SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mme Simonet"/1) | (@(roleclean,performerclean) "Mme Simonet")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 398 matches on Performance Comments, 395 matches on Roles/Actors, 321 matches on Performance Title, 101 matches on Event Comments, and 0 matches on Author.
Event Comment: Mainpiece: Not acted these 8 years [acted 1 May 1792, Mme Mara had appeared in the oratorios at this theatre in the present season, as well as in 1792-93 and 1793-94]. Receipts: #216 11s. 6d. (210.8.0; 6.3.6)

Performances

Mainpiece Title: Artaxerxes

Performance Comment: Arbaces-Incledon; Artaxerxes-Gray; Artabanes-Bowden; Rimenes-Townsend; Semira-Mrs Mountain; Mandane-Mme Mara (1st appearance on this stage [i.e. in other than oratorios]).i.e. in other than oratorios]).
Cast
Role: Mandane Actor: Mme Mara

Afterpiece Title: The Doldrum

Cast
Role: Drummer Boy Actor: Master Standen
Role: Emmeline Actor: Miss Mansel
Event Comment: Among the Principal Instrumental Performers are G. Ashley, Leader of the Band; C. Ashley, Principal Violoncello; Wm. Parke, Sarjant, J. Mahon, Boyce, Bridgtower, Parkinson, Lavenu, Taylor, W. Ware, Flack, Dressler, Gwilliam, Nicks, [the] Munros, I. Sharp, W. Sharp, M. Sharp, J. Sharp, Archer, Cobham, Jackson, Wood, Coyle, Cornish, Purney, Leffler, Woodham, Piele, [the] Cantelos, Skillern, Beale, Lloyd, Franki, Simpson, Jenkinson, &c.; J. Ashley, Organ; R. Ashley, Double Drums (used at Westminster Abbey). The Chorusses will be numerous and complete. The whole under the Direction of Ashley. Boxes 6s. Pit 3s. 6d. Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Brandon at the Office in Hart-street. The Doors to be opened at 6:00. To begin at 7:00 [same throughout oratorio season]. Books of the Performance (with the imprimatur of E. Macleish) to be had at the Theatre. [Sga Galli did not sing in The Messiah when it was originally performed in Dublin in 1742, or in London in 1743, in which year the cg oratories under Handel were established.] "I had the curiosity to go, and heard [Sga Galli] sing, 'He was despised and rejected of men' in the Messiah. Of course her voice was cracked and trembling, but it was easy to see her school was good; and it was pleasing to observe the kindness with which she was received, and listened to; and to mark the animation and delight with which she seemed to hear again the music in which she had formerly been a distinguished performer. The poor old woman had been in the habit of coming to me annually for a trifling present; and she told me on that occasion that nothing but the severest distress should have compelled her so to expose herself, which after all did not answer its end, as she was not paid according to her agreement" (Mount-Edgcumbe, pp. 19-20). [At the rehearsal, 1 Mar., I know that my Redeemer liveth sung by Mme Mara; Comfort ye my people by Braham; But@thou didst not leave by Miss Poole (Morning Herald, 2 Mar.).] "The chorusses are not such as would give satisfaction to a musical amateur: in this department we must endeavour to be content with noise and bawling, instead of sense and science:--they are not, however, worse than usual" (Monthly Visitor, Mar.1797, p. 262)

Performances

Mainpiece Title: The Messiah 0

Performance Comment: Principal Vocal Performers-Master Elliot, Braham, Sale, Bartleman, Mme Mara, Miss Poole, Sga Galli (Who is in her Seventy-Fifth Year, and will sing He was despised, which was originally composed for her by Handel, and which she sung when the Oratorios were first performed under his Direction, in the year 1741).

Music: End I: concerto on the violoncello-C. Ashley

Event Comment: "We consider Madame Mara, to use vulgar phrase, as upon he last legs...[Her] Polly is downright burlesque; her figure, countenance, and time of life are directly repugnant to our ideas of the character; and her foreign accent and gesticulation complete the absurdity" (Monthly Mirror, Nov. 1797, p. 299). "Mme Mara is merely a singer; her voice is by no means calculated to give effect to the dialogue of the part; and her performance, although she appears to have paid considerable attention to the degree of action necessary for the part, is greatly deficient in point of feeling...Her deficiency in person and performance, however, is amply compensated for in her ability as a singer" (Morning Herald, 26 Oct.) Receipts: #329 16s. (324.6; 5.10)

