SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr Edward Shepherd"/1) | (@(roleclean,performerclean) "Mr Edward Shepherd")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4447 matches on Event Comments, 1949 matches on Performance Comments, 997 matches on Performance Title, 959 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Devil Upon Two Sticks

Performance Comment: Parts by- Foote, Weston, Morgan, Castle, Keen, Casey, Lloyd, Pearce, Jacobs, Mahoon, Aickin, Gardner, Strange, Vandemire, Jackson, Graham, Walker, Mrs Gardner, and a Young Gentlewoman, 1st appearance. Devil-Foote; Dr Last-Weston; Margaret-Mrs Gardner; Harriet-Miss Edwards , her first appearance (Edition of 1768).

Afterpiece Title: Thomasand Sally

Dance: Between the acts: Duquesnay, Miss Street, scholars of Gherardi

Performances

Mainpiece Title: The Earl Of Warwick

Performance Comment: Earl of Warwick-Holland; King Edward-Reddish; Earl of Suffolk-Packer; Earl of Pembroke-Aickin; Lady Eliz Gray-Mrs W. Barry; Lady Clifford-Mrs Reddish; Margaret of Anjou-Mrs Hopkins.
Cast
Role: King Edward Actor: Reddish

Afterpiece Title: The Padlock

Performances

Mainpiece Title: King Richard Iii

Performance Comment: Richard-Young Gentleman, 1st time [Stokes (Morning Chronicle, 19 Sept.)]; Buckingham-Fearon; King Henry-Gardner; Richmond-Davis; Stanley-Lloyd; Tressel-Dancer; Lord Mayor-Francis; Catesby-Farrel; Lieutenant-Vowell; Blunt-Walters; Prince Edward-Miss Lings; Duke of York-Miss Francis; Ratcliff-Smith; Tyrrel-Adams; Lady Anne-Miss Platt; Duchess of York-Mrs White; Queen-Mrs Parsons.
Cast
Role: Prince Edward Actor: Miss Lings

Afterpiece Title: Madrigal and Trulletta

Entertainment: IV: Imitations Rhetorical and Vocal-Bannister; Scrub's Trip to the Jubilee-Weston

Performances

Mainpiece Title: King Richard Iii

Performance Comment: As17750525, but Macklin's 2nd appearance as Richard; Queen-Mrs Hopkins (from Drury Lane); Prince Edward-Harris.
Cast
Role: Prince Edward Actor: Harris.

Afterpiece Title: St Patricks Day

Dance: End: The Irish Lilt, as17741202

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: Comus

Performance Comment: Comus-Browne; Spirit-R. Palmer; Brothers-Lawrence, Lyons; Bacchanals-Davies, Meadows, Mathews, Chapman; The Lady (with Sweet Echo, accompanied on the hautboy by Forster)-Mrs Bannister; Sabrina-Miss Cranford; Pastoral Nymph-Mrs Forster; Bacchants-Mrs Edwards; Euphrosyne, 1st Bacchant-Miss George.
Cast
Role: Bacchants Actor: Mrs Edwards

Performances

Mainpiece Title: The Belles Stratagem

Afterpiece Title: The Spoild Child

Performance Comment: Little Pickle (with songs)-Mrs Jordan; Old Pickle-Suett; Tagg-R. Palmer; John-Burton; Miss Pickle-Mrs Hopkins; Maria-Miss Heard; Margery-Mrs Booth; Susan-Mrs Edwards; Prologue-Mrs Jordan.
Cast
Role: Susan Actor: Mrs Edwards

Performances

Mainpiece Title: Poor Old Drury

Afterpiece Title: The School for Scandal

Afterpiece Title: No Song No Supper

Performance Comment: Crop-Dignum; Frederick-Kelly; Endless-Suett; Robin-Bannister Jun.; William-Sedgwick; Servant-Alfred; Dorothy (1st time)-Mrs Edwards; Louisa-Mrs Crouch; Margaretta-Sga Storace; Nelly-Miss Hagley.
Cast
Role: Dorothy Actor: Mrs Edwards

Song: III 2nd piece: a song-Sedgwick

Performances

Mainpiece Title: Every One Has His Fault

Performance Comment: Sir Robert Ramble-Lewis; Irwin-Pope; Lord Norland-Harley; Harmony-Munden; Placid-Macready; Hammond-Powel; Edward-Mrs Lee; Solus-Quick; Mrs Placid-Mrs Mattocks; Miss Woburn-Miss Chapman; Miss Spinster-Mrs Davenport; Lady Eleanor Irwin-Mrs Pope.
Cast
Role: Edward Actor: Mrs Lee

