SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Moll Davis whom I never saw act before dancing and singing"/1) | (@(roleclean,performerclean) "Moll Davis whom I never saw act before dancing and singing")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5182 matches on Event Comments, 2242 matches on Performance Title, 1938 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: N.B. This was Mr Packer's first appearance at Drury Lane Theatre. He had acted one night at Covent Garden in the preceding season, Johnson, in the Rehearsal and the Frenchman in Lethe, which pieces were perform'd for Mr Lee's Benefit. Mr Garrick was there, and engag'd Mr Packer, who was going to Ireland, with Mr Barry, and Mr Woodward, into the Drury Lane Company. I am writing this on the sixth of April 1801--tonight Mr Packer told me the above Particulars at Drury Lane Playhouse, where he has always remained since his first being engaged there (J. P. Kemble's note on Huntington bill). Receipts: #100 (Cross); #107 1s. 6d. (Winston MS 8)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Virgin Unmaskd

Dance: TThe German Hunters, as17580916

Performances

Mainpiece Title: Much Ado About Nothing

Performance Comment: Benedick-Garrick; Don Pedro-Havard; Leonato-Berry; Claudio-Palmer; Don John-Bransby; Dogberry-Taswell; Fryar-Burton; Verges-Philips; Borachio-Blakes; Balthazar (with a proper song)-Beard; Hero-Mrs Davies; Beatrice-Miss Pritchard; In Act II Masquerade Dance, in which will be introduced a Minuet-Noverre, Miss Pritchard; To conclude with a Country Dance-the characters of the play.

Afterpiece Title: The Devil to Pay

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Fleetwood, 1st appearance on any stage; Capulet-Berry; Paris-Austin; Benvolio-Packer; Escalus-Bransby; Montague-Burton; Tibalt-Blakes; Friar Laurence-Havard; Mercutio-Palmer; Lady Capulet-Mrs Bennet; Nurse-Mrs Macklin; Juliet-Miss Pritchard; With the Additional Scene Representing the Funeral Procession to the Monument of the Capulets-; The Vocal Parts-Beard, Champnes, Miss Young; In Act I, a Masquerade Dance-proper to the Play.

Afterpiece Title: The King and the Miller of Mansfield

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: As17580928, but Romeo-Fleetwood , 2d appearance; To the Masquerade Dance in Act I, a Minuet-Noverre, Miss Pritchard.

Afterpiece Title: The Chaplet

Event Comment: MMr Fleetwood in ye fight with Paris in ye last Act, having a Sword by his Side instead of a Foil, run Mr Austin (Paris) into the belly, he lay some time but at last call'd to be taken off--a Surgeon was sent for--No harm, a Small Wound, & he is recover'd (Cross). Receipts: #140 (Cross); #153 6d. (Winston MS 8)

Performances

Mainpiece Title: Romeo And Juliet

Dance: TThe Millers, as17581012

Event Comment: Mainpiece: Not Acted in 2 Years. [See 17 Jan. 1757.

Performances

Mainpiece Title: The Double Dealer

Performance Comment: Maskwell-Sparks; Touchwood-Anderson; Mellefont-Ridout; Brisk-Dyer; Sir Paul-Shuter; Careless-Ryan; Froth-Gibson; Lady Froth-Mrs Bellamy; Lady Plyant-Miss Nossiter; Cynthia-Mrs Baker; Lady Touchwood-Mrs Hamilton.
Cast
Role: Touchwood Actor: Anderson

Afterpiece Title: The Devil to Pay

Dance: As17581016

Event Comment: About this time Mr Theo: Cibber Mr Maddocks the wire Dancer, & several other Theatrical performers, with & number of other Passangers embark'd on board the Dublin, Captain White, in order to go to Ireland but the Ship was lost & every Soul perish'd (Cross). As Mr Sparks & others complain'd of Mr Wilkinson for taking them off, it [Diversions of ye Morning] was intended to be omitted this Night, But the Audience call'd so violently for it, that we were oblig'd to let him do it--he took off Foote & Sheridan, & wou'd have left out Sparks but ye Audience wou'd not be satisfied without it--when they first call'd Mr Foote went forward & said as some of the performers had complain'd it was to be omitted; as for being taken off himself he had no Objection to it, as he was always glad to contribute to their Entertainm[en]t &c. (Cross). Mainpiece: Not acted these 2 years [see 14 Oct. 1756]. Receipts: #130 (Cross); #139 10s. (Winston MS 8)

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: The Diversions of the Morning

Event Comment: [G$Goldsmith's comment in The Bee (1759, p. 14) the following season seems to have glanced at Mrs Pritchard's performance of Jane Shore, since Mrs Pritchard was growing quite stout at this time: In his remarks of "casting" he is distressed at "an actress that might act the Wapping Landlady without a bolster, pining in the character of Jane Shore, and while unwieldy with fat endeavoring to convince the audience that she is dying from hunger." The part at Drury Lane for the next eight years went to Mrs Yates, Mrs Pritchard playing it only once again "for that night only" at her daughter's benefit, 7 April 1766.] Receipts: #140 (Cross); #138 18s. (Winston MS 8)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Anatomist

