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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mons Dieupart"/1) | (@(roleclean,performerclean) "Mons Dieupart")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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211 results for: Keyword - Mons Dieupart
We found 61 matches on Performance Comments, 57 matches on Event Comments, 51 matches on Performance Title, 50 matches on Author, and 0 matches on Roles/Actors.

151
14 March 1797 @ King's Theatre

Performances

Mainpiece Title: Gli Schiavi Per Amore

Performance Comment: Principal Characters-Morelli, Sga Storace. [Partial cast from Larpent MS 769, which has full cast for 1787: Bastiano Ammazzagatte-Morelli; +Gelinda-Sga Storace; Mons. Perruque, $Don Berlicco, Mlle Neri, Mlle Pate.] Mons. Perruque, $Don Berlicco, Mlle Neri, Mlle Pate.]

Dance: As17970124

152
26 December 1798 @ King's Theatre

Performances

Mainpiece Title: Gli Schiavi Per Amore

Performance Comment: Principal Characters-Morelli, Rovedino, Viganoni, Mrs Bland, who, in absence of the 1st Comic Woman, and with the permission of the Proprietors of Drury-lane Theatre, has most readily and cheerfully undertaken the part, relying confidently upon the known indulgence of a British Audience. [Libretto (D. Stuart, 1787) lists the parts: Bastiano Ammazzagatte, Mons. Perruque, Don Berlicco, Gelinda, Mlle Neri, Mlle Pate.]Libretto (D. Stuart, 1787) lists the parts: Bastiano Ammazzagatte, Mons. Perruque, Don Berlicco, Gelinda, Mlle Neri, Mlle Pate.]

Dance: End I: [a new Divertisement Ballet, composed by Barre with music by Bossi], Le Marchand de Smyrne-; End Opera: Elisa-

153
30 March 1717 @ King's Theatre

Event Comment: By His Majesty's Command. In which will be seen two New Scenes, one representing a most Magnificent Palace, containing above a Thousand Yards of Painting. The other a Room adorn'd with Tapestry, representing the famous Battles of Alexander by Mons leBrun; both (in their kind) exceeding any Scenes that has been seen in England. Admission as 8 Dec. 1716

Performances

Mainpiece Title: Cleartes

154
10 April 1717 @ Hickford's Room

Event Comment: Benefit Mrs Mons

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; with Solos on Violin-Castrucci

155
31 October 1718 @ Drury Lane Theatre

Event Comment: Not Acted these Six Years. Taken from the Cid of Mons Corneille. All the Habits being entirely New. With new Scenes and other Decorations

Performances

Mainpiece Title: Ximena; Or, The Heroick Daughter

156
01 November 1718 @ Drury Lane Theatre

Event Comment: Taken from the Cid of Mons Corneille

Performances

Mainpiece Title: Ximena

157
10 December 1718 @ Lincoln's Inn Fields

Event Comment: Benefit the French Comedians [Bullock paid #40]. Written by Mons le Noble

Performances

Mainpiece Title: Les Deux Arlequins

Entertainment:

158
12 December 1718 @ Lincoln's Inn Fields

Event Comment: Benefit J. and Ch. Rich. By His Royal Highness's Command. Written by Mons le Noble. Receipts: #86 6s. 6d

Performances

Mainpiece Title: Les Deux Arlequins

Dance: Drunken Dance-; Proper Entertainments-

159
27 January 1719 @ Lincoln's Inn Fields

Event Comment: Benefit Ch. Bullock. Mainpiece; Written by Mr Moliere. Afterpiece: Written by Mons Doisson

Performances

Mainpiece Title: George Dandin; Or, The Wanton Wife

Afterpiece Title: Le Baron de La Crasse

Dance: As17181031

160
25 April 1719 @ King's Theatre

Event Comment: Benefit Signora Mons. At 7 p.m. Tickets 2s. 6d

Performances

Mainpiece Title: Concert

161
29 April 1720 @ King's Theatre

Event Comment: At the Desire of several Persons of Quality. Written by the famous Molliere. Daily Courant, 2 May: Monsieur deGrimbergue, Director of the French Comedians, hereby gives Notice, that he is extreamly sorry he could not give on Friday last all the Entertainment he had promised in his Publick Bills, by reason that Signora Violenta unluckily fell sick that very day; and Mons Dangeville refused to Dance, being puft up by the Applause he had the good Fortune to meet with; fancying he hath a Right to do so whenever he pleases

Performances

Mainpiece Title: Le Bourgeois Gentilhomme

Entertainment: The Great Turkish Ceremony-; Dancing-Danjeville; Tumbling-; particularly a lame tumbler (who never performed before in England); The Flourishing of the Colors-Signora Violenta

162
17 June 1720 @ King's Theatre

Event Comment: Benefit Mlle desChaliez. Written by the Famous Mons Molliere

Performances

Mainpiece Title: Le Malade Imaginaire

Dance: As17200509

Entertainment: Tumbling-

163
13 March 1721 @ Haymarket Theatre

Event Comment: Mainpiece: Comedie de Mons de Moliere

Performances

Mainpiece Title: De L'ecole Des Femmes

Afterpiece Title: Arlequin Esprit Folet

164
28 April 1721 @ Haymarket Theatre

Event Comment: Benefit Mons Clauigney, who acts the Part of the Burgaway Gentilhomme, and his Wife the little Actress