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Captain Macheath-Incledon; Peachum-Munden; Lockit-Davenport; Mat o' the Mint-Linton; Harry Paddington-Claremont; Jailor-Ledger; Filch-Simmons; Ben Budge-Rees; Lucy-Mrs Martyr; Mrs Peachum-Mrs Davenport; Jenny Diver-Mrs Castelle; Polly-Mme Mara (1st appearance in a Comic Opera).
Cast
Role: Polly Actor: Mme Mara

Afterpiece Title: The Honest Thieves

Dance: III: a Hornpipe in Fetters-Blurton

Performances

Mainpiece Title: Henry Viii; With The Death Of Anna Bullen

Afterpiece Title: The Cheats of Scapin

Song: Mme Debon, Master Fremble, Miss Crozier

Dance: Mme Debon, Master Fremble, Miss Crozier

Performances

Mainpiece Title: L'avare

Afterpiece Title: Les Precieuse Redicul

Dance: Mme Roland, Miss Poitier

Performances

Mainpiece Title: L'avare

Afterpiece Title: Arlequin Fourbe Anglois; ou, le Traiteur Mal-Traitte

Performance Comment: Harlequin-Mrs Bright; Clerimont-Jackson; Belamy-Edwards; Dumelange-Costo; Princemaille-Williams; Alain-Ives; Julie-Miss Rawlinson; Mme du Melange-Miss Talbot.
Cast
Role: Mme du Melange Actor: Miss Talbot.

Dance: Mme Roland, Miss Poitier

Performances

Mainpiece Title: Idalide

Cast
Role: Idalide Actor: Mme Mara

Dance: End I: Divertisement, as17910217; End Opera: La Fille Mal Gardee-Didelot, Vigano, Fialon, Mlle L. Simonet, Mme Theodore D'Auberval, Mlle Troche, Mme Vigano, Mlle Simonet, Mlle Vedie, Mlle Bithmer

Performance Comment: Simonet, Mme Theodore D'Auberval, Mlle Troche, Mme Vigano, Mlle Simonet, Mlle Vedie, Mlle Bithmer.

Performances

Mainpiece Title: La Bella Pescatrice

Dance: End I: Divertisement, as17910217; End II: a Grand Heroic Ballet in 3 acts (1st time), Telemachus in the Island of Calypso (composed by D'Auberval)-Didelot, D'Egville, Mlle Theodore, Mlle Gervaise Troche, Mlle Deligny, Mlle L. Simonet, Mlle R. Simonet, Mlle Menage. For assignment of parts see17910322

Performance Comment: Simonet, Mlle R. Simonet, Mlle Menage. For assignment of parts see17910322 .

Performances

Mainpiece Title: Il Matrimonio Segreto

Performance Comment: Mme Allegranti (1st appearance in England [since 13 May 1783]). See17990413 [Cast adjusted from libretto (E. Jackson [1798]): Il Conte Robinson-Morelli; Geronimo-Rovedino; Paolino-Benelli; Carolina-Mme Allegranti; Elisetta-Sga Pastorelli; Fidalma-Sga Rovedino.]
Cast
Role: Carolina Actor: Mme Allegranti

Dance: As17990330

Performances

Mainpiece Title: The Coronation Anthem, God Save The King

Afterpiece Title: The Messiah

Music: End Part I Oratorio: concerto on the violin [by Viotti (World, 28 Feb.)]-Mme Gautherot (from Paris; 2nd public performance in this Kingdom)

Performance Comment: )]-Mme Gautherot (from Paris; 2nd public performance in this Kingdom). 2nd public performance in this Kingdom).
Cast
Role: ] Actor: Mme Gautherot

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: Seeing is Believing

Dance: End: a new Pastoral Dance, the music by Handel,-Byrn, Mrs Goodwin, Miss E. Simonet

Performance Comment: Simonet.

Performances

Mainpiece Title: Issipile

Dance: End of Act I Le Tuteur Trompe, as17840511; End of Opera Semiramis, as17840520, but added: Oroe-Henry; omitted: Vestris [Jun.], Mme Theodore

Performance Comment: ], Mme Theodore .
Event Comment: Mme Mara is prevented by a Severe Hoarseness from appearing this Evening; but will perform in Love in a Village [advertised on playbill of 8 Nov.] on Wednesday next. [2nd piece in place of Catherine and Petruchio, advertised as above.] Receipts: #193 6s. 6d. (185.6.6; 8.0.0)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: A Divertisement

Afterpiece Title: England's Glory

Dance: In 2nd piece: Ballet, as17971013; In V 3rd piece: a Triple Hornpipe, as17971018

Event Comment: Mme Allegranti continuing so seriously indisposed, as in opinion of Sir George Baker, to render her immediate appearance [in Il Matrimonio Segreto, advertised in Morning Chronicle, 5 Apr.] extremely dangerous [see 9 Apr.]

