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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Moll Davis whom I never saw act before dancing "/1) | (@(roleclean,performerclean) "Moll Davis whom I never saw act before dancing ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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8059 results for: Keyword - Moll Davis</i>] (whom I never saw act before) dancing <span class=
We found 5146 matches on Event Comments, 2008 matches on Performance Title, 1835 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

7401
08 February 1777 @ Covent Garden

Event Comment: [Afterpiece: In 3 acts, "with the Dialogue contracted, and the Airs least approved of left out" [(Public Advertiser, 7 Feb.).] Receipts: #233 5s. (231.8.6; 1.16.6)

Performances

Mainpiece Title: Sir Thomas Overbury

Afterpiece Title: The Jovial Crew

7402
13 March 1777 @ Drury Lane Theatre

Event Comment: Mainpiece: Not acted these 2 years. Receipts: #221 13s. 6d. (200.3.0; 20.17.0; 0.13.6)

Performances

Mainpiece Title: The Funeral; Or, Grief A-la-mode

Performance Comment: Lord Hardy-Lacy; Campley-Palmer (Their first appearance in those characters); Lord Brumpton-Hurst; Sable-Moody; Puzzle-Baddeley; Trusty-Packer; Tom-Waldron; Cabinet-Norris; Trim-King; Lady Brumpton-Mrs Hopkins; Lady Harriet-Mrs Baddeley (1st appearance in that character); Mademoiselle-Mrs Booth; Farthingale-Mrs Bradshaw; Tattleaid-Mrs Love; Lady Charlotte-Miss Younge; [Edition of 1777 (W. Strahan et al]) adds: Kate Matchlock-Mr Griffiths.

Afterpiece Title: The Jubilee

Dance: As17770215

7403
17 March 1777 @ Covent Garden

Event Comment: Benefit for Mrs Barry. Mainpiece: Not acted these 6 years. Part of the Pit will be laid into the Boxes. Servants are desired to be sent by Four o'clock, and those Ladies and Gentlemen who have Places in the Pit, are respectfully intreated to come early, to avoid inconveniency in getting to their Seats. Public Advertiser, 25 Feb.: Tickets to be had of Mrs Barry at No. 10, on the Terrace, New Palace-Yard, Westminster. Receipts: #271 15s. 6d. (143.15.6; tickets: 128.0.0) (charge: #67)

Performances

Mainpiece Title: Twelfth Night

Performance Comment: Duke-Lewis; Sebastian-Wroughton; Sir Toby Belch-Dunstall; Fabian-Whitefield; Sea Captain-Booth; Malvolio-Wilson; Clown-Lee Lewes; Sir Andrew Ague Cheek-Quick; Olivia-Mrs Hartley; Maria-Mrs Wilson; Viola-Mrs Barry (Their 1st appearance in those characters).

Afterpiece Title: The Two Misers

Dance: As17770125

Song: I: song-Mrs Farrell

7404
07 April 1777 @ Covent Garden

Event Comment: Benefit for Lewis. Mainpiece: Not acted these 7 years. 3rd piece [1st time; F 3, author unknown. Not in Larpent MS; not published]: Taken from Dryden's Spanish Fryar. Public Advertiser, 20 Mar.: Tickets to be had of Lewis, Bow-street, Covent Garden. Receipts: #246 18s. (164.3; tickets: 82.15) (charge: #66 10s.)

Performances

Mainpiece Title: The Countess Of Salisbury

Performance Comment: Alwin-Lewis (1st appearance in that character); Raymond-Wroughton; Grey-Clarke; Laroche-Whitefield; Morton-L'Estrange; Sir Ardolph-Fearon; Peasant-Booth; Knight-Robson; Eleanor-Miss Dayes; Countess of Salisbury-Mrs Barry.

