SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Moll Davis whom I never saw act before dancing and singing"/1) | (@(roleclean,performerclean) "Moll Davis whom I never saw act before dancing and singing")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5182 matches on Event Comments, 2242 matches on Performance Title, 1938 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Afterpiece: To conclude with the Repulse of the Spaniards before the Rock of Gibraltar [on 13 Sept. 1782; this was included in all subsequent performances]. The Scenes designed and executed by Greenwood. [Public Advertiser, 20 Dec, adds: The Overture by Baumgarten. The New Music and Accompaniments to the adapted Airs by Shield. Words of the Songs to be had at the Theatre.] Receipts: #164 2s. (106/13; 57/8; 0/1)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Harlequin Junior or The Magic Cestus

Performance Comment: Characters by Wright, Williamson, Burton, Staunton, Williames, R. Palmer, Waldron, Fawcett, Chaplin, Phillimore, Wilson, Alfred, Spencer, Chapman, Grimaldi; Mrs Burnett, Miss Burnett, Miss Tidswell, Miss Barnes, Miss Cranford, Miss M. Stageldoir. [Partial cast from Parker's General Advertiser, 8 Jan. 1784: Old Harlequin-Wright; Magician-Staunton; Sailor-Williames; Clown-Grimaldi; Spirit-Miss Cranford; Colombine-Miss M. Stageldoir. Playbill of 10 Nov. 1788 lists the other parts: Harlequin, German Officer, French Gentleman, Valet, Miller, Landlord, Cook, Daemon, Taylor; Old Colombine, French Ladies.] hathi. Old Colombine, French Ladies.] hathi.

Dance: End of Act IV of mainpiece The Sportsmen's Return, as17840916

Event Comment: A Grand Serious Opera; the music by Sacchini, with additions and alterations [by Andreozzi and Mazzinghi]. Under the direction of Mazzinghi. The dresses executed from original drawings of Bartolozzi and Tresham, by Lupino. With dances analogous to the Opera. The Doors to be opened at 6:30. To begin at 7:30 [same throughout season]. Pit 10s. 6d. Gallery 5s. There are a number of green boxes which may be taken on application to Lee, at the Theatre; the entrance to which, and to the Gallery, will be in Oxford-street. Subscriptions will be received by Messrs Wright and Co., Henrietta-street, Covent-garden (only) where tickets are delivering daily; and such Ladies as have not compleated their subscriptions to their boxes are intreated to send their names to the office, in order to have the tickets prepared, as no person can be admitted without producing a ticket. The Nobility and Gentry are intreated to give particular orders to their coachmen to set down and take up with their horses' heads towards Hyde-park. The Doors in Blenheim-mews for chairs only. By Command of His Majesty no person can be admitted behind the scenes during the performance. "We fear that [the Pantheon as converted into a theatre] will gratify only the eye. It must undergo still more changes before the ear will be satisfied. Whether it is that the dome is too high and disproportioned to the breadth, or that the orchestra is sunk too low beneath the audience we cannot tell, but the sound does not swell and spread in equal volume; and it is the most inaudible in the best parts of the Theatre: the Pit and the first and second tier of Boxes hear very indistincly...We found this to be the complaint of every judge of music in the place" (Morning Chronicle, 18 Feb.). "The Pantheon has opened, and is small, they say, but pretty and simple; all the rest ill-conducted, and from the singers to the scene-shifters imperfect; the dances long and bad, and the whole performance so dilatory and tedious, that it lasted from eight to half an hour past twelve" (Walpole [18 Feb. 1791], XIV, 377) [and see 19 Feb.]

Performances

Mainpiece Title: Armida

Performance Comment: Principal Characters-Pacchierotti, Lazzarini, Benigni, Garelli, Mme Mara, Sga Salimbeni. Cast from libretto (H. Reynell, 1791): Rinaldo-Gasparo Pacchierotti; Ubaldo-Gustavo Lazzarini; Idreno-Giuseppe Benigni; Carlo-Giovanni Garelli; Armida-Mme Mara; Zelmira-Sga Giovanna Salimbeni.
Related Works
Related Work: Armida Author(s): Jacopo Durandi
Related Work: L'Honorata Poverta di Rinaldo: viz, The honourable Poverty of Rinaldo, false accused by the Maganzesians: With Harlequing Guardian to his Master's Family and Defender of his Castle Author(s): Giacinto Andrea Cicognini

