SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr Ben Johnson"/1) | (@(roleclean,performerclean) "Mr Ben Johnson")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4593 matches on Event Comments, 2635 matches on Performance Comments, 975 matches on Author, 542 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Benefit for Walker. Mainpiece: Not acted these 30 years [not acted since 4 Oct. 1722], wrote by Mrs Ccntlivre. Afterpiece: Never performed there. The doors to be opened at 5:30. To begin at 6:30. Ladies are requested to send their servants by five o'clock to keep places. Tickets to be had of Walker, the Globe, Pall-mall

Performances

Mainpiece Title: The Artifice

Performance Comment: Sir John Freeman-Brinsley; Fainwell-Fitzgerald (from the Theatre-Royal, Dublin); Young Freeman-Venables; Tally-Atkinson; Sam-Powell; Sir Phillip Moneylovc-Kenny; Watchit-Walker; Mrs Watchit-Mrs Johnson; Olivia-Mrs Child; Louisa-Miss Hurst; Judith-Mr Pressley; Lucy-Mrs Painter; Widow Heedless-Mrs Lefevre .
Cast
Role: Mrs Watchit Actor: Mrs Johnson

Afterpiece Title: The Ghost

Song: End of mainpiece Auld Robin Gray by Miss Lyon

Performances

Mainpiece Title: A Word To The Wise

Performance Comment: Sir George Hastings-Smith; Sir John Dormer-Shatford; Captain Dormer-A Gentleman (1st appearance on this stage [unidentified]); Villars-Johnston; Mr Willoughby-L'Estrange; Mrs Willoughby-Mrs Lefevre; Miss Willoughby-Mrs Beaufield; Miss Dormer-Mrs Robinson; Miss Montague-Mrs Johnson. hathi.

Afterpiece Title: The Talisman

Performance Comment: Principal Parts by L'Estrange, Smith, Williams, Robson, Stannard, Jones, Johnson, Brett, Remy, Thomson; Mrs Willliams, Mrs Moore, Mrs Beaufield, Mrs Lefevre. [Larpent MS lists the parts: Sir Charles Drinkwater, Francis Friendly, Sir William Randal, Darby Mulroony; Lady Drinkwater, Mrs Friendly, Miss Timor, Betty.] Prologue spoken by L'Estrange .

Song: End of mainpiece a song by Brett

Monologue: 1784 01 21 End of Act III of mainpiece a Masonic Address by a Brother [unidentified]

Event Comment: By Permission of the Lord Chamberlain. Benefit for Walker

Performances

Mainpiece Title: The Gentle Shepherd Or Patie And Roger

Performance Comment: Sir William Worthy-Aberdein; Patie-Hamilton; Roger-Ormiston; Glaud-Shaw; Symon-Johnson; Bauldy-Walker; Peggy-Miss Chatterley (1st appearance in that character); Jenny-Miss Wilson; Mause-Mrs Stichel; Madge, Elspa-Mr Service.
Cast
Role: Symon Actor: Johnson

Afterpiece Title: Wits Last Stake

Dance: End III: a new dance The Caledonian Cottagers; or, Scotch Wedding-Allison, Allison's Pupils

Song: End IV: The Cries of Edinburgh-Shaw

Entertainment: Monologue Probably end: An Occasional Address-Walker

Event Comment: A great Noise when they appear'd occasion'd, I believe, by a Paragraph in the Papers, saying, a piece of Machinery, of Fountain will soon come out at Covent Garden--so it was concluded we had stole ye design from Mr Rich--but not true, for they were design'd & made by Mr Johnson Property maker to our House--during ye Storm one Mr Bramstone, being Drunk ran cross the stage twice--fell down, & was taken off, like a dead Hero.--however the Pantomine ended quiet (Cross). Receipts: #120 (Cross). [See note to cg 13 Jan. 1753.

Performances

Mainpiece Title: As You Like It

Cast
Role: Phebe Actor: Mrs Bennet

Afterpiece Title: Harlequin Ranger

Cast
Role: Other characters Actor: Johnson, Mrs +Simpson.

