SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr D Garrick"/1) | (@(roleclean,performerclean) "Mr D Garrick")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4500 matches on Event Comments, 2869 matches on Author, 1828 matches on Performance Comments, 538 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Benefit for Westminster New Lying in Hospital, near Westminster Bridge. N.B. Those Ladies and Gentlemen who have taken tickets, are desired to secure places immediately, of Mr Johnston at the Stage Door. [The Theatrical Monitor, No IX, asked this day for a public declaration of receipts and salary expenditures for the 1766-67 season from Garrick and Lacy. Not receiving it the war breaking out in January came to absorb his interest, and the estimate never appeared.] Receipts: #261 4s. 6d. (Winston MS 10)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Deuce Is in Him

Dance: End: Hearts of Oak, as17671022

Event Comment: HHamlet, Mr Garrick (Cross Diary). Hamlet-Holland (Winston MS 10 and playbill). The Revenge deferred. Reddish ill

Performances

Mainpiece Title: Hamlet

Related Works
Related Work: Hamlet Author(s): David Garrick

Afterpiece Title: The Padlock

Event Comment: MMr Aickin hissed for being imperfect.--This night was introduced at the end of the Pantomime a Grand Masquerade in imitation of that given by the King of Denmark at the Opera House, and lighted up after the same manner--Every performer belonging to the House was on, even Mr Garrick and his brother.--The dresses were very elegant, and the whole very striking,--and gave pleasure to the Audience (Hopkins Diary). [The masquerade remained a part of Queen Mab and was also attached to Fortunatus. It evoked the following verse in Lloyd's Evening Post, Nov. 21-23]: One night last week a merry blade,@Who'd seen the Royal Masquerade,@And paid ten guineas for admission,@Began to damn the imposition;@His friend reply'd, "You may complain,@For I last Night at Drury Lane,@Saw full as much for eighteen pence,@As you got at such vast expence."-- G.S. C y

Performances

Mainpiece Title: The Earl Of Warwick

Afterpiece Title: Queen Mab

Event Comment: The Afterpiece a New Pantomime [by Henry Woodward, satirizing Garrick's Jubilee] with New Music by Fisher. New Scenes painted by Messrs Dahl and Richards. Nothing under Full Prices will be taken. [Full Prices notice throughout the run of the pantomime this season. Town and Country Magazine (from Theatre No XIII) comments: "In the Pageant scene several of the characters that walk at Drury Lane are highly ridiculed, particularly Mark Antony and Cleopatra, who dance off with their black retinue to the playing of casquets." The scene closes with the descent of the statue of the late Mr Rich under the name of Lun, and the Harlequins all pay him honour.] Receipts: #250 6s

Performances

Mainpiece Title: The Refusal

Afterpiece Title: Harlequins Jubilee

Event Comment: By Command of their Majesties. Mr Ximenes...is a very spirited and very chaste performer (Theatrical Review, 13 March). This Day Publish'd (in Quarto, price 2s.) Sanitas, Daughter to Aesculapius, to David Garrick, Esq, a Poem

Performances

Mainpiece Title: Judas Maccabaeus

Music: Violin Solo-Ximene (the first time of his performing in public); Concerto on Violincello-Janson

Event Comment: Proprietor of Marlebone Gardens, Mr Arnold, summoned to Bow St. to pay penalty of #5 for causing Fireworks to be made contrary to the Act of 9th and 10th of William III. Opinion of the Bench he was not fineable (Public Advertiser). Letter to Garrick in consequence of his moving the Court of the King's Bench for leave to file an information against author of Love in the Suds &c. will shortly be publish'd by D. Kendk. Was publish'd 7 July Folio 2s. 6d. an quarto 1s. 6d. 2nd edn. (Winston MS 10, from Burney News Clippings.

