Event Comment: LLondon Daily Post and General Advertiser, 11 July: Speedily will be sold by Auction, a Large Quantity of Theatrical Goods, viz. Cloaths, Scenes. (Late the Property of Mr Henry Giffard.

Event Comment: Mainpiece: Written by Shakespear. With Scenes and Decorations proper to the Play

Event Comment: Mainpiece: Written by the late Sir John Vanbrugh. Afterpiece: With Additional Scenes, particularly a new one for the Conclusion

Event Comment: Benefit Carey. N.B. And whereas building Benches, &c. on the Stage obstructs the Performance, and gives great Cause of Complaint, Mr Carey chuses rather to relinquish that Part of his Profit than incommode his Friends, and hopes no Person will take it ill, that they cannot be admitted behind the Scenes

Event Comment: Mainpiece: Written by the late Mrs Centlivre. Afterpiece: Written by the Author of the Toy Shop. N.B. Whereas several Audiences have of late been very much disgusted at the Performances being interrupted by Persons crouding upon the Stage; none for the future can be admitted behind the Scenes, except those who have Annual Silver Tickets

Event Comment: As 27 Nov. 1738. Mainpiece: Alter'd from Shakespear. Victor, History of the Theatres, II, 48: In the Year 1738, having, as he [Colley Cibber] said, Health and Strength enough to be as useful as ever, he came to Terms with Mr Fleetwood for his performing Richard, Fondlewife, Sir John Brute, &c. All his Comedy Parts he was right in, but in Richard he found his Mistake; his usual Strength and Spirit failed him most unhappily. I went behind the Scenes in the third Act, and asking him how he fared? He whispered me in the Ear, "That he wou'd give fifty Guineas to be then sitting in his easy Chair by his own Fireside.

Event Comment: Mainpiece: Written by Shakespear. [No one permitted behind the Scenes, and no Money returned after the Curtain is drawn up.] 6 p.m

Event Comment: Mainpiece: Written by Shakespear. With Scenes, Machines, Dancing, and other Decorations proper to the Play

Event Comment: A new Opera. Edition of 1740 Composed by Signor Pescetti. A new Scene by M delaCour. By His Majesty's Command

Event Comment: For the Benefit and Increase of a Fund establish'd for the Support of Decay'd Musicians and their Families. Mainpiece: With the Original Scenes and Habits. Pit and Boxes half a guinea. Gallery 5s. 6:30 p.m

Event Comment: Benefit Mrs Steele. With proper Scenes, Habits, and Decorations. [Tickets for Mr and Mrs Dunstall taken.

Event Comment: The King's Opera House in the Haymarket. A new Opera...Dances and other Decorations entirely New. Pit and Boxes to be put together, and no Persons to be admitted without Tickets, which will be deliver'd this Day, at the Office in the Haymarket, at Half a Guinea each. Gallery 5s. By His Majesty's Command, no Persons Whatever to be admitted behind the Scenes. The Gallery will be open'd at Four o'Clock. Pit and Boxes at Five. To begin at Six o'clock. This Day Attendance will be given at the Opera-Office from Nine to One in order to deliver the Silver Tickets to the Subscribers. Each Subscriber is desir'd to send his printed Receipt, it being necessary for the Delivery of the Tickets [customary notice on the bills throughout the season]. BBurney, History of Music, IV, 445: A pasticcio, music mainly composed by Galuppi, now the resident composer for the Opera House. Edition lists libretto by Francesco Vanneschi

Event Comment: Afterpiece: With Scenes, Machines, and other Decorations

Event Comment: TThe London Magazine (Feb. 1742) reprinted an article from the Universal Spectator of this date on an Indian's observations on the manners of the English, which included a general account of a night at the theatre, in which the scene shifting and the music seemed most impressive to the writer

Event Comment: MMrs Woffington fainted (Rylands MS.). Last night, in the First Act of All's Well, which was acted at Drury Lane, Mrs Woffington was taken so violently ill, that she fainted away, as she stood at the scenes, ready to come on; After a proper Apology being made, the Audience with great Humanity and Patience, waited till another person dress'd to read the part.--This night the Alchemist (by Particular Desire) is to be performed; and on Thursday, His Royal Highness and the Duke and Princesses have commanded the Tender Husband. On Friday the Play All's Well will be represented; when if Mrs Woffington is not recover'd, Mrs Mills will be ready in the part. Receipts: #100

Event Comment: Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. No persons will be admitted behind the scenes, but those that have Silver tickets. Places to be taken for the Boxes of Mr Hobson, at the stage door of the theatre. [The note concerning silver tickets appears regularly throughout the season.] Play begins exactly at Six o'clock. [Customary notice not included further.

