Toggle Sphinx Query
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr "/1) | (@(roleclean,performerclean) "Mr ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?
+
+

Keyword

?
New Search
7760 results for: Keyword - Mr
We found 4812 matches on Roles/Actors, 4224 matches on Event Comments, 1138 matches on Performance Comments, 528 matches on Performance Title, and 18 matches on Author.

3976
20 September 1757 @ King's Theatre

Event Comment: PPublic Advertiser: Mr Vanneschi begs leave to inform the Nobility and Gentry, that a Licence being granted to him from the Lord Chamberlain's office, with his Majesty's most gracious Approbation, for exhibiting Italian operas at the King's Theatre in the Haymarket, Subscriptions for the ensuing Season will be taken in by Mess. Drummond and Co., Bankers at Charing Cross. He humbly desires his Protectors and Subscribers, to oblige him with an early Payment of their Subscription Money, in order that he may be able to give the necessary Securities to Sga Colomba Mattei, and to Sg Pasquale Potenza, as also to the Rest of his Singers and Dancers. It being given out that Mr Vanneschi hath not engaged the Use of the Opera House for the ensuing Season of Operas, it is hereby certified, that the Proprietor thereof hath agreed with Mr Vanneschi for the same. Sign'd by order of the Proprietor. Peter Crawford, Treasurer of said Theatre

Performances

3977
30 January 1758 @ Drury Lane Theatre

Event Comment: While we were at Rehearsal, Mr Aprice, came to Mr Garrick, full of complaints of Mr Foote's taking him off in the Author & a long & high Argument ensu'd, nor was it settled, but a farther meeting appointed at eight that Night at the Rose, where Foote join'd 'em--a great deal of abuse between him & Aprice; I don't know ye particulars, but it was order'd to remain at the bottom for Tuesday, but, as I hear, it is to be done no more (Cross)

Performances

3978
12 July 1759 @ Drury Lane Theatre

Event Comment: For one night only. Never acted before. By particular desire. An Historical Play, taken from Holinshead's Chronicles, and written by the late Mr Lillo, Author of George Barnwell. Tickets for Boxes and Pit to be had of Mr Cross, at his House in Crown Court, Russel St., Covent Garden; and of Mr Varney at the Stage Door. 7 P.M

Performances

Mainpiece Title: Arden Of Feversham

Performance Comment: Mayor-Burton; Arden-Havard; Franklin-Scrase; Michael-Wignell; Green-Packer; Moseby-Bransby; Bradshaw-Johnston; Black Will-Phillips; George Shadebag-Vaughan; Alicia-Young Gentlewoman, who never appeared on any stage; Maria-Miss Barton.

Dance: II: A New Dutch Dance, as17590515; End: The Threshers-Master Settree, Master Blagdon, Miss Twist; with a Prologue-; Epilogue-

3979
22 October 1759 @ Covent Garden

Event Comment: Receipts: #161 12s. To Covent Garden Playhouse to see Miss Brent in the character of Polly. Mr Dives was there and Lt Fevey, went to Miss Borgard in the side box and see her and Miss Ligonier into their coach, went and spoke to Mr Kindersley in the upper boxes, and fetched Mrs B, Mr and Mrs Pickel out of the Gallery. I liked her singing much. It was the 11th night (Elma Hailey, "The Brietzcke Diary 1759-1765," Notes and Queries, (Aug. 1951), 196, p.360)

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: As17591020.

Afterpiece Title: The School Boy

Performance Comment: School Boy-Shuter; Young Rakish-Anderson; Lady Manlove-Mrs Copin; Major Rakish-Dunstall.

Dance: As17591017

3980
11 October 1760 @ Covent Garden

Event Comment: Mainpiece: By Desire. Mr Ross advanc'd [i.e., received a raise in salary] from 22 Sept. 3s. 4d. per day. Mr Leppy enter'd this day at 8s. 10d. per day; Mrs Leppy enter'd at 5s. per day; Mrs Viviez enter'd at 6s. 8d. per Day. Paid Boys and Girls attendance in the Opera 10s. Memo: Walker enter'd as Constable the 6th instant inclusive in place of Mr Barnes who resign'd (Account Book). [Only #28 5s. 6d. in the Boxes (Account Book). This charge of 10s. for children supers in the Beggar's Opera, occurs regularly throughout the remainder of the season.] Receipts: #114 16s. (Account Book)

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: As17600924.

