Event Comment: [By Theophilus Cibber.] Alter'd from Shakespear. Containing the Marriages of King Edward the Fourth , and young Prince Edward , with Lady Gray , and Lady Anne . The Distresses of Queen Margaret . The Deposing King Henry the Sixth . The Battles Fought at St. Albans, Wakefield, Mortimer's-Cross, and Tewkesbury. The Deaths of Lord Clifford of Cumberland , and his Son, the Duke of York , his Steward. And many other True Historical Passages

Event Comment: Benefit for Cautherly. [Farce never before acted, written by King.

Event Comment: [Henderson's 1st recorded appearance as Falstaff was at Bath, 6 Mar. 1777. "In the frolicksome, gay, and humourous situations of Falstaff Henderson is superior to every man...His soliloquy in describing his ragamuffin regiment, and his enjoying the misuse of the king's press-money are so truly excellent that they are not inferior to any comic representation of the stage" (Davies, I, 252-53).] Afterpiece: Never performed here. The Musick composed by Dr Arnold

Event Comment: Benefit for Havard. Fairy Tale deferr'd, Miss Wright ill. This morning Mr Obrien was married to Lady Susan Strangeways. Mr Powell made an Apology & Mr King play'd his part in the Farce. N.B. This Night Mrs Yates sent me word She could play no more this Season (Hopkins). Mr Obrien married, cou'd not come. Mr King play'd his Part Mr I. Palmer King's (Cross Diary). Mr O'Brien being married this morning to Lady Susan Strangeways [sic] after the Play Mr Powell made apology that Mr O'Brien had sent word he was not able to do his part [Lovel], and that Mr King had undertaken it at every short warning, and hoped for their indulgence.-Mr J. Palmer did Mr King's part [Sir Harry's Servant]. This Night Mrs Yates gave notice she could play no more this season (Hopkins Diary-MacMillan). Receipts: #214 2s. (MacMillan); charges: #64 4s. [Profit to Havard: #149 18s.

Event Comment: Benefit for Powell. Ladies send Servants by 3 o'clock (playbill). Othello (for first time) Mr Powell. This Night there was the greatest over flow ever known. the Crowd was so great it prevented the Ladies from coming into the Boxes till near Seven o clock at half past Six begun the play. As the Ladies were not come into the Boxes, being prevented by passage being Stopt up by the Crowd the Gentlemen Cry'd out. off off &c. Mr King & Mr Havard remaind on the Stage some time but the Noise increasing. Mr King address'd the Audience & told them it would be equally agreeable to the performers to stay half an hour longer, upon which there was a great Clap & the Curtain was drop'd & a quarter before Seven begun the play again. N.B. The Farce was hiss'd all thro'(Hopkins). This night one of the greatest overflows that ever was known. The crowd was so great it preventdd the ladies from coming to their places in the boxes till near seven o'clock-At half past six the play began, and in the first scene they cried Off, off.' Mr King and Mr Havard remained on the Stage some time; but the noise increasing, Mr King went forward and said, It would be equally agreeable to the performers to stay half an hour longer, before they began-upon which there was a great clap, and the curtain was dropped; and in about a Quarter of an hour began the play again (Hopkins Diary-MacMillan). Receipts: #268 11s. (MacMillan). charges. #64 9s. [Profit to Powell: #204 2s.

