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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr "/1) | (@(roleclean,performerclean) "Mr ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4812 matches on Roles/Actors, 4224 matches on Event Comments, 1138 matches on Performance Comments, 528 matches on Performance Title, and 18 matches on Author.
Event Comment: Performance After the manner of an Oratorio Set by Mr Handel. Tickets will be deliver'd to subscribers on paying their subscription money, this day and every day following at Mr Handel's House in Brook Street, near Hanover Square, where attendance will be given from nine o'clock in the Morning till three in the afternoon. Pit and Boxes to be put together, and no person to be admitted without tickets, which will be deliver'd at the Office in the theatre at Half a Guinea each, First Gallery 5s.; Upper Gallery 3s. 6d. [Customary notice which will not be repeated.] Gallery opened at Four o'clock, Pit and Boxes at Five. To begin at Six. Mrs Delany to Mrs Dewes: There is a four-part song that is delightfully pretty...there was no disturbance at the playhouse. -Delany, Autobiography, II, 262. [Libretto by Congreve.

Performances

Mainpiece Title: Semele

Performance Comment: Semele-Signora Francesina [Elizabeth Duparc ( Delany, Autobiography, II, 254)]; Jupiter-Beard, tenor; Cadmus-Reinhold[, bass; Athamas-Daniel Sullivan[, alto; Juno-Miss Young[, mezzo soprano; Iris-Signora Avoglio[, soprano; Ino-Miss Young[, contralto; High Priest-Reinhold[, bass [Deutsch, Handel, p. 582]., bass [Deutsch, Handel, p. 582].
Event Comment: Benefit the Author. Tickets as before. Regulus publish'd. As it is acted by his Majesties Servants at the Theatre Royal in Drury Lane, by Mr Havard, Author of King Charles the First. Inter omnes suos laudabiles & Virtutum insignibus illustres Viros, non preferunt Romani meliorem; quem neque Felicitas corruperit, nam in tanta Victoria, mansit pauperrimus; Nec Infelicitas fregerit, nam ad tanta Exitia revertit intrepidus. (St. Aust. de Regulo. Lib I. de Civitat. Dei.) Printed for H. Woodfall, Jr. in Little Britain, by Paul Vaillant facing Southampton Street in the Strand. J. Watts and B. Dodd also advertised King Charles the First, an Historical Tragedy, written in imitation of Shakespear, and Scanderbeg, a Tragedy. Both written by Mr Havard, author of Regulus

Performances

Mainpiece Title: Regulus

Performance Comment: See17440221 but Actors only.

Afterpiece Title: The Amorous Goddess

Performance Comment: As17440228, but Harlequin's Wife-Mrs Chetwood.
Event Comment: Benefit Muilment. Tickets to be had at his lodgings, next door to Old Slaughter's Coffee House in St. Martin's Lane; and of Hobson at the Stage Door. Those Gentlemen and Ladies who intend to honour Mr Muilment with their company, are desired to send their commands to Mr Hobson as above; and to prevent Mistakes, are requested to take tickets for the places they order to be kept for 'em

Performances

Mainpiece Title: The Old Batchelor

Performance Comment: As17440105, but Fondlewife-Garrick.

Afterpiece Title: The Lying Valet

Performance Comment: As17440328 but Kitty-Mrs Yates.

Dance: I: Mrs Auguste; II: New Comic Dance-Muilment, Mrs Auguste; IV: New Serious Dance, as17440119 V: A New Comic Dance-Muilment, Mrs Auguste

Event Comment: Afterpiece an Operetta never perform'd before. The Words by Mr Ayre [James Ayres], and the Musick by Mr Lampe. Benefit Sullivan

Performances

Mainpiece Title: The Queen Of Spain

Performance Comment: As17440119, but Marquis-Snyder; English Sailors-_.

Afterpiece Title: The Kiss Accepted and Returned

Performance Comment: Lysander-Sullivan; Corinna-Miss Young; Colin-Waltz; Phaebe-Mrs Lampe.
Event Comment: Benefit Sheridan. Tickets of Sheridan at his lodgings at Mr Ebral's, Apothecary, in Bridges St., Covent Garden; of Mr Dodsley, Bookseller, in Pall Mall

Performances

Mainpiece Title: Julius Caesar

Performance Comment: As17440103, but Brutus-Sheridan (being the last time of his performing this season); Portia-Mrs Pritchard.

