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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Moore"/1) | (@(roleclean,performerclean) "Moore")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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378 results for: Keyword - Moore
We found 287 matches on Roles/Actors, 107 matches on Performance Comments, 60 matches on Author, 49 matches on Event Comments, and 7 matches on Performance Title.

351
03 March 1707 @ Drury Lane Theatre

Event Comment: Benefit Mrs Moore. [This performance may have been deferred; see 6 and 17 March.

Performances

Mainpiece Title: The Recruiting Officer

Song: Leveridge, others

Music: Instrumental Music-the best Masters

Dance: duRuel, Cherrier, Miss Santlow, others

352
06 March 1707 @ Drury Lane Theatre

Event Comment: Mrs Moore's tickets for 3 March taken this day

Performances

Mainpiece Title: The Recruiting Officer

Song:

Dance:

353
17 March 1707 @ Drury Lane Theatre

Event Comment: Benefit Mrs Moore

Performances

Mainpiece Title: The Recruiting Officer

Song: Leveridge, Hughes, Mrs Lindsey

Music: Instrumental Music-the best Masters

Dance: As17070123

354
07 May 1709 @ Drury Lane Theatre

Event Comment: Benefit Mrs Moore. At the Desire of several Ladies of Quality

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

355
06 June 1710 @ Drury Lane Theatre

Event Comment: Benefit Miss Santlow and Mrs Moore. At the Desire of several Persons of Quality

Performances

Mainpiece Title: Love For Love

Dance: Before the Play: Harlequin-Miss Santlow; Italian Night Scene-

Entertainment: As17100526

356
02 April 1711 @ Two Golden Balls

Event Comment: Benefit Mrs Moore. At the Desire of several Persons of Quality. There being but a short Comedy acted that Night, it is desired to begin exactly at Eight. Tickets 5s

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-the best Masters

357
10 May 1717 @ Drury Lane Theatre

Event Comment: Benefit Chetwood and Mrs Moore

Performances

Mainpiece Title: The History And Fall Of Caius Marius

Dance: Mrs Bicknell, Miss Younger

Song: As17170204

358
09 May 1719 @ Drury Lane Theatre

Event Comment: Benefit Ray and Mrs Moore. On this day a warrant for establishing an Academy of Music was issued. See Lord Chamberlain's Office, 7@3 and 5@157, p. 228

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Song: Ray

Dance: Shaw, Mrs Santlow, Wade, Mrs Bicknell, Topham, Miss Tenoe, Miss Lindar

Music: A new Piece for the Ecchoe Flute-Paisible

359
13 May 1721 @ Drury Lane Theatre

Event Comment: Benefit Boval and Mrs Moore. Written by Shakespear

Performances

Mainpiece Title: The History Of King Henry The Eighth

Dance:

360
10 May 1722 @ Drury Lane Theatre

Event Comment: Benefit Mrs Moore. Written by Shakespear

Performances

Mainpiece Title: Macbeth

361
10 May 1723 @ Drury Lane Theatre

Event Comment: Benefit Mrs Moore. Written by Mr Banks

Performances

Mainpiece Title: The Unhappy Favourite

Dance: Hussars-Shaw, Mrs Booth

362
09 May 1724 @ Drury Lane Theatre

Event Comment: Benefit Boman and Mrs Moore. At the particular Desire of several Persons of Quality

Performances

Mainpiece Title: The Maid's Tragedy

Afterpiece Title: Acis and Galatea

Dance: Shaw, Mrs Younger; Topham, Miss Tenoe

363
07 May 1725 @ Drury Lane Theatre

Event Comment: Benefit Boman and Mrs Moore. Written by the late Mr Wycherley

Performances

Mainpiece Title: The Plain Dealer

Dance: As17250504

364
16 May 1726 @ Drury Lane Theatre

Event Comment: Benefit Boman and Mrs Moore. Written by the late Mr Otway

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: Hob

Dance: Lally, Mrs Walter, Young Rainton, Miss Robinson

365
10 May 1727 @ Drury Lane Theatre

Event Comment: Benefit Boman and Mrs Moore. At the Desire of several Perosns of Quality

Performances

Mainpiece Title: The Rover

Dance: TTurkish Dance-Lally, Essex, others; The Muzette-Young Rainton, Miss Robinson; Whitson Holiday-Boval, Miss Tenoe

366
08 May 1728 @ Drury Lane Theatre

Event Comment: Benefit Shepard and Mrs Moore. Written by Shakespear

Performances

Mainpiece Title: Macbeth

Dance: HHarlequin-Young Master Lally, Miss Brett; Pieraite-Roger, Mrs Brett

367
16 May 1729 @ Drury Lane Theatre

Event Comment: Benefit the Orphan Children of the late Mr Farquhar. Mainpiece: Written by the late Mr Farquhar. Tickets for Roberts, Mrs Moore, and Young Leigh taken

