SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr "/1) | (@(roleclean,performerclean) "Mr ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4812 matches on Roles/Actors, 4224 matches on Event Comments, 1138 matches on Performance Comments, 528 matches on Performance Title, and 18 matches on Author.
Event Comment: Benefit for Macklin. Afterpiece: A Comedy in 2 acts written by Foote, with Prologue and Epilogue by him. Miss Macklin did Calista and a part in the farce,-all went well (Cross). A Comedy in answer to the French Farce A Frenchman in London, with a Dialogue Prologue, spoken by Macklin & his wife. Epilogue spoken by Miss Macklin. All by Foote. Part of Pit laid into the boxes, with an amphitheatre on stage, all at 5s. Full Prices (Winston MS 8). The Englishman at Paris has been better recev'd that I expected. Garrick, &c., &c....say kinder things of it than modesty will permit me to repeat. Upon the whole it was damnably acted, Macklin miserably imperfect in the words and in the character (a stain to Comedy). You might have seen what I meant,--an English Buck, by the power of dulness instantaneously transformed into an Irish chairman. Miss Roach, accompany'd by some frippery French woman occupy'd, to the no small scandal of the whole house, the Prince's box, whilst the duchess of Bedford &c., &c. were oblig'd to take up with seats upon the stage. The piece will be printed the 25th instant, which I will enclose to you (Samuel Foote to Mr Delaval, MS in Folger Shakespeare Library, written either 24 March, or, perhaps more likely, 24 April, since Foote states later in the letter he is leaving for foreign parts the first of May)

Performances

Mainpiece Title: The Fair Penitent

Performance Comment: As17521122, but Calista-Miss Macklin fourth appearance on any stage; first in that character; Sciolto-Macklin.

Afterpiece Title: The Englishman in Paris

Performance Comment: Principal parts-Macklin, Usher, Bransby, Collins, Anderson, Dunstall, Stoppelaer, White, Holtom, Mrs Macklin, Miss Macklin.
Event Comment: Benefit for Mons Devisse & Mad Auguste. Tickets of Devisse at Mrs Jones's, Hoop-petticoat Maker in Bow St., Covent Garden; at Turk's Head Tavern, in Grig-St., Soho; of Mad Auguste at Mr Harris's, Hosier, in Tavistock Row, Covent Garden; and at the Stage Door. Receipts: #200 (Cross)

Performances

Mainpiece Title: Much Ado About Nothing

Performance Comment: As17530117, but Don Pedro-Havard; Don John-Winstone; Dogberry-Taswell.

Afterpiece Title: A Duke and no Duke

Performance Comment: As17521009.

Dance: I: A New Dance-Mlle Auguste; II: A Masquerade Dance-M Gerard first appearance from Paris, never appeared in England; III: A New Pierrot Dance-Devisse, Mlle Auguste; IV: The Matelot Basque-Ferrere; after the Country Dance-; The Louvre and Minuet-Devisse, Mlle Auguste

Event Comment: Oratorio by Mr Handel. Benefit for Signora Frasi; To begin at 7 p.m. Prices: Pit and Boxes at half a guinea each; Gallery 5s

Performances

Mainpiece Title: Acis And Galatea

Music: Organ-Stanley; First Violin-Sig Giardini

Event Comment: Afterpiece: By Particular Desire. Benefit for Mr Dexter (Cross). No building on Stage. Tickets to be had of Dexter at his lodgings in James St., Covent Garden, at the Grecian Coffee House, and at the stage dobr. Receipts: #170 (Cross)

Performances

Mainpiece Title: The Inconstant

Performance Comment: Young Mirabel-Dexter (first time); Oriana-Mrs Davies (first time); Old Mirabel-Yates; Bissare-Mrs Clive; Dugard-Blakes; Petit-Shuter; Duretete-Garrick being the only time of his performing it this season.

Afterpiece Title: Bayes in Petticoats

Performance Comment: As17530322 but Mrs_ Bennet.