Dance: I: Le Matelot Basque, as17521005

Event Comment: Benefit for Hopkins (prompter) and Mrs Hopkins. Charges #64 17s. [Profit to the Hopkins family #30 19s. plus Tickets.] Tickets delivered by Philips will be taken. Paid B. Johnson's Head bill #1 2s. 3d.; Paid Mr J. Johnston, by order #21; Rec'd Mr Pope's rent 1 year at #30 minus King's Tax of #3 8s.: Total #26 12s. receiv'd. Paid Mr Pope's bill #13 9s. 6d. (Treasurer's Book). Before 4 dined behind St Clements, and went to ye First Gallery to see the Distressed Mother....We had the Capricious Lovers, Lisetta by Mrs Clive, who took off the ridiculous sing-song at ye Opera House charmingly (Neville MS Diary). Receipts: #95 16s. (Treasurer's Book)

Performances

Mainpiece Title: The Distressed Mother

Performance Comment: Orestes-Powell; Pyrrhus-Holland; Pylades-Packer; Phoenix-Burton; Cephisa-Mrs Bennet; Cleone-Mrs Hippisley; Hermione-Mrs Hopkins, 1st time; Andromache-Mrs Yates.
Cast
Role: Cephisa Actor: Mrs Bennet

Afterpiece Title: The Capricious Lovers

Dance: IV: The Irish Lilt, as17670430 End: Linco's Travels, by Particular Desire-King as17670406

Event Comment: Downes, Roscius Anglicanus, p. 31: Note, About the Year 1670, Mrs Aldridge, after Mrs Lee, after Lady Slingsby, also Mrs Leigh Wife of Mr Antony Leigh, Mr Crosby, Mrs Johnson, were entertain'd in the Duke's House

Performances

Event Comment: Benefit Stephens. Mainpiece: At the particular desire of several Ladies of Quality. Tickets deliver'd out for As You Like It will be taken. Tickets to be had of Stephens at the Jar, opposite Red-Lion St., Holborn; of Mr Johnson, at the White Hart in Paternoster Row; and at the stage door next Bow St. where places may be taken. Last Night Shakespear's play of King Henry the Fifth, was performed at Covent Garden, with the many incidents that are applicable to the present Juncture of Affairs with France, occasioned the whole to be receiv'd with an uncommon Applause.--General Advertiser, 21 April

Performances

Mainpiece Title: The Life Of King Henry The Fifth

Afterpiece Title: Damon and Phillida

Dance: As17440404

Event Comment: [See Occasional Prologue spoken at cg by Mr Barry (28 Sept. 1750): @When vice and folly overruns the state,@Weak politicians lay the blame on fate...@If Shakespeare's Passion, or if Johnson's art@Can fire your fancy, or can warm your heart,@That task be ours;--but if you damn, their scenes@And heroes must give way to Harlequins.@We too can have recourse to Mime and Dance@Nay there I think we have the better chance;@And should the town grow weary of the Mute@Why--we'll produce--a Child upon the flute@ This infant piper referred to again satirically in a Guide to the Stage, 2nd ed., 1751, p. 7.] Rec'd of Mr Warner for arrears at his Benefit 16 May last, #5 14s. As this belong'd to last season's Account, I shall make an allowance, and accordingly subtract it from the sum total (Powel). Receipts: #70 (Cross); #92 12s. (Powel)

Performances

Mainpiece Title: She Woud And She Woud Not Or The Kind Imposter

Afterpiece Title: The Lottery

Music: I: Concerto on Flute-a Child five years of age (1st time of his appearing on any stage); III: Another piece of music-the Child

Event Comment: Benefit for Barry. Tickets deliver'd for King Arthur will be taken. Part of Pit laid into Boxes. Ladies send servants by 4 o'clock. Paid Supers, Kettle Drum, & practices to King Arthur #2 16s.; Printer's Bill #8 12s. (Treasurer's Book). Mary Martin to J. M. Rebow, 6 April (MS correspondence in Washington State University Library): There has not been any mention of Barry's Benefit in ye Papers till to Day when it is advertis'd for ye 23rd of this Month, & ye Play. After...ye Constant Couple, which I imagine is no very desirable thing to see so late in ye Season, therefore pray tell me if I must send ye Tickets back directly, or may keep them till you are in Town again, which I hope you certainly will be before that time; I find we are not ye only unfortunates that Mr Johnson disappoints of Places, for that it is his Constant Practice not to let a single Place, till all his Five Guinea Chaps are serv'd even if you are at ye Play House, & apply ye Instant ye Play is given out, for which reason Mr Garrick has desir'd Gentlemen will Write to him upon such Occasions, & it is now very commonly done. Receipts: #264 11s. 6d. Charges: #67. Profits to Barry: #197 11s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Lottery