Afterpiece Title: The Knights

Performance Comment: Hartop-Shuter; Sir Gregory-Bennet; Jenkins-Davis; Tim-Costollo.

Dance: As17600924; The Pedlar Trick'd, as17601010-Sg and Sga Maranesi

3981
09 December 1760 @ Covent Garden

Event Comment: Tickets deliver'd out for a Clergyman in distress and Mr Boval, will be taken this night. The Rev. Mr Smith sold 21 Box tickets, for which he receiv'd half value: #2 12s. 6d.; Mr Boval sold (Boxes 54; Pit 89; Gallery 47) #31 11s. His half value came to #15 15s. 6d. (Account Book). Bot by Ledley 20 Doz. Wax Candles at 31s. per: #31. (Account Book). Receipts: #128 19s. plus half value of tickets #18 8s. (Account Book)

Performances

Mainpiece Title: King John

Performance Comment: King John-Sparks; Bastard-Smith; Prince Henry-R. Smith; Salisbury-Anderson; Pembroke-Hull; Essex-Redman; Queen Elinor-Mrs Elmy; Lady Blanche-Mrs Vincent; Hubert-Ridout; King Philip-Clarke; Pandulph-Gibson; Austria-Buck; Chatillon-Davis; Dauphin-Dyer; Prince Arthur-Miss Mullart; Constance-Mrs Ward.

Afterpiece Title: Thomasand Sally

Performance Comment: As17601128.

3982
03 January 1761 @ Drury Lane Theatre

Event Comment: Mainpiece: A Tragedy [by Henry Brooke]. New dressed in the habits of the times. This tragedy was wrote by Mr Brooks and performed some years ago at Dublin. The first four Acts went off heavy, the last very well--Miss Mowat made her first appearance in this Piece at Drury Lane--Prologue by Mr Murphy heavy. Epilogue by Mr Garrick, great applause (Hopkins MS Notes)

Performances

Mainpiece Title: The Earl Of Essex

Performance Comment: Actors only: Sheridan, Holland, Davies, Packer, Ackman, a young Gentlewoman (1st appearance); Mrs Kennedy, Mrs Pritchard. With a new Prologue, and Epilogue. Essex-Sheridan; Southampton-Holland; Cecil-Davies; Queen Elizabeth-Mrs Pritchard; Countess of Rutland-Miss Mowat; Countess of Nottingham-Mrs Kennedy; Raleigh-Packer; Lt of Tower-Ackman; New Prologue-Sheridan; Epilogue-Mrs Pritchard (Winston MS 9).

Afterpiece Title: Polly Honeycombe

Performance Comment: As17601205, but Prologue-_; Epilogue-_.

3983
30 March 1761 @ Drury Lane Theatre

Event Comment: Benefit for Havard. By Particular Desire. Ode written by Havard, and set to music by Mr Bates. Tickets to be had at Mr Havard's in Broad Court, Bow-Street; at Tom's and the Bedford Coffee Houses; and of Mr Varney at the Stage Door, where places for the Boxes may be taken. Ode deliver'd Gratis

Performances

Mainpiece Title: The Fair Penitent

Performance Comment: As17610102, but Calista-Mrs Yates.

Afterpiece Title: Polly Honeycombe

Performance Comment: As17610103.

Entertainment: End: will be perform'd a New Coronation Ode by Havard; Vocal parts-Lowe, Champness, Mrs Vincent, Miss Young

3984
29 May 1761 @ Drury Lane Theatre

Event Comment: Benefit for Scrase, Courtney, Miss Reed. Tickets deliver'd by Mr Palmer and Mr W. Yates will be taken

Performances

Mainpiece Title: King Richard Iii

Performance Comment: As17610421 but Richard-Holland; Buckingham-Davies; Lord Mayor-Baddeley.

