SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Garrick"/1) | (@(roleclean,performerclean) "Mr Garrick")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4500 matches on Event Comments, 2800 matches on Author, 1828 matches on Performance Comments, 538 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Stratagem

Performance Comment: Archer-Garrick; Bonniface-Love; Aimwell-Packer; Foigard-Moody; Sir Charles Freeman-J. Aickin; Sullen-Hurst; Scrub-Weston; Gibbet-Bransby; Dorinda-Mrs Robinson; Cherry-Miss Pope; Lady Bountiful-Mrs Cross; Gipsey-Mrs Davies; Mrs Sullen-Mrs Barry.
Cast
Role: Archer Actor: Garrick

Afterpiece Title: The Devil to Pay

Dance: IV: The Mountaineers, as17730930

Performances

Mainpiece Title: The Alchymist

Performance Comment: Subtle-J. Aickin; Face-Palmer; Ananias-Parsons; Sir Epicure-Bransby; Surly-Baddeley; Tribulation-Waldron; Dapper-Lamash; Abel Drugger-Garrick; Kastrill-Burton; Lovewit-Packer; Dol Common-Mrs Hopkins; Dame Pliant-Mrs Johnston; The Mob-Griffiths, Wright, Carpenter, Keen.
Cast
Role: Abel Drugger Actor: Garrick

Afterpiece Title: The Deserter

Dance: II: The Irish Fair, as17740917

Performances

Mainpiece Title: The Wonder

Performance Comment: As17750125, but Don Pedro-Waldron; Isabella-Miss Hopkins; New Occasional Prologue-Palmer; Occasional Epilogue-Garrick.
Cast
Role: Occasional Epilogue Actor: Garrick.
Role: Don Felix Actor: Garrick

Afterpiece Title: The Rival Candidates

Dance: Slingsby, Sga Hidou [title of dance not specified]

Performances

Mainpiece Title: The Discovery

Performance Comment: Sir Anthony Branville-Garrick; Lord Medway-Bensley; Sir Harry Flutter-Dodd; Col. Medway-Brereton; Lady Flutter-Mrs Abington; Mrs Knightly-Mrs King; Lady Medway-Mrs Hopkins; Miss Richly-Miss Hopkins; Lousia Medway-Miss P. Hopkins.

Afterpiece Title: The Lottery

Dance: II: The Gardeners, as17760116

Event Comment: Mainpiece: Not acted these 16 years [not acted since 27 Oct. 1758]. With Alterations [by Richard Brinsley Sheridan. Prologue by David Garrick]. The Characters new dressed. This Play is revived with Alterations (by R. B. Sheridan Esq) and a new occasional Prologue written by Mr Garrick? and spoken by Dodd, both well received. Miss Essex made her first Appearance upon this stage in Silvia, a small mean Figure and shocking Actress, so bad that she is to do the Part no more. Reddish was very imperfect in Vainlove from the Beginning, but was so very much so in the last Act, that the Audience hissed very much, and cryed out, 'Off, Reddish, Off!" He went forward, and addressed them as follows, 'Ladies and Gentlemen, I have been honoured with your Favour and Protection for these ten years past, and I am very sorry to give any cause for your Displeasure now; but having undertaken the Part at a very short Warning, in order to strengthen the Bill, and having had but two Rehearsals for it, puts it out of my Power to do Justice to the Part, or myself.' The Play then went on. So great a Lye was never delivered to an Audience by any Actor or Actress before. He had the Part at least six weeks in his Possession, and repeated Notice to be ready in it, and six Rehearsals was called for it,--indeed, he attended but three. Vernon undertook to study the Part at eleven o'clock to-night, and to perform it to-morrow (Hopkins Diary). [Miss Essex was from the hay.] Receipts: #209 6s

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: A ChristmasTale

Dance: As17761115

Event Comment: RosiNA [announced on playbill of 2 Oct.] is obliged to be deferred on account of Mrs Martyr's Indisposition. "There are many of Mr Garrick's most favourite characters which [Henderson] appears in with great credit to himself, and applause from the audience; that in which he has been thought to approach the nearest to his predecessor is Hamlet; and, if we oppose the declamatory skill of Henderson-a quality indispensably necessary to the performance of this most difficult character-to the pathos and phrenzy (whether it be assumed or real madness in Hamlet is not here the question) of Garrick; I think it must be allowed that however short of him he may fall in some particulars, in the one I have mentioned, at least, he exceeds him" Qonson, The sad shepherd, ed. Waldron, p. 174). Receipts: #199 4s. 6d. (197/19/0; 1/5/6)