Afterpiece Title: The Virgin Unmask'd

Performance Comment: See17440402 but Lucy-Mrs Clive only Lucy listed.
Event Comment: Benefit Winstone, Taswell, Miss Budgell, Miss Cole. Tickets deliver'd for Sir Courtly Nice will be taken. Yeaterday Morning died, after a short illness, Mr Norton, Author of the new Tragedy call'd Mahomet, Perform'd at the Theatre Royal in Drury Lane.-General Advertiser. On Friday died the Rev. Mr Miller of Roehampton, author of the Tragedy of Mahomet (which was acted last Friday, for the third time at Drury Lane Theatre), the Humours of Oxford, and other Dramatic performances.-Daily Advertiser, 30 April

Performances

Mainpiece Title: Venice Preserved

Performance Comment: As17440329 but Jaffier-Delane.

Afterpiece Title: The Devil to Pay

Performance Comment: As17440417 but Nell-Miss Budgell; Lettice-Miss Cole; Butler-Collins.
Event Comment: Benefit A Gentleman who has wrote for the stage, Mr Searle, Mr Walker (Numberer), and several others. Tickets deliver'd for the Gamester will be taken this night. The Daily Advertiser listed The Gamester: Benefit of the Author of a New Comedy intended for the stage, and wrote to expose some of the greatest Grievances the Nation Labours under in Time of Peace. [Includes a note begging encouragement.

Performances

Mainpiece Title: The Constant Couple

Performance Comment: As17431101, but Clincher Jun.-Green; Tom Errand-Collins; Vizard-Cross.

Afterpiece Title: The Lying Valet

Performance Comment: As17440418 but Melissa-Mrs Bennet.
Event Comment: At Cibber's Academy in the Hay-Market...will be presented a Concert of Musick, Vocal and Instrumental. The Vocal Parts-Mr Brett, Mrs Hill, and others; the Instrumental by eminent Masters. The Doors to be open'd at Four, the Concert to begin at Five, and no Persons to be admitted after Seven o'clock. The Prices are Four Shillings, Half a Crown and Eighteen Pence. Places may be bespoke at the Academy. After the Concert will be exhibited Gratis, a Rehearsal, in Form, of the Play-(often acted with great Applause) call'd Romeo and Juliet. Written by Shakespear. The Characters personated by the Master of the Academy, his Assistants, Pupils, and Servants. With Proper Habits, Scenes and Decorations. [After Cibber announced his Academy, he received the following letter from the Justice of the Peace: I see by your advertisements, in regard to your Academical Performances, that they are of the same Nature as Mr L/c@y's were some Years ago, which brought him to a great deal of Trouble. Some strong Applications are making now to give you some; of which I think proper to give you Notice, in this private Manner, that you may avoid it.-Tho. de Veil. 31 Oct. Cibber, A Serio-Comic Apology. p. 12.

Performances

Mainpiece Title: Romeo And Juliet

Event Comment: The First Night. By Subscription. An Oratorio [Sung in English (Dean p. 238)]...with a Concerto on the Organ. Pit and Boxes to be put together and no Persons admitted without Tickets, which will be delivered this Day, at the Opera House in the Haymarket, at Half a Guinea each. Gallery 5s. The Gallery will be open'd at Four o'Clock, Pit and Boxes at Five. To begin at 6 p.m. Tickets are delivered to Subscribers at Mr Handel's House in Brooke St., near Hanover Square; at Mr Walsh's in Catherine St., in the Strand; and at White's Chocolate House in St. James St. [Repeated substantially in each ensuing bill.

