SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Moll Davis whom I never saw act before dancing "/1) | (@(roleclean,performerclean) "Moll Davis whom I never saw act before dancing ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5146 matches on Event Comments, 2008 matches on Performance Title, 1835 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: Not acted in 15 years. [See 3 Nov. 1743.] Afterpiece: By Desire. Benefit for Woodward. Part of pit will be laid into the Boxes. Boxes and Stage 5s. No person can be admitted to any part of the House till the usual time of opening of doors, which will be exactly at Four o'clock. Ladies are desired to send their servants by Three o'clock. Receipts: #250 (Cross)

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Apprentice

Event Comment: Benefit for Shuter. Mainpiece: Not acted these 10 years. [See 15 April 1748.

Performances

Mainpiece Title: The Wonder; Or, A Woman Keeps A Secret

Afterpiece Title: The Knights

Dance: FFingalian Dance, as17551126

Entertainment: I: Cries of London (with additions)-Shuter; End: Hippisley's Drunken Man-Shuter

Event Comment: Benefit for Arthur. To prevent any obstruction in the performance, no building on Stage. Afterpiece: Written by Mr Arthur. [Last acted there 23 Sept. 1741.

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Tanner of York

Dance: LLes Statues Animees, as17560302

Event Comment: Benefit for Clarke. Afterpiece: Not acted these 10 years. [See 10 Dec. 1746.

Performances

Mainpiece Title: Alzira

Afterpiece Title: A Duke and no Duke

Dance: LLes Paisans Gallants, as17551203

Event Comment: Benfit for Master Moor, Berrisford, Palmer, Broad (Cross). Mainpiece: Not acted this season. Receipts: #260 (Cross)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Miss in Her Teens

Dance: II: Hornpipe-Harrison

Event Comment: By particular Desire. No persons to be admitted behind the Scenes, nor any Money to be returned after the curtain is up. The managers intended to have finish'd the season this evening, but as several persons of quality have desired to see Lethe again, the comedy of Much Ado About Nothing, with that Farce, will be acted tomorrow, being positively the last time of acting. Receipts: #190 (Cross)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Englishman in Paris

Event Comment: Mainpiece: Written by Shakespear. Miss Pritchard did Juliet for the First time of her Acting & Met with uncommon Applause, tho' so frightened the first Act, we Scarce cou'd hear her (Cross). Miss Pritchard's was a most remarkable first appearance--the Particularity of the public for her mother--Garrick's patronage and tuition, her own beautiful face, which was fascinating to a degree, had all great attraction. Mrs Pritchard, as Lady Capulet, leading in her daughter as Juliet, the distress of the young lady, the good wishes and tenderness of the town, all combined made an affecting scene--but that partiality dwindled away in the early part of the season (Genest, IV, 474, from Tate Wilkinson). Receipts: #226 (Cross)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Anatomist

Performances

Mainpiece Title: Much Ado About Nothing

Performance Comment: Benedick-Garrick; Don Pedro-Havard; Leonato-Berry; Claudio-Palmer; Don John-Bransby; Dogberry-Taswell; Antonio-Simson; Verges-Philips; Borachio-Blakes; Balthasar (with Song)-Beard; Hero-Mrs Davies; Beatrice-Mrs Pritchard; In Act II, a Masquerade Dance-; To conclude with a Country Dance-the characters of the play.

Afterpiece Title: The Chaplet

Event Comment: Mainpiece: Not acted these 2 years. [See 8 Oct. 1754.] Receipts: #120 (Cross)

Performances

Mainpiece Title: The Revenge

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: Lucinda-Miss Minors; Indiana-Mrs Cibber; Young Bevil-Ross; Myrtle-Palmer; Tom-Woodward; Phyllis-Mrs Clive; Mrs Sealand-Mrs Cross; Isabella-Mrs Bennet; Sir John Bevil-Burton; Sealand-Berry; Cimberton-Taswell; Humphry-Blakes; In Act II, Singing-Beard.

Afterpiece Title: The Virgin Unmask'd

Event Comment: Mainpiece: Written by Shakespear. Not acted these 2 years. [See 9 April 1755.] Receipts; #120 (Cross)

Performances

Mainpiece Title: Measure For Measure

Event Comment: Tormorrow Othello, Desdemona by a Young Gentlewoman, being her 3rd time of performing on any stage. N.B. The Comedy of Love for Love, which was to have been acted tomorrow for the Benefit of the Widow Ladbrooke, is, by her Deisre, deferr'd till further Notice

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Orpheus and Eurydice

Event Comment: Mainpiece: Not acted in 12 years [hence first time for all appearing in these characters. See 9 Nov. 1745.] Receipts: #130 (Cross)

Performances

Mainpiece Title: Cato

Afterpiece Title: Lilliput

Event Comment: Mainpiece: Not acted these 4 years. [The customary notice refusing admittance behind scenes lest the machinery be obstructed. See note, 14 Oct. 1756. Repeated for all subsequent performances but not recorded further here.