Dance: End I: Divertisement by D'Auberval-

Ballet: End II: an entire new Pantomime Ballet, in I act, composed by D'Auberval, Amphion et Thalie; ou, L'Eleve des Muses. Principal dancers-[Didelot, Duquesney, Vigano, Fialon, Duchesne, Rousseau, Boisgirard, St.Aumer, Schweitzer, [Mme Didelot, Mme Vigano, Mlle Theodore, [Mlle Gervaise Troche, Mlle Deligny, [Mlle L. Simonet, Mlle R. Simonet, Mlle Puisieux, [Mlle Bithmer Cadette, Mlle Bithmer, Mlle Rousseau, Mlle Vedie, Mlle Durand; [Cast from synopsis (H. Reynell [1791]:) Amphion (eleve des Muses)-Didelot; Bergers de la Phocide-Duquesney, Vigano; Thalie (Muse de la Comedie)-Mme Theodore D'Auberval; Jeune Nymphe de la Phocide (eleve de Terpsichore)-Mlle Gervaise Troche; Terpsichore (Muse de la Danse)-Mlle Leonore Simonet; Jeune Nymphe (favorite de Thalie)-Mlle Rosine Simonet; Melpomene (Muse de la Tragedie)-Mme Didelot; Clio (Muse de L'Histoire)-Mlle Augustine Bithmer; Erato (Muse de la Poesie Lyrique)-Mlle Bithmer; Euterpe (Muse de la Musique)-Mlle Rousseau; Uranie (Muse de l'Astronomie)-Mlle Jacobs; Calliope (Muse de l'Eloquence)-Mlle Birt; Polimnie (Muse de la Rhetorique)-Mlle Watson; Nymphes a la suite des Muses-Mlle Vedie, Mlle Durand, Mlle Berry, Mlle Bougier; Suite d'Amphion-Mme Fialon, Mme Duchesne, Mme Simonet, Mme Menage; Habitants de la Phocide-Mme Boisgirard, Mme Rousseau, Mme Omer, Mme Schweitzer

Performance Comment: Principal dancers-[Didelot, Duquesney, Vigano, Fialon, Duchesne, Rousseau, Boisgirard, St.Aumer, Schweitzer, [Mme Didelot, Mme Vigano, Mlle Theodore, [Mlle Gervaise Troche, Mlle Deligny, [Mlle L. Simonet, Mlle R. Simonet, Mlle Puisieux, [Mlle Bithmer Cadette, Mlle Bithmer, Mlle Rousseau, Mlle Vedie, Mlle Durand; [Cast from synopsis (H. Reynell [1791]:) Amphion (eleve des Muses)-Didelot; Bergers de la Phocide-Duquesney, Vigano; Thalie (Muse de la Comedie)-Mme Theodore D'Auberval; Jeune Nymphe de la Phocide (eleve de Terpsichore)-Mlle Gervaise Troche; Terpsichore (Muse de la Danse)-Mlle Leonore Simonet; Jeune Nymphe (favorite de Thalie)-Mlle Rosine Simonet; Melpomene (Muse de la Tragedie)-Mme Didelot; Clio (Muse de L'Histoire)-Mlle Augustine Bithmer; Erato (Muse de la Poesie Lyrique)-Mlle Bithmer; Euterpe (Muse de la Musique)-Mlle Rousseau; Uranie (Muse de l'Astronomie)-Mlle Jacobs; Calliope (Muse de l'Eloquence)-Mlle Birt; Polimnie (Muse de la Rhetorique)-Mlle Watson; Nymphes a la suite des Muses-Mlle Vedie, Mlle Durand, Mlle Berry, Mlle Bougier; Suite d'Amphion-Mme Fialon, Mme Duchesne, Mme Simonet, Mme Menage; Habitants de la Phocide-Mme Boisgirard, Mme Rousseau, Mme Omer, Mme Schweitzer.
Event Comment: Benefit for Bernard. 1st piece [1st time; M. PREL 1]: With the Storming of the Fort, and a View of the Fleet and Harbour. In which will be introduced the Grand Ceremony of the Enemy's Surrendering the Colours, and Marching out before the British Troops. The whole (including Dances) got up entirely under the direction of Byrn. Morning Herald, 13 May: Tickets to be had of Bernard at his house, No. 12, Kirby-street, Hatton Garden. Receipts: #249 8s. 6d. (83/9/6; 7/19/6; tickets: 157/19/6)