Performances

Mainpiece Title: Deborah

Performance Comment: Deborah-Signora Francesina; Barak-Miss Robinson; Jael-Mrs Cibber; Sisera-Beard; Abinoam-Reinhold; Priest-Corfe (Dean, Handel's Dramatic Oratorios, p. 238).
Event Comment: Benefit Sheridan. As his benefit was not appointed till last Friday, he humbly hopes that such Ladies and Gentlemen, as he shall omit to wait upon, will impute it rather to a want of time, than to a want of respect and knowledge of his duty. Tickets to be had of Sheridan at Mr Grignon's. Watchmaker, in Russell St., Covent Garden; at the Bedford Coffee House; and at Mr Dudley's, Bookseller, in Pall-Mall

Performances

Mainpiece Title: Hamlet

Performance Comment: As17441109, but Hamlet-Sheridan; Marcellus-Usher.

Afterpiece Title: The Anatomist

Performance Comment: As17440918, but Angelica-Mrs Bradshaw; Old Gerald-_; Young Gerald-_; Martin-_; Wife-_.

Song: Lowe

Dance: Muilment

Event Comment: Afterpiece an opera in two acts not acted these 6 years [see 24 March 1741]. The words by Mr Addison. The Music compos'd by Mr Arne

Performances

Mainpiece Title: The Spanish Fryar

Performance Comment: As17441013, but Gomez-Macklin (General Advertiser).

Afterpiece Title: Rosamond

Performance Comment: King-Lowe; Queen-Mrs Arne; Rosamond-Miss Young; Grideline-Mrs Sybilla; Page-Master Connell; Sir Trusty-Waltz.
Event Comment: An Organ is Erected on the Occasion. Performance By Desire. Being the last time Mr Arne can have the Theatre to perform it this season. Mr Arne being inform'd that some persons have objected to the small addition of Prices, will (notwithstanding he performs at above #70 Expence) oblige the Town with this Performance at the Usual Benefit prices, viz: 5s., 3s., 2s., 1s. To begin at half an hour past Six. Tickets to be had of Arne Next door to the Crown &c. [see 20 March]

Performances

Mainpiece Title: Alfred The Great

Performance Comment: See17450320 but principal parts-Lowe, Mrs Arne, Baildon, Baker, Mas. Connell, Miss Young, Mrs Sybilla.

Music: I: a Concerto new by Arne on the Violin-Gordon; II: a Concerto on the Organ-Burgess

Event Comment: Benefit Muilment. Mr Garrick's Indisposition not suffering him to play, I have prevail'd upon Mr Mills to endeavour to play his part, as well as the shortness of the time will permit, which I hope will be more agreeable to my Friends than changing the Play. Being the last time of performing till the Holidays. [Craftsman No. 580 this day, quoted in the Gentlemen's Magazine, included a brief plea for the present ministry to get the Play-house Act repealed.

Performances

Mainpiece Title: The Fair Penitent

Performance Comment: As17450207, but Lothario-Mills.

Afterpiece Title: The Lying Valet

Performance Comment: As17450212.

Dance: II: New Grand Dance-Muilment; III: New Dance-Muilment; V: Muilment

Song: IV: Gentle Shepherd-Mrs Arne

Event Comment: The Rebellion, is so far from being a disadvantage to the play-houses that, I assure you, it brings them very good houses; and the masters receive so much profit from the Nonjuror, that I wish it does not give them a respect for the name the rest of their lives.-Mrs Cibber to Garrick, 24 Oct. in Boaden, Private Correspondence of Garrick, I, 37. She continues: There will be no operas this year, so if you, Mr Quin and I, agree to play without any salary, and pick up some of the best actors and actresses that are disengaged, at what salary you both think proper, I make no doubt we shall get a licence to play there for fifty, sixty, or any number of nights you agree upon. Mr Heidigger shall pay scenes, & pay those that receive wages; and deliver the overplus to some proper person to enlist men to serve in any of the regiments of Guards, at five pounds per man;--this is the service St. Martin's Parish puts the money to that they collect,--and I mention it, because it is thought the most serviceable to the Government, of any scheme yet proposed

Performances

Mainpiece Title: The Nonjuror

Performance Comment: As17451022.

Afterpiece Title: The Debauchees

Performance Comment: As17451017.