Afterpiece Title: True-Blue

Afterpiece Title: The Jealous Husband

Performance Comment: Characters-Quick, Lee Lewes, Fearon, Booth [Public Advertiser: Walters], Dunstall, Mrs Mattocks.Public Advertiser: Walters], Dunstall, Mrs Mattocks.
Cast
Role: Characters Actor: Quick, Lee Lewes, Fearon, Booth

Dance: As17761223

7405
14 April 1777 @ Covent Garden

Event Comment: Benefit for Mattocks. Mainpiece: Written by Thomson. Not acted these 7 years. Receipts: #224 0s. 6d. (163.16.6; tickets: 60.4.0) (charge: #66 6s.)

Performances

Mainpiece Title: Tancred And Sigismunda

Performance Comment: Tancred-Lewis (1st appearance in that character); Osmond-Clarke; Rhodolpho-L'Estrange; Attendant-Thompson; Siffredi-Hull; Laura-Miss Ambrose; Sigismunda-Mrs Barry.

Afterpiece Title: True-Blue

Afterpiece Title: The Country Mad-Cap

Dance: As17761223

7406
22 April 1777 @ Drury Lane Theatre

Event Comment: Benefit for Miss Sherry & Sga Crespi. Tickets delivered by Harwood will be taken. Afterpiece: Not acted these 2 years [see 31 Mar.]. Public Advertiser, 17 Apr.: Tickets to be had of Miss Sherry, at Nicholl's, Baker, Bridge's-street, Covent Garden; of Sga Crespi, Poland-street, opposite the Back Door of the Pantheon. Receipts: #257 0s. 6d. (91.14.0; 23.0.6; 0.0.0; tickets: 142.6.0) (charge: #70 17s. 6d.)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Register Office

Dance: End II: a New Pastoral Ballet, composed by Helme, The Garden of Love-Helme, Sga Crespi, Miss Armstrong, Sga Ricci; End: Chaconne-Sga Crespi

Song: original Music by Matthew Locke-Bannister, Legg, Kear, Fawcett, Follett, Chaplin, Carpenter, Mrs Scott, Miss Abrams, Mrs Greville, Mrs Davies, Miss Jarratt, Miss Collett, Mrs Love, Mrs Booth, Mrs Pitt, Mrs Smith, Gaudry

7407
29 April 1777 @ Covent Garden

Event Comment: Benefit for Miss Brown. The Words of the Pastoral Dialogue to be had Gratis at the Theatre. Mainpiece: Not acted these 6 years. Receipts: #244 6s. 6d. (167.1.6; tickets: 77.5.0) (charge: #64 10s.)

Performances

Mainpiece Title: Lionel And Clarissa

Afterpiece Title: The Citizen

Performance Comment: As17761108, but Young Philpot-Lee Lewes; Maria-Miss Brown (1st appearance in that character).

Dance: End Dialogue: As17761123; End I: Minuet-Aldridge, Miss Brown

Song: End: New Pastoral Dialogue [Tell me Silvia why so sad?] set to music by Dr Arnold-Miss Wewitzer, Miss Brown

7408
07 May 1777 @ Covent Garden

Event Comment: Benefit for Mrs Jackson. Mainpiece: Not acted these 3 years. The Characters to be dressed in the Habits of the Country. Public Advertiser, 3 May: Tickets to be had of Mrs Jackson, Great Piazza, Covent Garden. Receipts: #189 14s. (87.7; tickets: 102.7) (charge: #64 10s.)

Performances

Mainpiece Title: The Revenge

Afterpiece Title: Don Quixote in England

Dance: After monologue: The Humours of Leixlip, as17770425

Entertainment: End: Monologue. Tony Lumpkin's Adventures in a Trip to London, as17770428

7409
03 July 1777 @ China Hall, Lower Road, Rotherhithe

Event Comment: [Announced on playbill of 2 July, which lists no afterpiece, but not advertised on 3 July. Perhaps not acted; the theatre appears to have been closed until 21 July.

Performances

Mainpiece Title: Venice Preserved

7410
21 July 1777 @ Haymarket Theatre

Event Comment: As it appears to be the general Opinion that The Sheep-Shearing should rank as an After-Piece, it will for the future (as well as The Fairy Tale) be subjoined to other Performances. [But The Sheep-Shearing was not acted again until 20 Aug. 1783.