Performances

Mainpiece Title: The Fall Of Martinico Or Britannia Triumphant

Afterpiece Title: THE BELLES STRATAGEM

Cast
Role: Sandy Actor: Incledon

Afterpiece Title: THE HIGHLAND REEL

Cast
Role: Sandy Actor: Incledon

Dance: In Act IV of 2nd piece a Masquerade, in which a Minuet by Mrs Pope and Byrn

Song: In Masquerade Old Towler by Incledon; End of 2nd piece A Catalogue of Plays and Farces; or, a Love Letter from Dick Ranter to Kitty Sprightly, to an old Tune, by Bernard; After which Sally in our Alley by Incledon

Event Comment: 2nd ballet: With entirely new Scenery, Dresses, and Decorations. The Scenes painted by Greenwood, and under his direction. "Magnificent, perhaps beyond parallel on a British stage, but it is considerably too long, as it was past twelve before it was concluded" (True Briton, 8 Feb.)

Performances

Mainpiece Title: The 1st Act Of La Modista Raggiratrice

Afterpiece Title: Il Consiglio Imprudente

Dance: End 1st piece: Les Delassements Militaires- As17970124

Ballet: End 2nd piece: Pizarre; ou, La Conquete du Perou (1st time; composed by Gallet [with music by Mazzinghi]). Pizarre-Gallet; the other characters-Mme Rose, Didelot, Mme Hilligsberg, Mlle Parisot, Marcadet, Gentili

Performance Comment: Pizarre-Gallet; the other characters-Mme Rose, Didelot, Mme Hilligsberg, Mlle Parisot, Marcadet, Gentili.
Event Comment: Benefit for Holtom, Davis, Buck, Perry. No Building on Stage. Receipts: #41 15s. 6d. plus income from tickets: Holtom #27 9s. (Box 10; Pit 89; Gallery 116); Davis #75 2s. (Box 70; Pit 300; Gallery 126); Buck #32 13s. (Box 28; Pit 115; Gallery 84); Perry #57 19s. (Box 17; Pit 202; Gallery 234). [The beneficiaries in this joint operation delivered 1,391 tickets (Account Book).] Charges: #64 6s. 6d. (Account Book)

Performances

Mainpiece Title: King Richard Iii

Performance Comment: As17610330 but Richmond-Davis; Tressel-Perry; Norfolk-Buck; Stanley-Anderson; Lieut-R. Smith; Ratcliff-Bennet; Lord@Mayor-Marten; Catesby-Holtom; Oxford-Weller.
Cast
Role: Richmond Actor: Davis
Role: Stanley Actor: Anderson

Afterpiece Title: Flora

Dance: A Comic Dance-Granier, Mrs Granier. *uôÖcg Lady Pentweazle Scene. Lady Pentweazle-Hartry, 1st appearance on the stage; Carmine-Davis

Performance Comment: *uôÖcg Lady Pentweazle Scene. Lady Pentweazle-Hartry, 1st appearance on the stage; Carmine-Davis.
Cast
Role: Carmine Actor: Davis.

Entertainment: EEpilogue to the Minor-Davis

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Taste1st Act of Taste and Modern Tragedy

Performance Comment: As17610406 but New Characters-Three _Performers (who never appeared on any stage).

Dance: IV: A Comic Dance, as17610307

Event Comment: Lyric Ode (never performed) "On the Witches, Fairies, and Aerial Beings in Shakespeare. The Music entirely New." [The Westminster Magazine for March commented: "This poem is said to be written by a young gentleman of Oxford, and has many strokes of genius and inagination in it. The music, we hear, is composed by Mr Linley Jr, who has (since his return from Italy) been a student under that most excellent musician Dr Boyce. This composition must be allowed to be an extraordinary effort of genius in so young a man. The Fugue of the overture is masterly. The song of 'There in old Arden's inmost shade,' is well suited to the scene described by the poet....But what we think most deserving of praise is the power our young composer has shown in the chorusses....From the general and sincere applause with which the Ode was received, we may venture to pronounce, that if Mr Linley Jr pursues his studies, he will one day stand foremost in the list of modern composers."