Dance: II: A Comic Dance, as17530402 IV: L'Entree de Flore, as17530324 End Farce: Le Matelot Basque, as17521005

Event Comment: For Prince of Wales. This was to be Palmer's Benefit but bought by ye Masters for #90. Mr Wright (an old Serv[an]t) Dy'd (Cross). Receipts: #220 (Cross)

Performances

Mainpiece Title: King Richard Iii

Performance Comment: As17530223, but Richard-Garrick; Buckingham-Palmer; Richmond-Havard.

Afterpiece Title: The Mock Doctor

Performance Comment: See17530320.

Dance: III: A Comic Dance, as17530402 V: A Hornpipe-Mathews, a Child of five years old his scholar

Event Comment: Benfit for Berry. Afterpiece: By Desire. Tickets at stage door, and of Berry at Mr Pope's, a Peruke Maker in Russel St., Covent Garden. Berry's figure was well adapted to Sciolto, Acasto and characters of that cast; No man had more feeling than he, and it generally had its proper effect, but by being too fond of aiming at tenderness, he grated upon the ear of an auditor (Genest, IV, p. 363, from State of the Stage). Receipts: #220 (Cross)

Performances

Mainpiece Title: Merope

Performance Comment: As17530319 but With proper decorations. Also the Procession and Sacrifice after the manner of the Ancients. Vocals-_ Beard, Wilder, Master Vernon.

Afterpiece Title: The Double Disappointment

Performance Comment: As17530206.
Event Comment: Benefit for Mr and Mrs Barrington. [No Buildings on stage. Salarino-, according to $Hogan">Usher, according to $Hogan, based on a Havard playbill.

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: As17530126, but Solarino-Ridout; Launcelot-Barrington; Nerissa-Mrs Barrington.

Afterpiece Title: The What D'ye Call It

Performance Comment: As17521208.

Dance: IIl Pastore, as17521219; Grand Scots Ballet, as17521216

Event Comment: [Benefit for & $Jan: Auretti">Mr Mathews & $Jan: Auretti. Ye provok'd Husband? was play'd Palmer being ill (Cross). No Building on Stage. [The bills, all printed before the last minute change, list The Non Juror. Probably announcement was unnecessary, as audience came mainly to enjoy the dances this night.] Receipts: #100 (Cross)

Performances

Mainpiece Title: [the Non Juror

Performance Comment: The Provok'd Husband (Cross). Cast: [Dr Wolf-Yates, first time] for Provok'd Husband, See17521219. for Provok'd Husband, See17521219.

Afterpiece Title: The Chaplet

Performance Comment: As17530301 but Dancing End of play +Matelot Basque-Ferrier.

Dance: [I: A +Hornpipe-the Little Swiss, a child 5 years old; II: A Grand Ballet-Devisse, Mlle Auguste; III: A Serious Dance-Janeton Auretti; V: The Louvre, Minuet-Mathews, Janeton Auretti

Ballet: [IV: +La Chacone des Characters. Harlequin-Mlle Auretti; Punch-Devisse

Performance Comment: Harlequin-Mlle Auretti; Punch-Devisse.
Event Comment: Benefit for Miss Macklin. Miss Macklin did Monimia (Cross). Afterpiece: For last time this season. With a New Prologue. To prevent mistakes, those Gentlemen and Ladies who send for Places, are desired to send for Tickets; which may be had of Miss Macklin, in Bow St.; and of Mr Crudge at the stage door

Performances

Mainpiece Title: The Orphan

Performance Comment: As17530213, but Monimia-Miss Macklin (first time).

Afterpiece Title: The Englishman in Paris

Performance Comment: See17530324.

Dance: II: Grand Scots Ballet, as17521216

Event Comment: Benefit for Davies & Wife (Cross). Tickets at Davies's lodgings at Mr Evans, in Tavistock Row, Covent Garden; and at Stage Door. [The Bill announces Garrick as Lothario for last time this season.] Receipts: #140 (Cross)

Performances

Mainpiece Title: The Fair Penitent

Performance Comment: As17521011, but Sciolto-Davies; Lavinia-Miss Haughton; Calista-Mrs Davies (for the first time).