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Fairy Tale

7411
20 September 1777 @ Drury Lane Theatre

Event Comment: Mainpiece: The Storm Scene will (by desire) begin the 2d Act. [This notice is included in all subsequent performances.] Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. No Money to be taken at the Stage-Door, nor any Money returned after the Curtain is drawn up. Places for the Boxes to be had of Fosbrook, at the Stage-Door. The Doors to be opened at 5:30. To begin at 6:30 [see 9 Oct.]. Receipts: #183 4s. (154.2; 27.16; 1.6)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: All the World's a Stage

Dance: I: Dance of Spirits-Miss Armstrong; III: Dance of Fantastic Spirits-; [These were danced, as here assigned, in all subsequent performances.] V: a Ballet, Demie Caractere, composed by Gallet, The Double Festival-Gallet, Slingsby, Miss Armstrong, Sga Dupre

Performance Comment: ] V: a Ballet, Demie Caractere, composed by Gallet, The Double Festival-Gallet, Slingsby, Miss Armstrong, Sga Dupre.

7412
01 October 1777 @ Covent Garden

Event Comment: Mainpiece: Not acted these 3 years. Afterpiece: With the Stockwell Scenes. [These were included in all subsequent performances.] Receipts: #173 11s. 6d. (172:4.6; 1.7.0)

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Royal Chace; or, Harlequin Skeleton

Dance: End: The Humours of New@Market with the Poney Races-Dagueville, Harris, Master Holland, Master Dagueville, Miss Ross, Sga Tinte

7413
15 October 1777 @ Covent Garden

Event Comment: Mainpiece: Not acted these 2 years. Quick's "Dogberry was true to the text, and not a caricature. In fact it was comedy, and not buffoonery" (Morning Chronicle, 16 Oct.). Receipts: #178 12s. (176.2; 2.10)

Performances

Mainpiece Title: Much Ado About Nothing

Performance Comment: Benedick-Lewis (1st appearance in that character); Leonato-Hull; Don Pedro-Wroughton; Claudio-Whitfield [see17770922]; Balthazar (with a song)-Mattocks; Don John-Booth; Antonio-Thompson; Dogberry (1st time)-Quick; Borachio-L'Estrange; Verges-Cushing; Conrade-Robson; Town Clerk-Wewitzer; Friar-Fearon; Hero-Mrs Lessingham; Beatrice-Mrs Bulkley.

Afterpiece Title: The Two Misers

Dance: II: Masquerade Dance proper to the Play-; to conclude with: Country Dance-the Characters

7414
17 October 1777 @ Drury Lane Theatre

Event Comment: Mainpiece: Not acted these 7 years. No joke ever raised such loud and repeated mirth, in the galleries, as Sir John 's labour in getting the body of Hotspur on his back...At length this upper-gallery merriment was done away [with] by the difficulties which Henderson encountered in getting Smith on his shoulders. So much time was consumed in this pick-a-pack business that the spectators grew tired, or rather, disgusted. It was thought best, for the future, that some of Falstaff 's ragamuffins should bear off the dead body" (Davies, I, 273-75). [For Henderson as Falstaff see hay, 24 July 1777.] Receipts: #207 10s. 6d. (185.6.0; 20.7.0; 1.17.6)

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Performance Comment: Hotspur-Smith; King Henry-Bensley (1st appearance in that character); Worchester-Aickin; Sir Richard Vernon-Farren; Northumberland-Packer; Sir Walter Blunt-Hurst; Prince John-Lamash; Westmorland-Wrighten; Douglas-Chaplin; Poins-R. Palmer; Carriers-Moody, Parsons; Francis-Waldron; Bardolph-Wright; Sheriff-Griffiths; Gadshill-Holcroft; Peto-Nash; Prince of Wales-Palmer; Falstaff (1st time [at this theatre])-Henderson; Hostess-Mrs Bradshaw; Lady Piercy (1st time)-Mrs Cuyler.

