SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Moll Davis whom I never saw act before dancing "/1) | (@(roleclean,performerclean) "Moll Davis whom I never saw act before dancing ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5146 matches on Event Comments, 2008 matches on Performance Title, 1835 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Elfrida

Afterpiece Title: Harlequin Sorcerer

Monologue: Before: By particular desire, New Occasional Prelude. As 27 Oct. 1772, but Author-Hamilton

Performances

Mainpiece Title: The Funeral; Or, Grief A-la-mode

Afterpiece Title: The Citizen

Dance: End: The Highland Reel, as17731112

Monologue: Before: By Particular Desire, the Occasional Prelude. Manager-Wroughton; Author-Kniveton; Carpenter-Davies; Young Actress-Miss Barsanti. [See 10 May 1773.

Performance Comment: Manager-Wroughton; Author-Kniveton; Carpenter-Davies; Young Actress-Miss Barsanti. [See 10 May 1773.]See 10 May 1773.]
Cast
Role: Young Actress Actor: Miss Barsanti.

Performances

Mainpiece Title: She Stoops To Conquer

Afterpiece Title: The Padlock

Entertainment: Before the Play: (By Particular Desire) The New Occasional Prologue-Woodward

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Three Weeks after Marriage

Dance: Before Farce: The Merry Sailors, as17760314

Performances

Mainpiece Title: The Miser

Performance Comment: Miser-Shuter; Clerimont-Davis; Ramilie-Goss; Decoy-Lloyd; Furnish-Francis; Sparkle-Walters; Lawyer-Dyell; James-Jackson; Fredrick-a Gentleman; Harriet-Miss Essex; Mrs Wisely-Mrs Bishop; Wheedle-Miss J. Essex; Lappet-Mrs Gardner; Mariana-Miss Weller (a pupil of Dr Arne's, first time in that character).
Cast
Role: Clerimont Actor: Davis

Afterpiece Title: Midas

Entertainment: Before: An Address to the Town, with Imitations-Master Russell , a child but 6 years of age; End II: Bucks Have at ye all-Master Russell; End IV: Imitations-Decastro; End: The Cries of London-Shuter (By Desire); Jo Haine's Epilogue-Shuter riding on an Ass

Performances

Mainpiece Title: Piramo E Tisbe

Performance Comment: Principal Characters by Rauzzini, Giulinani, Savoi, Sga Prudom. Cast from libretto (no pub., 1776): Piramo-Rauzzini; Eupalte-Giulinani; Corebo-Savoi; Tisbe-Sga Prudom.

Dance: End of Overture: Les Amans Heureux, as17761210; End I: La Force de l'Amour, as17761207, but Vallouy@le@cadet; End Opera: +Serious Ballet, as17761130

Music: Before first Dance: Overture to Astarto by Giardini-

Event Comment: AfterPiece: Never performed here. [Miss Hemet is identified in Westminster Magazine, July 1780, p. 396.

Performances

Mainpiece Title: The Spanish Barber; Or, The Fruitless Precaution

Performance Comment: Characters-Palmer, Wilson, Blissett, Wewitzer, R. Palmer, Egan, Stevens, Edwin, Miss Farren. [Cast adjusted from London Chronicle, 1 Sept. 1777: Count Almaviva-Palmer; Dr Bartholo-Wilson; Basil-Blissett; Argus-Wewitzer; Tall Boy-R. Palmer; Alcade-Egan; Notary-Stevens; Lazarillo-Edwin; Rosina-Miss Farren.]

Afterpiece Title: Comus

Performance Comment: Comus-Palmer; Singing Spirit-Du-Bellamy; Brothers-Lamash, Wood; 1st Spirit-R. Palmer; Principal Bacchanal-Bannister; Lady (with the song of Sweet Echo, accompanied on the hautboy by Sharp)-Miss Harper; Sabrina, Pastoral Nymph-Miss Twist; Bacchants-Mrs Hitchcock; Eurphosyne, Principal Bacchant-A Young Lady (who never appeared on any stage [Miss Hemet]).Miss Hemet]).

Music: With a Fandango Overture-. [This was performed in all subsequent performances.