Performances

Mainpiece Title: Hamlet

Related Works
Related Work: Hamlet Author(s): David Garrick

Afterpiece Title: The Padlock

Event Comment: GGeneral Advertiser: On Wednesday next at Drury Lane will be reviv'd the Historical Play of King Henry the Fifth, written by Shakespear, the Part of King Henry to be performed by Mr Barry; and the Chorus to be spoken by Mr Garrick. Receipts. #130 (Cross); #132 5s. (Powel)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Anatomist

Dance: II: New Comic Dance call'd The Savoyards-Matthews

Event Comment: Benefit for Burton, Raftor, I. Sparks (Cross). Last week Mr Garrick Paid to Mr Belchier, Banker in Lombard St., #208 1s., being the whole money receiv'd at the Benefit Play of King Lear, which he most generously gave for the relief of the unhappy sufferers by the late most dredful fire in Cornhill, &c., whithout deducting any charges whatsoever. [See note, 3 May] Receipts: #180 (Cross); house charges, #63 (Powel); cash, #56 19s. tickets, #128 10s. (Clay MS)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The King and Miller of Mansfield

Dance: I: Savoyards, as17471215

Event Comment: Benefit for Miss Norris. Tickets of Miss Norris at Mr Jackson's Habit warehouse Tavistock St., and of Hobson at the Stage Door. Tickets deliver'd out for 30 March will be taken. [Advance publicity for Havard's Benefit, Inspector No 29: I have said in a former paper, that those who have not seen Alfred, have yet to see Mr Garrick in a character in which he excells everything that has been attempted in one of the noblest Roads of Tragedy. I shall add to it on this occaison, that those who have not yet seen Alfred will have a pleasure from it greater than they can receive from the best dramatic performance they are already acquainted with' (London Advertiser and Literary Gazette).] Receipts: #180 (Cross)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Queen Mab

Dance: I: Devisse, Mad Auretti

Event Comment: Afterpiece: Not acted these 4 years. Full prices. [See 10 March 1750.] Mr Maddox ye Ballance Master perform'd [on the rope] in it. Great Expectations not answer'd (Cross). [See ridicule of this afterpiece at dl 6 Nov. and the summary account of the disturbance it produced, as recorded in the Gentleman's Magazine (Nov. 1752, p. 535): The Town had been allured to Covent Garden by a wire dancer and some strange animals, which the manager brought together from Sadler's Wells and the Fair. Mr Garrick ridiculed this perversion of theatrical entertainment, by exhibiting a mock entertainment of the same kind. At this the town was offened, and a party went one evening determind to damn it; a person of some distinction [Fitzpatrick] who was very busy in this laudable attempt threw an apple at Woodward and hit him. Woodward resented the blow by some words, which, by the gentleman's account, implied a challenge, but by Woodward's no such thing. Woodward's account is confirm'd by the affidavits of many; that of the gentleman only by his own, though the box in which he sat was full. The Inspector espoused the cause of the Gentleman; and the Covent Garden Journalist of the comedian.'

Performances

Mainpiece Title: Lady Jane Gray

Afterpiece Title: The Fair

Event Comment: MMrs Cowper did Sylvia, for her first appearance here (she came from Bath, Richmond &c.)-Toll. Afterpiece as originally perform'd (Cross) [i.e., without the burlesque scenes of The Fair (see 6 Nov. 1752).] This piece [Harlequin Ranger] was now acted as originally written. It is surprising that Mr Garrick should be the first to introduce Pantomime Entertainments (this season) especially as his own universal talents are seconded by a good company of performers. We suppose he does it to gratify the taste of the town; but such Smithfield exhibitions should certainly be banish'd from all regular theatres; and as Mr Woodward is an excellent comedian, it would be more eligible in him if he chuses to wear the motley dress any more to appear in the character of a speaking Harlequin, after the manner of the Italian Comedy; and indeed it is not a little surprising that nothing of this kind has yet been admitted upon our stage (Gentleman's Magazine, Oct., p. 493, from Grays' Inn Journal, 13 Oct. 1753.). Receipts: #120 (Cross)