Afterpiece Title: High Life below Stairs

Performance Comment: As17600930, but Lady Bab's Servt-Miss Reed.

Entertainment: M$Mr Foote's Epilogue to the Minor-Master Summers, a child 4 years old

3985
06 May 1762 @ Covent Garden

Event Comment: Benefit for Bennett and Legg. No Building on Stage; Tickets sold at Doors not admitted. Tickets and places to be had of Mr Bennett at the Antigallican Coffee-House behind the Change; of Mr Legg, at the Crown and Anchor Tavern in the Strand, and of Mr Sarjant at the Stage Door

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: As17611024, but Myrtle-Hull; Sealand-Gibson; Sir John Bevil-Anderson; Indiana-Mrs Vincent; Singing-Legg; Humphry-Tindal; Daniel-Collins; Mrs Sealand-Mrs Stephens; Isabella-Mrs Ferguson; Phyllis-Mrs Green.

Afterpiece Title: The Lying Valet

Performance Comment: As17610925, but Sharp-Bennett; Kitty Pry-Mrs Green.

Dance: TThe Pleasures of Spring, as17620212

3986
21 September 1762 @ Drury Lane Theatre

Event Comment: MMr Vernon-Macheath, 1st time; Mr Parsons-Filch, Mrs Parsons-Mrs Peachum (Cross Diary). Mr William Parsons came with Mr James Love from Edinburg, and Made his first appearance on the stage in London this evening; He died of an asthma on Tues. 3 February in the severe winter of 1795, and was buried in the churchyard of Lea-Church near Blackheath in Kent; he was in his 60th year (Macmillan [Hopkins MS Notes]). Afterpiece: Not acted these 2 years. [See 19 Oct. 1759.

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Macheath-Vernon, 1st appearance on the English Stage these 5 years; Beggar-Castle; Lockit-Bransby; Player-Mozeen; Lucy-Mrs Clive; Mrs Peachum-Mrs Parsons, 1st appearance; Diana Trapes-Mrs Bradshaw; Polly-Mrs Vincent; Peachum-Moody; Mat@o@Mint-Blakes; Filch-Parsons, 1st time; In Act III,Hornpipe-Miss Dawson; To conclude with a Country Dance-.

Afterpiece Title: The Lying Valet

Performance Comment: Sharp-Vernon; Gayless-Ackman; Guttle-Phillips; Cook-Mozeen; Trippit-Marr; Kitty Pry-Mrs Bennet; Melissa-Mrs Lee.

Dance: End Opera: A Dutch Dance-Vincent, Sga Giorgi

3987
14 October 1763 @ Drury Lane Theatre

Event Comment: The worst House I ever saw.--This morning Mr Packer's mother died, and we were oblig'd to get Mr Parsons to do Vizard, and Mr Baddeley Smuggler.--No apology was made, and I believe nobody took any notice of the change.--Miss Street and Master Clinton, Dancers, first time, greatly applauded (Hopkins Diary--MacMillan). Receipts: #63 3s. 6d. (MacMillan)

Performances

Mainpiece Title: The Constant Couple

Performance Comment: Sir Harry Wildair-Obrien; Col. Standard-Holland; Smuggler-Parsons; Vizard-Packer; Beau Clincher-Yates; Clincher Jr-King; Tom-Clough; Lady Darling-Mrs Cross; Parly-Mrs Bennet; Angelica-Miss Bride; Lady Lurewell-Mrs Yates.

Afterpiece Title: The Genii

Performance Comment: As17631006.

Dance: II: A Comic Dance, call'd The Provancalle-Master Clinton, Miss Street , being their first appearance on this stage

3988
16 January 1764 @ Drury Lane Theatre

Event Comment: Mainpiece: By Particular Desire. Mr Love & Mr Sanderson's Night. as Authors of ye Pantomime (Hopkins). Benefit for Compo[ser]s Panto (Cross Diary). Mr Powell played much better than the first night. Princess Augusta married to the Hereditary Prince of Brunswick (Hopkins Diary-MacMillan). Receipts: #233 8s. (MacMillan)

Performances

Mainpiece Title: Zara

Performance Comment: As17640107, but Chatillion-Lee.

