SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Miss Rogers for first time O Horrible most Horrible\' "/1) | (@(roleclean,performerclean) "Miss Rogers for first time O Horrible most Horrible\' ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 15843 matches on Performance Comments, 5895 matches on Event Comments, 5338 matches on Performance Title, 183 matches on Author, and 0 matches on Roles/Actors.
Event Comment: 2nd piece [1st time; D 3, by Henry Neuman, based on Der Opfertod, by August Friedrich Ferdinand von Kotzebue. Text (R. Phillips, 1799) assigns no parts]. Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. Places for the Boxes to be taken of Rice, at the Theatre. The Theatre, since the last Season, has been newly Decorated. [Beginning with 19 June the playbill: Printed by T. Woodfall, Drury Lane; on 4 Sept.: No. 104, Drury Lane.] Morning Chronicle, 27 June 1799: This Day is published Family Distress (2s.). Gentleman's Magazine, May 1800, pp. 406-8, prints a letter from "J. B." in which strong exception is taken to Kotzebue in general, and this play in particular. "Theatrical entertainments have an extensive influence upon the manners of Society. When well regulated, and the pieces for representation well selected both as to matter and manner, they may be esteemed friendly to morality, and improvers of public taste. But what shall we say when both these ends are disregarded; when moral virtue is banished from the scene, and purity of taste is destroyed by affected language and pantomimical decorations? Improvements in almost every art and science have been within a few years, rapid and important. But that is not the case with the stage; nor can it be, while Kotzebue and his friends usurp the venerable boards of Shakespeare." The writer then, in sarcastic terms, outlines the plot of Family Distress. [Pope and Miss Chapman were both from cg.

Performances

Mainpiece Title: Peeping Tom

Afterpiece Title: Family Distress

Performance Comment: Characters by Pope (1st appearance on this stage), Swendall (from the Theatre Royal, Edinburgh; 1st appearance on this stage), Palmer, Master Tokely, Davies, Davenport, J. Palmer, Waldron, Abbot, Lyons, H. Johnston, Mrs Davenport, Miss Leserve, Miss Chapman (1st appearance on this stage). Cast from European Magazine, June 1799, p. 404: Robert Maxwell-Pope; Harrington-Swendall; Landlord-Palmer; Harry-Master Tokely; Flood-Davies; John Hartopp-Davenport; Dempster-J. Palmer; Jew-Waldron; Dumfries-Abbot; Servant-Lyons; Walwyn-H. Johnston; Old Blind Lady-Mrs Davenport; Jane-Miss Leserve; Arabella-Miss Chapman.
Cast
Role: Jane Actor: Miss Leserve
Role: Arabella Actor: Miss Chapman.

Afterpiece Title: The Village Lawyer

Event Comment: Afterpiace [1st time; M. ENT 2, by William Linley. Larpent MS 1277; not published; synopsis of plot in Dramatic Censor, I, 124-25]: Altered [by the author] from The Pavilion. With new Scenes, Dresses, and Decorations. The Overture and Musick entirely new, composed by [William] Linley. Books of the Songs to be had in the Theatre. [And see 16 Nov. 1799.] Receipts: #270 15s. 6d. (185.2.0; 1.13.0)

Performances

Mainpiece Title: The Stranger

Related Works
Related Work: The Successful Strangers Author(s): William Mountfort

Afterpiece Title: The Ring or Love Me for Myself

Performance Comment: Characters-Kelly, Caulfield, Maddocks, Suett, Webb, Bannister Jun., Miss Stephens, Miss DeCamp, Mrs Bland. [Larpent MS lists the parts: The Caliph, Giafar, Sadib, Haddadad, acted by Suett (Monthly Visitor, Jan. 1800, p. 69), Hassan, Almeria, acted by Miss Stephens (Dramatic Censor, I, 129), Fetnah, Selima.]Larpent MS lists the parts: The Caliph, Giafar, Sadib, Haddadad, acted by Suett (Monthly Visitor, Jan. 1800, p. 69), Hassan, Almeria, acted by Miss Stephens (Dramatic Censor, I, 129), Fetnah, Selima.]