Afterpiece Title: The Quaker

Dance: End II: Comic Dance-the Miss Stageldoirs

7415
20 October 1777 @ Covent Garden

Event Comment: Some of the Audience having objected to the Omission of a Scene on Friday night, that Scene will be restored this Evening. [Public Advertiser, 18 Oct., specifies the scene as that of Diana Trapes in Act III, the exclusion of whom "breaks a principal Link in the Chain of the Plot."] Paid Guard [master carpenter] for Scene-men #19 15s. Receipts: #287 16s. (286.8; 1.8)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Cross Purposes

Dance: Hornpipe, as17771017; End: As17771001

7416
23 October 1777 @ Covent Garden

Event Comment: Mainpiece: Not acted these 12 years. [The playbill retains Wilson as Maclaymore, but "At the close of the Play Hull came forward and made an Apology for Wilson's not playing Maclaymore...on Account of his being taken suddenly ill with an Ague, and begged their Acceptance of Fearon in the Part, which was accepted with that good Nature which distinguishes a British Audience" (Morning Chronicle, 24 Oct.).] Receipts: #100 15s. 6d. (100.11.0; 0.4.6)

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: The Reprisal

Related Works
Related Work: The Reprisal; or, The Tars of Old England Author(s): Tobias Smollett

Dance: As17771016

7417
04 November 1777 @ Covent Garden

Event Comment: [Mainpiece in place of King Lear, announced on playbill of 3 Nov.] On playbill of 3 Nov.: Tamerlane [usually acted on this night (see 4 Nov. 1782)] is obliged to be laid aside on account of Mrs Barry's Indisposition. Receipts: #92 18s. 6d. (91.10.0; 1.8.6)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Love a-la-Mode

Dance: End: The Enchantress-Aldridge, Harris, Miss Valois

Song: As17771008

7418
04 December 1777 @ Drury Lane Theatre

Event Comment: Mainpiece: Not acted these 3 years. Afterpiece: With a Grand Procession. [Both the dance and the procession were included in all subsequent performances, except on 23 Apr. 1778. For Henderson as Don John see hay, 19 Aug. 1777.] Receipts: #153 11s. 6d. (125.19.0; 18.0.6; 9.12.0)

Performances

Mainpiece Title: The Chances

Performance Comment: Don John (1st time [at this theatre])-Henderson; Frederick-Brereton; Duke-Packer; Petruchio-Aickin; Antonio-Parsons; Peter-Burton; Antony-Waldron; Francisco-Wright; Surgeon-Wrighten; First Constantia-Miss Hopkins (1st appearance in that character); Mother-Mrs Hopkins; Landlady-Mrs Bradshaw; Nurse-Mrs Love; Second Constantia-Mrs Abington.

Afterpiece Title: A ChristmasTale

Dance: In afterpiece: a Dance of Evil Spirits-

7419
13 December 1777 @ Drury Lane Theatre

Event Comment: Mainpiece: Not acted these 2 years. [For Henderson as Bayes see hay, 25 Aug. 1777.] Receipts: #113 16s. (91.5; 22.7; 0.4)

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes (1st time [at this theatre])-Henderson; Mr Johnson-Palmer; Mr Smith-Aickin; The other Characters-Baddeley, Moody, Parsons, Burton, Hurst, R. Palmer, Waldron, Lamash, Chambers, Holcroft, Chaplin, Carpenter, Griffiths, Norris, Wrighten, Wright, Legg, Master Pulley, Mrs Colles, Miss Collett, Mrs Davies. With an Additional Reinforcement of Mr Bayes's New Raised Troops [These were "hobby-horses and other novelties' (Davies, III, 303).]. [Edition of 1777 (John Bell) specifies: Gentleman Usher-Baddeley; Physician-Moody; Cordelio-Burton; Prince Prettyman-Hurst; 1st King of Brentford-Waldron; Fisherman-Griffiths; Thunder-Wrighten; Earth-Legg; Lightning-Master Pulley; Cloris-Mrs Colles; Parthenope-Miss Collett; Amaryllis-Mrs Davies; Pallas-Mr Parsons. [It assigns the remaining characters-2nd King of Brentford, Prince Volscius, Drawcansir, Lieut. General, Tom Thimble, Sun, Moon-to actors of previous season.
Cast
Role: The other Characters Actor: Baddeley, Moody, Parsons, Burton, Hurst, R. Palmer, Waldron, Lamash, Chambers, Holcroft, Chaplin, Carpenter, Griffiths, Norris, Wrighten, Wright, Legg, Master Pulley, Mrs Colles, Miss Collett, Mrs Davies. With an Additional Reinforcement of Mr Bayes's New Raised Troops
Role: Moon Actor: to actors of previous season.

