Event Comment: By Command of There Royal Highnesses the Prince and Princess of Wales. Admission: 5s., 3s., 2s., 1s. 6d. No Latter Account will be taken. The Performance of the above Entertainment depending greatly on the Orchestra and the Stage being kept entirely clear, tis hoped no Persons will take it ill that they are refused Admittance behind the Scenes, it being impossible for the Scene-Men to make their Shifts and proper Changes, if they are interrupted by any Obstructions in the Passages. Receipts: #184 3s. 6d. (Account Book); #220 (Rylands MS.)

Event Comment: Bedefit Mr and Mrs Arne. Written by the late Mr Addison, and set to Musick by Mr Arne

Event Comment: RRylands MS: Old Cibber play'd Brute. [The preceding day's notice started this performance was By Command of his Royal Highness, The Prince of Wales, although no such notice appears in the day's Bill. But the following note is included on the day's bill in the London Daily Post and General Advertiser.] By His Majesty's Command, no persons to be admitted behind the scenes, nor any money to be return'd after the curtain is drawn up. [Fleetwood made an earnest attempt this year to clear the stage for action. All notices up to this day contain the prohibition of members of the audience behind scenes as stated on the bill of 15 Oct. Hereafter the prohibition is enforced by His Majesty's Command.] Receipts: #182

Event Comment: Benefit Galliard. Set to music by Galliard. Pit and Boxes together at 5s., First Gallery 2s. 6d. Upper Gallery 1s. 6d. Tickets at Mr Galliard's in Rathbone Place, near Soho Square. Books of the Opera and Interlude at Mr Theobald's the author's house, in Wyan's Court, Great Russel St. Note, Care will be taken to have the House well air'd. [See 16 April 1741, hay.

Event Comment: To begin exactly at Six o'clock. Play Written by Shakespear. The Principal Characters new dress.d, and the Theatre New Decorated. None will be admitted into the Boxes but by Printed tickets, which will be deliver'd at the Office in the Lobby at 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. N.B. For the Better Regulation of the stage, it is desired that no persons will take it ill, that they cannot be admitted behind the scenes. [The notice about time and prices remains constant throughout the season and will not again be noted here. The notice about refusal of admission behind the scenes appears on each bill till the benefits begin. It will not be repeated here.

Event Comment: At the particular desire of several persons of Quality

Event Comment: Boxes 2s. Pit and First Gallery 1s. 6d. Upper Gallery 1s. [This notice will not be repeated unless changed.

Event Comment: At the desire of Several Persons of Quality

Event Comment: [With the usual synoptic account.] Benefit Paget. Tickets at Paget's, the Tobacco Roll, in Mill Yard, near the bottom of Lemon St., Goodman's Fields. Tickets delivered out for Lee and Smith will be taken. [Prices as 25 Feb.

Event Comment: Afterpiece An Historical Dramatic Piece of on act (taken from Shakespear) with a representation of the Trials of the Lords for High Treason, in the Reign of King Henry V. The Characters dress'd in the Habits of the times. With proper Scenes and Decorations. On account of the Extraordinary Scenery, &c, and to prevent any interruption in the performance, it's desired no persons will take it ill that they cannot admitted behind the Scenes.--General Advertiser. [This adaption most certainly occasioned by the trial, which began in Westminster Hall on 28 July of Lord Kilmarnock, Lord Cromarty, and Lord Balmerino for participation in the Rebellion of '45! (Hogan, Shakespeare in the Theatre, p. 199).] An Historical Dramatic Piece of one act, taken from Shakespear, will be perform'd, after a play, at Drury Lane; it will be a Representation of the trials of Lord Cambridge, Lord Scroopv, &c for High Treason, in the reign of King Henry the Fifth. The Characters are to [be] dress'd in rich antique Habits of the times.--Daily Advertiser, 31 July. Last night the Dramatick Piece call'd The Conspiracy Discover'd; or French Policy Defeated, with a representation of the Trials of the Lords for High Treason, was acted at dl, with great applause, and will be performed again tomorrow night at the desire of several persons of Distinction.--General Advertiser, 5 Aug

Event Comment: [Full column in Daily Advertiser describing Barry's and Mrs Macklin's acting techniques.] Barry from the Theatre in Dublin, perform'd the part of Othello, at Drury Lane, before a numerous and polite audience; and met with as great Applause as could be express'd.--General Advertiser, 6 Oct. Thomas Gray to Horace Walpole: You have probably been there since I left you, and consequently have seen the Mr Barry you desired some account of; yet as I am not certain of this and should be glad to know whether we agree about him, I will nevertheless tell you what he is, and the impression he made upon me. He is upwards of six feet in height; wdll and prortionably made, treads well and knows what to do with his limbs; in short a noble graceful figure. I can say nothing of his face but that it was all black, with a wide mough and good eyes. His voice is of a clear and pleasing tone, something like Delane's, but not so deep-mouthed, not so like a passing bell. When high strain'd it is apt to crack a little and be hoarse, but in its common pitch, and when it sinks into any softer passion, particularly expressive and touching. In the first scene, especially when he recounts to the Senate the progress of his love and the means he used to win Desdemona, he was quite mistaken, and I took a pique against him; instead of a cool narration he flew into a rant of voice and action, as though he were relating the circumstance of a battle that was fought yesterday. I expected nothing more from him, but was deceiv'd: in the scenes of rage and jealousy he was seldom inferior to Quin in the parts of tenderness and sorrow far above him. These latter seem to be his peculiarly; his action is not very various, but rarely improper, or without dignity, and some of his attitudes are really fine. He is not perfect to be sure, but I think may make a better player than any now on the stage in a little while. However, to see a man in one character, and but once, is not sufficient, so I rather ask your opinion by this, than give you mine.--Horace Walpole's Correspondence with Thomas Gray, II, 6-7

