SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr Arthur Manwayring"/1) | (@(roleclean,performerclean) "Mr Arthur Manwayring")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4294 matches on Event Comments, 1735 matches on Performance Comments, 1340 matches on Author, 671 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Grecian Daughter

Related Works
Related Work: The Grecian Daughter Author(s): Arthur Murphy

Afterpiece Title: My Grandmother

Ballet: End: The Scotch Ghost. As17961108, but Glaude-Grimaldi

Performances

Mainpiece Title: The Stranger

Afterpiece Title: The Citizen

Related Works
Related Work: The Citizen Author(s): Arthur Murphy

Music: Vocal Parts-Mrs Bland, Miss Leak; their songs: To welcome mirth and harmless glee-Mrs Bland, Miss Leak; I have a silent sorrow here-Mrs Bland

Dance: Principal Dancer-Sga Bossi DelCaro

Event Comment: [Comedies of three acts and two acts respectively, by Arthur Murphy never acted before.

Performances

Mainpiece Title: No Ones Enemy But His Own

Related Works
Related Work: No One's Enemy but His Own Author(s): Arthur Murphy

Afterpiece Title: What We Must all Come To

Related Works
Related Work: What We Must All Come To Author(s): Arthur Murphy
Event Comment: By Arthur Murphy from 3 Moliere Plays (Genest, V, 131). Receipts: #195 9s. 6d. (Account Book)

Performances

Mainpiece Title: The School For Guardians

Related Works
Related Work: The School for Guardians Author(s): Arthur Murphy

Dance: End: The Village Romps, as17661008

Event Comment: Mainpiece: By Particular Desire. Benefit for Mrs Abington. Part of Pit laid into boxes. House Charges #64 4s. [Profit to Mrs Abington #166 2s. 6d.] [The Farce-2 acts all from the comedy 'What we must all Come to' by Arthur Murphy, The airs by Hook.] Paid Blake (hosier) bill #3 15s. 6d. (Treasurer's Book). Receipts: #230 6s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Way To Keep Him

Related Works
Related Work: The Way to Keep Him Author(s): Arthur Murphy

Afterpiece Title: Marriage a la Mode or Conjugal Douceurs

Related Works
Related Work: Marriage a-la-mode; or, Conjugal Douceurs Author(s): Arthur Murphy

Dance: End: Hearts of Oak, as17670212

Event Comment: Mainpiece: A New Tragedy [by Arthur Murphy] never performed The Music by Dr Arne. The Characters New Dress'd. [Long account and generally unfavorable review of Alzuma in the Westminster Magazine for March.] Receipts: #206 18s. 6d

Performances

Mainpiece Title: Alzuma

Related Works
Related Work: Alzuma Author(s): Arthur Murphy

Afterpiece Title: The Commissary

Event Comment: Mainpiece [tragedy by Arthur Murphy]: Never acted there. New Dresses, Scenery, and Decorations

Performances

Mainpiece Title: The Grecian Daughter

Related Works
Related Work: The Grecian Daughter Author(s): Arthur Murphy

Afterpiece Title: Daphne and Amintor

Event Comment: Benefit for Lewis. Last Night of performing before the Holidays. [See first version of this afterpiece under title What We Must All Come To, 9 Jan. 1764. It was damned then but now met with success. A Comedy by Arthur Murphy. The reviewer for the Westminster Magazine for April stamped the afterpiece with his approval.

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Three Weeks After Marriage

Related Works
Related Work: Three Weeks After Marriage Author(s): Arthur Murphy

Entertainment: End: (By Particular Desire) Bucks Have At Ye All, with alterations, spoken-Lewis

Dance: Before Farce: The Merry Sailors, as17760314

Event Comment: Benefit for Miss Barsanti. Mainpiece [a comedy by Arthur Murphy]: Never acted there

Performances

Mainpiece Title: All In The Wrong

Related Works
Related Work: All in the Wrong Author(s): Arthur Murphy

Afterpiece Title: St Patricks Day

Dance: End: Mirth and Jollity, as17760102

Monologue: Before: The Occasional Prelude. Manager-Wroughton; Young Actress-Miss Barsanti. [See 10 May 1773.