Performances

Mainpiece Title: A Lyric Ode Alexanders Feast And The Coronation Anthems

Music: After the Ode: A Miscellaneous Act-; New Overture-; Song-a Gentleman (his first appearance in Public); Concerto on Oboe-Fischer; Song-Miss M. Linley (composed by Bach); Concerto on violin-Linley Jr; Song-Miss Linley (composed by Sacchini); Duetto-the Two Miss Linley's (composed by Piccini); Chorus

Event Comment: Benefit for Booth, Egan, Stevens & Branson. Afterpiece: Never performed here. Receipts: #259 3s. (72/13; tickets: 186/10) (charge: #105)

Performances

Mainpiece Title: The Chapter Of Accidents

Afterpiece Title: All the Worlds a Stage

Dance: End of mainpiece a new pantomimical Dance, Anticipation; or, Harlequin's Visit to Greenwich on Whit-Monday, in which will be introduced two favorite Scenes from Harlequin Skeleton. The Pantomime Parts by W. Bates, Baker, Jones, Stevens; Miss Matthews; the Dance by Aldridge, Langrish, Miss Matthews, Miss Besford

Song: End of Act IV of mainpiece, as17820423; End of Dance Rule Britannia by Darley

Event Comment: Mainpiece [1st time; T 4, but published in 5, by Richard Bentley. The assignments of Fearon, Booth, Mahon (who are not listed in the text) are my own conjecture. Prologue and Epilogue by Richard Bentley Jun. (Public Advertiser, 18 Dec.)]: New Dresses, &c. Words of the Epithalamium will be given at the Box Doors. Public Advertiser, 11 Jan. 1783: This Day is published Philodamus (1s. 6d.). Afterpiece: Never performed at this Theatre. Receipts: #203 2s. (198/16/6; 4/5/6)

Performances

Mainpiece Title: Philodamus

Performance Comment: Principal Characters by Henderson, Lewis, Whitfield, Hull, Davies, Fearon, Booth, Mahon; Miss Satchell, Miss Younge. [Cast from text (J. Dodsley [1783]): Philodamus-Henderson; Philippus-Lewis; Epicrates-Whitfield; Dolabella-Hull; Verres-Davies; Earinus-Fearon; Rubrius-Booth; Sestius-Mahon; Erato-Miss Satchell; Euphemia-Miss Younge.] New Prologue [spoken by Hull]. New Epilogue [spoken by Miss Younge (see text)] . New Prologue [spoken by Hull]. New Epilogue [spoken by Miss Younge (see text)] .

Afterpiece Title: The Quaker

Dance: End of mainpiece Diversion a-la-Mode, as17821211 in which The Devonshire Minuet, as17821129

Song: In Act III of mainpiece an Epithalamium by Mrs Kennedy and Mrs Martyr

Event Comment: Afterpiece: Altered from Sir John Vanbrugh's The Relapse. Never perform'd here. [Miss Christian is identified in Public Advertiser, 9 Aug.]

Performances

Mainpiece Title: Summer Amusement

Related Works
Related Work: Summer Amusement; or, An Adventure at Margate Author(s): Miles Peter Andrews

Afterpiece Title: The Man of Quality

Dance: End of Act I of mainpiece, as17840528; End of mainpiece, as17840713

Event Comment: "[King's] utterance possessed an articulate velocity and smartness never heard but from him; and a collected confidence in himself that extorted an applause paid to the situation, or the sentiment, rather than the man" (Boaden, Siddons, II, 105). [Address written by Richard Cumberland (Betsy Sheridan, Journal, 1960, p. 25).] Receipts: #255 13s. 6d. (228/1/0; 27/11/0; 0/1/6)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Quaker

Monologue: 1784 09 30 End of Act I an Occasional Address spoken by King

Event Comment: By Permission of the Right Hon. the Lord Chamberlain. Benefit for Mrs Pinto, formerly Miss Brett [recte Brent]. Afterpiece: With an additional scene, written by the author of the farce [Isaac Jackman], never performed in London. The Doors to be opened at 5:00. To begin precisely at 6:30. Tickets to be had of Mrs Pinto at Mrs Golden's, milliner, Blackmoor-street, Clare-market