Afterpiece Title: Lethe

Performance Comment: As17530409.

Dance: III: Dutch Dance, as17521125; V: Country Amusements, as17530412

Song: I: A Cantata-Beard

Event Comment: For the Benefit and Increase of a Fund established for the support of Decayed Musicians, or their Families. Boxes and Pit put together at Half a Guinea. Gallery 5s. To begin at 6:30 p.m. Tickets delivered to Subscribers to this Charity will admit one Person to any part of the House. Subscribers tickets may be had of Richard Dawson, near Henry the Seventh's Chapel, Westminster, who is empower'd by the Society to deliver them and receive Subscriptions. Tickets for the Performance are delivered by Mr Rash at the Prince of Orange Coffee-House, in the Haymarket. The tickets delivered for the 17th will be taken. (General Advertiser, 28 April, advance notice)

Performances

Mainpiece Title: Entertainment Of Vocal And Instrumental Music

Performance Comment: Part I: Overture by Chabran-; Sei si trove in Lacci stretto (Teradellas)-Sga Galli; Return O God of Hosts (Handel)-Guadagno; Concerto on violincello-Pasqualino; Sherno delli astri egioco (Conforti)-Frasi; Beneath that Shade (Dr Green)-Wass; Part II: Concerto on violin-Chabran; Sol ti chiedo O spero amato (Galluppi)-Frasi; O Lovely Fair and Faithful Youth (Dr Green)-Beard; Concerto on bassoon-Miller; No non sai (Pergolesi)-Galli; Il Pasto (Ciampi)-Guadagnio; Part III: Concerto on oboe-Vincent; Resarrena (Gluck)-Galli; Quella fiamma (Handel)-Frasi; Song-Guadagnio; Trio The Flocks shall leave the Mountains (Handel)-Frasi, Beard, Wass; Grand Concerto-Handel.
Event Comment: Benefit for Widow Lampe and Miss Young. Afterpiece: Being Positively the last time of performing it this season

Performances

Mainpiece Title: Theodosius

Performance Comment: As17530331 but add With the Original Music by Mr Arne, the vocal parts-Lowe, Howard, Baker, Legg, Mrs Chambers, Miss Davis, others; The Two Nuns-Mrs Lampe, Miss Young.

Afterpiece Title: The Oracle

Performance Comment: As17530310.

Dance: III: Two Pierrots, as17530501; V: Grand Scots Ballet, as17521216

Event Comment: Newly compos'd by Mr Arne. Benefit for the Charitable Hospital for Lying-In Women, in Jermyn St., St James. Pit and Boxes a half guinea. First Gallery 5s. Upper Gallery 3s. 6d. To begin at 12 noon. Ladies are not expected to come dress'd

Performances

Mainpiece Title: Alfred The Great

Music: In which will be introduced a new solemn dirge- in honor of the heroes who die in the service of their country

Event Comment: To begin exactly at 6:00 o'clock. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. Places for the Boxes to be had of Mr Varney at the Stage door. [Repeated throughout the season.] Ye Naturalizing Bill having made some Noise against the Jews, some people call'd out for ye Merchant of Venice, & a Letter was thrown upon ye Stage desiring that play instead of the Opera, but we took no Notice of it, some little hissing but it dy'd away (Cross). [Sometime in the calendar year 1753, Lacy and Garrick drew up a mortgage on the Drury Lane property for #10,000, to be amortized to James Clutterbuck over a period of twenty-one years at the rate of #4 per acting night, and permission to grant free seats in any part of the theatre (except the stage, scenes and orchestra) to forty persons. These latter to be named and seats assigned ten days prior to the opening of any season. This thirteen-page document, which describes accurately the bounds of the 13,134 square feet of land on which the ten buildings comprising Drury Lane Theatre stood, contains protective clauses for Clutterbuck, to the effect that Garrick and Lacy will exhibit nowhere else in London without the #4 nightly payment and for Garrick and Lacy, to the effect that arrears in payment could be collected solely from Drury Lane property, and not from the individual incomes of the mortgagees. It was not signed, so apprently was not executed. (See Havard, Collection of Documents dealing with affairs of Drury Lane, No 2, fMS, Thr 12.)] Receipts: #150 (Cross)