Afterpiece Title: A ChristmasTale

7420
26 December 1777 @ Covent Garden

Event Comment: Mainpiece: Not acted these 2 years. Receipts: #224 1s. (221.11; 2.10)

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: The Norwood Gypsies

Cast
Role: Principal Characters Actor: Miss Dayes

Dance: As17771125

Song: In I: a song-Leoni

7421
29 January 1778 @ Covent Garden

Event Comment: Mainpiece: Not acted these 2 years. Receipts: #151 11s. (146.14; 4.17)

Performances

Mainpiece Title: The Busy Body

Performance Comment: Marplot-Lewis; Sir G. Airy-Wroughton (their 1st appearance in those characters); Charles-Whitfield; Sir Jealous Traffic-Dunstall; Sir Francis Gripe-Quick; Whisper-Cushing; Scentwell-Mrs Poussin; Isabinda-Mrs Lessingham; Patch-Mrs Pitt; Miranda-Mrs Bulkley.

Afterpiece Title: Midas

Dance: End: The Cricketters, as17780128

7422
02 February 1778 @ Covent Garden

Event Comment: King Lear [announced on playbill of 31 Jan.] is obliged to be deferred on account of the Indisposition of Mrs Hartley and Lewis. The Rehearsal having been found too tedious in Representation, and Part of the Dialogue between Bayes and the two Gentlemen wholly obsolete, it has been thought advisable to...reduce the Piece to Three Acts [from the original five]. Receipts: #219 10s. [216.4.6; 3.5.6)

Performances

Mainpiece Title: The Duenna

Afterpiece Title: The Rehearsal

Performance Comment: As17780120, but other Characters-_Quick, _Jones, _Thompson, _Smith, _Stevens, Miss _Morris, Miss _Dayes, Mrs Willems; Reinforcement-_.
Cast
Role: other Characters Actor: _Quick, _Jones, _Thompson, _Smith, _Stevens, Miss _Morris, Miss _Dayes, Mrs Willems
Role: Principal Characters Actor: Miss Dayes

Dance: As17780129

7423
06 February 1778 @ Covent Garden

Event Comment: Benefit for Wilkinson. Mainpiece: Not acted these 3 years. [Afterpiece: Prologue by Samuel Foote. For an account of Tea see Tate Wilkinson, The Wandering Patentee, 1795, 1, 282-90.] Receipts: #221 0s. 6d. (217.5.6; tickets: 3.15.0) (charge: #70)

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Performance Comment: Don Manuel-Wilkinson; Don Philip-Wroughton; Don Octavio-Whitfield; Trappanti (1st time)-Lee Lewes; Flora-Mrs Lessingham; Rosara-Miss Leeson; Viletta-Mrs Pitt; Hyppolita-Mrs Bulkley (1st appearance in that character).

Afterpiece Title: The Author

Afterpiece Title: Tea; or, Tragedy a-la-Mode

Dance: As17780129

7424
16 February 1778 @ Covent Garden

Event Comment: Mainpiece: Not acted these 2 years. Receipts: #203 16s. (201.9; 2.7)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Poor Vulcan

7425
17 February 1778 @ Covent Garden

Event Comment: [This has hitherto been stated to be Ross's last appearance on the stage, but he acted subsequently in Edinburgh and Dublin, and at the Royalty, 21 Nov. 1787.] Receipts: #121 14s. (118.17.6; 2.16.6)

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Poor Vulcan