Music: As17991127

Dance: As17991127

Event Comment: Account-Book: Tickets delivered by Ledger, Thompson, Klanert, Claremont, Simmons, Wilde, Miss Mills, Miss Sims, Mrs Lloyd, Mrs Masters, Lee, Goostree, Street, Mrs Mills, Mrs Sydney, Abbot, Mrs Egan will be admitted. 3rd piece: Representation of the Battle, as 9 Nov. 1799. Receipts: #424 9s. 6d. (40.13.6; 5.3.0; tickets: 378.13.0)

Performances

Mainpiece Title: The Child Of Nature

Performance Comment: Alberto-Murray; Count Valentia-Betterton; Marquis Almanza-Whitfield; Duke Mercia-Davenport; Seville-Whitmore; Granada-Atkins; Marchioness Merida-Mrs Maddocks; Amanthis-Miss Murray.
Cast
Role: Amanthis Actor: Miss Murray.

Afterpiece Title: The Dramatist

Performance Comment: As17991018, but Marianne (1st time)-Miss Sims; Letty-Miss Leserve.
Cast
Role: Marianne Actor: Miss Sims
Role: Letty Actor: Miss Leserve.
Role: Lady Waitfor't Actor: Mrs Davenport
Role: Miss Courtney Actor: Miss Chapman.
Role: Caroline Actor: Miss Chapman

Afterpiece Title: The Mouth of the Nile

Cast
Role: Susan Actor: Miss Sims.

Dance: In 1st piece: Hornpipe-Cuerton; End 2nd piece: The Minuet de la Cour, a Favorite Scotch Pas Deux-Klanert, Mrs Watts

Event Comment: Afterpiece [1st time; MF 2, by the younger George Colman]: To conclude with a View of the Camp near Windsorv. A Military Overture, and the New Musick composed by Dr Arnold. The Scenery painted by S. Whitmore. Books of the Songs to be had at the Theatre. [For Colman's borrowing of the character of Caleb Quotem, see 6 July 1798.

Performances

Mainpiece Title: The Point Of Honour

Afterpiece Title: The Review or The Wags of Windsor

Performance Comment: Characters-Suett, Farley, Johnstone, Emery, Fawcett, Trueman, Chippendale, Atkins, Mrs Gibbs, Mrs Mountain, Miss DeCamp, Miss Leserve; Cast from text (J. Cawthorn, 1808): Mr Deputy Bull-Suett; +Capt. Beaugard-Farley; +Looney Mactwolter-Johnstone; +John Lump-Emery; +Caleb Quotem-Fawcett; +Charles Williams-Trueman; +Dubbs-Chippendale; +Serjeant-Atkins; +Grace Gaylove-Mrs Gibbs; +Lucy-Mrs Mountain; +Phoebe Whitethorn-Miss DeCamp; +Martha-Miss Leserve Chorusses-Abbot, Sawyer, Little, Kenrick, Caulfield Jun., Fisher, Dibble, Aylmer, Thomas, Willoughby.
Event Comment: The King's Company. The date of the first performance is not known; Pepys does not suggest that this day was the premiere. Pepys, Diary: Sir W. Pen...and I by coach to the King's playhouse, and there saw The Mad Couple, which I do not remember that I have seen; it is a pretty pleasant play. Thence home, and my wife and I to walk in the garden, she having been at the same play with Jane, in the 18d. seat, to shew Jane the play

Performances

Mainpiece Title: All Mistaken Or The Mad Couple

Performance Comment: Pepys, 28 Dec. 1667, refers to Philidor-Hart; Mirida-Nell Gwyn. The edition of 1672, the first one known, lists no prologue, no epilogue, no actors' names.
Event Comment: The King's Company. The date of the first performance is not known. Wilson (Six Restoration Play-Dates, pp. 222-23) argues from a number of references (principally in the Epilogue) to events of early 1681 which point to a premiere near May 1681: to the dissolution of Parliament, 28 March 1681; to the comet which appeared in November 1680 and disappeared in January 1680@1; to the Hatfield Maid; to William Lilly, the astrologer, who is referred to as though alive, thus suggesting a premiere before his death, 9 June 1681. It is possible that the premiere may have been earlier than this. In 1681 was published Poeta de Tristibus; or, The Poet's Complaint, whose author had obviously read the Prologue and Epilogue to The Unhappy Favourite. He represents himself as a disappointed dramatist whose tragedy has been rejected by both houses because "their Summer-store@Will all this Winter last." With the work entered in the Term Catalogues in 1682 and a copy purchased by Narcissus Luttrell with his note "4d 1681 12 Nov" (see A Bibliography of John Dryden, ed. Macdonald, pp. 235-36), his quotations from the Epilogue to The Unhappy Favourite and references to the Prologue would offer no difficulties if it were not that the "Author's Epistle" in which the references are made is dated "at Dover the Tenth day of January 1680@1," thus suggesting that he had seen the Prologue and Epilogue before that date. Nevertheless, some of the references in the Epilogue (to Heraclitus Ridens, beginning on 1 Feb. 1680@1, and Democritus Ridens, beginning on 14 March 1680@1) preclude a January premiere for the Prologue and Epilogue. Possibly the dating of the "Author's Epistle" is in error