Event Comment: Mainpiece: Not acted these 20 years. [See 11 Nov. 1752.] Characters New Dressed in the Habits of the Times. This play is alter'd by Mr Colman and receiv'd with Some Applause, but it don't seem to hit the present Taste a few hisses at the End (Hopkins Diary). [MacMillan's note from Kemble differs slightly.] Paid salary list #630 1s. 6d.; Widow Hunter #2 2s.; King's glass bill #3 17s. 6d. (Treasurer's Book). [Mainpiece reviewed and contrasted with the original in the Westminster Magazine for Jan.: "Upon the whole we cannot esteem this a striking comedy, even with the assistance it has now received,--the fine manner in which it is got up, and the great expence which the managers have been at in habiting the whole dramatis personae in splendid and characteristic Old English dresses. All the actors except Mr King and Mr Parsons performed but indifferently. Bensley is the worst Old Man we ever saw. He presents the countenace of a sickly old woman; and the uniform goggle of his eye, by which he means to express infirmity and distress is the look of a man in anguish from the colic. Mr Palmer, Mr Brereton, and Mr Davis have a bloated vulgarity about them, which should ever deter the manager from assigning them the parts of cavaliers or men of fashion. Baddeley, as usual, overdid his part, and Mr Yates, as usual, was not very perfect in his."] Receipts: #192 11s. (Treasurer's Book)

Event Comment: Mainpiece: Never perform'd. New Scenes and Dresses (playbill). This Comedy was written by Mr Obrien. It was very much hiss'd from the 2d Act & with the greatest difficulty we got thro' the Play amidst Groans hisses &c. They would not Suffer it to be given out again. After many Altercations between the Audience Mr G. & Mr King by the Author's Consent the Play was withdrawn (Hopkins Diary). [Macmillan's note from Kemble briefer. See long review of The Duel in British Theatre article, London Magazine, Dec. 1772, and Town and Country same month.] Paid Mr Scott (c[opper] laceman) #83 9s.; Mr Waller (hosier) #17 18s. 6d.; Mr Hatsell (mercer) #80 19s.; Mr Barrow & Co. for oil, #45 13s.; Mr Cropley (linen draper) #73 14s.; Mr Cubitt (tinman) #15 19s. (Treasurer's Book). Receipts: #241 4s. (Treasurer's Book)

Event Comment: Paid 3 day's salary at #100 12s. 6d. per diem #301 17s. 6d. Salaries short-paid last week #168 8s. 6d.; Tabor and Pipe #3 13s. 6d. Louchre [Lauchery] #8 8s. Mr Abington #2; Mr King #3; (Treasurer's Book). [The payment to King was the first of 37 similar ones for extra salary amounting to #111. That to Mrs Abington was the first of weekly payments for her clothes account, amounting to #60 for the season. No further mention will be made of these items.] Receipts: #265 9s. 6d. (Treasurer's Book). [From the Middlesex Journal (7-9 Oct.) quoted by Hampden, Eighteenth Century Journal: "The Way of the World, though confessedly replete with wit and character, is not the most entertaining play in representation. It is so full of plot and intrigue, that it demands an Unusual degree of attention in the performers and audience to excite admiration. On Saturday they seemed averse to assist the author. Mr King in Witwou'd was as entertaining and full of spirits as usual. Mr Jefferson in the gay admired Mirabel (independent of the antique mode of his wig, and formal cut of his clothes, which surely were both uncharacteristic) seemed in attempting to be quite natural, to keep the entire plot of the play in his own bosom, looked more like the father than the Mirabel of Congreve. Mr Reddish was a contrast to his friend Mirabel; he seemed attentive nervous, and played the latter part of his character well....Mrs Abington's person, manner and dress were fashionable and elegant; but though the character was certainly a fine one, there was a want of that spirit best calculated to call her powers into action: her delivery was tediously formal; and had the audience been deprived of their sight they would conclude that Capt. Bobadill had got into petticoats. Her dress was no more decent than Madam Hidou's was on her first appearance last year; stays so low cut before puts modesty to the blush; and will not be countenanced by an English audience, though made after the French fashion....Mrs Greville, to convince the town that she could keep a secret, whispered it to only a few friends in the Pit....her indifference is intolerable, and should be noticed by her employer."