Dance: End: Comic Dance, as17720326

Event Comment: The Last Time of Performing in This Theatre. Kemble Mem.: Sheridan wrote the Address [not listed on playbill; see Gazetteer, 6 June], Palmer delivered it. Universal Magazine, June 1791, p. 438: On Saturday night, of a gradual decay, and in the 117th year of her age, died old Madam Drury, who lived through six reigns, and saw many generations pass in review before her...She had a rout of near 2000 people at her house the very night of her death; and the old lady found herself in so much spirits, that she said she would give them 'No Supper' without a 'Song'; which being complied with, she fell back gently in her chair, and expired without a groan. Dr Palmer, one of her family physicians, attended her in her last moments, and announced her dissolution to the company. [This was written by George Colman, ynger.] Gazetteer, 6 June: Samuel Johnson was powerfully and pathetically shewn the universal horror which men feel of the last even towards things indifferent, or sometimes unpleasant; and there seemed to be some apprehension of this sort of pain on Saturday, for a very few attended to take their leave of the scene where they have been so often regaled with fictitious sorrow and gladness. [This theatre was first opened on 26 March 1674. It has been altered and redecorated on several occasions, notably by the architects Robert and James Adam in the summer of 1775, for which see illustration in The London Stage, Part IV, Vol. III, 1650. The new theatre was not in readiness until April, 1794. The principal reason for the delay was that the patent had lapsed, and "it being necessary to obtain one previous to the payment of their respective sums on the part of the subscribers, application was made to Mr Harris, of Covent Garden Theatre, who possessed a dormant patent." The price set was #15,000, and the patent was sent to a banker for inspection. A Mr George White, who had married a daughter of William Powell, one of the former patentees, and had thereby a financial interest, objected to this price, and "obtained a prohibition in the Court of Chancery which obliged the banker to restore the patent to the Manager of Covent Garden Theatre." The subscribers to the new Drury Lane thereupon refused to pay their subscriptions, and work on the demolition of the old theatre was halted (London Chronicle, 30 July 1792). Sheridan finally offered #20,000: #15,000 to Harris and #5,000 to White, which was accepted, and work on the theatre was resumed, the cornerstone being laid on 4 Sept. 1792 (Morning Chronicle, 6 Sept.; London Chronicle, 12 Sept. 1792). The Actual sum eventually paid to Harris was #11,667.] Paid in lieu of Benefits: Kelly #100; Miss Farren #300; Aickin #60; Williames #42. Received from Their Majesties for Season #78. Paid Renters #20 apiece (Account-Book). Receipts: #105 5s. 6d. (74.7.0; 24.0.6; 6.18.0)

Performances

Mainpiece Title: The Country Girl

Cast
Role: Moody Actor: Bensley

Afterpiece Title: No Song No Supper

Event Comment: London Gazette, No 742, 26-30 Dec. 1672: These are to give Notice, that at Mr John Banister's House, now called the Musick School, over against the George Tavern in White Fryers this present Monday, will be Musick performed by Excellent Masters, beginning precisely at four of the Clock in the afternoon, and every afternoon for the future, precisely at the same hour. Roger North on Music: But how and by what stepps Musick shot up in to such request, as to croud out from the stage even comedy itself, and to sit downe in her place and become of such mighty value and price as wee now know it to be, is worth inquiring after. The first attempt was low: a project of old Banister, who was a good violin, and a theatricall composer. He opened an obscure room in a publik house in White fryars; filled it with tables and seats, and made a side box with curtaines for the musick. 1s. a peice, call for what you please, pay the reckoning, and Welcome gentlemen. Here came most of the shack [vagabond] performers to towne, and much company to hear; and divers musicall curiositys were presented, as, for instance, Banister himself, upon a flageolett in consort, which was never heard before nor since, unless imitated by the high manner upon the violin. But this lasted not long, nor another meeting of like kind neer Paul's (headed by one Ben. Wallington) for voices to an organ, where who would, that was gifted, might performe, and no payment, but the reckoning (ed. John Wilson [London, 1959], pp. 302-3)