Performances

Mainpiece Title: De Le Colle Des Femmes

Afterpiece Title: Arlequin Protee

165
04 December 1721 @ Haymarket Theatre

Event Comment: By the Company of French Comedians, just arrived. Mainpiece: Written by Mons Moliere

Performances

Mainpiece Title: Tartuffe

Afterpiece Title: Arlequin Invisible Chez le Roy de Luchine

Dance:

166
07 May 1725 @ Haymarket Theatre

Event Comment: Benefit Mrs Jacobs, the new Colombine, lately arrived from France. Mainpiece: The only Master-Piece that the famous Mons d'Noble ever writ. Afterpiece: Written by M Moliere. Pit and Boxes to be laid together at 5s

Performances

Mainpiece Title: Les Deux D'arlequin

Afterpiece Title: The Doctor against His Will

Dance: Roger, new Colombine

167
15 May 1727 @ Lincoln's Inn Fields

Event Comment: Benefit W. Bullock, Houghton, and Mons Montigny. Receipts: money #17 5s. 6d.; tickets #134 17s. Probable attendance: boxes, 5 by money and 145 by tickets; stage, 4 by money; pit, 38 by money and 412 by tickets; slips, 2 by money; first gallery, 35 by money and 368 by tickets; second gallery, 67 by money

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Dance: WWooden Shoe Dance-Nivelon; Peasant-Poitier, Mrs Bullock; French Sailor-Salle, Mlle Salle

168
19 March 1728 @ Drury Lane Theatre

Event Comment: Afterpiece: Composed by Mons Roger. With New Scenes and proper Decorations

Performances

Mainpiece Title: She Wou'd And She Wou'd Not; Or, The Kind Imposter

Afterpiece Title: Harlequin Happy and Poor Pierrot Married

169
06 April 1728 @ Drury Lane Theatre

Event Comment: At the particular Desire of several Ladies of Quality. Mainpiece: Written by Mr Congreve. Afterpiece: Composed by Mons Roger

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: Harlequin Happy and Poor Pierrot Married

170
18 October 1728 @ Drury Lane Theatre

Event Comment: Mainpiece: Alter'd from Shakespear, by the late Mr Betterton. Afterpiece: Composed by Mons Roger

Performances

Mainpiece Title: King Henry The Ivth, Part Ii; With The Humours Of Sir John Falstaff And Justice Shallow

Afterpiece Title: Harlequin Happy and Poor Pierrot Married

171
09 May 1733 @ Chelsea

Event Comment: At Mr Dorey's Boarding School at Great Chelsea...the celebrated French Tragedy...written by the famous Mons de Voltaire

Performances

Mainpiece Title: Zaire

172
04 September 1733 @ Bartholomew Fair

Event Comment: At Fielding-Hippisley Booth. Daily Post, 4 Sept.: We hear...that there have been such frequent Calls for Copies of that favourite Duetto of Sweet If You Love Me Smiling Turn. (sung by Salway and Mrs Pritchard) that they have been provided printed Copies of it be given Gratis daily at their Booth...and that further to entertain...Hippisley, at the End of the last Time of Acting every Night, will divert the Audience with his Comic Scene call'd the Drunken Man, as will also Mons LeBrun with his Drunken Peasant

Performances

173
19 April 1734 @ Goodman's Fields

Event Comment: Benefit Vallois and Mrs Vallois. At the particular Desire of several Persons of Distinction. Afterpiece: Compos'd by Mons Roger, the late famous Pierrot of Drury-Lane. Taken from Ovid's Metamorphosis. With a new Scene

Performances

Mainpiece Title: The Wonder

Afterpiece Title: Diana and Acteon

Dance: II: Minuet and a new Rigadoon by Vallois and Mrs Vallois. III: Scots Dance by Vallois and Mrs Bullock

174
29 April 1734 @ Drury Lane Theatre

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Britannia; or, Love and Glory

Music: Select Pieces. IV: By particular Desire, Mons Charle will perform a Solo on the French Horn, the first time of his Appearance on this Stage, and the last of his Performance in Publick during his Stay in England

Performance Comment: IV: By particular Desire, Mons Charle will perform a Solo on the French Horn, the first time of his Appearance on this Stage, and the last of his Performance in Publick during his Stay in England .

Dance: I: The Pierrots by Poitier and Nivelon. II: English Maggot by S. Lally and Mrs Walter. III: Drunken Peasant by Le Brun

175
03 May 1734 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: The Lottery

Dance: I: English Maggot by S. Lally and Mrs Walter. II: French Peasant. III: Le Rostand Sabotier, both by Mons DensengencracolasVilliers, the first time of his appearance upon the English stage

Performance Comment: Lally and Mrs Walter. II: French Peasant. III: Le Rostand Sabotier, both by Mons DensengencracolasVilliers, the first time of his appearance upon the English stage .