Event Comment: By Command of their Majesties. When the play began there was a very great Noise the performers were oblig'd to Stop and go off the Stage Mr Reddish went on and desir'd to Know their pleasure they said they wanted the Pit door be open'd to let out some of the people for so many had Crowded in that they could not Sit down-the door was open'd and in a little time after all was quiet and the Play was begun once more at a quarter after Seven. During this time the King Sent Two Messages to Mr G. to desire that he would not let this Noise disconcert him and his Majesty would take care that all should be quiet before the play began (Hopkins Diary). [MacMillan's note from Kemble: "I cannot say enough of Mr Garrick's Performance tonight." Kemble further notes that Garrick's fatigue led them to abandon further performances until Saturday 8 June.] Paid Mr Heard extra allowance #3; Ditto on note #5 5s.; Mr Carpenter's salary 15s.; Mr Martini a grautity #10 10s.; Wallis salary in full 13s. 4d. Receipts: #293 5s. (Treasurer's Book)

Event Comment: Afterpiece: by Particular Desire. N.B. Mr Yates refus'd to play Kastril. (Mr King play'd it.) Mr Weston play'd Abel Drugger, was well receiv'd & indeed he play'd much better than could Expect from him. his figure was much in his favour (Hopkins). Mr Weston Drugger. great applause (Cross Diary). Mr Yates would not play his part [Kastril].-Abel Drugger by Mr Weston,-who went thro' it much beyond what any one could expect,-and, considering so great a man as Mr Garrick was his predecessor, twas wonderful. Upon the whole, I think he played it very decently. His figure is much in his favour.-He received great applause (Hopkins Diary-MacMillan). Receipts: #85 14s. 6d. (MacMillan)

Event Comment: HHopkins Diary: This morning a printed paper was handed about requesting the lovers of theatrical Performances to meet this evening at the theatre to insist upon the doors not being opened till five o'clock.--As soon as the curtain was up, they called for Mr Garrick, and would not suffer the play to begin. Mr King went on and told the audience, "that he was desired by the managers to tell them the doors for the future should not be opened till Five," A great Clap,--He added, "that the managers was always willing to oblige the publick in everything that was in their power; but they thought that on very full nights it would be attended with some inconvenience." They would not hear of any alteration,--he then told them, "the doors should always for the future be opened at five, unless the public applyed to have it altered." All then was quiet and the play began. Mr Weston, whose name was in the Bills for Jerry, was taken suddenly ill, and Mr W. Palmer went on for it without an apology.--called out, "Mr Holland, what is the reason we have not Mr Weston according to your publication in the Bills?" They then were told he was taken suddenly ill--"then pray make an apology for him" they said.--Another gentleman called out "Don't answer him, Mr Holland, you do him too much honor by deigning to answer him."--then all was quiet, and the play went on