Performances

Mainpiece Title: The Refusal; Or, The Lady's Philosophy

Afterpiece Title: Harlequin Sorcerer; with the Loves of Pluto and Proserpine

Event Comment: None admitted behind the Scenes. No after money returned after the Curtain is drawn up. [Repeated during the run of this piece.] A new Farce of 2 acts wrote by Dr Smolet-went off wth Great App: (Cross). [See Theatrical Review for the Year 1757 and the beginning of 1758, for contemporary comment.] Receipts: #200 (Cross)

Performances

Mainpiece Title: Merope

Afterpiece Title: The Reprisal; or, The Tars of Old England

Related Works
Related Work: The Reprisal; or, The Tars of Old England Author(s): Tobias Smollett
Event Comment: Mainpiece: Not acted these 20 years. [See 9 Nov. 1748.

Performances

Mainpiece Title: The Rover; Or, The Banish'd Cavaliers

Afterpiece Title: Harlequin Sorcerer

Dance: As17561217

Event Comment: Mainpiece: Not acted these 4 years. [See 29 April 1754.

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Cheats of Scapin

Song: -MMrs Chambers

Dance: As17561023

Event Comment: Benefit for Mr Foote for ye farce (Cross). Mainpiece:Not acted these 12 years. [See 20 Nov. 1745.] Austin did Bertran r(first time) (Indiff) (Cross). Tickets to be had of Foote at the Whalebone Warehouse in James St., Covent Garden, and of Varney at the stage door. Part of pit laid into boxes. Receipts: #200 (Cross)

Performances

Mainpiece Title: The Spanish Fryar; Or, The Double Discovery

Afterpiece Title: The Author

Event Comment: TThe Knights, publish'd 4 April, at 1s. A Comedy in Two Acts as it is perform'd at Drury Lane. By Mr Foote (Public Advertiser). Passion Week (Cross)

Performances

Mainpiece Title: None

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Macheath-Beard; Polly-Miss Macklin; Lucy-Mrs Clive; Beggar-Burton; Peachum-Yates; Lockit-Berry; Filch-Raftor; Mat@o@Mint-Blakes; Player-Bransby; Diana Trapes-Mrs Havard; Mrs Peachum-Mrs Cross; In Act III, a Hornpipe-Mathews; To conclude with a Country Dance-the characters of the Opera.

Afterpiece Title: Mercury Harlequin

Event Comment: MMrs Vernon & Young. Tickets (Cross). Mainpiece: Not acted these 3 years. [See 15 May 1754.] Receipts: #130 (Cross)

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: Shylock-Yates; Portia-Mrs Clive; Antonio-Berry; Bassanio-Havard; Gratiano-Palmer; Duke-Bransby; Lorenzo (with songs in character)-Beard; Morochius-Burton; Jessica-Miss Minors; Nerissa-Mrs Bennet; With Singing-Miss Young.

Afterpiece Title: Mercury Harlequin

Event Comment: Benefit for Burton and Philips. Last time of performing the Afterpiece this season. Tickets deliver'd by Mr Hayes will be taken. Mainpiece: Not acted these 6 years. [See 2 Feb. 1753.] This month was published An Answer to that Important Question Whether it is lawful for the Professors of the Christian Religion to go to plays (32 pp.) [Advises members of the Congregation to read Scriptures instead.] Also published A Letter of Abuse to David Garrick. Receipts: #160 (Cross)

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Tamer Tam'd

Song: I: Miss Young

Dance: II: A Comic Dance [dancers unspecified]-; III: A Hornpipe-Harrison; IV: A New Comic Dance-

Event Comment: Benefit for Dunstall and Mrs Dunstall. Afterpiece: Not acted these two years. Tickets sold at the Door will not be taken

Performances

Mainpiece Title: The Twin Rivals

Afterpiece Title: Flora; or, Hob in the Well

Song: II: A Solo on the Broomstick-Skeggs, his 1st appearance on that stage; V: A Mock Italian and English Cantata-Skeggs

Dance: III: The Lamplighters, as17570429

Event Comment: Benefit for Verney, House-keeper. Afterpiece: Acted but once these 3 years. Receipts: #260 (Cross)

Performances

Mainpiece Title: The Earl Of Essex

Afterpiece Title: The Toyshop

Song: IV: By desire, Ellen@a@Roon with variations on the Harp-Parry

Dance: HHornpipe-Walker

Performances

Mainpiece Title: The London Merchant

Performance Comment: George Barnwell-Holland; Uncle-W. Vaughan; Lucy-Miss Minors; Thorowgood-Berry; Trueman-Blakes; Blunt-Mozeen; Maria-Mrs Davies; Millwood-Miss Haughton; In Act I, Singing-Miss Young.

Afterpiece Title: The Lying Valet

Dance: IV: The Drunken Peasant-Morris; The Clown-W. Vaughan; V: A Hornpipe-Morris