Performances

Mainpiece Title: La Frascatana

Dance: As17990330

Performances

Mainpiece Title: I Viaggiatori Felici

Dance: End of Act I an entirely New Divertissement (1st time; composed by Simonet) by Lepicq, Mme Rossi, Sg and Sga Angiolini, Zuchelli, Mme Bithmer, Duquesney, Miss Harvey, Frederic, Nivelon, Mlle Dorival; End of Opera The Deserter, as17850614

Performances

Mainpiece Title: Alceste

Cast
Role: Cleonice Actor: Mme Mara.

Dance: End I: Divertissement, as17861223; End Opera: Le Berger Inconstant-Goyon, Laborie, Mlle Mozon, Mlles Simonet, Mme Delfevre, Henry, Mme Gervais Perignon

Performances

Mainpiece Title: Alceste

Cast
Role: Cleonice Actor: Mme Mara.

Dance: End I: a new Ballet composed by Hus, La Fete Provencale-Mme Gervais Perignon, Mlle Mozon; a new Pas de Deux-Mme Gervais Perignon, Mlle Mozon; End Opera: another new Ballet, composed by Hus, La Bergere Capricieuse-Goyon, Henry, two Miss Simonets; conclude with: favourite Pas de Deux Russe-Laborie, Mlle Mozon, the other parts of the Dance as above

Performances

Mainpiece Title: Giannina E Bernardone

Dance: End I: Divertissement, as17870213; in which the Pas de Deux Russe-see17870308 End Opera: L'Heureux Evenement, as17870120, but Mlle Simonet, _Gricourt, _Sala, Mme _Delfevre, Mme _Bithmer, _Giorgi

Performances

Mainpiece Title: The Rival Clowns

Performance Comment: Characters by Rossi, Baptist, Mme Dagville, Delpini .

Afterpiece Title: The Deserter

Cast
Role: The Deserter Actor: Mme Dagville
Role: Skirmish Actor: Miss Simonet

Dance: 1st ballet with a Dance by Duquesney and the two Miss Simonets; to conclude with a Comic Allemande by Baptist, Mme Dagville, Delpini. vaudeville. End of 1st ballet Imitations as17850207, with several Deceptions, with Cards, by Baptist, Interpreter to Pinetti

Performances

Mainpiece Title: Le Trame Deluse

Dance: End I: a new Divertisement-, composed by D'Auberval; End Opera: La Fete Villageoise, composed by D'Auberval,-Mlle Hilligsberg, Mme D'Auberval, DelaChapelle, D'Egville, Les Demoiselles Simonet, Laborie

Performances

Mainpiece Title: La Locanda

Dance: End I: La Fete Villageoise-[see17920214]; End Opera: a new Pantomime Ballet, in I act, Le Volage Fixe (composed by D'Auberval [the music by Mazzinghi])-Mlle Hilligsberg, Mme D'Auberval, DeLaChapelle, D'Egville, Les Demoiselles Leonore et Rosine Simonet, Mlle Menage, Laborie; [end Pas de Cinque, entirely new, Le Menuet du Volage-

Performances

Mainpiece Title: La Governante

Dance: End I: new Ballet, Les Paysans Voles-Banti, Sga Tinti, Sg and Sga Zuchelli; End II: Ballet by Fairies, as17790302End Opera: new Ballet Espagnol, La Serenade Interrompuee-Simonet, Mlle Baccelli, Sg and Sga Zuchelli, LeDet; with a Pas de Deux du Masque-Simonet, Mlle Baccelli; accompanied on the Guittar-Noferi

Performances

Mainpiece Title: La Scuola De Gelosi

Dance: End of Act I Let Amans Surpris, as17860601 but added: Sga Carolina, Mlle Rosine Simonet, Mlle Elenore Simonet, Miss Hervey, Henry, Sga Crespi; End of Opera Ninette a la Cour, as17860601