Event Comment: Benefit for Wood, Sub-Treasurer. Tickets deliver'd out for The Mistake will be taken (playbill). For ye Morocco Embassador, who, tho' unlearn'd in out Language, behav'd as if he understood nature -Mr Wood, the Subtreasurer had Tickets (Cross). [Mrs Frances Brooke, in The Old Maid, for 8 May 1756, gives the following eye-witness account of the evening: "I determined to watch the artless working of [the Ambassador's] surprise, and to catch, as well as I could his sentiments of the theatre, the Audience, the Play, and the performers. And shall give them to my readers, just as they appeared to me. On his first coming to the front of the Box, he was complimented with the Applause of the whole House, which seemed to give him great pleasure, and which he returned by two bows in the English, and afterwards by a reverence in the Moorish manner, which last I thought very graceful...tho' he is rather low of stature, yet his loose flowing robes, and his manner altogether gave him such an air of superiority, that I thought the Audience looked only like his attendants. "The House and Spectators attracted his notice so much for some time, that he seem'd very well entertained before the drawing up of the curtain. At the first scene between the Lords, I thought he looked disappointed, and after a transient view of the stage, directed his eyes again to the company; at the entrance of King Henry his attention was a little recover'd to the performance, but his majesty had not proceeded half way thru the scene, before he burst into a most immoderate fit, of apparently contemptuous laughter, which he repeated very often thro' the whole playing of the part. The manner in which this stranger was affected by it, amongst other considerations, fully convinces me that this character is most ridiculously burlesqued in the representation, and that both Shakespeare and the Monarch are very inhumanly sacrificed, to the polite taste, and elegant distinction of the upper gallery....I could point out many abuses of the like nature, which have increased upon us so much of late, that 'tis almost impossible to attend the theatres, with the expectation of receiving pleasure from some parts of the perfbrmance, without the certainty of suffering equal disgust from others; it was the case of many besides myself, at this of Henry, upon the absurdity of Winchester's brandishing his cane at Canterbury, upon the close of the Council Scene; and yet to give opportunity for this notable stage foolery, the Archbishop and Bishop are both made to walk out of their proper order, tho' in attendance upon the King....His character is drawn by Shakespeare very nearly as it stands in history, and in colours far different from the farcical ones, in which it is the present fashion to represent it. He is described indeed as imperious, but at the same time a great Monarch, and not withstanding his short interjections of anger, he is in my judgment upon every occasion a King. I wish this consideration may prevail with Mr Berry, when he plays this character for the future, to remember that tho' Harry as well as Jobson may be something rough and boistrous, yet the turbulency of a haughty prince, is a very different quality, and must therefore appear in avery different fashion, from the sawciness of an impudent cobbler. "Whatever neglect his Moorish Excellency might discover of this part, he paid great attention to that of Queen Catherine; but nothing seem'd to affect him so stronglyas Miss Young's singing, at which he appeared quite collected, and listened to her with all marks of rapturous admiration; his whole soul appeared touched, and at the end of the song, he joined the house in clapping, a mark of applause I did not observe him give at any other time. "I thought upon the King's kissing Anna Bullen, that he appeared surprized and offended, and looked about, to observe whether others were not affected in the same manner. "The procession was less marked by him than I had expected, but upon the Champion's entry on horseback, he burst into such an Immoderate fit of laughter, as to fall quite back in his seat. "At the end of the play he rose, as if to leave the House, but looked very well pleased upon being informed there was more entertainment to come; in the Pantomime he seem'd surprized and disgusted at the appearance of Harlequin, to whom he did not appear reconciled to the last; his wonder was still greater at the flying of the Genii cross the stage, and other parts of the machinery, which I thought he studied byt was puzzled to account for. He laughed heartily at the Clown, and admired Colombine not a little.... "I am jealous of the honour of my country in all respects. I would have this stranger leave it with as high opinion of our publick entertainments as possible, and could wish that at the Old House, he might see Mr Garrick in Richard or some equally striking part, and at the New, he may be present at plays, where rich dresses, magnificent show and graceful action, and uncommon personal perfections in the principal performers might contribute to give him a more elevated idea of our stage, than he can have receiv'd from King Harry."] Receipts: #210 (Cross)

Event Comment: Benefit for King. The Play was very Imperfect. Bon Ton is a Comedy in Two Acts. Written 15 or 16 years ago Mr G. out of Friendship for Mr King gave it him to get up for his Benefit-It was verY well perform'd & receiv'd with the highest Applause (Hopkins Diary). Mainpiece: Not acted these 16 years. [See 29 Jan. 1759.] Part of Pit laid into boxes. Paid 4 days salary, list #377 4s.; J. French on acct #5 5s.; Mr Carter in full for Music for Rival Candidates #42 (Treasurer's Book). [Rather unfavorable review of Bon Ton in Westminster Magazine for March. Ascribes it to Burgoyne, with touches form Garrick.] Receipts: #291 2s. 6d. Charges: #66 7s. 6d. Profits to King: #224 15s. (Treasurer's Book)