Performances

Mainpiece Title: Concert

Event Comment: Evelyn, Diary: [I] heard Signor Francisco on the Harpsichord, esteem'd on[e] of the most excellent masters in Europe on that Instrument: then came Nicholao Matteis? with his Violin & struck all mute, but Mrs Knight, who sung incomparably, & doubtlesse has the greatest reach of any English Woman; she had lately ben roming in Italy: & was much improv'd in that quality: Then was other Musique, & this Consort was at Mr Slingsbys Master of the Mint, my worthy friend, & great a lover of musique. [For a contemporary account of Matteis, see Roger North on Music, ed. John Wilson (London, 1959), pp. 307-11.

Performances

Mainpiece Title: Concert

Event Comment: Sir Robert Southwell to Edward Southwell, 26 Aug. 1685 (in Morley, Bartholomew Fair, pp. 224-26): I think it not now so proper to quote you verses out of Persius, or to talk of Caesar and Euclide, as to consider the great theatre of Bartholomew Fair....You wou'd certainly see the garboil there to more advantage if Mr Webster and you wou'd read, or cou'd see acted, the play of Ben Jonson, call'd Bartholomew Fair:...The main importance of this fair is not so much for merchandize, and the supplying what people really want; but as a sort of Bacchanalia, to gratify the multitude in their wandring and irregular thoughts. Here you see the rope-dancers gett their living meerly by hazarding of their lives, and why men will pay money and take pleasure to see such dangers, is of separate and philosophical consideration. You have others who are acting fools, drunkards, and madmen, but for the same wages which they might get by honest labour, and live with credit besides. Others, if born in any monstrous shape, or have children that are such, here they celebrate their misery, and by getting of money forget how odious they are made

Performances

Performances

Mainpiece Title: The East Indian

Performance Comment: Principal Characters by Palmer, Bannister Jun., R. Palmer, Gardner, Wilson, Webb, Usher, Staunton, Egan, Swords, Bensley; Miss Sherry, Miss Morris, Mrs Inchbald, Mrs Poussin, Mrs Bulkley. [Cast from European Magazine, July 1782, p. 67: Colonel Errwood-Palmer; Edmonds-Bannister Jun.; Young Johnson-R. Palmer; Johnson-Gardner; Cecil-Wilson; Landlord-Webb; Simpson-Usher; Danford-Staunton; Chairman-Egan; Savage-Bensley; Mrs Cecil-Miss Sherry; Nancy Johnson-Miss Morris; Emma Cecil-Mrs Inchbald; Mrs Johnson-Mrs Poussin; Harriet Sidney-Mrs Bulkley. Swords is unassigned.] New Prologue spoken by Palmer. [This was spoken, as here assigned, at all subsequent performances.] hathi. New Prologue spoken by Palmer. [This was spoken, as here assigned, at all subsequent performances.] hathi.
Cast
Role: Young Johnson Actor: R. Palmer
Role: Johnson Actor: Gardner
Role: Savage Actor: Bensley
Role: Nancy Johnson Actor: Miss Morris
Role: Mrs Johnson Actor: Mrs Poussin

Afterpiece Title: None are so Blind as Those Who Wont See

Dance: As17820613

Performances

Mainpiece Title: Macbeth

Performance Comment: Macbeth-Mills; Macduff-Wilks; Banquo-Booth; Lady Macbeth-Mrs Porter; Witches-Johnson, Norris, Griffin. [Hogan (Shakespeare in the Theatre, p. 277), thinks this bill is misprinted, with Hecate omitted and Johnson assigned Penkethman's usual part of the First Witch .]Hogan (Shakespeare in the Theatre, p. 277), thinks this bill is misprinted, with Hecate omitted and Johnson assigned Penkethman's usual part of the First Witch .]
Cast
Role: Witches Actor: Johnson, Norris, Griffin.