Dance: V: Grand Comic Dance, as17450926

Event Comment: Last night a new song call'd The Subscription was perform'd at Drury Lane; written by Mr Mozeen, and set to music by Mr Arne, which was receiv'd with universal applause

Performances

Mainpiece Title: Tamerlane

Performance Comment: As17451104.

Afterpiece Title: The Debauchees

Performance Comment: As17451017.

Song: II: The Subscription-Lowe

Dance: III: Dance-the Mechels

Event Comment: The Gentlemen and Ladies that had tickets for Mr W. Hallam's Benefit of Richard III [16 Dec.] and could not come in then, Mr Hallam hopes they will come this night and their Tickets will be admitted[repeated in bills for 27, 28, and 30 Dec.]

Performances

Mainpiece Title: The Tempest

Performance Comment: Prospero-Furnival; Ariel-Mrs Kennedy ; rest omitted; see17451204. rest omitted; see17451204.

Afterpiece Title: Flora

Song: Brett

Dance: As17451028

Event Comment: By Desire of the Officers of the two Regiments of the Tower Hamlets. Gentlemen and Ladies who had tickets for Mr W. Hallam's Benefit of Richard III and could not come then, Mr Hallam hopes they will come tonight, and their Tickets will be admitted

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: Plume-Cushing; Brazen-Kennedy; Kite-Paget; Ballance-Furnival; Worthy-Julian; Bullock-Morgan; Recruits-Hallam, Dove; Sylvia-Mrs Phillips; Rose-Miss Hippisley.

Afterpiece Title: Flora

Performance Comment: As17451230.

Song: Brett

Dance: As17460101

Event Comment: Benefit Mr DeVoto, Painter. Boxes 2s. 6d. Pit 2s. First Gallery 1s. 6d. Upper Gallery 1s. At the particular Desire of several Gentlemen and Ladies we were obliged to change the play of the Orphan to Love Makes a Man. Tickets delivered out for the Orphan will be admitted tonight. [On 25 Jan. Devoto had announced The Orphan with the part of Monimia to be attempted by Mr. Devoto's Daughter, being the first Time of Her appearing on any Stage.

Performances

Mainpiece Title: Love Makes A Man

Performance Comment: See17451112.

Afterpiece Title: The Stage Coach

Event Comment: This Benefit being designed for the Use of Mr Mills and his Creditors, Tickets for the Creditors are to be had of Mr Lucas, at the Sun Tavern, Clare Market; and for Mills at His Lodgings in Bow St., Covent Garden

Performances

Mainpiece Title: The Careless Husband

Performance Comment: As17451008, but Edging-Mrs Clive.

Afterpiece Title: The Devil to Pay

Performance Comment: As17451205.

Song: II: Lowe; III: Duet My Faith and Truth, as17460104 IV: Miss Edwards

Dance: V: Muilment

Event Comment: Mainpiece: By Particular Desire. Afterpiece a new Pastoral English Opera set to Music by Mr DeFesch. Tickets to be had at DeFesch's Lodgings, the Ironmonger's in St Martin's Court, Leicester-Fields; and of Hobson at the stage door. Tickets deliver'd out for As You Like It by Mr DeFesch will be taken

Performances

Mainpiece Title: The Lying Lover

Performance Comment: As17460404.

Afterpiece Title: Love and Friendship

Performance Comment: Camillo-Lowe; Aegeon-Bibby; Clorinda-Miss Edwards; Philander-Mrs Clive.
Event Comment: Mainpiece: By Command. Present the Duke, Princess Amelia, The Princess of Hesse. Paid Mr Day for the use of a Turkish Vase 2 nights in Tamerlane for Mr Bencraft #1 1s. Receipts: #144 12s. 6d

Performances

Mainpiece Title: The Stratagem

Performance Comment: As17461103.

Afterpiece Title: Duke and no Duke

Event Comment: At the request of several Persons who are desirous of spending an Hour with Mr Foote, but find the Time inconvenient, instead of Chocolate in the Morning, Mr Foote's Friends are desir'd to drink a Dish of Tea with him, at half an Hour after Six in the Evening. [Repeated 2, 3, 4, 5, 6 June (Positively the last Day. At the Desire of Qeveral People of Quality).