Event Comment: Paid 6 days salary at #82 16s. 5d. per diem--#496 18s. 6d.; Mrs Abington on cloaths account #2; Mr French on acct #2. Mr D. Garrick's Night. Charges #84 (Treasurer's Book). Profit to D. G. for sixth night of Inst of Garter #115 7s. 6d. Mainpiece: Not acted in 4 years. [See 2 Dec. 1767.] Garrick recovered from his illness (Winston MS 10). [Of the mainpiece: "How the managers could think of shoving Mr Cautherly into the part of Captain Plume, is, to us, a matter of surprize....The part requires elegance, vivacity and the easy deportment of an accomplish'd gentleman. We never remember to have seen this character more completely performed, than by Mr Smith at Covent Garden Theatre (who is everything that criticism can wish) nor much worse, than by Mr Cautherly, who does not possess one requisite for the character, and is the effeminate and insipid School-boy throughout the whole. To this we may add, that he was not perfect, and made a great mistake, by coming in where he should not which oblig'd him to retire again. This was an unpardonable fault, though it was the first time of his appearing in this character."--Theatrical Review, 2 Nov. Of the afterpiece: "We were not a little pleased to observe this evening, that Mr King, in the character of Sir Dingle, omitted the parody on the lines with which the third act of Otway's Orphan concludes. But we think the introducing a chine of roast beef, decorated with a flag, to be carried off in triumph by the rabble, accompanied, from the orchestra with music of the old song of that title is a pitiful addition to the performance, and intended only as a sacrifice to the caprice of the riotous inhabitants of the upper gallery. Had this Entertainment been exhibited at a French theatre it would have had some claim to merit. This seems to be a piece of stage policy, arising from a consciousness, that the whole performance is too contemptible to meet with countenance from any but the sons of riot, for which reason they are brib'd to support it, by this notable trick."--Theatrical Review, 2 Nov.] Receipts: #199 7s. 6d. (Treasurer's Book)

Event Comment: Benefit for Miss Younge. Last time of performing till Easter. Mainpiece: Not acted these 5 years. [See 9 Nov. 1768.] Afterpiece: Never acted here (playbill). Part of pit laid into boxes. Ladies and Gentlemen requested to come early. Rec'd stopages #2 12s. 6d.; short charge for new farce on 8 March #10 10s.; Paid 4 days salary list #348 14s. 8d.; Mr King's extra salary #2; Mr S. Barry on note #100; Mr Cook's 4 boys 4 nights (the 7th incl.) #6 Mr J. French on acct #10 10s. (Treasurer's Book). Receipts: #282 19s. 6d. Charges #64 17s. Profit to Miss Younge: #218 2s. 6d. (Treasurer's Book)

Event Comment: Benefit for King. House charges #67 2s. (Treasurer's Book). N.B. Dido is oblig'd to be deferr'd a few days (playbill). Paid Blandford (tallow chandler) #29 18s. 6d.; Paid Mr Pinto for 3 sets of symphonies #1 11s. 6d. B. Jonson's Head #1 19s. 1d.; Mrs Pritchard's gratuity #10 10s. (Treasurer's Book). Put on my old clothes and at 5 went to Drury Lane, found the Pit and 2s. gallery quite full, at last had myself squeezed into the Pit, where I was most woefully pressed, but saw very well and got a seat ere the farce began. The play was Cymbeline, with The Deuce is in Him. This play pleases me. The dresses were tolerably proper, ye scenes (particularly that of Imogen's chamber and the Cave) pretty and ye performance of ye principal characters good, but having never read the play, lost a great deal of the effect. Imogen, Mrs Yates, she is very hoarse. In Act II a Masquerade Dance, with singing by Mrs Vincent. After Act III the Vintage. After the play, King in the character of Linco, with Dorcas and others of his neighbors, asking him questions, partly spoke and partly sang, for this night only,-a new very humorous little piece called Linco's Travels, particularly in England. Glad I did not go to the other House, tho I wished to see Macklin, who played there this night only for his daughter's benefit. When the Farce began, the Gods (as those in the Upper Gallery are called) called for the Prologue, on which Packer came on and said, Mr King has not spoke the Prologue this winter, and is now dressing to play in the Farce and hopes the Audience will excuse him." Miss Pope and Miss Plym coming on again were hissed off, and after we had waited some minutes longer, King spoke the Prologue, which was lucky for me who had never heard him speak it. The gods called for it on Monday last, but desisted on the above excuse being made. Almost eleven ere all was over. I now know all the entrances into the Pit and Gallery at Drury Lane (Neville MS Diary)