Event Comment: Rec'd by sundry charges made to Mr Theophilus? Cibber more than paid him last season...#58 8s. 5d. Paid Mr Finch for Mr Cibber's creditors the moneys stopp'd out of his sallary for their use #58 8s. 5d. Rec'd of Mr Finch a Bill paid to Forest June 1745 for a Habeus &c for Mr Cibber. Receipts: #91 19s. 6d

Event Comment: This comedy was wrote by Mr Moor, & except ye part of Faddle meet with Universal Applause (ye Author's first play) (Cross). New Scenes and Cloaths (General Advertiser). This C. was written by Moore--it is a good play--it was acted 11 times successively--Garrick's peculiar qualifications and happy use of them, added amazing spirit to the piece, and gave more consequence to Young Belmont than can well be imagined--Macklin, who never had in voice, figure or features much capacity for the fop cast, yet struck out some things in Faddle, that have not been since equalled, particularly in marking the obsequious knave throughout--Barry in the fourth act supported his character with emphatic dignity and in the last with melting tenderness--the part of Rosetta was undoubtedly conceived for Mrs Woffington, and she did it particular justice--the elegance, the notions of love, and the vanity of admiration, which are united in Rosetta, were natural to Mrs Woffington, so that she had the advantage of looking and speaking in her own character--the softness and pathos, which distinguished Fidelia sat with much ease on Mrs Cibber (Dramatic Censor, II, 206). [For contemporary account of plot and discussion of the play, see Gentleman's Magazine Feb. 1748, pp. 51-54; March 1748, pp. 114-17; May 1748, pp. 207-9; June 1748, pp. 257-59. See also G. Stayley, An Answer to an unjust criticism on the Foundling, listed in Register of Books, Gentleman's Magazine, May 1748, p. 240; A Criticism of the Foundling, in a letter to the author, listed in Register of Books, Gentleman's Magazine, March 1748, p. 144. The Larpent MS indicates many revisions. The substitution of Rake for Whoremaster, &c. Some Suggestive passages marked for excision. "The Disapprobation, which the Character of Faddle met with the first Night, made it necessary for me to shorten it in almost every Scene" (Dedication to 1st Edition).] Receipts: #200 (Cross); #200 5s. (Powel)

Event Comment: Benefit for Winstone, King, and Palmer. Tickets and places of Hobson at the stage Door. Receipts: #130 (Cross); charges, #63 (Powel)

Event Comment: Paid to Sun Fire Office Insurance #15; Paid for a poker and shovel 5s. (Treasurer's Book). [This policy was doubltless similar to No 109085 dated 29 July 1747 issued to James Lacy and David Garrick Esq. Patentees of His Majesties Company of Comedians of the Theatre Royal Drury Lane, for #4,000: "On the Goods and Furniture, Wardrobe Apparel, Machines and Scenes, not valued as pictures, in the House, Dressing Rooms, Wardrobe, and Scene Rooms, of the said Theatre Royal, adjoining togethe r and situate in Drury Lane aforesaid and not elsewhere, not exceeding #4,000...Note: Except such Loss and Damage as may happen by any Fire occasioned by means of any representation in any Play or Farce or in any Rehearsal of the same." (From copy of original policy, by courtesy J. A. Miller, Esq. General Manager, Sun Insurance Office Ltd., sent me in ltr. dated 5 July 1951.)] Receipts: #110 (Cross). #104 5s. (Treasurer's Book)

Event Comment: The Dirge (from the General Advertiser).@ Ah, hapless Maid doom'd to the gaping Jaws@Of a Cold and Comfortless and Dreary Tomb.@Thy Marriage song is chang'd to mournful Dirge@Thy bridal bed to a black Fun'ral Hearse.@Hark, how with awful Pause the solemn Bell@In Death-like Sounds tolls her untimely Knell.@She was her Parents' sole delight@They had but one and only child.@Since Death has torn her from their Arms@With Grief and Sorrow they are wild.@Their Grief and Sorrow ev'ry Bosom shares@Witness our sighs and Groans and falling Tears.

Event Comment: [For the New Epilogue] Great applause (Cross). This day is Publish'd, Price 6d. Romeo and Juliet, written by Shakespear, with alterations, and an additional Scene; as it is performing at the Theatre Royal in Drury Lane. Printed for J. and R. Tonson, and S. Draper in the Strand. Receipts: #120 (Cross)

Event Comment: Mainpiece: By Particular Desire. Afterpiece: Not acted these two years. [See 30 Nov. 1749. Inspector No 191 analyzes and discusses The Orphan (Daily Advertiser and Literary Gazette).] Receipts: #120 (Cross)

Event Comment: [Performance of mainpiece highly praised in Gray's Inn Journal 3 Nov. It is no wonder that in some scenes the Emotions of the Audien ce run so extremely high, as they were acted upon by the two best Tragedians in the world." Garrick and Mossop. Also praises Foote's Fondlewife in previous performances of the Old Batchelor.] Receipts: #170 (Cross)