Performances

Mainpiece Title: The Unhappy Favourite Or The Earl Of Essex

Performance Comment: Edition of 1682: The Earl of Essex-Clarke; Earl of Southampton-Gryffin; Burleigh-Major Mohun; Sir Walter Rawleigh-Disney; Queen Elizabeth-Mrs Quyn; Countess of Rutland-Mrs Cook; Countess of Nottingham-Mrs Corbett; Prologue-Major Mohun the first Four Dayes; Prologue to the King and Queen at their coming to the House, and Written on Purpose by Mr Dryden-; Epilogue by Mr Dryden-; Prologue Intended to be spoken, by the Author-.
Event Comment: The United Company. An order, 9 Feb. 1683@4, in L. C. 5@145, p. 14 (Nicoll, Restoration Drama, p. 356), and another, L. C. I, specify requirements for a play to be acted at Whitehall on 11 Feb. 1683@4, and name Valentinian as the drama. The first Prologue and the Epilogue Written by a Person of Quality were printed separately; Luttrell's copy (Bindley Collection, William Andrews Clark@Jr@Library) is dated 20 Feb. 1683@4. They are reprinted in Wiley, Rare Prologues and Epilogues, pp. 249-51. It is not certain on what date the first performance occurred, for premieres at court are quite rare in the Restoration period. In Nahum Tate's Poems by Several Hands (1685): Sir Francis Fane: A Masque Made at the Request of the Earl of Rochester, for the Tragedy of Vadentinian. Downes (p. 40): The well performance, and the vast Interest the Author made in Town, Crown'd the Play, with great Gain of Reputation; and Profit to the Actors. For an intended cast of Rochester's alteration of the play by John Fletcher, see the introductory note to the season of 1675-76. In A Pastoral in French by Lewis Grabu (published in 1684; advertised in the London Gazette, No. 1947, 17 July 1684) are two songs for this play for which Grabu apparently composed the music: Injurious charmer of my vanquished heart and Kindness hath resistless charms. In Choice Ayres and Songs, The Fourth Book, 1684, is: A new Song in the late reviv'd Play, call'd Valentinian: Where would coy Aminta run [the composer of the music not being indicated]

Performances

Mainpiece Title: Valentinian

Performance Comment: Edition of 1685: Prologue written by Mrs Behn-Mrs Cook (the first Day); Prologue to Valentinian-Mrs Cook (the second Day); Prologue intended for Valentinian-Mrs Barry; Epilogue by a Person of Quality-Mrs Barry; Downes (Roscius Anglicanus, p. 40): Valentinian-Goodman; Aecius-Betterton; Maximus-Kynaston; Pontius-Griffin; Lucina-Mrs Barry.
Event Comment: [By Philip Frowde.] All the Characters new Dress'd. Receipts: #148 3s. Probable attendance: boxes, 198 paid and 17 orders; balcony, 1 paid; pit, 283 paid and 3 orders; first gallery, 409 paid and 1 orders; slips, 64 paid; second gallery, 82 paid

Performances

Mainpiece Title: The Fall Of Saguntum

Performance Comment: Principal Parts-Boheme, Ryan, Walker, Quin, Hulett, Diggs, Milward, Mrs Berriman, Mrs Bullock, but edition of 1727 lists: Sicoris-Boheme; Murrus-Walker; Eurydamas-Quin; Theron-Hulett; Lycormas-Diggs; Fabius-Ryan; Curtius-Milward; First Saguntine-Ogden; Candace-Mrs Berriman; Timandra-Mrs Bullock; Prologue by Theobald-Quin; Epilogue-Mrs Younger.
Cast
Role: First Saguntine Actor: Ogden
Event Comment: Benefit Wilmer and Redfern, Boxkeepers. Receipts: money #15 12s. 6d.; tickets #94 2s. Probable attendance: boxes, 14 by money and 174 by tickets; stage, 2 by money; pit, 34 by money and 222 by tickets; slips, 2 by money; first gallery, 25 by money and 173 by tickets; second gallery, 28 by money