Event Comment: Nethercot (Davenant,pp. 337-78) believes that this play was brought out in the late summer of 1663. The Epilogue refers to the Long Vacation, presumably the summer of 1663, as the play is referred to in Stapylton's The Stepmother, which was licensed 26 Dec. 1663. In Act V is a farce relating to Pompey; as Langbaine (English Dramatick Poets, p. 405) states: Pompey, a Tragedy, which I have seen acted with great Applause, at the Duke's Theatre, and at the End was acted that Farce printed in the fifth Act of The Play-house to be Let. [See also June 1663.

Performances

Mainpiece Title: The Playhouse To Be Let

Performance Comment: Song in Act II Ah love is a delicate thing-Mrs Gosnell.
Event Comment: The United Company. The date of the first performance is not certain, but the play was acted soon after Shadwell's death in November 1692. Gentleman's Journal, November 1692: We have lately lost Thomas Shadwell Esquire....The Comedy which, as I told you, he design'd for the Stage, was acted since his decease: 'Tis call'd the Volunteers; and though that Orphan wanted its Parent to support it, yet it came off with reasonable success. [When this play was revived at Drury Lane 27 July 1711, the bill bore the heading: Not acted these Twenty Years.

Performances

Mainpiece Title: The Volunteers; Or, The Stock-jobbers

Performance Comment: Edition of 1693: A Prologue [by Mr Shadwell and designed to be Spoken, but was lost when the Play was Acted-; The Prologue [by Mr Durfey-Mrs Bracegirdle; The Epilogue-one in deep Mourning; Major General Blunt-Lee; Coll. Hackwell Sr-Dogget; Coll. Hackwell Jr-Powell; Welford-Hodgson; Sir NicholasDainty-Bowman; Sir Timothy Kastril-Bowen; Nickum-Alexander [Verbruggen]; Ding@boy-Freeman; Teresia-Mrs Knight; Eugenia-Mrs Mountford; Winifred-Mrs Rogers; Clara-Mrs Bracegirdle; Mrs Hackwell-Mrs Lee; Stitchum-Penkethman.
Event Comment: Mainpiece: Not acted these 6 years [not acted since 28 Apr. 1773]. With new Scenes [by French and Carver (text)] and Dresses. [In the Vocal Parts the playbill lists Sga Prudom, but "at the end of the second act, Smith came forward and apologized for the absence of Signora Prudom, and begged that Mrs Wrighten might be permitted to take her part . . . Mrs Wrighten was received with applause" (London Chronicle, 20 Oct.). Sga Romanzini was from the Royal Circus.] Receipts: #123 8s. 6d. (92/15/0; 29/11/0; 1/2/6)

Performances

Mainpiece Title: King Arthur; Or, The British Worthy

Performance Comment: King Arthur-Smith; Oswald-Brereton; Merlin-Aickin; Osmond-Farren; Conon-Packer; Albanact-Wrighten; Aurelius-R. Palmer; Guillamar-Griffiths; Grimbald-Bannister; Philidel-Miss Field; Cupid-Sga Romanzini (1st appearance on this stage); Emmeline-Miss Farren. [Edition of 1781 (W. Strahan [et al]) adds: Ã?olus-Danby; Matilda-Miss Barnes; and specifies Honour-Vernon [but he had withdrawn from the stage (see17811009); the part was probably acted by Du-Bellamy]; Venus-Miss Phillips; Airy Spirits-Miss Collett, Miss Wright.] hathi. hathi.

Afterpiece Title: Who's the Dupe

Dance: In mainpiece by Zuchelli, Henry, Miss Armstrong, Miss M. Stageldoir. [This was the same, as here assigned, in all subsequent performances, but beginning with 11 Dec. Henry is omitted.]

Song: In mainpiece the Vocal Parts by Du-Bellamy, Williams, Fawcett, Chaplin, Phillimore, &c.; Miss Phillips, Miss Collett, Miss Wright, Miss Stageldoir, Mrs Wrighten

Event Comment: The Duke's Company. Newdigate newsletters, 15 Aug. 1682: Thursday last being acted a play called the Tragedy of Romulus att the Dukes Theatre & the Epilogue spoken by the Lady Slingsby & written by Mrs Behn having reflected on ye Duke of Monmouth, ye Lord Chamberlaine thereupon has order[ed] them both in Custody to answer th[at] affront for ye same (Wilson, Theatre Notes from the Newdigate Newsletters, p. 81). See also True Protestant Mercury, 12-16 Aug. 1682, for essentially the same statement. The Prologue and Epilogue were printed separately, and Luttrell' copy (Huntington Library) bears his acquisition date of 8 Aug. 1682. They are reprinted in Wiley, Rare Prologues and Epilogues, pp. 132-34. The separately printed Prologue states that Mrs Behn also wrote it. A song, Where art thou god of love, the music by Giovanni Draghi, is in Theater of Music, The Third Book, 1686