Performances

Event Comment: Mainpiece: By Desire. [Winston MS 10 lists Merope & Pigmy Revels, but notes that the bills indicate Way to Keep him.] School for Fathers deferr'd. Mrs Wrighten hoarse. Epistle to David Garrick published by Lloyd 2s. (Winston MS 10). Paid Mr Dimon upon Acct #5 5s. Receipts: #171 2s. (Treasurer's Book)

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: The Pigmy Revels

Event Comment: For the Author of Sethona 3rd night (Treasurer's Book). ["This play may be properly styled a faggot of utter improbabilities, connected by a band of the strongest Northern fustian. Overawed by Scottish influence, Mr Garrick prevailed on himself to receive it. But though his theatre was apparently full several times during its nine nights' run, it brought so little cash into the treasury, that he would not have lamented its earlier condemnation. It expired on his premises, but hardly left enough behind it to defray expenses of its funeral."--Biographia Dramatica. A glance at the box receipts from the Treasurer's Book hardly bears out the Biographia Dramatica statement as to its financial failure.] Paid half years Poor's rate for St Martin's to Xmas last #32 8s. (Treasurer's Book). [The author's profit was reduced by #10 10s. on 26 March when it was found he had not been charged for use of a new farce.] Receipts: #194 19s. Charges: #73 10s. Profit to Author: #121 9s. (Treasurer's Book)

Performances

Mainpiece Title: Sethona

Afterpiece Title: The Note of Hand

Event Comment: Benefit for the Author of the Alterations (Hopkins Diary). [On this day Garrick wrote to Mrs Abington, relative to his practice in casting new plays: "That I may hear no more of this or that part in Mr Murphy's play, I now again tell you that every author since my management distributed his parts as he thinks will be of most service to his interest, nor have I ever interfered, or will interfere, unless I perceive that they would propose something contrary to common sense" (Harvard Theatre Collection, Autograph Letter Signed). Charges: #84 (Treasurer's Book)

Performances

Mainpiece Title: Old City Manners

Afterpiece Title: The Deserter

Dance: II: The Merry Peasants, as17751018

Event Comment: Mainpiece: By Particular Desire. Paid Mr Garrick's note to Dr Arne #50 (Treasurer's Book). [This was an unrecorded benefit night for Bickerstaff as author of the afterpiece. See payment on 27 Feb. 1776.] Receipts: #129 9s. (Treasurer's Book)

Performances

Mainpiece Title: Braganza

Afterpiece Title: The Sultan

Dance: V: The Sailors Revels, as17751220

Event Comment: Afterpiece: By Desire. Paid 2 extra Flutes 15th Inst. 10s.; Paid author of the Sultan's benefit balance 21 Dec. last #60 7s. 6d.; Mr Hopkins bill for Licensing to the 26th inst. #8 8s. (Treasurer's Book). [N.B. Bickerstaff the author was living in exile presumably in St Malo, France. Garrick knew his address from a letter 24 June 1772. Whether the funds were forwarded to him, no record seems to exist. Presumably they were.] Receipts: #218 15s. (Treasurer's Book)

Performances

Mainpiece Title: The Runaway

Dance: The Dance of The Savage Hunters, as17760210(playbill); the Public Advertiser lists The Grand Garland Dance-Slingsby, Como, Sga Crespi, Sga Paccini

Afterpiece Title: The Sultan

Event Comment: Announced by the playbill, but "Not perform'd on Acct. of Mr Garrick's Death (at 8 o'Clo'Morng)" (MS annotation on Kemble playbill). See also Public Advertiser, 21 Jan.: Drury Lane Theatre was shut up last night on [this] melancholy Occasion

Performances

Mainpiece Title: The First Part Of King Henry Iv

Afterpiece Title: The Wonders of Derbyshire

Event Comment: [This was Henderson's last appearance on the stage. He died on 25 Nov. 1785. "He was the only performer, since the death of Mr Garrick, who could with any degree support the various characters of Shakespeare. His person approached the middle size, his voice was naturally thick, his judgment was strong, his attention great, and his sudden transition from one passion to another fully evinced his abilities; his chief excellence lay in strong colouring, in broken and abrupt speeches, especially in parts of tragic horror; his scale was so extensive that it included the extremes of Tragedy and Comedy" (Oulton, 1796, 1, 150-51).] Receipts: #258 6s. (250/14; 7/12)