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: Captain Macheath-Dighton; Peachum-L'Estrange; Lockit-Connell; Filch-Dutton; Ben Budge-Owen; Waiter and Gaoler-Besford; Mat o' th' Mint-Gaudry (of CG); Lucy-Mrs Greville; Mrs Peachum-Mrs Henley; Diana Trapes-Mrs Connell; Mrs Vixen-Mrs Elcock; Jenny Diver-Mrs Waldron; Molly Brazen-Miss Barrymore; Mrs Coaxer-Mrs Robinson; Polly-Mrs Pinto (last appearance on the stage [but see CG 22 Apr.]). hathi.but see CG 22 Apr.]). hathi.

Afterpiece Title: All the Worlds a Stage

Performance Comment: Sir Gilbert Pumpkin-Connell; Harry Stukely-Cross; Charles Stanley-Benson; Waiter-Johnstone; Hostler-Stevens; William-Jones; Cymon-Owen; Diggory-Dutton; Jenny (the new character)-Mrs Waldron; Miss Sprightly-Mrs Benson; Miss Bridget Pumpkin-Mrs Henley .

Dance: In Act III of mainpiece Hornpipe by Miss Besford (of CG)

Monologue: 1785 03 15 End of mainpiece Shuter's Post-haste Observations in a journey to Paris by Dutton

Event Comment: [Seymour is identified in European Magazine, Oct. 1787, p. 315. Address by Edward Hickey Seymour (London Chronicle, 4 Oct.).] "The clock striking two -instead of the usual folly of a small table bell, when Macbeth's drink was ready -forms an alteration of much good sense and propriety" (World, 2 Oct.). "Of the Lady Macbeths [since the time of Garrick] Mrs Siddons has exhibited the most happy effect of her skill -has shown a portrait of Lady Macbeth which before existed but in imagination. Mrs Yates claims the second place of eminence; her deportment and manner were equal to Mrs Siddons, but very inferior to her in pathos and energy. Mrs Pope's performance lays claim to praise, particularly in the sleeping scene, but there is a certain delicacy and tenderness associated with the powers of that lady which prevents her giving a glowing picture of that female fiend. Mrs Bates's performance was sufficiently marking and bold in some passages, but the whole wanted uniformity and finishing" (Public Advertiser, 4 Oct.). Receipts: #225 (224.5; 0.15)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Love and War

Song: Vocal Parts-Johnstone, Bonville, Cubitt, Darley, Doyle, Rock, Mrs Martyr, Mrs Mountain, Mrs Morton, Miss Stuart, Mrs Davenett, Mrs Watts, Mrs Kennedy

Entertainment: Monologue Before: Occasional Address-Pope

Event Comment: Mainpiece [1st time; C 5, by Hannah Cowley. Prologue by the author (Knapp, p. 134). Author of Epilogue unknown]: With new Dresses, Scenes, &c. Morning Chronicle, 18 Feb. 1795: This Day is published The Town before You (2s.). Genest VII, 205: In this play as printed in 1795 Fawcett's and Munden's names stand to the wrong characters. Receipts: #314 8s. (310.17; 3.11)

Performances

Mainpiece Title: The Town Before You

Performance Comment: Characters-Lewis, Quick, Holman, Pope, Munden, Fawcett, Bernard, Hull, Powel, Miss Wallis, Mrs Mattocks, Mrs Martyr, Miss Chapman, Miss Hopkins, Mrs Platt, Mrs Pope. Cast from text (T. N. Longman, 1795), and London Chronicle, 9 Dec.: Tippy-Lewis; Sir Robert Floyer-Quick; Conway-Holman; Asgill-Pope; Humphrey-Munden; Fancourt-Fawcett; Acid-Bernard; Perkins-Hull; Sir Simon Asgill-Powel; Slopseller-Thompson; Buckram-Williamson; Holdfast-Cross; Sir Robert's Servant-Simmons; Georgina-Miss Wallis; Mrs Fancourt-Mrs Mattocks; Jenny-Mrs Martyr; Lady Charlotte-Miss Chapman; Lady Elizabeth-Miss Hopkins; Mrs Clement-Mrs Platt; Lady Horatia Horton-Mrs Pope; Mrs Bullrush-Miss Stuart; Lady Horatia's Servant-Miss Leserve; Prologue-Mrs Mattocks; Epilogue-Miss Wallis.