Event Comment: Prelude [1st time; PREL 1, by Arthur Murphy]. Mainpiece: Not acted these 3 years. Afterpiece: Not acted these 5 years [acted 21 Nov. 1772]. The Doors to be opened at 5:3O. To begin at 6:3O [see 11 Nov.]. Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. Places for the Boxes to be taken of Sarjant (only) at the Stage-door. No persons admitted behind the Scenes, nor any Money returned after the Curtain is drawn up. Receipts: #214 17s. 6d. (214.15.O; O.2.6.

Performances

Mainpiece Title: News From Parnassus

Related Works
Related Work: News from Parnassus Author(s): Arthur Murphy

Afterpiece Title: The Recruiting Officer

Afterpiece Title: The Mock Doctor

Event Comment: Mainpiece [1st time; C 5, by Arthur Murphy, based on L'Irresolu, by Philippe Nericault, dit Destouches. Prologue by the author. Epilogue by David Garrick (see text)]: A new Scene and New Dresses. Public Advertiser, 2 May 1778: This Day is published Know Your Own Mind (1s 6d.). Receipts: #246 7s. 6d. (245.7.0; 1.0.6)

Performances

Mainpiece Title: Know Your Own Mind

Related Works
Related Work: Know Your Own Mind Author(s): Arthur Murphy

Afterpiece Title: The Mock Doctor

Dance: As17761123

Event Comment: Mainpiece: Never acted there. With Alterations and Additions by the Author [Arthur Murphy. London Chronicle, 7 Nov., prints a detailed synopsis of the alterations.]. The Characters entirely new dressed; with New Scenery and Decorations. [Morning Chronicle, 7 Nov.: Mrs Barry entered into the character of Mandane with all that strength of conception which characterizes her acting in general. Many of the passages received additional force from the judicious breaks and sudden transitions in her manner of giving them.] Receipts: #200 3s. (199.6; 0.17)

Performances

Mainpiece Title: The Orphan Of China

Related Works
Related Work: The Orphan of China Author(s): Arthur Murphy

Afterpiece Title: Cross Purposes

Dance: As17771104

Event Comment: Mainpiece [1st time; CO 3, by Thomas Hull, altered from The School for Guardians by Arthur Murphy. Not in Larpent MS; synopsis of plot in Public Advertiser 19 Nov.]: With New Dresses, &c. The Music chiefly compiled; the rest composed by Dr Arne, Sacchini and Fisher. Books of the Songs to be had at the Theatre. Public Advertiser, 18 Nov. 1777: This Day is published the Airs in Love Finds the Way (6d.). [Miss Courtenay is identified in the Airs.] Receipts: #233 8s. 6d. (232.5.0; 1.3.6)

Performances

Mainpiece Title: Love Finds The Way

Related Works
Related Work: The School for Guardians Author(s): Arthur Murphy

Afterpiece Title: The Upholsterer

Related Works
Related Work: The Upholsterer Author(s): Arthur Murphy

Dance: End II: The Minuet de la Cour, as17771111; End: The Enchantress, as17771104

Event Comment: [Mainpiece in place of King Arthur; afterpiece of The Lyar, both announced on playbill of 30 Oct.] Receipts: #202 12s. (155/7/0; 47/0/6; 0/4/6)

Performances

Mainpiece Title: The Way To Keep Him

Related Works
Related Work: The Way to Keep Him Author(s): Arthur Murphy

Afterpiece Title: The Gentle Shepherd

Event Comment: Benefit for Booth. Mainpiece: Banquetv, Processionv, Christeningv as 26 Mar. [Afterpiece: Epilogue by Arthur Murphy.] Receipts: #262 10s. (140.14.6; 2.3.6; tickets: 119.12.0)

Performances

Mainpiece Title: King Henry The Eighth

Afterpiece Title: The Citizen

Related Works
Related Work: The Citizen Author(s): Arthur Murphy

Song: As17870326

Event Comment: 2nd piece: Not acted these 8 years [acted 1 Dec. 1784]. With some Alterations and Additions by the Author [Arthur Murphy]. Receipts: #241 1s. 6d. (237.8.6; 3.13.0)