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Harlequin Ranger

Event Comment: TThe Provok'd Wife was in the Bills for this Night, but Mr Garrick finding himself ill in ye Morning Fresh bills for Ye Mercht were posted at one o'Clock-two or three hiss'd when the play began, but Mr Havard told 'em ye reason of the Change & all was over (Cross). Receipts: #185 15s. (Winston MS 8)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Fortunatus

Song: IV: Miss Young

Dance: III: The German Hunters, as17580916

Event Comment: Benefit for Mrs Yates. Garrick's first appearance in Chamont in 4 years. Mrs Yates in Monimia for first time. Mrs Cibber's illness has oblig'd Mrs Yates to change her Play from Jane Shore to The Orphan. The Afterpiece (for one night only): A Burlesque Opera of two acts

Performances

Mainpiece Title: The Orphan

Performance Comment: As17591025, but Chamont-Garrick; Polydore-Holland; Monimia-Mrs Yates, 1st time.
Cast
Role: Chamont Actor: Garrick

Afterpiece Title: Galligantus

Event Comment: Mainpiece: By Particular Desire. Neville MS Diary: Saw Douglas by a Mr Brereton, being his 3rd appearance. He is a pretty figure, but wants lemon in his voice, as Mr Garrick calls it. Lady Randolph by Mrs Barry. The Entertainment was Queen Mab, with a new scene representing the late Masquerade at the Opera House, with all the extravagances and intrigue which it occasions. Was very much squeezed in the Pit. Wish I was settled in th country at a distance from these crowded diversions

Performances

Mainpiece Title: Douglas

Afterpiece Title: Queen Mab

Event Comment: This Comedy was written by Mr Kelly as soon as the Curtain was drawn up they began to hiss--a party was made against it--because he was suspected of Writing for the Court party. Much hissing. Mr Garrick call'd for. No play &c. Cry'd out, at last the play was got thro' with much hissing and Groaning When the play was given out again One Party was for it no more and Kelly's party was for it again so that no play at all was given out (Hopkins Diary). [See Criticism in "British Theatre" article, London Magazine, March, also an extended account of the attack upon the piece. This occurs also in the Town and Country Magazine, which mentions that since the curtain was not drawn up for the farce the audience received a refund.

Performances

Mainpiece Title: A Word To The Wise

Afterpiece Title: Hob in the Well

Event Comment: Benefit for Barry. Tickets deliver'd for King Arthur will be taken. Part of Pit laid into Boxes. Ladies send servants by 4 o'clock. Paid Supers, Kettle Drum, & practices to King Arthur #2 16s.; Printer's Bill #8 12s. (Treasurer's Book). Mary Martin to J. M. Rebow, 6 April (MS correspondence in Washington State University Library): There has not been any mention of Barry's Benefit in ye Papers till to Day when it is advertis'd for ye 23rd of this Month, & ye Play. After...ye Constant Couple, which I imagine is no very desirable thing to see so late in ye Season, therefore pray tell me if I must send ye Tickets back directly, or may keep them till you are in Town again, which I hope you certainly will be before that time; I find we are not ye only unfortunates that Mr Johnson disappoints of Places, for that it is his Constant Practice not to let a single Place, till all his Five Guinea Chaps are serv'd even if you are at ye Play House, & apply ye Instant ye Play is given out, for which reason Mr Garrick has desir'd Gentlemen will Write to him upon such Occasions, & it is now very commonly done. Receipts: #264 11s. 6d. Charges: #67. Profits to Barry: #197 11s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Lottery

Dance: End: Comic Dance, as17720326

Event Comment: Mainpiece: Not acted these 2 years. [See 11 April 1771.] Paid Mrs Rich the balance of the Benefit for the Dispensary #36 11s. 6d., and paid Garton the balance due the Theatrical Fund #143 3s. (Account Book). [The Westminster Magazine this month comments upon the revival of the pantomime and the new scene of the Pantheonv: "This thought evidently was borrowed from the ludicrous situations of the Macaroni in the pantomime of the Pigmy Revels at the other theatre; but no one in the world borrows with less ceremony than Mr Colman, especially from Mr Garrick."] Receipts: #126 2s. 6d

