SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Misses Vincent"/1) | (@(roleclean,performerclean) "Misses Vincent")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 14423 matches on Performance Comments, 4439 matches on Performance Title, 1793 matches on Event Comments, 108 matches on Roles/Actors, and 0 matches on Author.

Performances

Mainpiece Title: The Young Quaker

Afterpiece Title: Midas

Music: End of Act III of mainpiece a clarinet concerto by Mahon

Song: End of Act II of mainpiece a favorite Scotch song; End of Act IV a favorite Irish ballad, both by Miss George

Monologue: 1784 08 03 End of mainpiece (for that night only) Buds, have at ye all! by Palmer

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Bon Ton

Dance: In Act I of mainpiece a Dance of Spirits by Miss Hamoir, &c.; In Act III a Dance of Fantastic Spirits (performers not listed); In Act IV a Dance by Mr and Miss Hamoir. [All these were danced, as here assigned, in all subsequent performances.]

Performances

Mainpiece Title: The Peasant Metamorphosis

Afterpiece Title: The Deserter

Dance: In 1st ballet, by Duquesney and the two Miss Simonets; After the Singing, Hornpipe by Baptist and a Comic Dance by Delpini

Song: End of 1st ballet a Serio-Comic Italian Song by Delpini. imitations. After the Dancing, as17850207

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: All the World's a Stage

Dance: In Act III of mainpiece Hornpipe by Miss Besford (of CG)

Monologue: 1785 03 15 End of mainpiece Shuter's Post-haste Observations in a journey to Paris by Dutton

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: Rosina

Dance: As17850307athi

Song: Between the Acts, by Miss George

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: The Deserter

Dance: End of Act I of mainpiece the Minuet de la Cour by Harris and Miss Besford; After Mrs Kennedy's song The Wapping Landlady; or, Jack in Distress by Blurton

Song: End of Act II of mainpiece Alas! Poor Sue, as17850418; End of mainpiece a favourite song by Mrs Kennedy

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Lyar

Dance: End of Act II of mainpiece the Minuet de la Cow by Brigg and Miss Stageldoir; End of Act III Hornpipe by Bourk

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: Bon Ton; or, High Life above Stairs

Afterpiece Title: The Death and Revival of Harlequin

Dance: End of 1st piece, by Wright

Song: End of Act I of 2nd piece The Twaddle by Newbold

Monologue: 1785 07 06 After the Dancing an Address to the Audience by Miss Bird

Performances

Mainpiece Title: The Agreeable Surprise

Afterpiece Title: Peeping Tom

Dance: Mainpiece: With The Nosegay by Master Degville and Miss De Camp (their 1st appearance on this stage)

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: Too Civil by Half

Dance: End: The Lucky Return-Hamoir, the Miss Stageldoirs

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Test of Love

Dance: In II: a Masquerade Dance-Byrn, the two Simonets, young D'Egville, Miss DeCamp

Performances

Mainpiece Title: La Frascatana

Dance: End I: New Ballet, as17880426; with a Pas de Deux-Miss Harvey, Henry

Song: In opera: the Grand Quintetto (never performed in this Country)-; several beautiful parts of music as performed in the original Opera-

Ballet: End Opera: L'Amour et Psiche. As17880129, but Hymen-Henry in place of Chevalier; Graces Furies and Fates-Mlle _Vedie, Miss Harvey, _Jacolet, _Saulnier, _Sala; Didelot_; Coulon_

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: The Double Disguise

Dance: End II: an entire New Dance-Hamoir, Miss J. Stageldoir; End: The Irish Fair, as17880306

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: Duke and No Duke

Dance: End: The Irish Fair-Hamoir, Miss J. Stageldoir

Song: End IV: Ma chere Amie-Dignum

Performances

Mainpiece Title: A Trip To Scarborough

Afterpiece Title: Richard Coeur de Lion

Dance: End: New Dance, as17880605

Song: End III: Italian Song-Miss DeCamp

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: High Life below Stairs

Dance: End: The Slave in Love-the young D'Egvilles, Miss DeCamp; In afterpiece: Mock Minuet-R. Palmer, Miss Pope [which was danced, as here assigned, in all subsequent performances]