Event Comment: This Comedy written by Mr Kelly was brought on the Stage by Capt. Addington as his own was well perform'd & receiv'd with great Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording.] Rec'd stopages #24 12s. 6d.; Paid salary list #529 2s.; Mr King's extra salary #3; Miss Brooker, 8 weeks not on list #8. (Treasurer's Book). [Mainpiece reviewed favorably by the Westminster Magazine: "He that cannot relish such a pleasing picture of Manners with such powerful Sentiments, so interesting a Fable, and so striking a Moral, must be a churl indeed."] Receipts: #244 15s. 6d. (Treasurer's Book)

Event Comment: [For Cross' comment, see dl.] Receipts: #203 8s. 6d. Paid Barry one third of the surplus of this night's receipt over and above #80 allow'd for the charges:-#41 2s. 10s. Paid Lambert (Scene Painter) 3 month's salary to 16 Nov. last:-#25 (Account Book). [Lee, who seems to have entered earlier on a percentage-of-Box-Receipts: basis for his salary, received only one-third of receipts above a house charge of #100.] The Tragedy of King Lear was presented on this stage; King Lear by Mr Barry, and Cordelia by Mrs Bellamy; The latter was received with universal satisfaction; but on the former's appearance, after a thundering Peal of Applause, a few misguided persons made it necessary for Mr Barry to inform the audience that it ever had been his study to contribute his utmost to the entertainment of the town, and that all reports of his having been exorbitant in his demands were injurious and totally groundless. Upon this he was desired with one general acclamation to proceed in the play. The disturbers of the public were ordered to be silent or to be turned out of the house; and this great actor proved, by the improvement he has made in this character, that excellent as he is, he is still capable of reaching new strokes of perfection; and in the conclusion of the play the applause he met with was the tribute of hearts gratefully agitated through the whole performance with a variety of passions thrown into a ferment by powers most wonderfully suited to tenderness and compassion (London Chronicle, 3-6 Dec.)

Event Comment: Paid 3 day's salary list at #76 14s. 1s. per diem, #230 2d. 3d.; Mrs Greville on note #21; Tallow chandler's 1st bill #24 8s. 5d.; Lampmen #2; Bill stickers #3 12s.; Handbills 8s.; Carpenter's Bill #13 3s. 10d.; Taylor's Bill #6 13s. 6d.; Mantua maker's Bill #4 6s. 2d.; J. Stevens 18s.; Mr King's extra salary #1 10s.; Mrs Abington's Cloaths #1; Painters salaries #14 2s.; Mr J. French on Acct #15 5s.; Hire of Violin &c. 7s.; candlemen #1 13s. (Treasurer's Book). [The following items of those listed among the above Saturday expenditures were constant. The averages and total payments for them will be given in the following table, and no further itemization of them will be made]: @Item: Weekly Average Total Season Payment@Lampmen #4 8s. #162 16s.@Billstickersers #2 14s. #99 18s.@Handbills 12s. #22 4s.@Carpenters #9 10s. #351 10s.@Taylors #9 5s. #342 10s.@Mantua Makers #3 #111@J. Stevens 18s. #33 6s.@Mr King (extra as a deputy Manager?) #3 #111@Mrs Abingtons Clothes #1 12s. 4d. #60@Painter's Bills #10 10s. #388 10s.@Candlemen & extras #8 14s. #313 4s.@ Neither Carver or Royee is listed this season, but the amount customarily paid them for the two preceding seasons is made this season as a constant outlay, but "To Painters." DeLoutherbourg receives his first payment 14 Oct.