SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Ben Johnson"/1) | (@(roleclean,performerclean) "Mr Ben Johnson")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4589 matches on Event Comments, 2635 matches on Performance Comments, 974 matches on Author, 542 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Benefit for Shade, Cameron, Woollams, Wood, Wilson, Dangerfield, Irish, Edwards, Griffiths, Nix, Wooldridge, Panchaud & Cole [box-keepers]. [This was Dodd's last appearance on the stage.] "Dodd was one of the most perfect actors that I have ever seen. He was the fopling of the drama rather than the age. I mean by this, that his own times rarely shewed us anything so highly charged with the vanity of personal exhibition. He was, to be sure, the prince of pink heels, and the soul of empty eminence. As he tottered rather than walked down the stage, in all the protuberance of endless muslin and lace in his cravats and frills, he reminded you of the jutting motion of the pigeon. He took his snuff, or his bergamot, with a delight so beyond all grosser enjoyments that he left you no doubt whatever of the superior happiness of a coxcomb" (Boaden, Kemble, I, 55). Receipts: #580 17s. 6d. (25.17.0; 37.3.6; 11.0.0; tickets: 503.4.0; odd money: 3.13.0) (charge: #211 17s. 6d.)

Performances

Mainpiece Title: Katharine And Petruchio

Afterpiece Title: The Prize

Afterpiece Title: The Irish Widow

Entertainment: MonologueEnd 2nd piece: Monsieur Tonson-Caulfield

Performances

Mainpiece Title: The Author

Afterpiece Title: The Prize; or, 2

Afterpiece Title: The Village Lawyer

Performances

Mainpiece Title: The Follies Of A Day

Afterpiece Title: The Prize

Afterpiece Title: The Children in the Wood

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Prisoner at Large

Dance: I: a Dance- incident to the Piece

Performances

Mainpiece Title: First Love

Afterpiece Title: The Prisoner

Ballet: The Triumph of Love. As17961001

Performances

Mainpiece Title: The Jew

Afterpiece Title: The Prisoner

Ballet: The Triumph of Love. As17961001

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: Olympus in an Uproar; or, The Descent of the Deities

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: Richard Coeur de Lion

Dance: As17961019

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Shipwreck

Song: In II: a song-Master Welsh

Event Comment: Benefit for Lewis. 1st piece: In 3 Acts. 2nd piece: Not acted these 12 years [acted 13 Dec. 1788]. 3rd piece: With all original Scenery, Machinery, Dresses and Decorations. New Music composed, and ancient Scots Music selected and adapted, by Shield. The Overture by Reeve. With Harp Accompaniment by Weippert. True Briton, 27 Mar.: Tickets to be had of Lewis, Bow-street. Receipts: #519 1s. 6d. (386.10.0; 6.0.0; tickets: 126.11.6)

Performances

Mainpiece Title: The Double Gallant; Or, A Sick Lady's Cure

Afterpiece Title: Duke and No Duke; or, Trapolin's Vagaries

Afterpiece Title: Oscar and Malvina

Event Comment: Benefit for Mrs Siddons. 1st piece: Never acted in this Theatre. [Prologue by George Colman, elder. Monologue by Hester Lynch Piozzi (European Magazine, May 1797, p. 343).] True Briton, 12 Apr.: Tickets to be had of Mrs Siddons, No. 49, Great Marlborough-street. "The scenery destroyed much of the effect of the tragedy; for the characters are supposed to be 'steeped in poverty to the very lips;' and yet their apartments would have become a family in the meridian of wealth and prosperity. Mrs Siddons was also too well dressed for Mrs Wilmot" (Monthly Mirror, May 1797, p. 308). "In the scene in which [Mrs Siddons's] son having put into her hands a casket to keep, and she having touched a spring it opens and she sees jewels, her husband (Kemble) enters, and in despair exclaims, 'Where shall we get bread?' With her eyes fixed on the jewels, she runs to him, knocks the casket against her breast and exclaims, 'Here! Here!' In Mrs Siddons's tone and in her look there was an anticipation of the murder which was to take place" (Robinson, I, 39). Receipts: #618 2s. (386.8.6; 43.19.0; 2.4.0; tickets: 185.10.6) (charge: #211 1s.)

Performances

Mainpiece Title: Fatal Curiosity

Afterpiece Title: The Wedding Day

Afterpiece Title: The Deuce is in Him

Entertainment: Monologue. To conclude with: a Short Notice of Farewells, including her own Farewell for the Present Season-Mrs Siddons

Event Comment: Benefit for Mrs Mattocks. 1st piece: In 3 Acts. [In 1st piece the playbill assigns Welford to Holman, and in 3rd piece Don Carlos to the same. But "An uncle of Holman expired suddenly on Saturday morning. An apology was made for Holman in the evening, and Macready took the Parts he was to have performed in the Play and Farce" (True Briton, 8 May). In 1st piece Cheaterly is assigned to Macready; who took his place is not stated.] True Briton, 22 Apr.: Tickets to be had of Mrs Mattocks, No. 8, Great Russell-street, Covent-Garden. Receipts: #223 12s. 6d. (118.10.0; 4.2.0; tickets: 101.0.6)

