Election Author(s): Frederick Pilon

Dance: II: Masquerade Dance-; End: The Humours of Leixlip, as17801018

Event Comment: By Command of Their Majesties. [Mainpiece in place of The Suspicious Husband; afterpiece of Harlequin Free-Mason, both announced on playbill of 27 Dec. Afterpiece: Prologue by Frederick Pilon.] Receipts: #253 3s. 6d. (251.2.0; 2.1.6)

Performances

Mainpiece Title: The Duenna

Afterpiece Title: The Deaf Lover

Related Works
Related Work: The Deaf Lover Author(s): Frederick Pilon
Related Work: The Device; or, The Deaf Doctor Author(s): Frederick Pilon

Dance: As17801018

Event Comment: Mainpiece [1st time; CO 3, by Frederick Pilon; probably a rewriting of an opera with the same title, 1st acted at Crow Street Theatre, Dublin, 20 May 1771, at which time Pilon was acting in Dublin]: With new Dresses, and entirely new Music and an Overture by Carter. [In mainpiece the playbill lists Dodd, but "Suett, who undertook at a few minutes' notice the part assigned to Dodd, went through the reading as though he had studied the character" (Morning Herald, 21 May).] [On this night, Whitsun Eve, the theatre was customarily closed.] Receipts: #152 4s. 6d. (134/15/0; 17/6/0; 0/3/6)

Performances

Mainpiece Title: The Fair American

Related Works
Related Work: The Fair American Author(s): Frederick Pilon

Afterpiece Title: The Apprentice

Event Comment: Afterpiece: Never performed here. [Prologue by Frederick Pilon.]

Performances

Mainpiece Title: Polly

Afterpiece Title: The Humours of an Election

Related Works
Related Work: The Humours of an Election Author(s): Frederick Pilon

Dance: As17820611