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Macheath-Beard; Peachum-Yates; Lockit-Berry; Mat o Mint-Blakes; Filch-Raftor; Lucy-Mrs Clive; Mrs Peachum-Mrs Cross; Diana Trapes-Mrs Havard; Polly-Mrs Davies; In Act III a Hornpipe-Matthews, others; To conclude with a Country Dance-the characters of the opera.

Afterpiece Title: The Lying Valet

Performance Comment: Sharp-Yates; Gayless-Blakes; Melissa-Mrs Bennet; Kitty Pry-Miss Minors.
Event Comment: Two days ago a Letter [price 1s.] came out to Miss Nossiter in which Mrs Cibber is abu'd & tother greatly extoll'd. The Author has also fell foul upon Mr Murphy author of Gray's Inn Journal. It is wrote by one Morgan an Irish Gent: High words has pass'd at ye Bedford Coff. H. between him and Murphy & 'tis thought a Duel will be ye Consequence (Cross). [See The Authorship of a Letter to Miss Nossiter, Shakespeare Quarterly, January 1952, p. 69.

Performances

Mainpiece Title: The Twin Rivals

Performance Comment: Wou'dbe-Sparks; Elder Wou'dbe-Ryan; Trueman-Anderson; Richmore-Ridout; Balderdash-Wignel; Subtleman-White; Fairbanks-Redman; Constable-Dunstall; Mrs Clearaccount-Mrs Dunstall; Midnight-Mrs Bambridge; Teague (with Song in Character)-Barrington; Alderman-Arthur; Clearaccount-Collins; Aurelia-Mrs Dyer; Constant-Mrs Vincent.

Afterpiece Title: Harlequin Sorcerer

Event Comment: Mainpiece: Not acted these 10 years. Written by the late Mr Farquhar

Performances

Mainpiece Title: The Inconstant; Or, The Way To Win Him

Performance Comment: Young Mirabel-Smith; Old Mirabel-Shuter; Duretete-Dyer; Dugard-Anderson; Petit-Cushing; 1st Bravo-Dunstall; 2nd Bravo-Stoppelaer; Oriana-Mrs Baker; Lamorce-Mrs Pitt; Bisarre-Mrs Bland.

Afterpiece Title: Harlequin Sorcerer

Performance Comment: As17531016.

Dance: Grandchamps, Madam Camargo

Event Comment: A tragedy written by Mr Glover, great Applause-but a thought dull (Cross). Never Acted before. [Mainpiece complimented left-handedly by Murphy in Gray's Inn Journal, 8 Dec. The music and scenery were both suited to the piec e, and the acting of it, were there no other inducement, should be sufficient to draw numerous audiences...I cannot but remark that the applause it met with, was scarcely warm enough for such fine writing...I am convinced that this Tragedy will prove an elegant Closet-companion to every reader of taste."] Receipts: #230 (Cross)

Performances

Mainpiece Title: Boadicia

Performance Comment: Parts-Garrick, Mossop, Havard, Burton, Bransby, Davies, Mozeen, Jefferson, Mrs Pritchard, Mrs Cibber. Dumnorix-Garrick; Aenobarbus-Mossop; Flaminius-Havard; Tenantius-Burton; Ebrancus-Mozeen; Roman Ambassador Icenians and Trinobanitans-Bransby, Davies, Jefferson; Boadicia-Mrs Pritchard; Venusia-Mrs Cibber; [With new pieces of music- [between the acts, adapted to the play; Prologue-Mossop; Epilogue-Havard [(Edition of 1753).].(Edition of 1753).].