Performances

Mainpiece Title: Fashionable Levities

Afterpiece Title: Lock and Key

Afterpiece Title: Lovers' Quarrels

Afterpiece Title: Bantry Bay

Performances

Mainpiece Title: Wives As They Were, And Maids As They Are

Related Works
Related Work: The Wife's Relief; or, the husband's cure Author(s): Charles Johnson
Related Work: The Wife's Relief; or, The Husband's Cure Author(s): Charles Johnson

Afterpiece Title: The Guardian

Event Comment: Benefit for Johnstone. 3rd piece [1st time; F 2, by Thomas Knight; incidental music by William Reeve]: Partly taken from The Committee [by Sir Robert Howard]. Morning Herald, 21 June 1797: This Day is published [by G. Cawthorn] The Honest Thieves (1s.). True Briton, 25 Apr.: Tickets to be had of Johnstone, No. 19, Piazza, Covent-Garden. Receipts: #434 7s. 6d. (210.4.0; 11.18.0; tickets: 212.5.6)

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: British Fortitude; or, An Escape from France

Afterpiece Title: The Honest Thieves; or, The Faithful Irishman

Song: In course 2nd piece: I was call'd knowing Joey-Munden; At dawn of Life our Vows were plighted-Mrs Mountain; The Storm-Incledon; The turban'd Turk who scorns the World-; Hospitality; or, The Land of Potatoes-Johnstone; End 2nd piece: Old Towler-Incledon

Performances

Mainpiece Title: British Fortitude

Afterpiece Title: Wives as they Were, and Maids as they Are

Related Works
Related Work: The Wife's Relief; or, the husband's cure Author(s): Charles Johnson
Related Work: The Wife's Relief; or, The Husband's Cure Author(s): Charles Johnson

Afterpiece Title: The Honest Thieves

Event Comment: Benefit for Brandon, box-book and housekeeper. Receipts: #416 9s. (66.11.0; 1.15.6; tickets: 348.2.6)

Performances

Mainpiece Title: The Mask'd Friend

Afterpiece Title: Lock and Key

Afterpiece Title: Raymond and Agnes

Song: The Mid Watch, The Storm-Incledon

Event Comment: Benefit for Delpini. [1st piece in place of The School for Arrogance, advertised on playbill of 8 June.] 2nd piece [1st time; BALL. P 1, author unknown]. 4th piece: To conclude with a View of the Temple of Magic. True Briton, 2 June: Tickets to be had of Delpini, No. 27, Maiden-lane, Southampton-street, Covent-Garden. Receipts: #211 0s. 6d. (105.5.6; 13.11.6; tickets: 92.3.6)

Performances

Mainpiece Title: The Mask'd Friend

Afterpiece Title: The Folly of Age; or, The Accomplished Lady

Afterpiece Title: Barataria

Afterpiece Title: Harlequin's Medley

Dance: In 2nd piece: A la Parisot, Le Pas Russe-Delpini

Song: In 2nd piece: La Verginella, My dear Molly@oh! what Folly (composed by Carter)-Delpini

Entertainment: Vaudeville. In 4th piece: The Farm Yard- (from The Rape of Proserpine), with the Birth of Harlequin, and his Emancipation from the Egg Shell; The favorite Scene from Aladin of Pantaloon's Death-, and the Whimsical Lamentation of Pierrot; A Jump through a Hogshead of Fire-; and the celebrated Dying and Skeleton Scenes-

Performances

Mainpiece Title: A Mogul Tale

Afterpiece Title: The Prisoner at Large

Afterpiece Title: Bannian Day

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: The Honest Thieves

Performances

Mainpiece Title: The Will

Afterpiece Title: The Prize; or, 2, 5, 3, 8

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Honest Thieves

Performances

Mainpiece Title: The Heiress

Afterpiece Title: The Children in the Wood

Entertainment: Entertainment. Not listed on playbill (see17971016). Morning Herald, 16 Oct.: A representation of the late engagement with the Dutch-; was unexpectedly given after the play. It was followed by some fire@works-, in which was a star, ending after various mutations in a sun, emblematic of British Glory!

Performances

Mainpiece Title: Cheap Living

Afterpiece Title: The Old Maid

Performances

Mainpiece Title: Wives As They Were, And Maids As They Are

Related Works
Related Work: The Wife's Relief; or, the husband's cure Author(s): Charles Johnson
Related Work: The Wife's Relief; or, The Husband's Cure Author(s): Charles Johnson

Afterpiece Title: England's Glory

Dance: End II: Les Delassemens Militaires, as17971021; End: Cupid and Psyche (composed by Noverre)-Mrs Wild, Mme Rose, Mme Hilligsberg, Didelot, Fialon, The Graces by Mlle St.Amand, Mme D'Egville, Mlle Philips

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: A Divertisement

Afterpiece Title: England's Glory

Dance: In 2nd piece: Ballet, as17971013; In V 3rd piece: a Triple Hornpipe, as17971018