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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Monday"/1) | (@(roleclean,performerclean) "Monday")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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313 results for: Keyword - Monday
We found 297 matches on Event Comments, 13 matches on Performance Comments, 4 matches on Roles/Actors, 3 matches on Performance Title, and 0 matches on Author.

276
23 February 1782 @ Drury Lane Theatre

Event Comment: Variety is unavoidably deferred [Public Advertiser, 26 Feb.: on account of King's illness] till Monday next, when it will certainly be performed for the First Time. Receipts: #118 1s. 6d. (85/3/0; 32/16/0; 0/8/6)

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Gentle Shepherd

Dance: End of Act IV of mainpiece The Distress'd Lovers, as17820219, but omitted: Miss Armstrong

277
28 October 1782 @ Drury Lane Theatre

Performances

Mainpiece Title: Isabella

Afterpiece Title: Robinson Crusoe

Performance Comment: As17821014 Monday 28.

Dance: As17820921

278
08 April 1785 @ Haymarket Theatre

Event Comment: [By Permission of the Lord Chamberlain (but this notice does not appear on the playbill)]. Benefit for Miss Llewellin. The Doors to be opened at 6:00. To begin at 7:00. Tickets delivered for Monday the 24th, and Thursday the 7th of April will be admitted. Miss Llewellin is the daughter of a late eminent and respectable Merchant in one of our neighbouring islands, whose family have been great sufferers by the late war, and is left with two sisters, orphans. She solicits the patronage of a generous publick for that night only. Tickets to be had of Miss Llewellin, No. 204, Piccadilly

Performances

Mainpiece Title: Cleone

Afterpiece Title: The Apprentice

279
17 June 1785 @ Windsor Castle Inn, King Street, Hammersmith

Event Comment: [In mainpiece the playbill assigns Frederick to Murray, but on the playbill in the New York Public Library Theatre Collection his name is deleted and a MS annotation substitutes Francis's.] Boxes 3s. Pit 2s. Gallery 1s. To begin precisely at 7:00. The Public are respectfully informed that the Company will perform here but four or five Weeks longer, being engaged elsewhere. The Theatre is not only very commodious, but also remarkably cool. The Days of performing will be regularly Mondays, Wednesdays and Fridays

Performances

Mainpiece Title: The Wonder: A Woman Keeps A Secret

Afterpiece Title: The Lying Valet

Song: After the Monologue, by Miss Cranford

Monologue: 1785 06 17 End of mainpiece an Occasional Address to the Audience by Wright

280
05 June 1786 @ Windsor Castle Inn, King Street, Hammersmith

Event Comment: Boxes 3/. Pit 2X. Gallery u. To begin punctually at 7:00 [same throughout season]. Tickets to be had and Places taken of Waldron, No. 17, Dorville's Row. The Company will perform on Mondays, Wednesdays and Fridays

Performances

Mainpiece Title: She Stoops To Conquer; Or, The Mistakes Of A Night

Afterpiece Title: The Lying Valet

Song: End of Act I of mainpiece Nobody by Villars; End of mainpiece Freedom and his native Land by Price

281
28 June 1786 @ Windsor Castle Inn, King Street, Hammersmith

Event Comment: Mainpiece: Written by Wycherley, altered by Garrick, and perform'd very often last season, at the Theatre-Royal, Drury-Lane, with great applause. Afterpiece: Never acted here. Peeping Tom is obliged to be deferred till Monday next

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The King and the Miller of Mansfield

Song: In the course of the mainpiece a plaintive Pastoral Song, unaccompanied by the orchestra, by the Young Lady; End of Monologue a duett from Robin Hood by Price and Miss Phillips

Monologue: 1786 06 28 End of mainpiece Parents and Children; or, The Chimney-Sweeper and Bricklayer by a Young Gentleman (1st appearance on any stage [Gibbons (see 5 and 19 July)])

282
20 December 1786 @ King's Theatre

Event Comment: The Master of the Ballets, and some of the principal dancers, not having arrived till Monday, obliged the Manager to postpone the Opera intended for yesterday evening to Saturday next

Performances

Mainpiece Title: None

283
29 January 1787 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Siddons [whose 1st appearance as Imogen was at Bath, 15 Apr. 1779]. Part of the Pit will be laid into the Boxes. To prevent Confusion, Ladies are desired to send their Servants at half past Four o'Clock. Public Advertiser, 13 Jan.: Tickets to be had of Mrs Siddons, Gower-street, Bedford-square. "The exact receipts of Mrs Siddons's house on Monday were #332 [actually #335 5s., excluding the 2nd account and after-money], which, with bank notes for side-boxes, and gold tickets through all the boxes, raise the total to about #650 or #700. This benefit is clear of the nightly charges of the house" (Morning Chronicle, 1 Feb.). Receipts. #344 17s. 6d. (161.10.0; 9.11.6; 0.1.0; tickets: 173.15.0) (charge: free)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Romp