Performances

Mainpiece Title: Romulus And Hersillia; Or, The Sabine War

Performance Comment: Edition of 1683: Prologue-Mrs Butler [who probably acted Feliciana]; Epilogue [by Mrs A. Behn-Lady Slingsby [who acted Tarpeia.who acted Tarpeia.
Event Comment: Benefit for Dibdin. Afterpiece: A new Burletta in two Acts by Bickerstaffe. [Adaptation of Pergolesi's La Serva Padrona.] Books of the Burletta to be had at the Theatre

Performances

Mainpiece Title: The Way Of The World

Performance Comment: As17710318 but Foible-Mrs Jeffries; French Song continued in Act III. French Song continued in Act III.

Afterpiece Title: He Would if He Could; or, An Old Fool Worse than Any

Performance Comment: Parts by Vernon, Bannister, Dibdin in the character of an Old Lady, Mrs Baddeley. Simon-Vernon; Betty-Mrs Baddeley; Old Lady-Dibdin; Goosecap-Bannister (Edition of 1771).

Dance: V: A Comic Dance, as17701025

Event Comment: Benefit for Wilson. 1st piece [1st time; F 1, author unknown. Larpent MS 944; not published]. 3rd piece: Not acted these 15 years. In Act II a Grand Review of Bayes's Troops, with a Sham Battle of Horse and Foot [for which see dl, 13 Dec. 1777]. 4th piece [1st time; M. INT 1, author unknown. Larpent MS 946; not published]: With a New Overture. Morning Herald, 6 Aug.: Tickets to be had of Wilson, Park-lane, Church-lane, Chelsea

Performances

Mainpiece Title: Hail Fellows Well Met

Performance Comment: Characters-Wilson, Edwin, Palmer Jun., Farley, Johnson, R. Palmer, Miss Heard, Miss Palmer, Mrs Edwin, Mrs Powell, Mrs Webb. [Larpent MS, which gives the cast for an intended performance at cg on 8 May 1792, lists the parts: Teazum (acted by Wilson), Robin, Belville, Coachman, John, Groom, Mrs Deborah, Maria, Cook, Scullion.]Larpent MS, which gives the cast for an intended performance at cg on 8 May 1792, lists the parts: Teazum (acted by Wilson), Robin, Belville, Coachman, John, Groom, Mrs Deborah, Maria, Cook, Scullion.]

Afterpiece Title: Ways and Means

Afterpiece Title: The Rehearsal

Afterpiece Title: The Rights of Women

Performance Comment: Characters by Wilson, Davies, Mrs Taylor, Mrs Bland. Cast adjusted from Larpent MS: Mr Waddle-Wilson; Capt. Binnacle-Davies; 1st Mrs Waddle-Mrs Taylor; 2nd Mrs Waddle-Mrs Bland.
Event Comment: The Duke's Company. Pepys, Diary: Against my judgment and conscience (which God forgive, for my very heart knows that I offend God in breaking my vows therein) to the Opera, which is now newly begun to act again, after some alteracion of their scene, which do make it very much worse; but the play, Love and Honour, being the first time of their acting it, is a very good plot, and well done. Downes (pp. 21-22): This Play was Richly Cloath'd; The King giving Mr Betterton his Coronation Suit;...The Duke of York giving Mr Harris his...and my Lord of Oxford gave Mr Joseph Price his...and all the other Parts being very well done: The Play having a great run, Produc'd to the Company great Gain and Estimation from the Town

Performances

Mainpiece Title: Love And Honour

Performance Comment: Downes (Roscius Anglicanus, pp.21-22): Prince Alvaro-Betterton; Prince Prospero-Harris; Lionel-Joseph Price; Duke-Lilliston; Evandra-Mrs Hester? Davenport. [Possibly Peg Fryer acted the Old Widow; when she appeared at lif on 11 Jan. 1720, she was announced as having appeared in Love and Honour when she was young. As she was 85 in 1720, she was about 26 at this time.]Possibly Peg Fryer acted the Old Widow; when she appeared at lif on 11 Jan. 1720, she was announced as having appeared in Love and Honour when she was young. As she was 85 in 1720, she was about 26 at this time.]
Event Comment: This play, which was licensed on 22 April 1664, was a revision of Flecknoe's Love's Dominion, 1654. There is no indication, other than the date of licensing, which points to a specific time when it was acted. The Duke's Company