Performances

Mainpiece Title: The Widow Of Malabar

Afterpiece Title: The Upholsterer

Related Works
Related Work: The Upholsterer Author(s): Arthur Murphy

Afterpiece Title: A Divertisement

Performances

Mainpiece Title: Concert

Afterpiece Title: Britains Happiness

Song: Singing in Italian and English-Mrs Tofts

Dance: l'Abbe, duRuel, Cherrier, Mrs Elford, Mrs Campion, Mrs Mayers, Devonshire Girl

Performances

Mainpiece Title: The Royal Shepherd

Dance: I: A New Dance call'd The Hunters-Mas. Clinton, Miss Street, Miss Ford; II: The Faggot Binders-Aldridge, Miss Baker; End Opera: A Dance-Grimaldi, Lauchery, Miss Baker

Performances

Mainpiece Title: The Royal Shepherd

Dance: I: The Sheep Shearers, as17640308 II: The Shepherdesses, as17640113; End Opera: Dance, as17640301

Performances

Mainpiece Title: Sir Courtly Nice

Afterpiece Title: La Guinquette or Harlequin Turned Tapster

Dance: An Entertainment of Mimick Dancing, call'd, La Caprice-Harlequin (in Imitation of Mlle Provost, the Famous Dancer in the Opera at Paris)

Performances

Mainpiece Title: The Connoisseur Or Every Man In His Folly

Performances

Mainpiece Title: The Royal Shepherd

Dance: I: The Hunters, as17640224; The Faggot Binders, as17640224; End Opera: A Dance, as17640224

Performances

Mainpiece Title: The Royal Shepherd

Dance: II: The Faggot Binders, as17640224; End Opera: A Dance, as17640224

Performances

Mainpiece Title: The Royal Shepherd

Afterpiece Title: Miss in Her Teens

Dance: I: The Sheep Shearers-Lauchery, Miss Baker; II: The Faggot Binders, as17640224; End Opera: A Dance, as17640319

Event Comment: The United Company. The date of the first performance is not known. The January issue of the Gentleman's Journal, wnich did not appear until some time in February, stated: Mr Congreve...hath written a Comedy, which will be acted in a little time, and is to be call'd, The Old Batchelor (p. 28). The Gentleman's Journal, February 1692@3 (issued in March 1693): The success of Mr Congreve's Old Batchelor has been so extraordinary, that I can tell you nothing new of that Comedy; you have doubtless read it before this, since it has been already printed thrice. And indeed the Wit which is diffus'd through it, makes it lose but few of those Charms in the Perusal, which yield such pleasure in the Representation. Mr Congreve will in some time give us another play; you may judge by this how acceptable it will be (p. 61). In addition, a reference in the Epilogue indicates that it was produced during Lent, ano since the third edition was advertized in the London Gazette, No. 2856, 23-27 March 1693, early March seems the most likely date for the premiere. According to The Female Wits (ca. 1696), The Old Batchelor was acted fourteen days successively. John Barnard of Yale University states that Narcissus Luttrell's copy of The Old Batchelor in the Newberry Library bears the notation: "10d Mar. 16 1692@3." BM Add. Mss. 4221 (341) Memoirs Relating to Mr Congreve Written by Mr Thomas Southern (in Macdonald, Bibliography of Dryden, p. 54n): When he began his Play the Old Batchelor haveing little Acquaintance with the traders in that way, his Cozens recommended him to a friend of theirs, who was very usefull to him in the whole course of his play, he engag'd Mr Dryden in its favour, who upon reading it sayd he never saw such a first play in his life, but the Author not being acquainted with the stage or the town, it woud be pity to have it miscarry for want of a little Assistance: the stuff was rich indeed, it wanted only the fashionable cutt of the town. To help that Mr Dryden, Mr Arthur Manwayring, and Mr Southern red it with great care, and Mr Dryden putt it in the order it was playd, Mr Southerne obtained of Mr Thos. Davenant who then governd the Playhouse, that Mr Congreve should have the privilege of the Playhouse half a year before his play was playd, wh. I never knew allowd any one before. The music for the play was composed by Henry Purcell. See Purcell's Works, Purcell Society, XXI (1917), iii-v

Performances

Mainpiece Title: The Old Batchelor