Performances

Mainpiece Title: The Parracide

Performance Comment: Parts by Giffard, Johnson, Rosco, Havard, Lyon, Woodward, Mrs Roberts, Mrs Giffard, Mrs Hamilton; but edition of 1736 lists: Cantelmi-Rosco; Altamar-Johnson; Montesini-Havard; Mirzabdi-Giffard; Hassan-Lyon; Issouf-Woodward; Melania-Mrs Roberts; Beleyda-Mrs Giffard; Amanthe-Mrs Hamilton. Prologue spoken by Johnson. Epilogue spoken by Mrs Giffard .

Afterpiece Title: The Ch1mney Sweeper

Event Comment: Afterpiece [1st time; MD 3, by Samuel Birch, adapted from Camille; ou, Le Souterrain, by Benoit Joseph Marsollier des Vivetieres, and from Les Victimes Cloitrees, by Jacques Marie Boutet de Monvel; the songs written by Thomas John Dibdin. Larpent MS 1236; not published. The playbill states that this was "Taken from the German," but London Chronicle, 12 Dec., says that its source is the same as that of The Captive of Spilburg (see dl, 14 Nov.). An examination of the MSS of these two pieces (Larpent 1230 and 1236) proves that such is unmistakably the case]: With entire new Scenes, Machinery, Dresses & Decorations. The Music composed and selected by Steibelt and Attwood. The Action of the Chorusaes, Finales, &c. under the Direction of Farley, and the Action of the Overture by Bologna Jun. A new Descriptive Overture, composed by Steibelt, on a Plan never before introduced on the English Stage, accompanied by Action. "The overture is...nothing more than music adapted to pantomime; and, in the present instance, the dumb shew is an unnecessary anticipation of the procession with which the piece opens" (Monthly Mirror, Dec. 1798, p. 369). The Scenery painted by Richards, Phillips, Lupino, Hollogan, Blackmore, &c. The Dresses by Dick and Mrs Egan. Books of the Songs to be had at the Theatre. Receipts: #338 17s. 6d. (325.14.6; 13.3.0)

Performances

Mainpiece Title: Laugh When You Can

Afterpiece Title: Albert and Adelaide or The Victim of Constancy

Performance Comment: Principal Characters-Incledon, Fawcett, H. Johnston, Betterton, Townsend, Simmons, Miss Webb (1st appearance), Follett; Miss Wheatley, Miss Walcup, Mrs Whitmore, Mrs Johnson. [Cast from Songs (T. Rickaby [1798]): Henrico-Incledon; Jocelin-Fawcett [in Songs: Emery (see17981214)]; Albert-H. Johnson; Rudolph-Betterton; Bertolt-Townsend; Gariga-Simmons; Adolphus-Miss Webb; Rosella-Miss Wheatley; Cicely-Miss Walcup; Algonde-Mrs Whitmore; Adelaide-Mrs Johnson; unassigned-Follett; Chorus of Soldiers and Followers in the Black Forest-Oddwell, Clarke, Sawyer, Curties, Little, Thomas, Everett, J. Linton, Smith, Lee, Powers, Lewiss; Chorus of Guards in the Castle-Linton, Gray, Street, Abbot, Kenrick, Silvester, Jones, Fairclough, Tett, Russel.
Cast
Role: Albert Actor: H. Johnson
Role: Adelaide Actor: Mrs Johnson
Related Works
Related Work: Camille; ou, Le Souterrain Author(s): Benoît Joseph Marsollier des Vivetières

Dance: In afterpiece: Procession and Dance of Swabian Peasants-Blurton, Dyke, Wilde, L. Bologna, T. Cranfield, Platt, Masters, Slape, Ramage, Goodwin, Little, Ms Watts, Ms Iliff, Ms Norton, Ms Castelle, Ms Leserve, Miss Gray, Ms Bologna, Ms Masters, Ms Burnett, Ms Gilbert, Ms Lloyd, Ms Blurton, Ms Ward

Event Comment: Rich's Company. This play was apparently never published, and the performance is known only by an advance announcement: Post Boy, 30 May-1 June 1700: The History of Hengist, the Saxon King of Kent, which before was designed to be Acted this day [1 June 1700], for the benefit of Mr Johnson, is therefore deferr'd till Monday. London Post, 7-10 June 1700: This Week the Morocco Ambassador diverted himself thrice at the Play-house