Afterpiece Title: Netley Abbey

Cast
Role: Captain Oakland Actor: Incledon
Role: Oakland Actor: Munden
Role: Lucy Oakland Actor: Miss Hopkins
Event Comment: Mainpiece [1st time; C 5, by Miles Peter Andrews and Frederick Reynolds; based on Le Dissipateur; ou, L'Honnete Friponne, by Philippe Nericault, dit Destouches. Prologue by the Duke of Leeds; Epilogue by Miles Peter Andrews (see text)]: With new Scenes, Dresses and Decorations. The Scenery designed and executed by Greenwood. Gazetteer, 18 Nov.: At the rehearsal of the new comedy on Tuesday the Duke of Leeds, Major Scott, Mr Angerstein [the banker] and Mr Boswell were in the boxes. Mr Boswell said an epigrammatic thought had struck him...and he brought the following Impromptu into life: Andrews, your play is safe enough; For noble Leeds endures it; Boswell and Scott are pledged to puff, And Angerstein ensures it. World, 13 Dec. 1790: To-morrow will be published Better Late than Never (1s. 6d.). Receipts: #240 14s. (206.7; 32.6; 2.1)

Performances

Mainpiece Title: Better Late Than Never

Performance Comment: Characters by Kemble, Dodd, Palmer, Baddeley, Bannister Jun., R. Palmer, Maddocks, Lyons, Webb, Mrs Jordan, Mrs Goodall, Miss Pope. [Cast from text (J. Ridgway, 1790): Saville-Kemble; Flurry-Dodd; Sir Charles Chouse-Palmer; Grump-Baddeley; Litigamus-Bannister Jun.; Pallet-R. Palmer; Lawyer's Clerk-Maddocks; Servant to Saville-Lyons; Servant to Flurry-Webb; Augusta-Mrs Jordan; Mrs Flurry-Mrs Goodall; Diary-Miss Pope; Prologue-Bannister Jun; Epilogue-Mrs Jordan. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]
Related Works
Related Work: Better Late than Never Author(s): Miles Peter Andrews

Afterpiece Title: Don Juan

Cast
Role: Don Ferdinand Actor: Dignum
Role: Perez Actor: Bland
Role: Viletta Actor: Mrs Bland
Role: Vocal Parts Actor: Dignum, Sedgwick, Mrs Bland, Mrs Edwards, Miss Hagley

Dance: As17901026

Event Comment: A new Serious Opera in 3 acts (1st time [in London; 1st performed at Munich, 1771]); the Music entirely new, composed by Rauzzini

Performances

Mainpiece Title: Leroe Cinese

Performance Comment: Principal Characters by Pacchierotti, Ansani, Manzoletto; Sga Lorenzini, Sga Prudom. [Cast from libretto (E. Cox, 1782): Siveno-Pacchierotti; Leango-Ansani; Minteo-Manzoletto; Ulania-Sga Lorenzini; Lisinga-Sga Prudom.] hathi. hathi.

Dance: End of Act I Divertisement Dance, as17820205; End of Act II New Divertisement Dance, as17820216; End of Act III Le Triomphe de l'Amour Conjugal, as17820110

Event Comment: Benefit for Tenducci. Tickets 5s. Coffee and Tea included. [Pasqualino had a similar musical evening there, 18 June, with fireworks.

Performances

Mainpiece Title: Music In Four Acts

Performance Comment: Favourite songs. A good Choir disposed over the orchestra, and some extraordinary hands. End Act II, Handel's Grand Chorus from the Messiah-; [End Act IV, Handel's Coronation Anthem-. [After the music is over, in the Portico opposite the Octagone in the Garden, will be exhibited the Theatre of Shados [sic] representing several beautiful views of Italy, and moving figures...Between the acts the French Horns-; [and Clarinets- [will play favourite pieces- [in the Garden. The whole to conclude with a Ball..in the Garden. The whole to conclude with a Ball..
Event Comment: Benefit for Mattocks. Morning Herald, 12 Apr.: Tickets to be had of Mattocks at his house, Charlotte-street, Rathbone-place. Mainpiece: Not acted these 7 years [not acted since 26 Dec. 1774]. Afterpiece: Not acted these 3 years [not acted since 22 May 1778]. Receipts: #175 3s. 6d. (151/9/6; tickets: 23/14/0) (charge: #105)