Afterpiece Title: The Rites of Hecate

Performance Comment: As17631228.

3989
14 February 1764 @ Drury Lane Theatre

Event Comment: CCastalio by Mr Powell (1st time) very well (Hopkins). Mr Powell very well-Mr Jackson very bad (Hopkins Diary-MacMillan). Receipts: #235 17s. 6d. (MacMillan)

Performances

Mainpiece Title: The Orphan

Performance Comment: Castalio-Powell, first time; Chamont-Holland; Polydore-Jackson, first time; Chaplain-Love; Monimia-Mrs Yates; Page-Miss Rogers, first time; Serina-Miss Plym; Acasto-Bransby; Ernesto-Castle; Florella-Mrs Bennet (playbill).

Afterpiece Title: The Rites of Hecate

Performance Comment: As17640131.

3990
03 March 1764 @ Drury Lane Theatre

Event Comment: Mainpiece: Not acted these 4 years. [See 22 Oct. 1760.] Lord Townly by Mr Powell, 1st time great applause. Mr Castle hiss'd in Count Basset (Hopkins). Mr Powell's first appearance in Lord Townly-The last scene he felt greatly, and in a few times performing will play the part well (+Hopkins Diary-MacMillan). Receipts: #231 19s. (MacMillan)

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: Lord Townly-Powell, first time; Sir Francis Wronghead-Yates; Manly-Havard; Squire Richard-Mas. Burton; Count Basset-Castle; Lady Wronghead-Mrs Hopkins; Lady Grace-Miss Plym; Miss Jenny-Miss Pope; Mrs Motherly-Mrs Cross; Myrtilla-Mrs Lee; Poundage-Clough; Trusty-Mrs Bennet; John Moody-Burton; Lady Townly-Mrs Yates.

Afterpiece Title: The Fairy Tale

Performance Comment: As17640213.

3991
12 April 1764 @ Drury Lane Theatre

Event Comment: Benefit for Love. Mr Love Hiss'd in the Scotchman. Dumont by Mr Powell (Hopkins). Characters Dress'd in Habits of Times. Mr Love was hissed very much in the Scotchman, and the Farce hissed at the end (Hopkins Diary-MacMillan). No building on stage. On Saturday Othello with a New Burletta call'd Music A-La-Mode, or Bayes in Chromatics For the Benefit of Vernon. [The principal characters were to have been played by King, Vernon, Packer, Fox, Mrs Mrs Dorman, and Miss Young (Public Advertiser, 13 April). But it was deferred at the last minute and seems never to have been performed. Larpent MS 237 lists the parts: Dr Crochet, Player-; Squire, Justice; Damon; Daphne, Chorus of Shepherds and Nymphs. $J. P. Kemble">Packer; Squire, Justice; Damon; Daphne, Chorus of Shepherds and Nymphs. $J. P. Kemble thought it a burlesque at the expense of Dr Arne (professor of nonharmonic music). The Player wants in it to banish all but four plays (Tamerlane, London Cuckolds, George Barnwell, and Twelfth Night) and fill stage performance with music.] Receipts: #208 14s. 6d. (MacMillan); charges: #64 4s. [Profit to Love: #144 10s. 6d.

Performances

Mainpiece Title: Jane Shore

Performance Comment: Hastings-Holland, first time; Shore-Powell, first time; Gloster-Love; Alicia-Mrs Palmer, first time; Jane Shore-Mrs Davies; Catesby-Mozeen; Bellmour-Packer; Derby-Fox; Ratcliff-Ackman.

Afterpiece Title: The Register Office

Performance Comment: Le Brush-King; Gulwell-Packer; Frankly-J. Palmer; Scotchman-Love; Frenchman-Baddeley; Trickit-Fox; Irishman-Moody; Harwood-Lee; Williams-Ackman; Brilliant-Castle; Maria-Miss Mills; Margery-Mrs Love; Original Prologue-King.

