Event Comment: GGeneral Advertiser, 28 Sept.: We hear that Mr Lacy, Master of his Majesty's company of Comedians at D.L. has applied for leave to raise 200 men in defence of his Majesty's person and government, in which the whole company of players are willing to engage. [See 7 Oct.] On Saturday Night the Audience at the Theatre Royal in Drury Lane were agreeably surpris'd by the Gentlemen belonging to that House performing the Anthem of God Save our Noble King. The Universal Applause it met with being encored with repeated Huzzas suffciently denoted in how just an abhorrence they hold the arbitrary schemes of our invidious enemies and detest the despotic attempts of Papal Power. [See also Daily Advertiser, 30 Sept. The newspapers at this time run a three phrase slogan in bold face type vertically in the margins: No Pretender. No Popery. No Slavery, accompanied by two more phrases staring boldly from the bottom margin: No Wooden Shoes! No Arbitrary Power!]

Event Comment: Benefit for Mme Mara. Tickets to be had of Mme Mara, No. 24, Henrietta-street, Cavendish-square. Opera: With the last Scene new

Event Comment: Benefit for Mme Mara. A new Grand Serious Opera, composed by Sarti. Under the direction of Mazzinghi. With new Scenes, Dresses, and Decorations. Tickets, half a guinea each, to be had of Mme Mara, No. 25, Queen Ann-street, East

Event Comment: Benefit for Mme Mara. Public Advertiser 22 Apr.: Tickets to be had of Mme Mara, No. 25, Queen Anne-street, East. Receipts: #216 4s. 6d. (114.17.6; 28.11.0; 2.18.0; tickets: 69.18.0) (charge: #163 17s. 6d.)

Event Comment: In Act I of mainpiece the Banquetv; In Act IV the Procession from the Abbeyv at the Coronation of Anne Bullenv; To conclude with the Ceremonial of a Royal Christeningv. The Music and a Chorus composed by Shield. Receipts: #180 6s. 6d. (179.2.6; 1.4.0)

Event Comment: Benefit for Mrs Pope. Mainpiece: Not acted these 6 years. In I a Grand Banquet Scene. A Procession from the Abbey at the Coronation of Queen Anne Bullen. The Piece to conclude with the ceremony at the Royal Christening. [Holman's 1st appearance as King Henry was at this theatre, 24 May 1793.] Morning Chronicle, 27 Apr.: Tickets to be had of Mrs Pope, Half Moon-street, Piccadilly. Receipts: #391 0s. 6d. (299.15.6; 2.9.0; tickets: 88.16.0)

Event Comment: Benefit the Author of the Farce. On Friday next Printed Books of the Farce will be sold at the Great Room

Event Comment: New Scenes, Music, Habits, Decorations, Machines &c. Nothing under Full Prices. A new Pantomime-went off with great Applause (Cross). [The afterpiece dealt with in high irony by Murphy in Gray's Inn Journal (29 Dec.): It is writ entirely upon the Grecian plan, so much admired by the French critics, and of course does not bid very fair to please the multitude in this country, whose taste is too much vitiated by Shakespeare's monstruous irregularity, to relish the simplicity of this piece. Mr Ranger will only observe that he is highly pleased with the Fable, the Morality, the University, and Integrity of it, and as the writing is equal all through, he looks upon it to be one of the best Pantomimes in the English language.] Receipts: #180 (Cross)

Event Comment: [Mainpiece in place of Alexander the Great, announced on playbill of 12 Apr.] Receipts: #142 18s. (127/0/0; 12/7/0; 2/3/6; tickets not come in: 1/7/6)

Event Comment: Benefit Delane. Mainpiece: As written by Shakespear. Tickets deliver'd for Monday the 9th will be taken. Tickets to be had of Delane at his lodgings at the Unicorn in New Exchange Row in the Strand. Places of Hobson at the stage door. There is now in rehearsal at the Theatre Royal [dl] and speedily will be acted, a new Petit Piece in imitation of that species of writing on the French Theatre call'd The Suspicious Husband Criticiz'd; or the Plague of Envy (General Advertiser). [A Folger edition of 1750 entitled Chorus for Shakespear's Tragedy of King John lists songs by Sullivan, Mrs Lampe, Mrs Storer, and Mrs Mozeen; the play had no other performance at a London theatre in the interim between 1747 and 1750.

Event Comment: Full Prices. None admitted behind scenes. [Both pieces advertised regularly for three days in advance.] Income from Boxes #95 15s. Expenses #44 17s. 8d. Including #5 11s. extra for Coronation: viz. 2 men at 10s. 6d. each, chorus singers &c. eleven more at 5s. including Dibdin; 6 Trumpets and 1 fife at 5s. Receipts: #244 7s. (Winston Theatrical Record)

Event Comment: Mainpiece: Not acted these 2 years. Afterpiece: Performed but once these 3 years. [See 15 Feb. 1764 and 30 Dec. 1762.] [The year (1766) first appears on playbills this season. The regular music charge each night appears as a constant charge of about #6 19s. 10d. Extra music and chorus singers for the Coronation amount each night it is presented to #5 2s. The nightly wardrobe and property charge varies but averages #8 15s. combined (Account Book). The Account Book for this year makes no weekly balance, as did earlier ones. It records a continuous cumulative list of receipts (Account No. 149), and on the page opposite records a cumulative list of payments. Comparison of the two columns can at any monent indicate the relationship between income and expenditure. The Account Book is BM ADD Egerton MSS 2272.] Receipts: #271 18s. 6d. (Account Book)

