SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Gar"/1) | (@(roleclean,performerclean) "Mr Gar")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4225 matches on Event Comments, 1138 matches on Performance Comments, 528 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Emperour Of The Moon

Performances

Mainpiece Title: The Injured Lovers; Or, The Ambitious Father

Performances

Mainpiece Title: A Fool's Preferment; Or, The Three Dukes Of Dunstable

Performances

Mainpiece Title: The Massacre Of Paris

Performances

Mainpiece Title: The Treacherous Brothers

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: The Fairy Queen

Performances

Mainpiece Title: The Volunteers; Or, The Stock-jobbers

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: She Ventures And He Wins

Performances

Mainpiece Title: Agnes De Castro

Performances

Mainpiece Title: The Cornish Comedy

Performance Comment: Edition of 1696: Prologue-Mr Haines in a Barrister's Gown; Epilogue-Miss Chalke Seven Years Old by Mr Haynes; Gripe-Johnson; Peregrine-Mills; Trusty-Simpson; Manley-Harland; Swas -Lee; Sharper-Powell; Busy-Haynes; Freeman-Williams; Nic Froth-Penkethman; Shuffle-Bullock; Clarinda-Mrs Temple; Eugenia-Mrs Andrews; Sue-Mrs Lucas; Margaret-Mrs Mills; Maid-Mrs Unwinn.
Cast
Role: Margaret Actor: Mrs Mills

Performances

Mainpiece Title: The Unhappy Kindness; Or, A Fruitless Revenge

Performances

Mainpiece Title: The Unnatural Mother

Performances

Mainpiece Title: Phaeton; Or, The Fatal Divorce

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: The Campaigners; Or, The Pleasant Adventures At Brussels

Event Comment: Betterton's Company. The date of the first production is not known, but the Songs were advertised in the Flying Post, 6-8 Dec. 1698, and the play in the London Gazette, 19-22 Dec. 1698; hence, the premiere was certainly not later than early December and was probably not later than November. In fact, on 5 Dec. 1698 Dr. William Aglionby wrote Matthew Prior, referring to Dennis, "a poor poet who has made us a fine entertainment of Rinaldo and Armida" (quoted in The Works of John Dennis, II, 489). In a dialogue written by John Oldmixon (Reflections on the Stage [London, 1699], p. 101) Savage, referring to Rinaldo and Armida, states: I have seen it 3 or 4 times already, but the Musick is so fine, and the Play pleases me so well, that I shall not think it a burthen [to see it again] (in The Works of John Dennis, I, 479). The Musical Entertainments in the Tragedy of Rinaldo and Armida (1699) is reprinted, with an introduction by Herbert Davis, in Theatre Miscellany (Luttrell Society Reprints, No 14, Oxford, 1953), pp. 103-15. One song, Ah queen, ah wretched queen, give o'er, sung by Gouge, is in Mercurius Musicus, 1699; and another, Jolly breeze that comes whistling, sung by Gouge, is in Twelve New Songs, 1699. A Comparison between the Two Stages (1702), p. 22: Critick: At last, (as you say) the old Stagers moulded a piece of Pastry work of their own, and made a kind of Lenten Feast with their Rinaldo and Armida; this surpriz'd not only Drury-lane, but indeed all the Town, no body ever dreaming of an Opera there; 'tis true they had heard of Homer's Illiads in a Nut-shel, and Jack in a Box, and what not?...Sullen: Well, with this Vagary they tug'd a while, and The Jolly-Jolly breeze-came whistling thro'-all the Town, and not a Fop but ran to see the Celebrated Virgin in a Machine; there she shin'd in a full Zodiack, the brightest Constellation there; 'twas a pleasant Reflection all this time to see her scituated among the Bulls, Capricorns, Sagittaries, and yet the Virgo still remain itacta....Critick: But this merry Time lasted not always; every thing has an end, and at length down goes Rinaldo's inchanted Mountain; it sunk as a Mole-hill seen on't: What a severity was this? that the Labour of such a gigantick Poet, nay Critick, shou'd give up the Ghost so soon: The renown'd Author thought himself immortal in that Work, and that the World was to last no longer than his Rinaldo; and tho' he stole every thing from the Italian, yet he said, what the Italian did was but Grub-street to his. See also 5 Jan. 1698@9 for a letter written by Mrs Barry, in part concerning Rinaldo and Armida

Performances

Mainpiece Title: Rinaldo And Armida

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: Love Without Interest; Or, The Man Too Hard For The Master

Performances

Mainpiece Title: The Pilgrim

Performances

Mainpiece Title: The Judgment Of Paris

Performances

Mainpiece Title: Love's Last Shift; Or, The Fool In Fashion

Music: Entertainment of flute music-Bannister, Bannister's son; A new instrumental piece-the best hands

Dance: The Highland, The Whip of Dunboyne-Claxton

Entertainment: Imitations. The Famous Mr Clynch will for this once, at the desire of several Persons of Quality, perform his Imitation of an Organ with 3 Voices, the Double Curtel, the Bells, the Huntsman with his Horn and Pack of Dogs-Mr Clynch; All which he performs with his Mouth on the open Stage, being what no Man besides himself could ever yet attain to