SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Gard"/1) | (@(roleclean,performerclean) "Mr Gard")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4235 matches on Event Comments, 1140 matches on Performance Comments, 528 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Afterpiece: A Pantomime Entertainment not acted these eight years. [See 20 Oct. 1768.] New Scenes, Dresses and other Decorations. Doors open at 5 o'clock. To begin exactly at 6 o'clock. Theatrical intelligence, Covent Garden: Mrs Hunter, lately returned from Ireland was very well receiv'd in Mrs Oakly, and to do her justice she played the part throughout better than it has been performed for some time at either house. The labourings of Mr Wroughton's jealousy in Oakly reminded us of the progressive workings of a fatt of small beer, when inflated with powerful yeast....Orpheus and Eurydice was reviv'd after the play-the dullest of all dull Pantomimes (Harlequin's Jacket excepted). The two additional scenes we were summoned by the bills to behold, are two of the late memorable regatta:-The first is a perspective of Ranelagh Gardensv to the water, illuminated with party-coloured lamps, which terminates with the temporary obelisk erected on that occasion:-Behind this we just catch the streamers of the barges and etc., supposed to be rowing up to the stairs, and landing their company, to martial music and under the discharge of cannon, imitated by the unnatural slamming of one of the Green Room doors. This scene, however, had a tolerable appearance, but being on too confined a scale, its intended effect must have been lost. The other represented the inside of as much of the Temple of Neptunev as was possible to give the spectators in a theatre:-we cannot extol it by any means as a perfect representation:-and to prevent it coming too near the original, Harlequin, Perot, Pantaloon, and etc. were made to lounge in the orchestra instead of its being occupied by a good band of music:-in short the whole pantomime went off rather flat. It is recommended to the managers here never to suffer the scene shifters to appear again in such garb as they did; old greasy plush waistcoats, with red-stocking sleeves!-such a habit may be in keeping with a blacksmaith's forge, but not for a theatre royal in the metropolis of a polished country (Folger News Clipping)

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: Orpheus and Eurydice; or, The Metamorphoses of Harlequin

Performances

Mainpiece Title: The Distress'd Mother

Afterpiece Title: Harlequin's Jacket

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: Bon Ton; or, High Life Above Stairs

Dance: II: The Savage Hunters, as17751020

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: Bon Ton

Performances

Mainpiece Title: The School For Lovers

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: Bon Ton

Dance: End: The Merry Peasants, as17751018

Performances

Mainpiece Title: The Provoked Husband

Afterpiece Title: Bon Ton

Dance: End: The Merry Peasants, as17751018

Performances

Mainpiece Title: The School For Lovers

Afterpiece Title: The Elopement

Dance: II: The Savage Hunters, as17751020

Performances

Mainpiece Title: Braganza

Performance Comment: Almada-Gardner; Mello-Whitfield; Duke-Reddish; Ribiro-Palmer; Mendoza-Brereton; Pizarro-Davies; Ramirez-Packer; Velaquez-Smith; Inis-Mrs Whitfield; Lemos-Usher; Corea-Hurst; Roderick-Wright; Antonio-Wrighten; Ferdinand-Griffiths; Officers-Norris, Everard; Duchess of Braganza-Mrs Yates.
Cast
Role: Almada Actor: Gardner

Afterpiece Title: The Elopement

Performances

Mainpiece Title: Measure For Measure

Afterpiece Title: May Day

Dance: II: By Particular Desire, The Savage Hunters, as17751020, but Blurton

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: Queen Mab

Dance: I: The Savage Hunters, as17751118

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Queen Mab

Dance: II: The Savage Hunters, as17751118

Performances

Mainpiece Title: Old City Manners

Afterpiece Title: The Deserter

Dance: II: The Merry Peasants, as17751018

Performances

Mainpiece Title: The Maid Of The Oaks

Afterpiece Title: The Lyar

Performances

Mainpiece Title: Braganza

Afterpiece Title: Bon Ton

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Padlock

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Lyar

Event Comment: With New Music, Scenes, Dresses, and Decorations for the Afterpiece. This Farce is brought on the Stage by Mrs Abington--it is very dull--It is vastly well got up and was receiv'd with Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly, mentioning Bickerstaff as the author. Larpent MS 397 contains elaborate stage direction at opening: "An interior apartment in the Seraglio. An arch in the middle of the back scene, which is shut with a curtian. On the right hand toward the front is a sopha in the Turkish manner, low deep, and long, covered with carpets and cushions. A little gold table about eight inches high and a foot and a half square. Upon it a rich or gold saver set with jewels, with two cups on porcelain, and a spoon made of the beak of an Indian bird, which is redder than coral, extremely rare and of extensive price." This may have been intended for a reading audience. In the piece Mrs Abington, an English slave , rebels in the confines of the Seraglio, and start a reform movement wherein men are to please the women. Concludes with demostration of the nobility of English women who will not be enslaved, who will not flatter, who will preserve their liberty and dignity, and who are capable of returning love for honor and respect. Reviewed in Westminster Magazine for Dec.: "The Audience appeared to be divided in their opinion of the merit of the Sultan, some loudly applauding, and others as loudly condemning it, when the curtain dropped. The Majority however, stood firmly for it, and a verdict was returned in its favor. The managers not only well dressed this dramatic trifle, but bestowed three new scenes on it: The Outer Gate of the Seraglio--An Interior view of it--and a Garden terminating in a prospect of the sea. The first was but la! la! The last two were beautiful and picturesque. Five airs were introduced into this piece which had a very good effect....The music of the two first was the composition of Mr Dibdin, and was exceedingly pretty."] Receipts: #143 1s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Sultan; or, A Peep into the Seraglio

Performances

Mainpiece Title: Matilda

Afterpiece Title: The Sultan

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: Miss in Her Teens

Performances

Mainpiece Title: Edward And Eleonora

Afterpiece Title: Orpheus and Eurydice

Performances

Mainpiece Title: Braganza

Afterpiece Title: The Sultan

Dance: V: The Sailors Revels, as17751220

Performances

Mainpiece Title: The London Merchant; Or, The History Of George Barnwell

Afterpiece Title: The Jubilee

Performances

Mainpiece Title: The Hypocrite

Afterpiece Title: The Jubilee

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Jubilee

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Prometheus