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Lover's Opera

368
07 May 1734 @ Goodman's Fields

Event Comment: Benefit Harbin, Woodward, Moore. Tickets for Mrs Monlass taken. At the particular Desire of several Persons of Quality and Distinction

Performances

Mainpiece Title: The Double Gallant

Afterpiece Title: The Stage Coach

Dance: II: Friendly Lasses by Miss Wherrit and Miss Sandham. III: Scotch Dance by Miss Wherrit. IV: Dutch Skipper by Vallois and Mrs Bullock. V: Milk Pail Dance by Delagarde, Sandham, &c

369
02 May 1735 @ Goodman's Fields

Event Comment: Benefit Woodward, Moore, Topham, Dove

Performances

Mainpiece Title: Love's Last Shift

Afterpiece Title: The Toy Shop

Dance: I: Scotch Dance by Mrs Bullock. V: La Follette c'est Ravizee by Tench and Mrs Woodward

Song: III: A Song by Mrs Chambers. IV: Waterman's Song (in Britannia) by the Two Masters Hamilton

370
28 May 1740 @ Drury Lane Theatre

Event Comment: Benefit Taswell, Paget, Miss Karver. Afterpiece: Written by the Author of Pasquin. [Tickets for Mrs Marshall, Mrs Moore, Miss Tenoe also taken.

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: The Tragedy of Tragedies

Dance: I: Pierots-Lalauze, Leviez; II: Drunken Peasant-Master Ferg; V: Muilment

Song: V: Miss Karver

371
21 September 1745 @ Drury Lane Theatre

Event Comment: By particular Desire. Boxes 4s. Pit 2s. 6d. Gallery 1s. 6d. Upper Gallery 1s. [Colin and Phebe written by Moore and composed by Arne. Constantly encored all summer at Vauxhall (Burney, History of Music IV, 668).

Performances

Mainpiece Title: The Provoked Husband; Or, A Journey To London

Song: II: Lowe; V: Dialogue call'd Colin and Phebe-Lowe, Mrs Arne

Dance: III: Muilment

372
23 March 1747 @ Drury Lane Theatre

Event Comment: Benefit Cibber Jun. Tickets and places to be had of Hobson at the stage door. Tickets deliver'd out by Mr Moore, and tickets deliver'd out for the Distress'd Wife dated 16 March will be taken

Performances

Mainpiece Title: The Man Of Mode; Or, Sir Fopling Flutter

Afterpiece Title: The Double Disappointment

Song: I: Mrs Mozeen; III: Lowe

Dance: II: The Mechels; IV: Muilment; V: Salomon, Sga Padouana, Salomon's son

373
28 April 1747 @ Drury Lane Theatre

Event Comment: Benefit Neale. Main Piece by Dryden, not acted for 9 years. Tickets to be had at Mr Moore's in the Playhouse passage, and at Neale's (Silk Dyer) in David Street near Grosvenor Square

Performances

Mainpiece Title: Amphitryon; Or, The Two Sosia's

Afterpiece Title: The Double Disappointment

Dance: Muilment, Mechel, Mlle Mechel

374
16 March 1771 @ Drury Lane Theatre

Event Comment: Benefit for Reddish. Afterpiece (musical): Taken from Dryden's Don Sebastian by Bickerstaffe. Part of the Pit paid into the Boxes. Ladies send servants at 4 o'clock. Mainpiece [by Edward Moore]: Not acted in 15 years. [See 5 April 1753.

Performances

Mainpiece Title: The Gamester

Related Works
Related Work: The Gamester Author(s): Edward Moore

Afterpiece Title: The Captive

Dance: I: Cunning Love, as17710204

375
02 May 1775 @ Covent Garden

Event Comment: Benefit for Clinch. Doors opened at half past 5. Play to begin at Half an Hour after 6. [Afterpiece written by Sheridan for Clinch, traditionally in gratitude for his saving The Rivals from damnation. (See Thomas Moore's Life of Sheridan [London, 1825], I, 148). The Westminster Magazine for May adds to cast: Irish Corporal-Fox; Soldiers-$Davies, $Wewitzer, Chaplin, and reviews the piece briefly: St Patrick's day is replete with broad humor, homely jests, and extravagant caricature. The language in general shewed the author a man of honour and observation; the situations were whimsical and produced that mirth which the audience in the Prologue were invited to partake of....The jests were occasionally too low and vulgar, and his scene too extravagantly absurd. The main drift of the Prologue was to tell the Audience that a fine Spring impeded the theatrical harvest; and that at this season the benefits of Nature were the greatest enemies to the Performer's Benefits."

Performances

Mainpiece Title: Alexander The Great

Afterpiece Title: St Patrick's Day; or, The Scheming Lieutenant

Dance: End: The Vintage Festival, as17741007