Performances

Mainpiece Title: The Fall Of Saguntum

Performance Comment: As17270116, but Lycormas-Berriman; Timandra-Mrs Morgan; First Saguntine-_; With the Original Epilogue-Mrs Younger.
Cast
Role: First Saguntine Actor: Ogden

Song: Salway, Mrs Warren

Dance: WWooden Shoe Dance-Nivelon; French Peasant-Poitier, Mrs Bullock; Shepherd and Shepherdess-Salle, Mlle Salle

Event Comment: Written by Shakespear. And all the Flyings, Sinkings, and usual Decorations. Receipts: #31 2s. Probable attendance: boxes, 34 paid and 3 orders; balcony, 2 paid; pit, 75 paid and 11 orders; slips, 14 paid and 3 orders; first gallery, 122 paid and 10 orders; second gallery, 66 paid

Performances

Mainpiece Title: Macbeth

Performance Comment: Macbeth-Quin; Macduff-Ryan; Banquo-Boheme; Lenox-Walker; Malcolm-Milward; Lady Macbeth-Mrs Berriman; Lady Macduff-Mrs Bullock; Hecate-Hall; Witches-Bullock, Hippisley, Morgan; First Murderer-Spiller.
Cast
Role: First Murderer Actor: Spiller.

Music: incident to play: Vncident to play: Vocal and Instrumental Music-; Vocal Music-Leveridge, Degar, Salway, Mrs Chambers

Dance: Dupre, Salle, Nivelon, Pelling, Newhouse, Lanyon, Dupre Jr

Event Comment: Benefit Kytch, First Hautboy to the Opera. Tickets 5s. At 7 p.m

Performances

Mainpiece Title: Concert

Music: I: Overture of Ptolomy by Mr Handel-; Songs. No oh Dio-Signora Cuzzoni in Calphurnia; Lusinghe piu Care-Signora Faustina in Alexander; Eighth Concerto of Corelli-Castrucci, others; French Horn Song in Griselda-; II: Concerto Grosso by Pepusch-; with solo parts for the Harpsicord-Mr Bach; Songs: Fonti Amiche-Signora Cuzzoni in Ptolomy; accompanied by Flutes-; Chio mai vi polla-Signora Faustina in Siroe; Solo for Hautboy-Kytch; Concerto for French Horns by Nicholini-; III: Concerto for Hautboy by Alberti-; Songs: Ombra cara-Senesino in Radamistus; L'Empiorigor-Signora Cuzzoni in Rodelinda; Concerto for Little Flute by Babel-; First Part of Water Musick with French Horns by Handel-; All Vocal Parts-; Hautboy-Kytch; Little Flute, Bassoon-

Performance Comment: No oh Dio-Signora Cuzzoni in Calphurnia; Lusinghe piu Care-Signora Faustina in Alexander; Eighth Concerto of Corelli-Castrucci, others; French Horn Song in Griselda-; II: Concerto Grosso by Pepusch-; with solo parts for the Harpsicord-Mr Bach; Songs: Fonti Amiche-Signora Cuzzoni in Ptolomy; accompanied by Flutes-; Chio mai vi polla-Signora Faustina in Siroe; Solo for Hautboy-Kytch; Concerto for French Horns by Nicholini-; III: Concerto for Hautboy by Alberti-; Songs: Ombra cara-Senesino in Radamistus; L'Empiorigor-Signora Cuzzoni in Rodelinda; Concerto for Little Flute by Babel-; First Part of Water Musick with French Horns by Handel-; All Vocal Parts-; Hautboy-Kytch; Little Flute, Bassoon-.
Event Comment: Pit and Boxes to be put together, and no person to be admitted without Tickets, which will be deliver'd that day at the office at cg theatre, at half a Guinea each. First Gallery 5s. Second Gallery 3s. 6d. Galleries to be opened at half an hour after Four o'clock. Pit and Boxes at Five. To begin at half an hour after Six. The Subscribers who favoured Mr Handel last season with their subscription, are desired to send to the office at cg on the day of the performance, where two tickets shall be deliver'd to each Gratis, in order to make good the Number of Performances subscrib'd to last season. [Recitative and chorus. Words taken from Milton and Spenser (Edition of 1746). Rehearsed at Handel's lodgings on 7 Feb. Burney and DeFesch in orchestra. (Deutsch, Handel, pp. 629-30.) Librettist not known, possibly Thomas Morell.