Dance: new Pantomime Dance call'd%The Swiss-Grimaldi, Dupuy, Mrs Vernon

Performances

Mainpiece Title: Tamerlane

Performance Comment: Axalla-Austin; Heli-Scrase; Prince of Tanais-Blakes; Tamerlane-Havard; Moneses-Holland; Bajazet-Mossop; Selima-Mrs Davies; Arpasia-Mrs Pritchard; Dervise-Bransby; Omar-Burton; With the Usual Prologue, and, in Act IV, the original Song of O! Gentle Sleep-Miss Young.
Cast
Role: Moneses Actor: Holland

Afterpiece Title: Queen Mab

Dance: II: The Swiss, as17581102

Event Comment: Mainpiece: Not acted these 18 years. Receipts: #130 (Cross); #123 4s. (Winston MS 8)

Performances

Mainpiece Title: The Siege Of Damascus

Afterpiece Title: The Lottery

Event Comment: Mainpiece: Not acted these two years. [See 22 March 1757.] Receipts: 180 (Cross); #178 5s. 6d. (Winston MS 8)

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Lottery

Dance: SSpanish Dance, as17581014

Event Comment: Benefit for Charles Sarjant, late of Uxbridge, under Misfortunes. Afterpiece not acted this season. Ladies send servants by half after three. Mr Sarjant hopes his friends will favor him with their company tonight, and excuse his not having paid his respects to them in person, having been unhappily confined by the gout

Performances

Mainpiece Title: Love For Love

Cast
Role: Scandal Actor: Ridout
Role: Trapland Actor: Bennet

Afterpiece Title: Flora or Hob in the Well

Dance: FFingalian Dance, as17581111; The Threshers, as17581016

Event Comment: Mainpiece: Not acted in 3 years

Performances

Mainpiece Title: Zara

Performance Comment: Osman-Clarke; Nerestan-Dyer; Lusignan-Sparks; Chatilion-Anderson; Orasmin-Ridout; Selima-Mrs Elmy; Zara-A Gentlewoman, 1st time on any stage.
Cast
Role: Chatilion Actor: Anderson

Afterpiece Title: The Contrivances

Dance: As17581016

Event Comment: Tomorrow will be reviv'd a Tragedy (not acted these 30 years) call'd The Ambitious Stepmother. Antony and Cleopatra is deferr'd a few days. Receipts: #200 (Cross); #197 13s. (Winston MS 8)

Performances

Mainpiece Title: The Provokd Wife

Afterpiece Title: The Mock Doctor

Ballet: TThe Prussian Camp. As17581214

Event Comment: went off very Dent off very Dull (Cross); Mainpiece: not acted in 30 years. Receipts: #130 (Cross); #148 15s. (Winston MS 8)

Performances

Mainpiece Title: The Ambitious Step Mother

Performance Comment: Parts- Mossop, Fleetwood, Holland, Mrs Pritchard, Mrs Cibber, Miss Macklin Burton, Austin, Havard, Ackman, Scrase, Miss Hippisley; With the original Hymn to the Sun new set by Dr Arne-Beard, Miss Young, Miss E. Young; Genest, IV, p. 564-47, lists: Memnon-Mossop; Artaxerxes-Fleetwood; Artaban-Holland; Artemisa-Mrs Pritchard; Amestris-Mrs Cibber; Cleone-Miss Macklin.

Afterpiece Title: The Virgin Unmaskd

Event Comment: For the Benefit of Mr Crisr Smart, an Ingenious young Man In poetry, but now confin'd in a Mad house the farce had universal applause (Cross). Afterpiece: A new Comedy in 2 Acts. Part of Pit laid into boxes. Tickets delivered out for the 26th of January will be taken. Receipts: #285 (Cross)

Performances

Mainpiece Title: Merope

Cast
Role: Dorilas Actor: Holland

Afterpiece Title: The Guardian

Related Works
Related Work: L'Honorata Poverta di Rinaldo: viz, The honourable Poverty of Rinaldo, false accused by the Maganzesians: With Harlequing Guardian to his Master's Family and Defender of his Castle Author(s): Giacinto Andrea Cicognini
Event Comment: Benefit for Shuter. Mainpiece: By Desire. Not acted these five years. [See 4 April 1752.] Ladies send servants by half past three o'clock. [The MS of Shuter's skit is Larpent MS 155.

Performances

Mainpiece Title: The Busy Body

Performance Comment: Marplot-Shuter, 1st time; Sir George-Smith; Charles-Clarke; Sir Francis-Collins; Sir Jealous-Marten; Isabinda-Mrs Barrington; Parch-Mrs Pitt; Miranda-Miss Nossiter.
Cast
Role: Miranda Actor: Miss Nossiter.

Afterpiece Title: The Double Disappointment

Performance Comment: As17581109, but only Phelim (with songs in character)-Shuter; Loveless-Lowe listed.