Afterpiece Title: The Sailors Festival or All Alive at Portsmouth

Afterpiece Title: Netley Abbey

Performances

Mainpiece Title: The Earl Of Warwick

Performance Comment: King Edward (for that night only)-A Gentleman [Litchfield]; Earl of Warwick-Faulkner (who performed Orestes at Drury-Lane Theatre [on 21 Dec. 1796]); Lady Eliz. Gray (for that night only)-A Lady [Mrs Litchfield]; Margaret of Anjou-Mrs Yates.
Cast
Role: King Edward Actor: A Gentleman

Afterpiece Title: The Spoild Child

Entertainment: MonologueEnd: Address (written for the Occasion)-Mrs Yates

Performances

Mainpiece Title: Hes Much To Blame

Afterpiece Title: Joan of Arc

Performance Comment: As17980213, but Charles-Claremont; British Officer-_; from Pageant: Edward and Eleanora, Henry V. from Pageant: Edward and Eleanora, Henry V.

Music: In afterpiece: The Harp-Weippert

Performances

Mainpiece Title: The Purse

Afterpiece Title: Hamlet Prince of Denmark

Performance Comment: Hamlet-Johnston (2nd appearance in that character [in London]); Ghost-Barrymore; King-Caulfield; Polonius-Munden; Laertes-C. Kemble; Horatio-Davies; Rosencrantz-Trueman; Guildenstern-Palmer Jun.; Player King-Davenport; Bernardo-Abbot; Marcellus-Lyons; Messenger-Chippendale; Priest-Usher; Sailor-Ledger; Ostrick-R. Palmer; Gravediggers-Suett, Waldron Jun.; Queen-Mrs Harlowe; Player Queen-Mrs Edward; Ophelia-Mrs Johnston (1st appearance [in London]).in London]).
Cast
Role: Player Queen Actor: Mrs Edward

Afterpiece Title: Cross Purposes

Cast
Role: Kate Actor: Mrs Edward
Role: Charlotte Actor: Mrs Edward

Performances

Mainpiece Title: The Iron Chest

Performance Comment: Sir Edward Mortimer-H. Johnston; Adam Winterton-Fawcett; Rawbold-Murray; Fitzharding-Betterton; Samson-Suett (By Permission of the Proprietors of the Theatre Royal, Drury-Lane); Armstrong-Mansel; Orson-Emery; Robbers-Whitmore, Thompson, Master Webb; Wilford-A Young Gentleman (1st appearance [unidentified]); Helen-Miss Betterton; Blanch-Mrs Gibbs; Judith-Mrs Litchfield; Barbara-Mrs Chapman; Chorus of Robbers-Linton, Oddwell, Thomas, Everett; Chorus of Servants-Street, Curties, Abbot, Lee, J. Linton, Smith, Tett, Ms Castelle, Ms Morton, Ms Leserve, Ms Burnett, Ms Follett, Ms Iliff, Ms Gilbert.

Afterpiece Title: The Follies of a Day

Dance: End: a new Scotch Ballet, The Highland Lovers (under the direction of Bologna Jun.)-Bologna Jun., Hawtin, King, Mrs Watts, Miss Brugier (1st appearance)