Event Comment: [In mainpiece the playbill assigns Richard to Holman, but "Holman being indisposed, Murray assumed the arduous part of Richard this evening. (Monthly Mirror, Oct. 1797, p. 238).] Afterpiece: Not acted these 2 years. Account-Book: Paid Music #9 1s. 8d.; Properties #12 8s.; Kettle Drum 5s.; Chorus Singers #1 10s.; Wardrobe #6 10s. 3d.; Supernumeraries #3 11s.; Sloper [master carpenter] for Scenemen #40 13s. 4d.; Phillips and Creswell #4 4s.; Lupino #2 14s. 6d.; Hollogan #2. Receipts: #286 17s. (282.15; 4.2)

Event Comment: Paid Music 20th Inst. #9 3s. 6d.; Properties 2s. 3d.; Chorus Singers #1 10s.; Wardrobe #6 13s. 3d.; Supernumeraries 16s. 6d.; Sloper[master carpenter] for Scene Men #62 11s. 4d.; 3 weeks salary to Phillips #15 15s., to Lupino #11 0s. 6d., to Hollogan #6 15s., to Hodgins #2 5s. [these were scene painters]. Receipts: # 336 14s. 6d. (330.18.0; 5.16.6)

Event Comment: Benefit for Mrs Pope. Mainpiece: In Act I Banquetv. [In Act IV] the Procession from the Abbeyv, at the Coronation of Anne Bullen . To conclude with the Ceremonial of a Royal Christeningv. Public Advertiser, 9 Mar.: Tickets to be had of Mrs Pope at her house in Half-moon-street, Piccadilly. Receipts: #289 8s. (202.6; 2.1; tickets: 85.1)

Event Comment: Mainpiece: In Act I The Banquetv. [In Act IV] the Procession from the Abbeyv at the Coronation of Anne Bullenv. To conclude with the Ceremonial of a Royal Christeningv. Receipts: #145 13s. 6d. (143.15.0; 1.18.6)

Event Comment: Benefit for Hull and Macready. 1st piece: In Act I a Grand Banquet. With the Procession [in Act IV] from the Abbey at the Coronation of Anne Bullen . To conclude with the Ceremonial of a Royal Christening. [In 2nd piece the scenes, as listed on 10 May, are indicated.] Morning Herald, 20 May: Tickets to be had of Hull, No. 7, Duke's-court, Westminster; Diary, 21 May: of Macready, No. 3, Mary-street, Charles-street, Tottenham-Court-Road. Receipts: #282 14s

Event Comment: Characters in Mainpiece New Dress'd in the Habits of the Times. [Theatrical Intelligence for 4 Nov. (Theatrical Miscellaneous Cuttings, G 60.23, Boston Public Library) notes: Last night the reformation in dress took place at the theatre in the revival of the second part of King Henry IV. The beauty as well as the propriety of the dresses give great satisfaction. The Old English Habits are indeed admirably suited to the style and manners of the plays of that time, in which a peculiarity prevails very remote from modern dialogue and the present fashion. The effect of this observation of the Costume, as the French call it, is very visible in the representation of Every Man in His Humour, and will, we hope, for the future be strictly observed in dressing every character of the plays of that age." The author then comments on Love's succes as Falstaff, and Garrick's effectiveness as the sick king especially in delivering the long speeches.

Event Comment: Benefit Wrexham, who sustained great Losses in the Year 1720. At the particular Desire of several Ladies of Quality. Alter'd from Shakespear

Event Comment: Benefit for Aickin and Mrs Lee. House Charges #33 8s. Rec'd stopages #2 13s. (Treasurer's Book). Tickets deliver'd by Sg Giorgi and Miss Berkley will be admitted. Neville MS Diary: Went to ye Pit to see 2nd part of Henry IV. [Comments on performances of individual characters in general.] Falstaff very well by Love. This last uses his eyes with great propriety in this and many other characters....Pistol by Baddeley (King should have played it)

Event Comment: Written by Shakespear. Not acted in 50 Years. It is hoped no Gentleman will take it ill, he cannot be admitted behind the scenes, the play being so full of characters, that any company there will be of great prejudice to the performance. [The play advertised as ready on 15 Feb., but held off until after the first performance of Papal Tyranny at cg so as not to detract from Cibber's first night.] The Principal Characters New Dress'd

Event Comment: Benefit for Bannister Jun. Mainpiece: By Permission of George Colman Jun., Esq. [Prologue by George Colman Jun. (Kemble Mem.), printed in Henry Angelo,@Reminiscences, 1828, I, 331-32.] Morning Herald, 29 Mar.: Tickets to be had of Bannister Jun., No. 2, Frith-street, Soho. Receipts: #538 18s. 6d. (251.19.6; 32.18.0; 3.0.0; tickets: 251.1.0) (charge: #163 9s. 2d.)

Event Comment: Mainpiece: By Particular Desire. The greatest crowd I ever saw since the Delevals play'd. This (tis said) was Mr Garrick's Benefit (Cross). Receipts: #220 (Cross)