Performances

Mainpiece Title: The Earl Of Essex Or The Unhappy Favourite

Performance Comment: Essex (1st time)-Henderson; Burleigh-Hull; Raleigh-L'Estrange; Lieutenant-Thompson; Officer-J. Wilson; Southampton-Wroughton; Rutland (1st time)-Mrs Barnes; Nottingham-Mrs Inchbald; Queen Elizabeth-Mrs Hunter (1st appearance these 5 years) .
Cast
Role: Rutland Actor: Mrs Barnes

Afterpiece Title: The Country Mad Cap

Dance: End of Act II of mainpiece The Poney Races by Harris, Ratchford, Miss Matthews; End of mainpiece The Gala, as17820409

Event Comment: Tickets delivered by Miss Barnes, Mrs Nevill, Gibson, Blandy, Leslie, Bayne, Finney, Stevens will be taken. Afterpiece: Not acted these 2 years [not acted since 5 June 1777]. Receipts: #57 1s. (39/2/0; 17/11/6; 0/7/6; tickets: none listed)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Miss IN Her Teens

Performance Comment: Captain Flash-Palmer; Puff-Wright; Captain Loveit-R. Palmer; Jasper-Burton; Fribble (1st time)-Waldron; Tag-Mrs Love; Miss Biddy-Miss Barnes (1st appearance in that character) .

Dance: In Act I of mainpiece, as17810915; End of Act II, as17820302athi

Event Comment: Mainpiece: Not acted these 5 years [acted 14 May 1779]. Paid Barratt, Wax Chandler, on Acct. #100. Receipts: #126 15s. 6d. (126/6/0; 0/7/0; ticket not come in: 0/2/6)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Triumph of Mirth

Dance: End of Act III of mainpiece, as17820917; End of Act IV, as17821005

Event Comment: Epilogue by David Garrick. Second Ballet: with New Scenes [by deLoutherbourg] and Dresses [by Lupini]. Two new Grand Ballets, composed by Gallet, were introduced in this Piece (The Maid of the Oaks) in which Gallet and Mlle Dupre made their first Appearance upon the Eng. Stage--the first Dance, which was to be in the 2nd Act, was obliged to be deferred till the end of the 3rd Act, as Lupini, who made the Dancers Dresses, had not brought them to the House--this put us all into great Confusion, and Dodd made an Apology to the Audience, that an unforseen Accident had prevented the Dance being done in the proper Place. At the beginning of the 3rd Act most of the Dresses were brought, but not all, and some of the Dancers were obliged to put on what Dresses could be got for them--They were all very much confused--the Music also was not perfect. Gallet went on, and spoke in French to the Audience, and told the Band that he wished they had any Heads. In the first Dance Mlle Dupre fell down, and a little after Gallet fell down, but (they) did not hurt themselves, and the Dance went on--and even with all these Disadvantages was much applauded (Hopkins Diary). Receipts: #181 19s. 6d

Performances

Mainpiece Title: The Maid Of The Oaks

Afterpiece Title: Polly Honeycomb

Dance: In II: [but postponed until end of Act III (see following note)]a new grand Ballet, Demie Caractere, composed by Gallet, The Double Festival-Gallet, Mlle Dupre (their 1st appearance upon the English stage), Helme, Slingsby, Sga Vidini, Sga Crespi, Sga Ricci; In V: [a new grand serious Ballet, composed by Gallet, The Triumph of Love-Gallet, Helme, Sga Crespi, Miss Armstrong, Mlle Dupre

Song: In: a Fete Champetre[. The vocal parts-Vernon, Davies, Miss Abrams, Mrs Scott, Mrs Wrighten. [This was included, as here assigned (except on 20 Feb. 1777), in all subsequent performances.

Event Comment: A new Comic Opera in 2 acts; the new Music composed by Anfossi. Books of the Opera to be had at the Theatre

Performances

Mainpiece Title: I Viaggiatori Felici

Performance Comment: Principal Characters by Viganoni, Morigi, Manzoletto, Micheli; Sga Lorenzini, Sga Salpietro, Sga Allcgranti. [Cast from libretto (H. Reynell, 1782): Giannetto-Viganoni; Patterio-Morigi; Don Gastone-Manzoletto; Pasquino-Micheli; Isabella-Sga Lorenzini; Lauretta-Sga Salpietro; Bettina-Sga Allegranti.] hathi. hathi.