Dance: End: The Irish Lilt, as17630922; End I Farce: Hornpipe-Miss Baker

3992
14 April 1764 @ Drury Lane Theatre

Event Comment: DDesdemona-. $Mrs Havard">Mrs Davies. $Mrs Havard being ill Mr King play'd Iago (Hopkins). Mrs Yates ill...Mrs Davies Desdemona (Cross Diary). Benefit for Vernon. Tickets for The Roman Father will be taken. Both main and afterpiece, By Particular Desire. Mr King Iago. Mr Havard could not play Mrs Havard being dead (Hopkins Diary-MacMillan). A mistake in the Diary. Mrs Havard died Friday 27th (J. P. Kemble MS Notes-MacMillan). Music A La Mode deferr'd on account of Indisposition of a principal performer. Last time of performing till the Holidays. Charges: #64 4s. (MacMillan)

Performances

Mainpiece Title: Othello

Performance Comment: As17640331 but Roderigo-Vernon,, first time; Desdemona-Mrs Davies; Montano-Fox.

Afterpiece Title: The Lying Valet

Performance Comment: Sharp-Vernon; Cook-Clough; Guttle-Philips; Melissa-Miss Plym, first time; Gayless-Ackman; Kitty-Mrs Bennet.

Dance: The Faggot Binders, as17640224

3993
02 November 1764 @ Drury Lane Theatre

Event Comment: A Serious English Opera never performed before, by Mr Rolt. Music by Mr Michel Arne and Mr Battishall. Though it met with a favourable reception was preformed but six nights to thin audiences (Victor, History of the Theatres, III, 58)

Performances

Mainpiece Title: Almena

Performance Comment: Parts by: Vernon, Champnes, Giustinelli, Miss Wright, Miss Vincent, Miss Williams, Sga Cremonini. Mahomed-Vernon; Mirza-Giustinelli; Abudah-Champnes; Almena-Miss Wright; Zara-Mrs Vincent; Selima-Miss Williams; Aspatia-Siga Cremonini (Edition of 1764).

Dance: II: New Dance, The Tartar's Festival-Aldridge, Berardi, Giorgi, Lauchry, Sga Giorgi, Miss Baker

3994
06 January 1766 @ Drury Lane Theatre

Event Comment: Full Prices. Afterpiece: A Pantomimic dance by Love (Biographia Dramatica). Much followed and brought several crowded houses, and the success chiefly owing to the reports our newspapers were, at that time, daily filled with, of the French wild Beast that was devouring (and yet pursued by) children. This wild beast was happily introduced in this pantomime, pursued by boys led on by a Frenchman. At last the Beast made his Re-entry, and ran across the stage with the poor Frenchman in his mouth, to the great joy of the Pit, Box and Galleries (Victor, History of Theatres, III, 72). Dorilas for the first time by Mr Cautherly--very decent, but wanted spirit. This pantomime is fathered by Mr Lowe [?]--went off with applause, --Mr Garrick made most of the Business to it, which is very good (Hopkins Diary). [Letter from C. V. Theatricus on ladies' removing their hats in the theatre. A Gentleman had requested it and a debate ensued in the Public Advertiser, as to whether he wished to see the play better or to gaze more audaciously on many pretty faces. Long letter also from G. F. Theatricus to the Public Advertiser, commenting on the excellence of Powell, Mrs Yates, Holland, the Palmers, Cautherly and Bensley for their performance in Venice Preserved, Romeo and Juliet, and Mahomet respectively.

Performances

Mainpiece Title: Merope

Performance Comment: Dorilas-Cautherley; Polyphontes-Havard; Euricles-Lee; Erox-Burton; High Priest-Bransby; Narbas-Packer; Ismene-Miss Plym; Merope-Mrs Pritchard; Procession-; Sacrifice-. [See17601205.]See17601205.]

Afterpiece Title: The Hermit; or, Harlequin at Rhodes

Performance Comment: Harlequin-Rooker; Hermit-Kear; Clown-Ackman; Colombine-Miss Baker; Pantaloon-Grimaldi; Others-Dodd, Parsons, Castle, Moody, Johnston, Keen, Watkins, West, Mrs Vincent, Mrs Bradshaw; The Dances-Aldridge, Sg Giorgi, Sga Giorgi, Tassoni.