Performances

Mainpiece Title: Love's Kingdom

Performance Comment: Edition of 1664: A Pastoral Trage-Comedy; Not as it was Acted at the Theatre near Lincolns Inn, but as it was written and since corrected. [This edition has a Prologue but no actors' names.] Not as it was Acted at the Theatre near Lincolns Inn, but as it was written and since corrected. [This edition has a Prologue but no actors' names.]
Event Comment: The King's Company. The date of the premiere is not certain, but the Dedication speaks of its being acted two days and an order, L. C. 5@144, p. 29 (Nicoll, Restoration Drama, p.1 on), dated 14 Dec. 1680, banning it suggest that it was performed on 11 and 13 Dec. 1680. It is possible, however, that Tate's statements may refer to performances on 18 and 19 Jan. 1680@1. Dedication, Edition of 1681: For the two Days in which it was Acted, the Change of the Scene, Names of Persons, &c. was a great Disadvantage: many things were by this means render'd obscure and incoherent that in their native Dress had appear'd not only proper but gracefull. I call'd my Persons Sicilians but might as well have made 'em Inhabitants of the Isle of Pines. Henry Purcell composed the music for a song, "Retir'd from any mortal's sight." See Purcell, Works, The Purcell Society, XX (1916), ix-x

Performances

Mainpiece Title: The Sicilian Usurper

Performance Comment: [The History of King Richard the Second, by Nahum Tate.] Edition of 1681: The History of King Richard the Second Acted at the Theatre Royal under the Name of the Sicilian Usurper. Prologue-; Epilogue-Mrs Cook.
Event Comment: The United Company. The date of the first performance is not known, but according to the Gentleman's Journal, May 1694, it followed Have at All: the other call'd The married Beau, or the Curious Impertinent, by Mr Crown, already acted many times (p. 134). The manuscript of a song composed by John Eccles and sung by Doggett is in Bodleian, School of Music Collection, c. 95, f 102. One by Henry Purcell, See, where repenting Celia lyes, sung by Mrs Ayliff, is in Thesaurus Musicus, 1695. See also Purcell's Works, Purcell Society, XX (1916), xvii-xviii

Performances

Mainpiece Title: The Married Beau; Or, The Curious Impertinent

Performance Comment: Edition of 1694. The Prologue-; see Epilogue; The Epilogue-Mr Dogget who Acts Thorneback. A copy of the 1694 quarto in the Folger Shakespeare Library has a manuscript cast which appears to be the original one; Loveley-Powell; Polidor-Betterton; Thorneback-Dogget; Sir John-Bowen; Mrs Loveley-Mrs Barry; Cecilia-Mrs Bowman; Camilla-Mrs Bracegirdle; Lionell-Mrs Verbruggen; Prologue-Mr Powell?.
Event Comment: Benefit Mills. Mainpiece: Not Acted these 6 Years

Performances

Mainpiece Title: The Coquet

Related Works
Related Work: The Coquet: or, The English Chevalier Author(s): Charles Molloy

Afterpiece Title: The Country House

Performance Comment: Madam Bernard-Mrs Mountfort, which was originally acted by Mrs Verbruggen, her mother.

Song: Henry Purcell's Frost Music from King Arthur-Leveridge, the new Boy, others; Singing in English and Italian-Mrs Tofts

Event Comment: Not Acted these Ten Years. Written Originally by Beaumont and Fletcher, and since Revis'd

Performances

Mainpiece Title: Bonduca; Or, The British Worthy

Performance Comment: With the Epilogue to the Play-the Child that acted Princess Elizabeth in Anna Bullen.

Music: With the Addition of that Celebrated Musick by the late Mr Henry Purcell-Randal, Renton, Teno, Burkhead, Mrs Willis, Mrs Mills, Miss Booth

Event Comment: Benefit Ray, Green, Barclay, Mrs George. Afterpiece: By Desire. Not acted these 7 years [see 14 May 1739]

Performances

Mainpiece Title: The London Merchant

Performance Comment: As17431227, but George Barnwell-Green; Lucy-Mrs George; In Act I Singing-Morland.
Cast
Role: In Act I Singing Actor: Morland.