Dance: II: a Masquerade Scene-; with Dancing-Ferrere, Menage, Miss Stageldoir; End III: La Soiree Provencalle, as17870113

Song: II: Singing-Miss Romanzini [The Dancing was included, as here assigned, in all subsequent performances]

284
10 March 1787 @ Drury Lane Theatre

Event Comment: The New Comedy of Seduction [announced on playbill of 8 Mar.] is unavoidably deferred 'till Monday. Receipts: #128 5s. (98.3; 28.13; 1.9)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The First Floor

285
23 November 1787 @ Covent Garden

Event Comment: The Tender Husband [advertised on playbill of 22 Nov.] is obliged to be deferred to Monday [q. v., and 5 Dec.], on Account of Edwin's Indisposition. Receipts: #95 19s. (84.17; 11.2)

Performances

Mainpiece Title: Such Things Are

Afterpiece Title: Barnaby Brittle

Dance: As17871029

286
01 February 1788 @ Drury Lane Theatre

Event Comment: By Command of Their Majesties. The Heiress [advertised on playbill of 31 Jan.] is deferred till Monday next. [Afterpiece in place of Selima and Azor, advertised on playbill of 31 Jan. Prologue by James Cobb.] Receipts: #238 6s. 6d. (219.17.0; 18.7.0; 0.2.6)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Humourist

Dance: End III: As17870920; End IV: a Scotch dance, The Lucky Return-Mills, Miss Blanchet, Miss J. Stageldoir

287
10 February 1789 @ King's Theatre

Event Comment: Mr Gallini Respectfully informs the Nobility, Subscribers, and Gentry that he sent a person to Paris on Monday last to engage the best capital Female Dancer that can be got; and if a good Man Dancer is to be procured, he is very ready to engage him, as he shall be happy to do every thing in his power to please the public and will spare no pains or expense for that purpose [see 7 Feb.] Didelot having had the misfortune to hurt his leg the first dance on Saturday last is unable to appear for some days

Performances

Mainpiece Title: La Cosa Rara

Dance: End I: New Divertissement, as17890110, but _Didelot; End Opera: Les Fetes Provencales, as17890207, but _Didelot, Mlle _Normand

288
04 May 1789 @ Drury Lane Theatre

Event Comment: On Account of Mrs Siddons's Indisposition her Benefit is deferred 'till Monday the 11th Instant. [Afterpiece in place of The Pannel, advertised on playbill of 2 May.] Receipts: #249 4s. (122.7.0; 23.17.6; 2.19.6)

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Devil to Pay

289
08 March 1790 @ Covent Garden

Event Comment: Benefit for Mrs Billington. Tickets delivered for Monday the 8th of February will be received. Mainpiece [1st time; CO 3, by John O'Keeffe. Text 1st published in his Dramatic Works, Vol. III (T. Woodfall, 1798). Season of 1790-91 acted as The Fugitive]: With new Scenes, Dresses, and Decorations. The Music selected and composed by Shield, and consists of several Russian Melodies, and compositions of Handel, Sacchini, Pleyel, Rauzzini, Guglielmi, Weichsel, Dalayrac, Callcott, Reeve, Prati and Shield. Receipts: #366 9s. 6d. (255.2.6; 3.5.0; tickets: 108.2.0)

Performances

Mainpiece Title: The Czar

Afterpiece Title: Three Weeks after Marriage

Song: III: The Prince unable to conceal his Pain, from Alexander's Feast-Mrs Billington. [This was included, as here assigned, in all subsequent performances.

290
25 June 1790 @ Haymarket Theatre

Event Comment: The Battle of Hexham [advertised on playbill of 24 June] is obliged to be deferred till Monday next on account of the Insidposition of Edwin

Performances

Mainpiece Title: The Suicide

Afterpiece Title: A Mogul Tale; or, The Descent of the Balloon

Dance: End I: a new dance, The Generous Sportsman-Byrn, Boyer [recte Boyce], Platt, Miss DeCamp, Mrs Goodwin

291
25 April 1791 @ Drury Lane Theatre

Event Comment: [As afterpiece the playbill announces High Life below Stairs, but "A Disturbance of some length took place on Monday night at Drury-lane Theatre, occasioned by the substitution of The Deaf Lover for High Life below Stairs; and the confusion was augmented by the unadvised introduction of some soldiers into the galleries. The audience properly insisted on their removal, which being complied with, the tumult subsided" (Morning Post, 27 Apr.).] On this and every Evening for the remainder of the Season, the Doors will not be opened till 5:30, and the performance will commence exactly at 6:30. Receipts: #188 6s. (159.6; 27.8; 1.12)

Performances

Mainpiece Title: The Siege Of Belgrade

Afterpiece Title: The Deaf Lover

292
09 April 1792 @ Drury Lane at King's Theatre

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Richard Coeur de Lion

Song: As17911003

Entertainment: Monologue. End I afterpiece: Easter Monday; or, A Description of The Cockney Hunt-Dodd

Performance Comment: End I afterpiece: Easter Monday; or, A Description of The Cockney Hunt-Dodd.