Music: With new pieces of Between the Acts: Music , adapted to the play, and by Dr Boyce-

Event Comment: Benefit for Mr Macklin, to which he spoke a farewell Prologue hinting at his new scheme (a Coffee house now fitting up in the Piazza) Mrs Mack, Miss & He play'd (Cross). [Macklin discharged last June from Covent Garden, one night given him at Drury Lane when he took leave; Poor I toss'd up...King Henry 7, 1764 (Winston MS 8). Gray's Inn Journal noted this performance by the bequeathing to the stage of Miss Macklin who should succeed in genteel comedy.] Receipts: #220 (Cross)

Performances

Mainpiece Title: The Refusal

Performance Comment: Sir Gilbert Wrangle-Macklin; Frankly-Palmer; Witling-Yates; Granger-Davies; Cook-Blakes; Charlotte-Miss Macklin, 1st time; Lady Wrangle-Mrs Macklin; Betty-Miss Minors; Sophronia-Mrs Clive; In Act IV The Cantata proper to the play,-Beard; A Farewell Prologue-Macklin.

Afterpiece Title: The Englishman in Paris

Performance Comment: As17531027, but Foote's Occasional Prologue-; Epilogue-Miss Macklin.
Event Comment: Benefit for a family in Distress (Cross). Tickets to be had at the Sword-Blade Coffee House, Birchin Lane, Lombard St.; Prince of Orange Coffee House in the Haymarket; Joe's Coffee House, Mitre Court, Fleet St.; Smyrna Coffee House, Pall Mall; the Swan Tavern, Grafton St.; Warwick-St. Coffee House near Golden Square; the Feather's Tavern, opposite St Clement's Church in the Strand; and of Mr Varney at the stage door. Receipts: #212 (Cross)

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: As17531116.

Afterpiece Title: The Lying Valet

Performance Comment: As17530908.

Dance: II: New Dutch Dance, as17531117; V: Gipsey Tambourine, as17531012

Event Comment: New Scenes, Music, Habits, Decorations, Machines &c. Nothing under Full Prices. A new Pantomime-went off with great Applause (Cross). [The afterpiece dealt with in high irony by Murphy in Gray's Inn Journal (29 Dec.): It is writ entirely upon the Grecian plan, so much admired by the French critics, and of course does not bid very fair to please the multitude in this country, whose taste is too much vitiated by Shakespeare's monstruous irregularity, to relish the simplicity of this piece. Mr Ranger will only observe that he is highly pleased with the Fable, the Morality, the University, and Integrity of it, and as the writing is equal all through, he looks upon it to be one of the best Pantomimes in the English language.] Receipts: #180 (Cross)

Performances

Mainpiece Title: George Barnwell

Performance Comment: George Barnwell-Ross; Maria-Mrs Davies; Blunt-Mozeen; Thorowgood-Berry; Trueman-Blakes; Uncle-Simson; Lucy-Miss Minors; Millwood-Miss Haughton.

Afterpiece Title: Fortunatus

Performance Comment: Harlequin Fortunatus-Woodward; Others-Philips, Blakes, Clough, Miss Minors, Mrs Jefferson, Mlle Mariet; The Dances-Devisse, Mlle Auretti, Mlle Auguste, Dennison, Mlle Lussant, others.

Song: I: Beard

Event Comment: MMacklin has built two magnificent Rooms, ground floor [one] for Coffee, the other a [meeting] Room (Winston MS 8). [The Tuner pub. at 1s. by Dr Hiffernan. Fifty-three pages touching on theatre in general but particularly on Boadicia. There is no plot in the play...Boadicia is a monster well deserving what she suffers; therefore is neither an object of Terror or Compassion: but of Detestation. Sh deserts us in the third act...Tender-hearted Venusia is introduc'd to be whined to death...There is scarce any sentiment throughout; no moral to be deduced...the Diction...favors more of the level, languid, and underepic, than of the vigorous marrowy, tragic style...Never was Author more oblig'd to Performers, they acted to the full amount of his meaning; the Matter often fail'd Mr Garrick's continued and vigorous exertion."] Receipts: #180 (Cross)

Performances

Mainpiece Title: Jane Shore

Performance Comment: As17531222.