Performances

Mainpiece Title: King Henry V

Afterpiece Title: Harlequin Sorcerer

Event Comment: Mainpiece: Not acted these 3 years. [See 30 April 1773. See, for afterpiece, the Regatta attached to Queen Mab, 11 Nov.] Mr Moody very bad in Maj. Oldfox , &c. Mrs Greville not much better in Olivia (Hopkins Diary). Rec'd from the late Mrs Johnston for Old Women's Cloaths #10 10s.; By ditto from Mr Garrick for wax candles #1 12s. Receipts: #150 13s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Plain Dealer

Afterpiece Title: The Genii

Event Comment: A few hisses at the End of the Farce (Hopkins Diary). [Public Advertiser: A correspondent, who was at Drury Lane Theatre Thursday evening, remarks that the Ridicule of the Head-Dresses in Mr Garrick's last Epilogue, and in his performance of Sir John Brute, has had its proper Effect; for the Ladies have lowered their Main Top-Gallant Sails from nine inches to twelve; so that they are not present above three quarters of a yard higher than they ought to be.] Paid salary list 4 days #416 4s. 4d.; Tallow chandler #35 9s. 9d.; Mr Parsons on note by order #25; Settre and Co., Mercers #9 6s. 10d. Receipts: #252 13s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Runaway

Afterpiece Title: The Spleen

Event Comment: Benefit for Suett and Wright. Morning Herald, 3 May: Tickets to be had of Suett at his house, No. 20, Gloucester-street, Queen's-square, Bloomsbury; of Wright at his house, No. 21, Bennett-street, Westminster. [Afterpiece: Prologue by David Garrick.] Receipts: #232 10s. (67/13/0; 30/16/6; 0/12/6; tickets: 133/8/0) (charge: #115 10s.)

Performances

Mainpiece Title: The Runaway

Afterpiece Title: Harlequin's Invasion

Related Works
Related Work: Harlequin's Invasion; or, A Christmas Gambol Author(s): David Garrick

Dance: As17820318athi

Event Comment: By Permission of the Lord Chamberlain. [Author of Address unknown.] 1st piece: By the Author of Love in a Village, &c. [Isaac Bickerstaffe]; not acted these 16 years [1st acted at DL, 24 Nov. 1770], by Veterans of the Stage. 2nd piece: By the late Samuel Foote, Esq. 3rd piece: By Garrick; not acted these 12 years. The Doors to be opened at 6:00. To begin at 7:00

Performances

Mainpiece Title: 'tis Well It's No Worse

Afterpiece Title: The Diversions of the Morning

Afterpiece Title: Lethe, -AEsop, Old Man, Mercury, Drunken Man, Charon, Bowman, Snip, Fine Gentleman, Frenchman, Lord Chalkstone to be performed, for that night only, by a Society of Gentleman; Mrs Riot-Mrs Dore

Related Works
Related Work: The Modern Fine Gentleman; or, 1757 Author(s): David Garrick
Related Work: Lethe; or, Esop in the Shades Author(s): David Garrick
Related Work: A Midsummer Night's Dream Author(s): David Garrick

Monologue: 1785 04 25 Preceding the 1st piece an Address spoken by Brown

Event Comment: The Characters all New Dress'd. A new Comedy [by Dr Benjamin Hoadly] never before acted. [The previous July Garrick had been entertained by the Rev. Dr John Hoadly at Alresford and carried on a pleasant correspondence with him afterwards. In his letter 19 Aug. 1746 (Folger) he wrote]: I had the pleasure of the Doctor's company [brother Benjamin Hoadly] to supper at my lodgings the night before I set out for this place; we talk'd about Ranger, but whether he will appear next winter or sleep forever in ye scritore, is not yet determined: 'tis pit, faith. [That this friendship was exceedingly profitable to Garrick is indicated by the fact that Benjamin Hoadly seems to have turned over the profits from the three author's nights to Garrick. (1) Garrick by a bargain with John Rich received #80 advance cash and promised to pay nightly charges (3rd, 6th, & 9th nights) of #60, and (2) to divide equally the remaining profits on those nights. The agreement was drawn 27 Dec. 1746. Garrick noted on this document]: N.B. the copy of the play is my own, and the profit arising from the printing of it. [Hoadly seems to have received only the #100 given him by George II for dedicating the printed copy to him.] [Settlement for the three performances was made 6 April. Total receipts for those nights (14, 18, 21 Feb.) was #570 11s. Total expenses were #182 2s. (including #2 2s. for the licensing). The profit of #388 9s. was equally divided and Garrick received his #194 4s. 6d. on that day. He had received the other #80 the day before the play opened, 11 Feb. 1747. See documents in Folger, Holograph Letters of David Garrick, p. 38, seemingly Edmund Malone's copy, of BM Add MSS 21508.] Receipts: #205 9s. 6d