Performances

Mainpiece Title: The History Of Hengist The Saxon King Of Kent

Event Comment: Note that Mr Johnson was last Night engag'd to Act only in this Company

Performances

Mainpiece Title: The Platonick Lady

Event Comment: Benefit for the Widow of the Late Chapman. Tickets deliver'd out by the Widow Johnson and Mrs Wallis will be taken. Yesterday Morning died Mr John Laguerre, an eminent Painter belonging to the Theatre Royal in Covent Garden; a facetious companion, universally esteemed in every Scene of Life! (General Advertiser)

Performances

Mainpiece Title: The Relapse

Afterpiece Title: Apollo and Daphne

Cast
Role: Burgomaster Actor: Bencraft
Event Comment: Boxes, 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. Places for Boxes of Mr Johnson at the stage door. No persons may be admitted behind scenes or into orchestra. No money to be returned after curtain is drawn up. [Usual note not to be further recorded.] Theatre newly painted and decorated (Winston MS 9)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Mock Doctor

Event Comment: Mainpiece: Never acted before, a New Dramatic Opera [Bickerstaffe] the Music by Handel, Boyce, Arne, Howard, Baildon, Festing, Geminiani, Galluppi, Giardini, Paradies, Agus, Abos; with a New Overture composed by Mr Abel. Full Prices. Books of the Opera sold at theatre. [See Theatrical Review; or, Annals of the Drama, 1763, pp. 22-36: Compares Bickerstaff's opera at length with Charles Johnson's Village Opera.

Performances

Mainpiece Title: Love In A Village

Performance Comment: Principal parts: Beard, Mattocks, Collins, Shuter, Dyer, Dunstall, Baker, Barrington, Holtom, Bennet, Davis, Mrs Younger, Mrs Stephens, Miss Miller, Mrs White, Mrs Walker, Miss Davies, Miss Brent, Miss Hallam. Hawthorn-Beard; Justice Woodcock-Shuter; Young Meadows-Mattocks; Eustace-Dyer; Sir William Meadows-Collins; Hodge-Dunstall; Rosetta-Miss Brent; Lucinda-Miss Hallam; Deborah Woodcock-Mrs Walker; Margery-Miss Davies; Others-Baker, Barrington, Holtom, Bennet, Davis, Mrs Younger, Mrs Stephens, Miss Miller, Mrs White (Edition of 1763); Dances Incident to the Opera-Maranesi, Miss Twist. (playbill).

Dance: II: The Jealous Woodcutter, as17621023

Event Comment: Paid B. Johnson's Head a bill #2 18s. 6d.; Paid Mr Johnston's bill for gilt leather #23 7s. 11d. (Treasurer's Book). Receipts: #204 3s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Cymon

Cast
Role: Merlin Actor: Bensley
Event Comment: BB. Johnson's Head bill #3 9s. 11d. Rec'd Mr Heath's rent one year to Xmas last #10 (Treasurer's Book). Receipts: #224 11s. (Treasurer's Book)

Performances

Mainpiece Title: The Provoked Husband

Performance Comment: Lord Townly-Powell; Count Basset-King; Manly-Packer; Sir Francis-Yates; John Moody-Burton; Squire Richard-Mas. Burton; Lady Wronghead-Mrs Hopkins; Mrs Motherly-Mrs Cross; Trusty-Mrs Bennet; Myrtilla-Mrs Lee; Lady Grace-Mrs W. Barry, 1st time; Miss Jenny-Miss Pope; Lady Townly-Mrs Yates.
Cast
Role: Trusty Actor: Mrs Bennet

Afterpiece Title: Queen Mab

Event Comment: Benefit for Mrs Clive. Mainpiece: By Particular Desire. Pit and Boxes will be laid together, where servants will be admitted to keep places. Ladies desired to send servants by 3 o'clock. Rec'd from Mr Stevens 1 yrs. rent due at Xmas #10; Paid Locke (hatter) for Garrick #1 4s. 6d.; Re-paid Garrick the cash advanced by Monet for Guidetti #21; Paid B. Johnson's Head bill #3 17s. 11d. (Treasurer's Book). Receipts: #98 13s. (Treasurer's Book)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: High Life Below Stairs

Dance: End: The Jealous Peasant, as17661111