Dance: End of Act I Divertisement Dance, as17811117, but added: Pas Seal, as17811120; End of Act II a new Ballet Anacreontique (composed by Noverre), Les Petits Riens, by Gardel, Mmc Simonet, Nivelon, Mlle Baccelli, Slingsby, Mlle Theodore, Henry, Sga Crespi, &c. The Music entirely new by Barthelemon

Event Comment: A new Serious Opera in 2 acts [1st rime; author unknown]; the music by several eminent composers, under the direction of Bertoni. Books of the Opera [which are entitled Giunio Bruto], with an account of the new Dance, to be had at the Theatre. [Sga Macchierini was from the Opera, Cremona.] Public Advertiser, 14 Jan.: Pacchierotti sang "in a Stile the most superior--superior to any Singer heard in this country since Farinelli--superior to Pacchierotti himself!"

Performances

Mainpiece Title: Junius Brutus

Performance Comment: Principal Characters by Pacchierotri, Ansani, Manzoletto, Micheli; Sga Lorenzini, Sga Macchierini (1st appearance in England). [Cast from libretto (E. Cox, 1781): Tito-Pacchierotri; Giunio Bruto-Ansani; Aronte-Manzoletto; Procolo-Micheli; Marzia-Sga Lorenzini; Tullia-Sga Macchierini.] hathi. hathi.

Dance: End of Act I Divertisement Dance, as17811117; End of Act II Le Triomphe de l'Amour Conjugal, as17820110

Event Comment: A New Comic Opera in 2 acts; The Music by Sacchini. [Opera in place of I Viaggiatori Felici, announced in Public Advertiser, 1 Mar. Nonini, who is unidentified, was from the Opera, Lisbon.] Public Advertiser, 6 Apr.: To the credit of Sacchini, it is the best Burletta extant. It is in all parts excellent . . . while it amuses, it does not fail equally to interest

Performances

Mainpiece Title: La Contadina In Corte

Performance Comment: Principal Characters by Viganoni, Morigi, Nonini (1st appearance); Sga Lorenzini, Sga Salpietro, Sga Allegranti. [Cast from libretto (E. Cox, 1782): Berto-Viganoni; Dottor Stoppino-Morigi; Ruggiero-Nonini; Clarice-Sga Lorenzini; Tancia-Sga Salpietro; Sandrina-Sga Allegranti.] hathi. hathi.
Cast
Role: Sandrina Actor: Sga Allegranti.

Dance: End of Act I New Divertisement Dance, as17820214; End of Act II Le Triomphe de l'Amour Conjugal, as17820110

Event Comment: Benefit for Burton, Williames & Harwood, prompter. Public Advertiser, 7 May: Tickets to be had of Harwood, Blackmoor Street, Clare-market [others not listed]. Tickets sold at the Doors will not be admitted. [The playbill assigns the song in Act II to Williames, but a MS annotation on the Kemble playbill substitutes Du-Bellamy.] Receipts: #252 19s. (66/15; 34/7; 0/11; tickets: 151/6) (charge: #106 9s. 4d.)

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: Young Bevil-Smith; Myrtle-Palmer; Cimberton-Parsons; Mr Sealand-Aickin; Sir John Bevil-Packer; Humphrey-Wrightcn; Daniel-Burton; Tom-King; Phillis-Miss Pope; Lucinda-Mrs Sharp; Isabella (1st time)-Mrs Hedges; Mrs Sealand-Mrs Love; Indiana-Miss Farren (1st appearance in that character) .
Cast
Role: Mr Sealand Actor: Aickin
Role: Mrs Sealand Actor: Mrs Love

Afterpiece Title: Lincos Travels

Afterpiece Title: The Gentle Shepherd

Related Works
Related Work: The Gentle Shepherd Author(s): Cornelius Vanderstop

Dance: End of Act IV of mainpicce a Minuet and Gavot by Zuchelli and Miss M. Stageldoir

Song: In Act II of mainpiece a song by Du-Bellamy; End of Act III The Soldier tir'd of War's Alarms, as17820420