Entertainment: Between play and farce: Dish of All Sorts-Mr Shuter; will entertain the Audience. The Bill of Fare consisting of a Medley@Song-Shuter; A Dialogue upon Himself between an Old Man a North Briton and a Gentleman of Connaught-Mr Shuter; The History of Mr Shuter and the Sow-Shuter; To be sung by him as a Cantata in Sga Gruntinella's Taste. The Cries of London, as17581020

Performance Comment: The Bill of Fare consisting of a Medley@Song-Shuter; A Dialogue upon Himself between an Old Man a North Briton and a Gentleman of Connaught-Mr Shuter; The History of Mr Shuter and the Sow-Shuter; To be sung by him as a Cantata in Sga Gruntinella's Taste. The Cries of London, as17581020. To be sung by him as a Cantata in Sga Gruntinella's Taste. The Cries of London, as17581020.

Dance: TThe Threshers, as17581016

Event Comment: Benefit for Mrs Bellamy. Mainpiece: By Desire, and not acted these 4 years. [See 17 Jan. 1755.] Tickets deliver'd out for the 19th, and 22d for Douglas will be taken. Tickets sold at the Door will not be taken

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Florizel and Perdita

Dance: PPastoral Dance incident to the Farce-Delaistre

Event Comment: Benefit for Smith. Mainpiece: Not acted in 3 years. [See 29 March 1757.

Performances

Mainpiece Title: The Constant Couple Or A Trip To The Jubilee

Performance Comment: Sir Harry Wildair-Smith, 1st time; Standard-Sparks; Clincher Sr-Shuter; Vizard-Ridout; Smuggler-Collins; Young Clincher-Bennet; Dicky-Costollo; Constable-Marten; Tom Errand-Perry; Angelica-Mrs Dyer; Lady Darling-Mrs Copin; Parley-Mrs Pitt; Lady Lurewell-Mrs Hamilton.
Cast
Role: Standard Actor: Sparks
Role: Tom Errand Actor: Perry

Afterpiece Title: Florizel and Perdita

Dance: As17581111

Event Comment: Benefit for Havard. Afterpiece: Not acted these 6 years [btt see 16 March 1758]. Tickets deliver'd out for 31 March will be taken. The ode will be printed and deliver'd (Gratis) at the Doors. Part of Pit rail'd into Boxes. Ladies send Servants by 3 o'clock. Receipts: #240 (Cross); Charges #63 (Winston MS 8)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Miss in Her Teens

Entertainment: S+Specialty Anniversary Ode in Commemoration of Shakespeare set to music by Dr Boyce; The Vocal Parts-Champnes, Beard

Event Comment: Benefit for Yates. Farce not acted for two years [see 5 May 1757]. Last acting till after Easter Holidays. Receipts: #180 (Cross); charges #63 (Winston MS 8)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Reprisal or The Tars of Old England

Related Works
Related Work: The Reprisal; or, The Tars of Old England Author(s): Tobias Smollett

Dance: IV: A Comic Dance-Giorgi, Sga Lucchi

Event Comment: By Particular Desire. The Burletta, with the Addition of a new Act and a new Character, as originally performed at the Theatre Royal in Naples. At the Great Room in Marybone Gardens properly and elegantly fitted up for that purpose. 7:30 p.m. Admittance 3s. N.B. Mr Trotter's dauthter continues to make the rich seed and plumb cake, so much admired by the Nobility and Gentry at 2s. 6d. each, and likewise makes almond cheesecakes in a small size at 2s. per dozen. Six or eight make a Dish, and are hot every day one o'clock

Performances

Mainpiece Title: La Serva Padrona

Event Comment: [This month published Observations on the Use of Theatres, their present regulations and possible improvements. Price 1s. Printed for Cooper. See review in Gentleman's Magazine (p. 232). Proposal is that the "conduct of theatrical entertainments be for the future taken under the care of the goverment, and a person of judgment and integrity appointed by the name of comptroller, or conductor of the stage, who alone shall determine what old plays shall be acted, and what new ones received; and who shall take charge of the money received, and defray the necessary expenses, accounting for the remainder to the public. The author seemingly Dr John Hill, lately (see 21 Dec. 1758) upset by the failure of his farce, The Rout. (Winston MS 8). Receipts: #108 (Cross); #122 6d. (Winston MS 8)

Performances

Mainpiece Title: The Orphan Of China

Cast
Role: Hamet Actor: Holland
Role: Mandane Actor: Mrs Yates
Event Comment: Benefit for Bransby and Champness. Tickets deliver'd by Mrs Bradshaw, Miss Hippisley, Mrs Smith, and Mrs Rowe will be taken. Tickets sold at the Doors will not be taken. Receipts: #170 (Cross)

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: Peachum-Bransby; Lockit-Champness; Filch-Raftor; Macheath-Beard; Mrs Peachum-Mrs Cross; Lucy-Mrs Clive; Polly-Miss Macklin; Mat@o@Mint-Blakes; Beggar-Burton; Player-Mozeen; Diana Trapes-Mrs Bradshaw; In Act III, a Hornpipe-Mathews; to conclude with a Country Dance-the characters of the opera.

Afterpiece Title: The Apprentice

Performances

Mainpiece Title: Farnace

Performance Comment: See17590421. But no Mention of the New Dance in Act I%.