3995
21 February 1766 @ Covent Garden

Event Comment: In the Gazetteer 25 Feb. appeared a long editorial by "Rectus": "Though the performing oratorios in the time of Lent,is highly censured by many, yet I must own that I think the far greater part of them become enemies to those solemn performances, rather because their ears are more unfit for music than their minds are for the pretended immorality that attends such exhibitions." [The writer wishes not to cry down every entertainment he cannot relish himself and adds], "I have long endeavoured to find out the reason why plays should not be performed on Wednesdays and Fridays in Lent as well as on those days all through the rest of the season. I have never yet been able to find out that Lent makes the least difference in people's way of living." [He wonders, however, why the non-sacred oratorios such as Acis and Galatea and Alexander's Feast have been allowed performance. He then registers a mild complaint about the management of the Oratorios because they do not include sufficient solo instrumental entertainment between the parts.] "This custom was wholly dropped last year, and I complained greatly of it in a letter which you did me the favour to insert. I was greatly surprised to find Mr Pinto, who then led the band, was either not permitted or not paid to play a solo, as well as Mr Hay, who played one every night the preceding season. Mr Stanley's illness not permitting him then to play, that omission was overlooked, though it might have been supplied by a performer on some other instrument. This season the managers have thought proper to treat their audience with one solo or concerto every night, but why not have two?" [He liked Barthelemon's solos, but lamented that Stanley sat idle, and he offered final advice that the managers should alternate the solo instruments for "pleasing variety." The admission price demands it.

Performances

Mainpiece Title: Samson

Performance Comment: Parts were: Samson-; Manoa-; Micah-; Israelite Officer-; Chorus of Israelites-; Dalila-; Harapha-; Chorus of Philistine Women and Priests of Dagon-.

Music: As17660214

3996
21 November 1766 @ Drury Lane Theatre

Event Comment: Mainpiece: By Desire. Afterpiece: A New Musical Entertainment in 2 acts, words imitated from Rousseau, with his original Musick (Burney). Books of the entertainment at the Theatre, published for 1s. Paid Mr Chitty his coal bill #91 13s. and Mr Johnston's bill for guilt leather #24 19s. 6d. (Treasurer's Book). [Advertisement to 2nd Edition, 1766: Upon rehearsing the music it has been thought necessary to retrench the Second Act for fear of satiety: for though the Airs and Dances after the reconciliation of Celia and Phoebe are by no means inferior to the rest in point of composition; yet as no other business remained to be done after that circumstance but that of mere festivity, the Editor, with some reluctance, submitted to the omission of such airs as are printed with inverted commas; which, however, are all publish'd with the music by Mr Bremner in the Strand."] Receipts: #150 13s. (Treasurer's Book)

Performances

Mainpiece Title: The Orphan

Performance Comment: As17660927, but Acasto-Havard.

Afterpiece Title: The Cunning Man

Performance Comment: Parts by: Vernon, Champness, Mrs Arne. The Dances-Duquesney, Sga Giorgi; Cunning Man-Champness; Colin-Vernon; Phoebe-Mrs Arne (Edition of 1766).

3997
10 February 1767 @ Drury Lane Theatre

Event Comment: Paid Mr Cooper for 21 nights in Cymon #11 6d.; Mr Roberts bill for castor #1 13s.; Mr Keen's note #4 4s. (Treasurer's Book). Receipts: #178 12s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Cymon

Performance Comment: As17670109.

3998
04 May 1767 @ Drury Lane Theatre

Event Comment: Benefit for Hopkins (prompter) and Mrs Hopkins. Charges #64 17s. [Profit to the Hopkins family #30 19s. plus Tickets.] Tickets delivered by Philips will be taken. Paid B. Johnson's Head bill #1 2s. 3d.; Paid Mr J. Johnston, by order #21; Rec'd Mr Pope's rent 1 year at #30 minus King's Tax of #3 8s.: Total #26 12s. receiv'd. Paid Mr Pope's bill #13 9s. 6d. (Treasurer's Book). Before 4 dined behind St Clements, and went to ye First Gallery to see the Distressed Mother....We had the Capricious Lovers, Lisetta by Mrs Clive, who took off the ridiculous sing-song at ye Opera House charmingly (Neville MS Diary). Receipts: #95 16s. (Treasurer's Book)

Performances

Mainpiece Title: The Distressed Mother

Performance Comment: Orestes-Powell; Pyrrhus-Holland; Pylades-Packer; Phoenix-Burton; Cephisa-Mrs Bennet; Cleone-Mrs Hippisley; Hermione-Mrs Hopkins, 1st time; Andromache-Mrs Yates.