Event Comment: A New Opera. With Dances and other Decorations entirely new. Pit and Boxes to be put together; and no person to be admitted without Tickets, which will be deliver'd this Day at the Office in the Hay-Market, at Half a Guinea each. Gallery 5s. By His Majesty's Command, No Person to be admitted behind the Scenes. The Gallery to be open'd at Four o'clock, Pit and Boxes at Five. To begin at Six o'clock. [Customary notice will not be included again. A pasticcio; music by Hasse, Lampugnani, Brivio, and Rinaldo da Capua; librettist--Apostolo Zeno. See Burney, History of Music, IV, 447.

Event Comment: No Money will be taken behind the scenes, nor any money to be return'd after the Curtain is drawn up. The following Letter, signed A By-Stander was inserted in the London Daily Post and General Advertiser: As I am absolutely unconcerned in all the now subsiding Theatrical Disputes, I hope the following observations upon what happened last Tuesday Night at Drury Lane will not be thought unworthy the Publick attention. The Manager of a theatre is to regard the General sense of the Town, and not any Faction form'd thru pique or resentment; Such a Faction may be Noisy, it may be Insolent, but never can be Considerable enough to force either the Manager or the Publick into their terms. Their outrages are equally insults upon the Understanding of the Town, as they are injuries to the Property of the Manager. Therefore if the Manager shall at any time give way to such proceedings, Then and not till Then, the Publick has a right ot find fault with him. The stage Then becomes a property to the insolence of a few misled people; and all theatrical diversions, which in this and other countries used to be directed by Decency and Publick Approbation are sacrificed to a pitiful Personal Resentment. If the above propositions are undeniable, the following Queries are submitted to the Publick, and the answer to them will determine the Reasonableness of the Tuesday Night Riot: I. Whether the Rioters were not Inconsiderable in their numbers and Circumstances? II: Whether any Gentleman can answer to himself, for doing in a Body, a thing which no Gentleman can justify for doing by himself? III. Whether the Rioters can justify their breaking into the Boxes, and taking possession of the seats, which were taken by many persons of Quality and Distinction, at the same time refusing to pay anything; thereby robbing the Manager of all the money of the Boxes, and most part of the Pit? IV. Whether the Manager ought to suffer in his property for the private quarrel between any two actors, as was the case...? V: Whether if such insolences are not discountenanced in the most effectual manner by the Town, any publick diversion can continue longer than a noisy inconsiderable Cabal pleases? VI. Whether any other motive than a regard to Public Decency would have hindered the Manager and Mr. Garrick's friends (who were treble the number) from treating the rioters as they deserved? I should be glad to see the above questions fairly and impartially answered

Event Comment: Benefit Shepard. For the Entertainment of the Grand Master and the rest of the Fraternity of the Ancient and Honourable Society of Free and Accepted Masons. None to be admitted into the Boxes, or behind the Scenes, but by Box tickets, which are to be had of Shepherd at his house on Mill Bank, and of Hobson at the stage door. Those Brethren who intend to honour the Grand Master to the Play, are desir'd to meet his Lordship, cloth'd, at the Rose Tavern, the Corner of Bridges St. at five o'clock

Event Comment: We hear, that on Saturday last an entirely new Scene of the Temple of Gloryv was shown for the first time in the Opera of Alceste, which as it excell'd everything of that kind for its Magnificance and Elegancy hitherto exhibited in any theatre, so it met with an universal Approbation from a numerous and polite Audience.-General Advertiser, 4 June

Event Comment: At Cibber's Academy in the Hay-Market...will be presented a Concert of Musick, Vocal and Instrumental. The Vocal Parts-Mr Brett, Mrs Hill, and others; the Instrumental by eminent Masters. The Doors to be open'd at Four, the Concert to begin at Five, and no Persons to be admitted after Seven o'clock. The Prices are Four Shillings, Half a Crown and Eighteen Pence. Places may be bespoke at the Academy. After the Concert will be exhibited Gratis, a Rehearsal, in Form, of the Play-(often acted with great Applause) call'd Romeo and Juliet. Written by Shakespear. The Characters personated by the Master of the Academy, his Assistants, Pupils, and Servants. With Proper Habits, Scenes and Decorations. [After Cibber announced his Academy, he received the following letter from the Justice of the Peace: I see by your advertisements, in regard to your Academical Performances, that they are of the same Nature as Mr L/c@y's were some Years ago, which brought him to a great deal of Trouble. Some strong Applications are making now to give you some; of which I think proper to give you Notice, in this private Manner, that you may avoid it.-Tho. de Veil. 31 Oct. Cibber, A Serio-Comic Apology. p. 12.

Event Comment: Not acted these 12 years. No persons to be admitted behind the scenes, and no money to be returned after the curtain is drawn up. [Customary notice.