Performances

Mainpiece Title: The New Occasional Oratorio

Performance Comment: [No characters.] First soprano-Signora Francesina; Tenor-Beard; Bass-Reinhold (Deutsch, Handel, pp. 629-30.); With a newConcerto on the Organ-.
Event Comment: Pit and Boxes to be put together, and no Person to be admitted without Tickets, which will be deliver'd this Day, at the Office in Covent Garden Theatre, at Half a Guinea each. First Galley, 5s. Upper Gallery, 3s. 6d. The Galleries, to be open'd at Four, Pit and Boxes at Five. To Begin at Half an Hour after Six. [Customary notice for oratorios. It will not be repeated further.

Performances

Mainpiece Title: Judas Maccabaeus

Performance Comment: Parts were: Judas-; Israelite Man-; Israelite Woman-; Chorus-; Simon- (brother to Judas); Messenger-; Eupolemus- (Jewish Ambassador to Rome). (Larpent MS) [Winton Dean in Handel's Dramatic Oratorios, pp. 471-72, adds Second Israelite Woman and Priest, noting that Madam Frasi sang the part of the first Israelite woman.]Winton Dean in Handel's Dramatic Oratorios, pp. 471-72, adds Second Israelite Woman and Priest, noting that Madam Frasi sang the part of the first Israelite woman.]

Afterpiece Title: a Ca Concerto

Event Comment: At Hickford's Room, Brewer St. Benefit for Mme Cuzzoni. Burney, II, 848-49: [Giardini's] first performance in public was at a benefit concert for Cuzzoni, May the 18th...where, as this was her third arrival in this country, and she was grown old, poor, and almost deprived of voice, by age and infirmities, there was but little company; yet, when Giardini played a solo of Martini of Milan's composition, the applause was so long and loud, that I never remember to have heard such hearty and unequivocal marks of approbation at any other musical performance

Performances

Mainpiece Title: A Concert

Performance Comment: Violin solo-Felice de Giardini first appearance in London (Deutsch, Handel, p. 691); Vocal parts-Sga Cuzzoni.
Event Comment: An Oratorio composed by Sg Gio. Adol. Hasse, With Additions by Sg Giardini. End of the first Act a Concerto on the Organ by Mr Burton, In Act the third a Hautboy Concerto by the two Signori Besozzi, lately come from abroad. Pit and boxes 10s. 6d. First Gallery 5s. Upper Gallery 3s. 6d. Tickets and Places to be had of Mr Varney, at the stage-door of the Theatre. The profits of this performance will be given to A Public Charity. [No receipts recorded by Cross.

Performances

Mainpiece Title: I Pellegrini

Performance Comment: The vocal parts-Signora Mingotti, Signora Passerini, Ricciarelli, Pazzagli, Cox, others; First violin, a solo-Giardini.
Event Comment: A serious opera composed by Vento and other celebrated composers. Prices: Pit and Boxes, 10s. 6d. First Gallery 5s. 2nd Gallery 3s. 6:30 p.m. By their Majesties Command, no persons can be admitted behind the Scenes or into the Orchestra. Vivant Rex et Regina. [Manager's plea for subscribers to pay up to Bankers Drummond and Co. or to Mr Crawford (treasurer) at his dwelling adjacent to the Theatre. Repeated.

Performances

Mainpiece Title: Sofonisba

Performance Comment: Syphax-Millico; Sofonisba-Sga Girelli, first appearance in England.