Performances

Mainpiece Title: The Strangers At Home

Afterpiece Title: High Life below Stairs

Dance: In afterpiece: a Mock Minuet-R. Palmer, Miss Pope

Song: In course evening: Henry's Cottage Maid-Miss Hagley

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: The Padlock

Song: In IV: Italian Air-Miss Daniels

Dance: End I afterpiece: Hornpipe-a Young Lady

Performances

Mainpiece Title: Vortigern

Afterpiece Title: My Grandmother

Song: In: Last Whitsunday they brought me-Miss Leak; She sung whilst from her eye ran down-Mrs Jordan [neither one listed in playbill (see BUC, 622)]

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: No Song No Supper

Dance: End: A Country Dance and Scotch Reel-Thompson, Whitfield, Wells, Banks, Garman, Miss Bourk, Mrs Haskey, Mrs Brigg, Mrs Byrne, Mrs Barrett; The Minuet de la Cour and Gavot-Roffey, Mrs Wild; A Hornpipe-Sga Bossi DelCaro

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Brilliants

Afterpiece Title: Comus

Dance: In II 3rd piece: a Dance-Naiads

Song: In: Maria; or, The Beggar Girl-Mrs Atkins; Young William-Incledon; a new song, The Negro Boy (written by Rees, and composed by Attwood)-Miss Sims (in character)

Event Comment: This piece was greatly Cut & Alter'd. the 5th Act Entirely left out & many Airs interspers'd all through; got up with a vast deal of trouble to everbody concern'd in it but particularly to Mr Coleman, who attended every Rehearsal & had alterations innumberable to make. Upon the Whole, never was anything so murder'd in the Speaking. Mr W. Palmer & Mrs Vincent were beyond Description bad; & had it not been for the Children's Excellent performance, (& particularly Miss Wright who Sung delightfully) the Audience would not have Suffer'd'em to have gone half thro' it. The Sleeping Scene particularly displeas'd. Next day it was reported, The Performers first Sung the Audience to S leep, & then went to Sleep themselves (Hopkins). Fairies pleas'd--Serious parts displeas'd--Comic between both (Cross Diary). This piece of Shakespear's was greatly cut and altered,--the fifth act entirely left out,--and many airs introduced--got up with a vast deal of trouble to all concerned, but particularly to Mr Colman, who attended every rehearsal, and had alterations innumerable to make. Upon the whole, I believe, never was piece so murdered as this was by the singing speakers, in which Mrs Vincent and Mr W. Palmer were beyond description bad; and had it not been for the children's excellent performance (particularly Miss Wright, who ran away with all the applause and very deservedly) the audience would not have suffered them to have gone half thro' it.--The sleeping particularly displeased. The next day it was reported, the performers sung the audience to sleep, and then went to sleep themselves (Hopkins Diary-MacMillan). Overture and airs composed by the most eminent English masters. Book of the play sold at the theatre, 1s. [See "A Midsummer Night's Dream in the Hands of Garrick and Colman," PMLA, June 1939.] Receipts: #98 7s. (MacMillan)

Performances

Mainpiece Title: A Midsummer Night's Dream

Performance Comment: Characters-Vernon, Bransby, W. Palmer, Burton, Parsons, Hopkins, Yates, Love, Baddeley, Ackman, Clough, Mrs Vincent, Miss Young. Fairies-Miss Rogers, Miss Ford, Miss Wright, Mas. Cape, Mas. Raworth. Theseus-Bransby; Egeus-Burton; Lysander-Vernon; Demetrius-W. Palmer; Quince-Love; Bottom-Yates; Flute-Baddeley; Starveling-Parsons; Hippolita-Mrs Hopkins; Hermia-Miss Young; Helena-Mrs Vincent; Snout-Ackman; Snug-Clough; Oberon-Miss Rogers; Titania-Miss Ford; Puck-Mas. Cape; Fairies-Miss Wright, Mas. Raworth; (Edition of 1763) Characters-Hopkins; In Act V, a Fairy Dance-Mas. Clinton, Miss Street, Miss Rogers, Miss Ford, others; Overture, Airs- by the most eminent English Masters.
Event Comment: Benefit for Arthur and Mrs Vincent. Charges #60. Deficit to the actors #6 12s. 6d. apiece, covered by income from tickets: Arthur #31 9s.; Mrs Vincent #43 4s. [Afterpiece a farce taken from Beaumont & Fletcher. Not Printed. In which was introduced the Judgment of Paris, a musical piece.] Mainpiece: Not acted these 7 years. Tickets to be had of Arthur in Duke's Court, and of Mrs Vincent at the Cock and Turk's Head in Bedford St., Covent Garden. Receipts: #46 15s