Afterpiece Title: The Capricious Lovers

Performance Comment: Colin-Vernon;Hobbinol-Yates; Damon-Baddeley; Astolpho-Aickin; Fabian-Strange; Clara-Mrs Arne; Phoebe-Mrs Baddeley; Emily-Mrs Lee; Lisetta-Mrs Clive.

Dance: IV: The Irish Lilt, as17670430 End: Linco's Travels, by Particular Desire-King as17670406

3999
01 June 1767 @ Drury Lane Theatre

Event Comment: Benefit for Watson, Roberts, Kaygill and Palmer. House charges #84. [Deficit to beneficiaries #50 6s.] Bower's and Veal's deficiency of benefit received #61 5s. 6d. Rec'd from Mr Rowland 1 year's rent to Lady Day last (taxes and bills deducted) #30 6s. 1d. Paid Ridley Dorman for attending practices #10 10s.; Mr Larbor for attending Guidetti #2 2s. Mr Williams for 2 nights in Musical Lady #1 1s. (Treasurer's Book). Receipts: #33 14s. (Treasurer's Book)

Performances

Mainpiece Title: The London Merchant; Or, The History Of George Barnwell

Performance Comment: George-Cautherly; Thorowgood-Havard; Uncle-Burton; Trueman-Packer; Blunt-Ackman; Maria-Mrs Palmer; Lucy-Mrs Bennet; Millwood-Mrs Hopkins; In Act I, Song-Mrs Vincent.

Afterpiece Title: The Register Office

Performance Comment: As17670513.

Dance: End: Double Hornpipe-Walker, Miss Tetley

Entertainment: BBucks Have at Ye All-J. Palmer

Performance Comment: Palmer.

4000
20 April 1768 @ Covent Garden

Event Comment: Benefit for Mrs Lessingham. Mainpiece: Alter'd from Shakespeare and Thompson, not acted these 4 years. Afterpiece: For last time this season (playbill of 19 April 1768). [See 18 Feb. 1765. This Coriolanus is possibly the Tragedy by Thomas Sheridan, 8vo, 1755.] @Receipts #85 10s. 6d.@House charge #63@Candles #1 5s.@Extras: Kettle Drum 5s.@2 Side Drums 4s.@4 Fifes 8s.@2 Trumpets 10s.@Chorus Singers #1 10s.@Wardrobe #5 19s.@Total #73 1s. 6d.@Balance due Mrs Lessingham #12 9s.@Tickets 197 137 89 #78 14s.@Money #85 10s. 6d.@Total value of House #164 4s. 6d. (Account Book).@ Mr Clarke being suddenly taken ill in the afternoon [yesterday] his part in the tragedy was oblig'd to be supplied by Mr Younger. And Mr Clarke still continuing ill the Tragedy of King Lear, with the Musical entertainment Amelia is oblig'd to be deferred till further notice (Public Advertiser, 21 April)

Performances

Mainpiece Title: Coriolanus

Performance Comment: Coriolanus-Smith; Menenius-Shuter; Cominius-Gibson; Brutus-Davis; Sicinius-Casey; Minucius-Perry; Titus-DuBellamy; Tullus-Clarke; Galesus-Hull; Volusius-Gardner; Plebians-Barrington, Cushing, Dunstall, Stoppelaer, Quick; Volumnia-Miss Macklin; Veturia-Mrs Bellamy; In which will be introduced a Roman Ovation- after the manner of the Antients.

Afterpiece Title: Love a-la-Mode

Performance Comment: As17680122.

Dance: End: The Irish Lilt, as17670921