Dance: I: Slingsby, Mlle Grenier; II: A New Serious Ballet-Fierville, scholar of Lepy Sen; Last Act: A New Grand Ballet-all the principal dancers

Event Comment: Benefit Winstone, Taswell, Miss Budgell, Miss Cole. Tickets deliver'd for Sir Courtly Nice will be taken. Yeaterday Morning died, after a short illness, Mr Norton, Author of the new Tragedy call'd Mahomet, Perform'd at the Theatre Royal in Drury Lane.-General Advertiser. On Friday died the Rev. Mr Miller of Roehampton, author of the Tragedy of Mahomet (which was acted last Friday, for the third time at Drury Lane Theatre), the Humours of Oxford, and other Dramatic performances.-Daily Advertiser, 30 April

Performances

Mainpiece Title: Venice Preserved

Afterpiece Title: The Devil to Pay

Performance Comment: As17440417 but Nell-Miss Budgell; Lettice-Miss Cole; Butler-Collins.
Cast
Role: Nell Actor: Miss Budgell
Role: Lettice Actor: Miss Cole
Event Comment: At the particular desire of several Persons of Quality. With the original Music, and all the Dances and other decorations proper to the play. Being the last time of performing

Performances

Mainpiece Title: Macbeth

Performance Comment: Macbeth-Garrick; Macduff-Ryan; Malcolm-Chapman; Banquo-Cashell; Lady Macduff-Miss Haughton; Lenox-Marr; Seyton-Philips; Seyward-Oates; Donalbaine-Kennedy; Fleance-Miss Morrison; Lady Macbeth's Lady-Miss Ferguson; Hecate-Paget; Witches-Marten, Morgan, Master Shuter; 1st murderer-Stoppelaer; Lady Macbeth-Mrs Horton; Vocal Parts-Leveridge, Thomson, Mrs Lampe, Miss Young, Mrs Vincent.
Event Comment: To the Printer of the Public Advertiser, Mr Woodfall: Why don't you constantly, every day, print a list of the Mistakes which the guessing Messieurs Ledger and Gazatteer make in their account of the playbills? Woodward, says the Gazetteer, is to play Harlequin, and Miles the Clown this evening [Friday 14 Oct.] in Harlequin Sorcerer; Tenducci and Brent the Shepherd and Shepherdess. The Ledger informs me that Woodward will play Lissardo in the Wonder, when you say Dyer; and that Mrs Younger is to play Inis, when you advertise Mrs Green will play that character. I dare say, Mr Garrick very shortly will make his appearance in the Gazetteer or Ledger. Your Humble Servant, &c. [Garrick was in France at this time.

Performances

Mainpiece Title: The Relapse Or Virtue In Danger

Performance Comment: Foppington-Woodward; Loveless-Smith; Young Fashion-Dyer; Worthy-Ross; Sir Tunbelly-Marten; Syringe-Shuter; Lory-Cushing; Coupler-Hayes; Bull-Lewis; Amanda-Mrs Vincent; Nurse-Mrs Pitt; Miss Hoyden-Miss Hallam; Berinthia-Miss Elliot.
Cast
Role: Miss Hoyden Actor: Miss Hallam
Role: Berinthia Actor: Miss Elliot.

Afterpiece Title: Thomasand Sally

Dance: TThe Knife Grinders (perform'd but once), as17631012

Event Comment: Benefit for Mrs Baker, Mrs Lampe, Mrs Jones. Mainpiece: By Partiuclar Desire. Afterpiece: For the last time this season. None admitted behind scenes. [Public Advertiser assigns two parts (Bridget and Dame Kitely) to Mrs Baker. Questionable.

Performances

Mainpiece Title: Every Man In His Humour

Performance Comment: As17650412 but Young Knowell-Dyer; Dame Kitely-Mrs Baker, 1st time.
Cast
Role: Bridge Actor: Miss Vincent.
Role: Formal Actor: Costollo

Afterpiece Title: Thomasand Sally

Performance Comment: As17650429 but Sally-Miss Brent; Dorcas-Miss Poitier.
Cast
Role: Sally Actor: Miss Brent
Role: Dorcas Actor: Miss Poitier.
Role: Dancing Actor: Miss Twist, Miss Pitt, Miss Daw.