Performances

Mainpiece Title: Diversions Of The Morning

Event Comment: Written by Shakespear. Play to begin at 6 o'clock. Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Mr Hobson at the Stage-Door of the Theatre. As the Admittance of Persons behind the Scenes has occasioned a general Complaint on Account of the frequent Interruptions in the Performance, tis hop'd Gentlemen won't be offended, that no Money will be taken there for the future. [This notice appears on succeeding bills for the season and will hence not be repeated. See note on public objection to nonadmittance behind scenes 22 Feb. 1748.] Receipts: #150 (Cross); #I26 12s. (Clay MS). Nichols Literary Anecdotes, II, 319-20: There is one part of theatrical conduct which ought unquestionably to be recorded to Mr Garrick's honour, since the cause of virtue and morality and the formation of public manners are very considerably dependent upon it, and that is the zeal with which he ever aimed to banish from the stage all those plays which carry with them an immoral tendency, and to prune from those which do not absolutely on the whole promote the interests of vice such scenes of licentiousness and libertinism as a redundency of wit and too great liveliness of imagination have induced some of our comic writers to indulge themselves in, and to which the sympathetic disposition of an age of gallantry and intrigue had given a sanction. The purity of the English stage was certainly much more fully establish'd during the administration of this theatrical minister than it had ever been during preceding managements; for, what the publick taste had itself to some measure begun, he, by keeping that taste within its proper channel, and feeding it with a pure and untainted stream, seems to have completed; and to have endeavoured as much as possible to adhere to the promise made in the prologue which was spoken at the first opening of that theatre under his direction, @Bade scenic virtue form the rising age@And truth diffuse her radiance from the stage.

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: Shylock-Macklin; Antonio-Delane; Bassanio-Havard; Gratiano-Mills; Launcelot-Neale; Morochius-Sparks; Lorenzo (with proper songs)-Lowe; Portia-Mrs Clive; Nerissa-Mrs Bennet; Jessica-Mrs Ridout; Duke-Winstone; Solanio-Berry; Salarino-Blakes; Gobbo-Ray; Tubal-Taswell; Balthasar-Simpson; Prologue [written by Samuel Johnson]-Garrick; Epilogue-Mrs Woffington [Rosenbach copy of Prologue and Epilogue. Spoken at the opening of the Theatre in Drury Lane, 1747.]Rosenbach copy of Prologue and Epilogue. Spoken at the opening of the Theatre in Drury Lane, 1747.]
Event Comment: Rehears'd...the Opera of Lucius Verus: This Drama Consists of Airs, borrow'd entirely from Mr Handel's favourite Operas; and so may (probably) be justly styled the most exquisite Composition of Harmony, ever offer'd to the Publick. Those Lovers of Musick among us, whose Ears have been charm'd with Farinello, Faustina, Senesino, Cuzzoni, and other great Performers will now have an Opportunity of Reviving their former delight, which, if not so transporting as then, may yet prove a very high Entertainment. Mr Handel is acknowledged (universally) so great a Master of the Lyre; that nothing urg'd in Favour of his Captial Performances can reasonably be consider'd as a Puff (General Advertiser, 13 Nov.)

Performances

Event Comment: We hear that the play Venice Preserv'd is in Rehearsal at the Theatre Royal in Covent Garden, and is to be perform'd on Friday next; and that the part of Pierre will be attempted by a Gentleman who never appear'd on any stage before (General Advertiser). [This month was published A Letter to a certain Patentee, in which the Conduct of Managers is impartially considered, and a few Periods bestowed on those darlings of the Publick, Mr G k, Mr F te, Mrs P d, &c." Addressed to Rich it is criticism of his personnel policies as manager, with side comments on his morals, and some on his performances: of his Orpheus and Eurydice, the author agrees that three flaming scenes of Hell, now left out, should have been omitted from the beginning. The Serpent, however, generally behaves himself so well, that "I have had more real pleasure in his appearance than if he had been a living one." Dislikes his replacing Ryan with Hallam, dislikes his abuse of Mrs Pritchard, criticizes his casting Hippisley as Polonius, since Polonius requires more than Hippisley can give, the latter being able to act only in the comic way.

Performances