Performances

Mainpiece Title: The Roman Father

Afterpiece Title: Rosina

Dance: As17851103

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Register Office

Dance: II: The Haymakers-Giorgi's Scholars; End Opera: Hornpipe-Master Burn

Entertainment: End Opera: Bannister's Imitations-Bannister

Event Comment: Benefit Reinhold and Mrs Furnival (General Advertiser). This day agreement was signed between Lacy and Garrick as new partners in the patent for Drury Lane theatre. The total present liabilities of the theatre, including the mortgage to Green and Amber, the mortgage to Hutchinson Meure, with the arrears due to actors and tradesmen, were calculated at about #12,000. It was besides burdened with an annuity to Calthorpe of #300, and another of #500 to Fleetwood. Of this #12,000 Garrick, helped by his friends found eight. Each party was to draw #500 a year as manager, and Garrick was to received besides #500 a year salary for his acting; but was restrained from playing at any other house, except on terms of dividing profits with his fellow manager.--Fitzgerald, Life of Garrick, p. 112

Performances

Mainpiece Title: Theodosius

Afterpiece Title: The Dragon of Wantley

Dance: Muilment, the Mechels

Performances

Mainpiece Title: The School For Lovers

Performance Comment: Parts by Garrick, Palmer, O'Brien, Castle, Fox, Mrs Clive, Mrs Yates, Mrs Cibber; Prologue, Epilogue; Sir John Dorilant-Garrick; Modely-Palmer; Belmour-O'Brien; Araminta-Mrs Yates; Lady Beverly-Mrs Clive; Celia-Mrs Cibber (Genest, IV, 639); Steward-Castle; Footman-Fox; Prologue-Garrick; Epilogue-Mrs Yates, Mrs Palmer (Winston MS 9).
Cast
Role: Sir John Dorilant Actor: Garrick
Role: Prologue Actor: Garrick

Afterpiece Title: The Chaplet

Performances

Mainpiece Title: The Discovery

Performance Comment: Principal parts by: Garrick, Holland, O'Brien, Fox, Watkins, Sheridan, Mrs Yates, Miss Pope, Mrs Palmer, Miss Bride, Mrs Pritchard. New overture and new music between the acts. Prologue and Epilogue Lord Medway-Sheridan; Sir Anthony Branville-Garrick; Sir Harry Flutter-Obrien; Col Medway-Holland; Lady Medway-Mrs Pritchard; Lady Flutter-Miss Pope; Mrs Knightly-Mrs Yates; Miss Richly-Mrs Palmer; Louisa Medway-Miss Bride; Servants-Fox, Watkins; Prologue-Garrick; Epilogue-Mrs Pritchard (Edition of 1763).
Cast
Role: Sir Anthony Branville Actor: Garrick
Role: Prologue Actor: Garrick

Performances

Mainpiece Title: Mahomet

Afterpiece Title: Harlequin Dr Faustus

Performances

Mainpiece Title: The World In The Moon

Performances

Mainpiece Title: The Old Batchelor

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-the best Masters; viz. A full Piece of Music of the famous Signior Pepusch-Mr Banister, Mr Dean, Mr Lamour; A set of Airs for the Arch/Lute and Violin-the Two Mr Deans, composed on purpose by Mr Dean Jun; A Sonata for the Arch/Lute and Flute Alleman-Mr Dean Jun, Mr Latour; Singing to the Arch/Lute-Mr Hughes; A Solo of the famous Archangelo Corelli-Mr Dean Sen; A Cantata to the Arch/Lute-Mr Newbury; Singing to the Arch/Lute-a Gentleman come on purpose from Worchester

Performances

Mainpiece Title: A Preludio

Afterpiece Title: The Beggars Opera

Afterpiece Title: Medea and Jason

Dance: In Act III of mainpiece a Hornpipe by Master Byrn. [This was danced, as here assigned, in all subsequent performances.]

Performances

Mainpiece Title: A Preludio

Afterpiece Title: The Beggars Opera

Afterpiece Title: Medea and Jason

Dance: In Act III of 2nd piece Hornpipe by Byrn

Performances

Mainpiece Title: The Orphan

Afterpiece Title: High Life below Stairs

Dance: End: The Irish Lilt, as17630922

Performances

Mainpiece Title: A Preludio

Afterpiece Title: The Beggars Opera

Afterpiece Title: Medea and Jason

Dance: III 2nd piece: a Hornpipe-Master Byrn, in girl's clothes (London Chronicle, 9 Aug., and see17810810) This was danced, as here assigned, in all subsequent performances