Afterpiece Title: Fortunatus

Performance Comment: As17531226.
Event Comment: FFoote play'd Ben , Miss Macklin Miss Prue , Mrs Clive Mrs Frail . Foote cou'd not sing ye Song in Ben, so said two or three times, I can't do it & upon a little Hissing, said, Gentlemen I have no talents for singing-ye whole play Hum (Cross). [Opposed to Cross's summary of the effect of the performance appeared in Gray's Inn Journal the Murphy account (19 Jan.): The excellent Comedy of Love for Love has been revived here this week, the humorous and diverting Part of Ben, the sailor, was performed with great pleasantry by Mr Foote, who showed by his manner and his looks, that he had entered into the secret of the character, tho' twas visible at the same time, that his powers were greatly suppressed by his solicitude for his first appearance in a new character. It may be said of Miss Macklin, tho perhaps better qualified for spirited genteel comedy, that she acquitted herself with great applause in a part in which Mrs Clive has displayed so many inimitable strokes of humour."] Receipts: #160 (Cross)

Performances

Mainpiece Title: Love For Love

Performance Comment: Ben-Foote; Sir Sampson Legend-Berry; Mrs Frail-Mrs Clive; Miss Prue-Miss Macklin (being their first appearance in those characters); Valentine-Havard; Scandal-Palmer; Foresight-Taswell; Jeremy-Blakes; Tattle-Woodward; Trapland-W. Vaughan; Nurse-Mrs James; Mrs Foresight-Mrs Bennet; Angelica-Miss Haughton.

Afterpiece Title: The Chaplet

Performance Comment: As17530913.

Dance: III: A Hornpipe-Granier

Event Comment: MMiss Macklin's benefit will be on Tuesday the 5th of February; the Play will be the Recruiting Officer, in which she will act the part of Sylvia , and Mr Foote the part of Brazen , being the first time of their appearing in those characters. To which will added a piece by Foote call'd the Knights. Receipts: #110 (Cross)

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: As17531020, but Lady Grace-Miss Haughton, 1st time.

Afterpiece Title: Fortunatus

Performance Comment: As17540107.
Event Comment: On Tuesday next a New Tragedy called Philoclea. On Monday 28 January will be a Benefit for Sga Nicolina Giordani, A comic Opera with dances. Tickets and places for the Boxes may be had at Sg Giordani's Lodging, at Mr Milbourn's Grocer, in James St. Covent Garden. To the Young Gentlewoman who has performed Hermione [see 19 Jan.]: @Great was th' Applause you met, great your desert,@You charm'd the Eye, the Ear, the Head, the Heart.@Amaz'd we saw you at the first appear,@Ev'n in the hardest part, a perfect play'r.@Your person, your deportment set to view,@The youthful princess that the poet drew.@All was propriety, and all was grace,@We read the author's meaning in your face.@Your elocution was both just and strong,@Mix'd with due ease, and not an accent wrong,@Such varied Musick in your voice we heard,@That in the Tones both Taste and Sense appear'd.@Love, Jealousy, and Rage so well expres't@Engag'd our souls, nor knew we which was best,@'Twas Nature all-she form'd you for the stage,@Follow her steps, and glad th' Admiring Age.-Public Advertiser@

Performances

Mainpiece Title: The Distrest Mother

Performance Comment: As17540110.

Afterpiece Title: Harlequin Skeleton

Performance Comment: As17540112, but Mercury-_; Diana-_.
Event Comment: An Apology in ye Bills for deferring K. John on Account of Mr Garrick's Indisposition (Cross). Receipts: #100 (Cross)

Performances

Mainpiece Title: Twelfth Night

Performance Comment: As17540107, but Fabian-Vernon.

Afterpiece Title: Fortunatus

Performance Comment: As17540107.