Event Comment: A Serio-Comic Opera in 2 acts (never performed here [1st performed at Vienna, 1784; and in April 1795 performed at king's under the title of Il Conte Ridocolo]). The Music composed in his best style by Paisiello. Under the direction of Mazzinghi. Fineschi being hardly recovered from his late severe indisposition humbly hopes for the indulgence of the public, whom rather than disappoint, he would run any danger. Gallini, for the last time, most respectfully entreats those few Subscribers who have hitherto delayed of declaring themselves, or sending in the names of their Co-subscribers, to do it immediately, as no one can be admitted without showing the Ticket for this year; and the Boxes not bespoke cannot remain empty after the opening of the House. Tickets to be had, and Subscription paid, as usual, at Messrs Ransom, Morland and Hammersley's, bankers, No. 57, Pall-Mall. The Doors to be opened at 6:00. To begin precisely at 7:00 [see 3 Jan. 1788]. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. "The only Part of the scenery which is interesting is the bridge Rialtov, and this is badly executed; it looks like a pantomimic show, but not like a grand opera scene; the bridge is crowded with figurative passengers, and small gondolas appear beyond it. The first idea is a capital error, for the representation of the bridge is supposed sideways, and being covered with shops, no passengers can be seen; the latter idea of boats being placed beyond the bridge crowds the scene, and makes the bridge lose its grand appearance at a distance...The Managers of the Opera are exceedingly to blame for having substituted a Soprano to a Tenor in the character of Gafforio" (Public Advertiser, 17 Dec.). Receipts: #164 14s. [These receipts, and those on all other nights throughout the opera season, represent the sale of non-subscription tickets. On this night 400 tickets were delivered to Prendergrass, office-keeper at the Haymarket pit entrance; of these he sold 159 at 10s. 6d. (i.e. #83 9s. 6d.). 100 were delivered to Toosey, office-keeper at the King's Door pit entrance; he sold 26 at 10s. 6d. (i.e. #13 13s.). 300 were delivered to Butler, office-keeper of the 1st Gallery; he sold 190 at 5s. (i.e. #47 10s.). 200 were delivered to Snelson, office-keeper of the 2nd Gallery; he sold 118 at 3s. (i.e. #17 10s.). Sale of one box #2 2s. "Difference from Gallery to Pit" (i.e. money received from persons who changed their seats from gallery to pit, 5s. 6d.). The delivery of 1,000 non-subscription tickets to be disposed was almost invariably the case on every night of the season; but see 5 Apr. 1788.

Performances

Mainpiece Title: Il Re Teodoro In Venezia; Or, Theodore (king Of Corsica) At Venice

Dance: End I: a new Divertissement (composed by Chevalier)-Chevalier, Coulon, Vestris, the two Miss Simonets, Sga Bedini, Mlle Coulon (1st appearance); End Opera: a new ballet (composed by Noverre) Les Offrandes a l'Amour-Didelot (1st appearance), Coulon, Vestris, Mlle Hilligsberg, Mlle Vedie, Mlle Coulon, Saulnier, Henry, Sala, the two Miss Simonets, Mlle Grenier, Mezierres

Event Comment: A New Comic Opera (never performed [in London; 1st performed at Vienna, 1786]); the Music by Martini [i.e. Martin y Soler], under the direction of Mazzinghi. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. Those Subscribers of last season who have not yet signified their intention respecting the retaining of their Boxes are respectfully requested to send their names, in writing, to the Treasurer's office in Union-court, Hay-market, on or before Thursday next, the 15th inst., or the Manager will be under the necessity of disposing of the Boxes. Subscriptions are received and Tickets delivered as usual, at Messrs Ransom, Morland and Hammersley, No. 57, Pall-Mall. All persons claiming admission into the Opera House by Silver Tickets or Renters' Shares are requested to send the same to the Treasurer's Office as early as may be, that they may be examined and properly certified, otherwise they cannot be admitted. The Doors to be opened at 6:30. To begin at 7:30 [same throughout opera season]

Performances

Mainpiece Title: La Cosa Rara

Dance: End I: a New Divertissement-Didelot, Mlle Adelaide, the two Miss Simonets, Sala, Saulnier, Mlle Emilie Colombe, Beaupre, Duquesney, Mlle Normand; End Opera: L'Embarquement pour Cythere [composed by Didelot]-Didelot, Mlle Emilie Colombe, Beaupre, Duquesney, Mlle Adelaide, the two Miss Simonets, Sala, Saulnier, Mlle Normand