Performances

Mainpiece Title: The Suspicious Husband

Performance Comment: Strictland-Bridgwater; Frankly-Ryan; Bellamy-Havard; Ranger-Garrick; Jack Meggot-Woodward; Buckle-Anderson; Tester-Vaughan; Servant-Bencraft; Simon-James; Mrs Strictland-Mrs Hale; Clarinda-Mrs Pritchard; Jacintha-Mrs Vincent; Lucetta-Miss Hippisley; Landlady-Mrs James; Milliner-Miss Haughton; Maid-Miss Ferguson; Prologue by Garrick-Ryan; Epilogue [by Garrick-Mrs Pritchard. [1747 ed.]1747 ed.]
Cast
Role: Ranger Actor: Garrick
Role: Garrick Actor: Ryan
Role: by Garrick Actor: Mrs Pritchard.
Event Comment: TThe Rehearsal, desir'd for this day is oblig'd to be deferr'd till Saturday, on account of the hurt Mr Garrick receiv'd upon the stage on Tuesday last

Performances

Mainpiece Title: Love's Last Shift

Afterpiece Title: Rosamond

Dance: III: Shepherd's Dance-Muilment

Event Comment: Benefit Turbutt and Neale. Mainpiece: By Particular Desire of several Persons of Quality. Afterpiece: not acted these 5 years. [See 29 March 1742.] Tickets and places to be had at the Swan in Smithfield; and of Hobson at the stage door. The severe Indisposition of Mr Garrick continuing, we hope our friends will accept of his part being perform'd to the Best Advantage the shortness of time will permit, which we imagine will be more agreable than changing the play

Performances

Mainpiece Title: The Alchemist

Afterpiece Title: Tragedy of Tragedies; or, Tom Thumb the Great

Song: I: Nanny O-Lowe; III: Gentle Shepherd-Mrs Arne; IV: Early Horn-Lowe

Dance: II: Sga Bettini; V: Muilment

Event Comment: Benefit Bridges, Blakes and Cross, prompter. Afterpiece: By Desire. Mr Garrick's Indisposition continuing, we have, at the particular desire of several ladies, chang'd our play. Tickets deliver'd out for the Stratagem will be taken. [On this Day appeared the Daily Advertiser a full column presentment by the Court of Westminster to the Justices of the Peace against unlicensed players]: This court being inform'd that common Players of Interludes have for several years...assembled...in Mayfair to erect Booths and exhibit Drolls and Shews...whereby numbers of His Majesty's subjects have been encouraged to assemble and commit riots and other Misdemeanours in Breach of His Majesty's Peace, and to the disturbance of the Neighborhood, and that some of the players are and now contracting for ground in order to erect Sheds, Booths and other places...for shewing and acting plays...&c, &c, &c...for the more effectual suppressing of the evils aforesaid, it is hereby recommended unto his Majesty's Justices of the Peace to meet together at such time as they shall appoint in order to proceed according to the law against all such offenders as shall be brought before them by the peace officers, who are required to be aiding the Justice of the Peace. [The gist of the Presentment lies in the statement]: that they [the Justices] shall apprehend all and every other person and Persons who in any other place or places within the said City and Liberty shall act or represent for gain, any Tragedy, Comedy, Opera, Play, Interlude, Farce, or any other Entertainment for the stage

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Tragedy of Tragedies

Dance: I: Sga Bettini; III: Muilment

Song: II: Lowe; V: Nanny O (By Desire)-Lowe