Song: In course Evening: Sally in our Alley-Incledon

Event Comment: Mainpiece: Not acted these 12 years. [See 24 Jan. 1758.] Prologue written by Paul Whitehead. Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Mr Sarjant (only) at the Stage-Door. No persons can be admitted behind scenes, nor any Money returned after curtain is drawn up. To begin exactly at 6 o'clock. [Customary note in succeeding bills.] Receipps: #190 14s. (Account Book). @The New Occasional Prologue@As when the merchant to increase his store@For Dubious seas, advent'rous quits the shore;@Still anxious for his freight, he trembling sees@Rocks in each buoy, and tempest in each breeze@The curling wave to mountain billow swells,@And every cloud a fancied storm fortells:@Thus rashly launch'd on this Theatric main,@Our All on board, each phantom gives Us pain;@The Aatcall's note seems thunder in our ears,@And every Hiss a hurricane appears;@In Journal Squibs we lightning's blast espy,@And meteors blaze in every Critic's eye.@Spite of these terrors, still come hopes we view,@Hopes, ne'er can fail us--since they're plac'd--in you.@Your breath the gale, our voyage is secure,@And safe the venture which your smiles insure;@Though weak his skill, th' adventurer must succeed,@Where Candour takes th' endeavor for the deed.@For Brentford's state, two kings could once suffice;@In ours, behold! four kings of Brentford rise;@All smelling to one nosegay's od'rous savor@The balmy nosegay of--the Public favor.@From hence alone, our royal funds we draw,@Your pleasure our support, your will our law.@While such our government, we hope you'll own us;@But should we ever Tyrant prove--dethrone us.@Like Brother Monarchs, who, to coax the nation@Began their reign, with some fair proclamation,@We too should talk at least--of reformation;@Declare that during our imperial sway,@No bard shall mourn his long-neglected Play;@But then the play must have some wit, some spirit,@And We allow'd sole umpires of its merit.@For those deep sages of the judging Pit,@Whose taste is too refin'd for modern wit,@From Rome's great Theatre we'll cull the piece,@And plant on Britain's stage the flow'rs of Greece.@If some there are, our British Bards can please,@Who taste the ancient wit of ancient days,@Be our's to save, from Time's devouring womb,@Their works, and snatch their laurels from the tomb.@For you, ye Fair, who sprightlier scenes may chuse,@Where Music decks in all her airs the Muse,@Gay Opera shall all its charms dispense,@Yet boast no tuneful triumph over sense;@The nobler Bard shall still assert his right,@Nor Handel rob a Shakespear of his night,@To greet the mortal brethren of our skies [upper galleries]@Here all the Gods of Pantomime shall rise:@Yet midst the pomp and magic of machines,@Some plot may mark the meaning of our scenes;@Scenes which were held, in good King Rich's days,@By sages, no bad epilogues to plays.@If terms like these your suffrage can engage,@To fix our mimic empire of the stage;@Confirm our title in your fair opinions,@And crowd each night to people our dominions.@--(Poems and Miscelaneous Compositions, Ed. Capt. Edward Thompson, 1777) Covent Garden opened with the Rehearsal with alterations. I was in the Pit. Powell, from Drury Lane, one of the new managers who have bought the patent from Rich's heirs, spoke an occasional Prologue. Shuter did Bayes pretty much to my liking, adding many crochets of his own.... Entertainment The Mock Doctor,...Young Jasper pretty well by one Massey, being his first appearance on that stage (Neville MS Diary)

Performances

Mainpiece Title: The Rehearsal

Related Works
Related Work: Britons Strike Home; or, The Sailors' Rehearsal Author(s): Edward Phillips

Afterpiece Title: The Mock Doctor

Performances

Mainpiece Title: Eliza An English Opera

Performance Comment: Britannia-Sga Frazi; Peace-Miss Isabella Young; Liberty-Miss Brent; Genius of England-Mrs Vernon; Neptune-Champnes; 1st Shepherdess-Miss Elizabeth Young; 2nd Shepherdess-Miss Bricklayer; First Shepherd, First Sailor-Beard.

Performances

Mainpiece Title: Comus

Performance Comment: As17600118, but Lycidas (Shepherd)-Lowe; The Dances-Miles.
Event Comment: Rich's Company. The date of the first performance is not known, but the Prologue to Bonduca refers to She Ventures and He Wins. As Bonduca was advertised in the London Gazette, No. 3126, 24-28 Oct. 1695, the play was certainly not acted later than early October 1695, probably not later than September 1695. The Edition of 1696 includes on the titlepage: With A New Entertainment of Musick, Vocal and Instrumental. [The music was composed by Henry Purcell. See Purcell's Works, Purcell Society, XVI, vii-xiii.] Those songs for which a performer is named are as follows: O lead me to some peaceful gloom, sung by Miss Cross, and Sing ye Druids, all your voices raise, sung by Mrs Ayliff, both in Songs in the Tragedy of Bonduca, ca. 1696. To arms, sung by Freeman and Edwards, is in Thesaurus Musicus, The Fifth Book, 1696

Performances

Mainpiece Title: Bonduca Or The British Worthy

Event Comment: Benefit Roberts and Jones. Afterpiece: A New Ballad Opera of one Act [by Edward Phillips]. [For a puff of the afterpiece, see Daily Advertiser, 25 April, and Daily Post, 2 May.