Performances

Mainpiece Title: The Albion Queens; Or, The Death Of Mary Queen Of Scots

Performance Comment: Queen Elizabeth-Mrs Horton; Norfolk-Ryan; Davison-Ridout; Morton-Bridgwater; Cecil-Arthur; Gifford-Gibson; Dowglass-Mrs Vincent; Mary, Queen of Scots-Mrs Woffington, 1st time.
Cast
Role: Dowglass Actor: Mrs Vincent

Afterpiece Title: The Maid of the Mill; or, The Country Revels

Afterpiece Title: Judgment of Paris

Performance Comment: Vocal parts-Lowe, Miss Falkner, Miss Young, Mrs Vincent; The Dances-Cooke, Miss Hillyard.
Event Comment: Play never acted before. [This new tragedy by MacNamara Morgan is mercilessly scourged by Paul Hiffernan in Tuner No 1, (21 Jan.), pp. 41-61]: To Tune it in Lilliputian Score : @Such sighing@Such Billing@Such Flashing@Such Heeling@And Dying@And Killing@And Dashing@And Kneeling@Such Rizing@Surprizing!@Such Falling@And Bawling@Such Attitudes@And Flattitudes@Were ne'er exhibited before.@ In the representation Mr Barry spared no pains; Miss Nossiter and Mr Smith strained hard-Mrs Bland, as far as her part exposed itself, did it with alacrity, but vanished abruptly in a storm of Lust. Mrs Vincent put as good a face on wanton barbarity as possible-and Mr Sparks who can do justice to a more spirited character, supported his Arcadian Kingship with becoming equanimity...It is a Romance crush'd together without choice, unconnected and full of Exidents not Incidents. Musidorus and Pamela , are duplicates to Pyrocles and Philoclea , which lengthen by so much the play, with repetition of the same dull nauseous tale of love, stirr'd up now and then by a bounce and a cracker-many persons come on we know not why, and disappear we know not wherefore....This new piece is an outlaw from all rules of Criticism; the Unities of Time, Place, and Action are unobserv'd; Plot, Moral, Verisimilitude, or even Probability unknown: many scenes bid defiance to possibility....Mr Rich stopp'd at no expence as to the Dresses and Decorations, and reprieving the play's duration to the utmost extent of Managerian clemency

Performances

Mainpiece Title: Philoclea

Performance Comment: Parts-Barry, Sparks, Smith, Ridout, Usher, Mrs Bland, Mrs Vincent, Miss Kennedy, Mrs Griffith, Miss Nossiter. [ Basilius-Sparks; Pyrocles-Barry; Musidorus-Smith; Amphialus-Usher; Philanax-Ridout; Euristus-Anderson; Dametas-Redman; Thyrsis-Holtam; Gynecia-Mrs Bland; Pamela-Miss Kennedy; Philoclea-Miss Nossiter; Cecropia-Mrs Vincent; Eugenia-Mrs Griffith; Phebe-Miss Mullart; Prologue-Sparks; Epilogue-Mrs Bland [[Edition of 1754).][Edition of 1754).]
Event Comment: The Music for the afterpiece compos'd by Mr Stanley, with a Hunting Song (never perform'd before) by the late Mr Handel. Books of the Entertainment to be sold at the Theatre at 6d. each. [Afterpiece: a short simple compliment to their Majesties on their nuptials (Biographia Dramatica). MacMillan suggests parts for afterpiece: Dametas-$Champness; Damon-$Lowe; Priest-$Fawcett; Phebe, Delia-$Miss Young; Sylvia-$Mrs Vincent.

Performances

Mainpiece Title: Douglas

Afterpiece Title: Arcadia; or, The Shepherd's Wedding

Performance Comment: Principal characters-Lowe, Champnes, Fawcett, Miss Young, Mrs Vincent; In which will be introduc'd Dancing-Grimaldi, Giorgi, Vincent, Sga Giorgi, Miss Baker, others; The whole to conclude with a Pastoral Processionto the Wedding of Thyrsis-; The Arcadians-the Comedians, Singers, Dancers.