SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Britan"/1) | (@(roleclean,performerclean) "Mr Britan")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4224 matches on Event Comments, 1138 matches on Performance Comments, 528 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a-la-Mode

Dance: IV: A Dutch Dance-Master Settree, Master Blagdon, Miss Blagdon

Performances

Mainpiece Title: The Constant Couple; Or, A Trip To The Jubilee

Afterpiece Title: The Irish Widow

Song: End of Act I of afterpiece Horn sweet are the Woodlands by Forrest and Groves. imitations. End of mainpiece, Vocal and Rhetorical, by the Gentleman who performs Beau Clincher

Performances

Mainpiece Title: Albion And Albanius

Performances

Mainpiece Title: The Rehearsal

Performances

Mainpiece Title: King Arthur; Or, The British Worthy

Performances

Mainpiece Title: Cleomenes, The Spartan Heroe

Event Comment: The United Company. The date of the first performance is not precisely known, but by 9 May 1693 it had been acted four times (see Dryden's letter, below); on the other hand, the Gentleman's Journal, February 1692@3 (issued in March) had stated that D'Urfey's new farce would not appear until after Easter. Hence, it may well have been the first new play after Passion Week. A dialogue, Behold, the man with that gigantick might, the music by Henry Purcell and sung by Mr Reading and Mrs Ayliff, is in Orpheus Britannicus, 1690. See Purcell's Works, Purcell Society, XXI (1917), viii-x. A dialogue, By these pigsnes eyes that stars do seem, the music by John Eccles and sung by Dogget and Mrs Bracegirdle, is in Joyful Cuckoldom, ca. 1695. Another, Stubborn church division, folly, and ambition, to a Ground of Mr Solomon Eccles, is in Thesaurus Musicus, 1694. And Maiden fresh as a rose, the verse by D'Urfey and sung by Pack, but not printed in the play, is in The Merry Musician, I (1716), 56-57. This last song may have been for a later revival. Gentleman's Journal, April 1693 (issued in May 1693): Since my last we have had a Comedy by Mr Durfey; 'tis called the Richmond Heiress or a Woman once in the right (p. 130). Dryden to Walsh, 9 May 1693: Durfey has brought another farce upon the Stage: but his luck has left him: it was sufferd but foure dayes; and then kickd off for ever. Yet his Second Act, was wonderfully diverting; where the scene was in Bedlam: & Mrs Bracegirdle and Solon [Dogget] were both mad: the Singing was wonderfully good, And the two whom I nam'd, sung better than Redding and Mrs Ayloff, whose trade it was: at least our partiality carryed it for them. The rest was woeful stuff, & concluded with Catcalls; for which the two noble Dukes of Richmond and St@Albans were chief managers (The Letters of John Dryden, pp. 52-53)

Performances

Mainpiece Title: The Richmond Heiress; Or, A Woman Once In The Right

Performances

Mainpiece Title: A Very Good Wife

Performances

Mainpiece Title: Oroonoko

Performances

Mainpiece Title: The Younger Brother; Or, The Amorous Jilt

Performances

Mainpiece Title: The City Bride; Or, The Merry Cuckold

Performances

Mainpiece Title: Love's A Jest

Performances

Mainpiece Title: The City Lady; Or, Folly Reclaim'd

Performances

Mainpiece Title: Iphigenia

Performances

Mainpiece Title: The Pilgrim

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Devil to Pay

Dance: I: Le Tambourine-Mlle Chateauneuf; In IV: Muilment; V: Ballet-Denoyer, Mlle Chateauneuf

Song: III: Would You Taste the Noon@Tide Air (Comus)-Miss Edwards

Performances

Mainpiece Title: Rosamond

Performances

Mainpiece Title: Madrigal And Truletta

Afterpiece Title: Sir ThomasCallico; or, The Mock Nabob

Performances

Mainpiece Title: The Fair Quaker Of Deal

Afterpiece Title: The Diversions of the Morning

Entertainment: S+Specialty.II: An Ode in Honour of the Anti@Gallicans written by Mr Boyce-Beard

Performances

Mainpiece Title: The Gamesters

Afterpiece Title: The Rose

Performances

Mainpiece Title: The School For Arrogance

Afterpiece Title: The Picture of Paris

Performances

Mainpiece Title: Venice Preserv'd; Or, A Plot Discover'd

Performances

Mainpiece Title: Distress'd Innocence; Or, The Princess Of Persia

Performances

Mainpiece Title: Love For Money; Or, The Boarding School

Performances

Mainpiece Title: The Rape; Or, The Innocent Impostors