Performances

Mainpiece Title: Theodosius Or The Force Of Love

Afterpiece Title: The Livery Rake or The Intriguing Servants

Dance: I: Drunken Peasant-LeBrun; II: Saraband, Minuet-Lally Jr, Miss Mears; IV: English Maggot-Haughton, Mrs Walter; V: The Watteau-Miss Robinson; End of Afterpiece: Bartholomew Fair-F. Tench, Mrs Delorme

Event Comment: Mainpiece: By Particular Desire. As Mr Edward Berry, one of the comedians of Drury Lane, was returning home from Temple Bar, he was stopt at the end of Arundel St. by three Fellows, one with a Horse-Pistol, another with a short pistol, and the other with a hanger, who robb'd him of his watch, some silver, and his Neck-cloth, and then walk'd off with their booty (General Advertiser, 20 Jan.). During the Performance on Saturday Night [11 Jan.] at Drury Lane, a dispute was carried on at great length between Mr V-n and a Gentleman unknown but on the Gentleman's being made sensible of his error, and making publick submission and Gentleman-like reparation, it was amicably terminated (General Advertiser). Receipts: #170 (Cross)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: Harlequin Ranger

Event Comment: Afterpiece [1st time; F 2, by Elizabeth Inchbald. Prologue by Edward Topham (London Chronicle, 26 Aug. 1786)]. Account-Book, 5 June 1786: Paid Mrs Inchbald in full for Appearance is against Them #50. Public Advertiser, 11 Nov. 1785: This Day is published Appearance is against Them (1s.). Receipts: #207 2s. (204/10/6; 2/11/6)

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Afterpiece Title: Appearance is against Them

Event Comment: Benefit for Shade, Cameron, Woollams, Wood, Wilson, Dangerfield, Irish, Edwards, Griffiths, Nix, Wooldridge, Panchaud & Cole [box-keepers]. [This was Dodd's last appearance on the stage.] "Dodd was one of the most perfect actors that I have ever seen. He was the fopling of the drama rather than the age. I mean by this, that his own times rarely shewed us anything so highly charged with the vanity of personal exhibition. He was, to be sure, the prince of pink heels, and the soul of empty eminence. As he tottered rather than walked down the stage, in all the protuberance of endless muslin and lace in his cravats and frills, he reminded you of the jutting motion of the pigeon. He took his snuff, or his bergamot, with a delight so beyond all grosser enjoyments that he left you no doubt whatever of the superior happiness of a coxcomb" (Boaden, Kemble, I, 55). Receipts: #580 17s. 6d. (25.17.0; 37.3.6; 11.0.0; tickets: 503.4.0; odd money: 3.13.0) (charge: #211 17s. 6d.)

Performances

Mainpiece Title: Katharine And Petruchio

Afterpiece Title: The Prize

Afterpiece Title: The Irish Widow

Entertainment: MonologueEnd 2nd piece: Monsieur Tonson-Caulfield

Performances

Mainpiece Title: La Parodia Del Pastor Fido

Dance: Shepherds, Nymphs, Peasants: Myrtillo-Pantalon; Ergastus-Harlequin; Satyr-Brighella; Silvio-Mrs Casanova; Corisea-Mrs Constantine; Amarillis [Daily Courant, Daily Post] or Asparillis [Daily Journal]-Argentina; Dorinda-Miss Rutti

Performances

Mainpiece Title: Henry IV Part I

Dance: Shepherd and Shepherdess by Malter and Mlle Salle. The Nassau, as17331112 French Sailor and his Lass by Malter and Mlle Salle

Performances

Mainpiece Title: She Woud If She Coud

Afterpiece Title: The Country House

Dance: Shepherd and Shepherdess by Maker and Mlle Salle. Scotish Dance, as17331004 French Sailor and his Lass by Malter and Mlle Salle

Performances

Mainpiece Title: She Woud If She Coud

Afterpiece Title: The Country House

Dance: Shepherd and Shepherdess by Malter and Mlle Salle. Scottish Dance, as17331004 French Sailor and his Lass by Maker and Mlle Salle

Performances

Mainpiece Title: She Woud And She Woud Not

Dance: Shepherd and Shepherdess by Maker and Mlle Salle. Scots Dance, as17331004. Pigmalion, as17340114