293
19 September 1792 @ Covent Garden

Event Comment: It having appeared to be the Sense of a considerable Part of the Audience on Monday Night that the One Shilling Gallery should be restored, the Proprietor has already given Directions that their Wishes may be obeyed with all possible Expedition. With respect to the other Point, upon which some difference of Opinion still continued throughout the Performance, it is necessary to declare, that without absolute Ruin to the Property, this Theatre cannot be opened at lower Prices of Admission. The Proprietor therefore relies with Confidence on the Justice and Protection of the Public should any Attempt be made again to interrupt the Performance upon this Ground. [The new Upper, or One-Shilling, Gallery was constructed within two weeks, and opened on 1 Oct. The audience accepted The argument for the necessity of raising the prices of admission, which, as they now stood, remained in effect for the remainder of the century. 2nd piece in place of The Suspicious Husband, advertised on playbill of 17 Sept.] Receipts: none listed

Performances

Mainpiece Title: A New Occasional Prelude

Afterpiece Title: The Duenna

Afterpiece Title: Modern Antiques; or, The Merry Mourners

294
20 September 1792 @ Covent Garden

Event Comment: [Mainpiece in place of The Busy Body; afterpiece on The Poor Soldier, both advertised on playbill of 19 Sept.] The Public are respectfully informed that a One Shilling Gallery will be opened on Monday the 1st of October. Receipts: #77 12s. 6d

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Barnaby Brittle

Dance: III: Hornpipe in Character-Byrn

295
22 October 1792 @ Covent Garden

Event Comment: Macbeth [advertised on playbill of 19 Oct.] on account of the indisposition of a principal Performer is obliged to be deferr'd till Monday next. Mainpiece: Masquerade as 8 Oct. Receipts: #364 14s. 6d

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Blue Beard

Dance: As17921015

Song: Juliet's Funeral Procession-; the Solemn Dirge, as17921008, but Mrs Martyr

296
08 December 1792 @ Covent Garden

Event Comment: Columbus [advertised on playbill of 7 Dec.] is, on account of Lewis's Indisposition, obliged to be deferred till Monday. Receipts: #189 14s

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: Hartford Bridge

Dance: As17921116

297
02 December 1793 @ Haymarket Theatre

Event Comment: 1st piece [1st time; INT 1 by Francis Godolphin Waldron): Altered from THE FATAL EXTRAVAGANCE of [Joseph] Mitchell and Aaron Hill. "I went on Monday evening with Mrs Darner to the Little Haymarket, to see The Children in the Wood, having heard so much of my favourite, young Bannister, in that new piece; which, by the way, is well arranged, and near being fine. He more than answered my expectation, and all I had heard of him. It was one of the most admirable performances I ever saw: his transports of despair and joy are incomparable, and his various countenances would be adequate to the pencil of Salvator Rosa. He made me shed as many tears as I suppose the original old ballad did when I was six years old. Bannister's merit was the more striking, as, before The Children in the Wood, he had been playing the sailor in No Song No Supper, with equal nature" (Walpole [4 Dec. 1793], XV, 266-67)

Performances

Mainpiece Title: The Prodigal

Afterpiece Title: NO SONG NO SUPPER

Afterpiece Title: THE CHILDREN IN THE WOOD

298
03 January 1795 @ Drury Lane Theatre

Event Comment: [Mainpiece in place of Isabella, advertised on playbill of 2 Jan., and of The Cherokee, announced on playbill for this present night.] "The Public are respectfully informed that The Cherokee is unavoidably postponed till Monday night. This evening will be presented [as above]" (printed slip attached to Kemble playbill). Powell: The Cherokee postponed "on Account of the Indisposition of Kelly;" in The Pannel "Jones being Ill, Webb play'd 1st Alguazile, Evans 2nd Alguazile. Benson being Ill, Trueman play'd Octavio." Pannel rehearsed at 10:30; New Ballet at 12. Receipts: #158 4s. (108.17.0; 39.11.6; 9.15.6)

Performances

Mainpiece Title: The Jew

Afterpiece Title: The Pannel

299
14 February 1795 @ Drury Lane Theatre

Event Comment: On account of the Engagements of some of the principal Performers at the Opera House it is absolutely impossible to give Alexander the Great this Evening; the third night will be on Monday next, and every Accomodations is making for an Arrangement that will prevent any future interruption of this Representation. Powell: New Comedy [The Wheel of Fortune] read at 12. Receipts: #143 19s. 6d. (87.5.6; 48.16.6; 7.17.6)

Performances

Mainpiece Title: The Jew

Afterpiece Title: The Prize

300
07 March 1796 @ Royalty Theatre, Well (now Ensign) Street

Event Comment: "Edward the Black Prince was performed at the Royalty Theatre on Monday evening, by a private party of Gentlemen" (Morning Herald, 9 Mar., which makes no mention of an afterpiece)

Performances

Mainpiece Title: Edward The Black Prince