Afterpiece Title: Flora

Dance: III: Mlle Auguste

Event Comment: Mainpiece not acted these 25 Years [see Feb. 1721]. The Refusal, or the Lady's Philosophy, wrote by C. Cibber, Esq. was reviv'd at dl. There was a numerous and polite audience. The Play was greatly approv'd of, and the whole performance met with a general applause.--General Advertiser, 29 Nov

Performances

Mainpiece Title: The Refusal; Or, The Ladies Philosophy

Performance Comment: Sir Gilbert-Macklin; Granger-Delane; Witling-Cibber Jun; Frankly-Mills; Lady Wrangle-Mrs Macklin; Sophronia-Mrs Clive; Charlotte-Mrs Woffington; in Act IV the original Cantata-Lowe.

Afterpiece Title: The Anatomist

Dance: As17461121

Event Comment: Benefit Dunbar, Jones, Atkinson, Pritchard, Bride (General Advertiser). Benefit for Dunbarr & Boxkeepers (Cross). Tickets deliver'd for Love's Last Shift will be taken. On Friday next the Roman Father will be acted at Drury Lane, being the last time of the company's performing this season

Performances

Mainpiece Title: The London Merchant

Performance Comment: As17500215, but Uncle-Simson; Singing in Act I-.

Afterpiece Title: Miss in Her Teens

Dance: II: Hornpipe-Master Shawford; IV: Black Joke, as17500420 V: Comic Dance, as17500313

Event Comment: Mainpiece: Not acted these 5 years. [See 27 Sept. 1746.] The play hiss'd when over (Cross). Receipts: #80 (Cross)

Performances

Mainpiece Title: Sir Courtly Nice; Or, It Cannot Be

Performance Comment: Sir Courtly-Woodward; Belguard-Blakes; Farewell-Palmer; Surly-Berry; Hothead-Winstone; Testimony-Taswell; Crack-Yates; Aunt-Mrs Cross; Violante-Mrs Willoughby; Leonora-Mrs Clive; Waitwell-Simson; Valet-Atkins; John-Vaughan; Betty-Mrs Simson; In Act III Singing-Beard.
Cast
Role: In Act III Singing Actor: Beard.

Afterpiece Title: The Chaplet

Dance: II: L'Entree de Flore-Mad Auretti; Peasant Dance-Matthews, Mad Janeton Auretti

Event Comment: Mainpiece: Not acted these 8 years. [See 28 Jan. 1746.] Receipts: #190 (Cross)

Performances

Mainpiece Title: The Old Batchelor

Performance Comment: Fondlewife-Foote; Bellmour-Palmer; Sir Joseph Wittol-Woodward; Setter-Blakes; Noll Bluff-Yates; Vainlove-Jefferson; Sharper-Havard; Heartwell-Berry; Lucy-Mrs Bennet; Laetitia-Mrs Pritchard; Belinda-Miss Haughton; Araminta-Mrs Davies; Sylvia-Mrs Cowper; In Act III a Dance proper to the play,-Gerard, Mad Lussant.

Afterpiece Title: The Englishman in Paris

Cast
Role: Other characters Actor: Lacey.
Event Comment: Mainpiece: Not acted these 8 years [See 23 March 1747.] Went off Indiff (Cross). Receipts: #80 (Cross)

Performances

Mainpiece Title: The Man Of Mode; Or, Sir Fopling Flutter

Performance Comment: Dorimant-Ross; Sir Fopling Flutter-Woodward; Medley-Havard; Young Bellair-Palmer; Mrs Loveit-Mrs Cibber; Emelia-Mrs Cowper; Belinda-Mrs Davies; Shoemaker-Burton; Handy-Jefferson; Smirk-Simson; Orangewoman-Mrs Bradshaw; Old Bellair-Phillips; Lady Townly-Mrs Bennet; Lady Woodvil-Mrs James; Pert-Mrs Cross; Busy-Miss Minors; Harriet-Miss Haughton; In Act IV a Masquerade Dance proper to the play-Devisse, Gerrard, Christian, Morris, Shawford.

Afterpiece Title: The Shepherd's Lottery