Dance: End: Rural Love, as17641212

Event Comment: Benefit for Holtom, Miss Besford, Curtat, and Mrs Naylor. Charges #64 10s. Deficit to beneficiaries #28 11s. 6d. or #7 2s. 10 1!2d. apiece, covered by the value of their tickets: Holtom #32 2s.; Miss Besford #28 1s.; Curtat #33 5s.; Mrs Naylor #24 5s. @Box Pit Gallery Value@Holtom 18 126 87 #32 2s.@Besford 43 58 86 #28 1s.@Curtat 42 89 94 #33 5s.@Naylor 24 71 76 #24 5s.@Money #35 18s. 6d.@Total Value of House #153 11s. 6d.@ Receiv'd of Condell in full for fruit rent this season #20 (Account Book). Receipts: #35 18s. 6d. (Account Book)

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: As17680430 but Macheath-Mattocks; Polly-Miss Groce, being her second appearance on any stage; The Hornpipe-Miss Besford (apprentice to Fishar) 1st time.

Afterpiece Title: The Upholsterer

Ballet: End of Opera: The Wapping Landlady. As17680416

Event Comment: Benefit for Miss Macklin. Part of Pit will be laid into Boxes. Send servants by 4 o'clock. Afterpiece: For the only time this season. Charges #64 5s. Balance to Miss Macklin #77 7s. 6d. plus #115 15s. from tickets (Box 463). Paid Mr Reed for the balance of his 3 nights for Tom Jones #297 3s. Receipts: #141 12s. 6d. (Account Book)

Performances

Mainpiece Title: The Refusal Or The Ladys Philosophy

Performance Comment: Sir Gilbert@Wrangle-Macklin; Frankly-Dyer; Granger-Hull; Witling-Woodward; Cook-Dunstall; Betty-Mrs Green; Lady Wrangle-Mrs Ward; Sophronia-Mrs Lessingham; Charlotte-Miss Macklin; in Act IV will be introduced a Minuet-Fishar, Miss Macklin.

Afterpiece Title: Love a la Mode

Performance Comment: Sir Callaghan-Shuter; Groom-Woodward; Goodchild-Dunstall; Mordecai-Quick; the Lady-Miss Macklin; McSarcasm-Macklin.
Cast
Role: the Lady Actor: Miss Macklin

Dance: End: The Irish Lilt, as17680930

Event Comment: Mainpiece: Performed there but once. Afterpiece: For 1st time this season. Receipts: #180 7s. 6d. (Account Book)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: Comus

Performance Comment: Comus-Mattocks; Spirit-Hull; Brothers-Thompson, Harris; Lady-Miss Miller; Sabrina, and the Pastoral Nymph-Miss Twist; Bacchanals, Bacchants-Reinhold, DuBellamy, Baker, Mrs Baker; Euphrosyne-Miss Catley; Sweet Echo-Miss Catley; With Dances-incident to the piece.
Cast
Role: Lady Actor: Miss Miller
Role: and the Pastoral Nymph Actor: Miss Twist
Role: Euphrosyne Actor: Miss Catley
Role: Sweet Echo Actor: Miss Catley
Event Comment: Mainpiece: Not acted these 26 years. [See 13 April 1748.] Dressed in The Habits of the Times (playbill). This play is altered by Mr G was well perform'd a New Prologue & Epilogue all receiv'd with Applause (Hopkins Diary). [MacMillan's note from Kemble differs sligntly in wording.] Paid Properties #1 11s. 11d.; Housekeeper's bill #4 13s. Receipts: #153 13s. (Treasurer's Book)

Performances

Mainpiece Title: Albumazar

Performance Comment: Parts by King, Parsons, Palmer, Bannister (with song), Packer, Hurst, Wheeler, Miss Pope, Baddeley, Davies, Keen, Mrs Jefferson, Miss Platt, Mrs Abington. new Prologue-King; New Epilogue-Mrs Abington; Albumazar-Palmer; Trincalo-King; Pandolfo-Parsons; Cricca-Baddeley; Lelio-Davies; Eugenio-Wheeler; Antonio-Packer; Furbo-Bannister; Ronca-Hurst; Harpax-Keen; Sulpitia-Mrs Abington; Armelina-Miss Pope; Flavia-Mrs Jefferson; Bevilona-Miss Platt (Edition of 1773).
Cast
Role: Armelina Actor: Miss Pope
Role: Bevilona Actor: Miss Platt

Afterpiece Title: The Wedding Ring

Event Comment: A new short Introductory Piece before a play [The Meeting of the Company]. This new Prelude call'd The Meeting of the Company or Bayes' Art of Acting by D. G. Esq--it is full of fine Satyr & an Excellent Lesson to all performers, it was receiv'd with very great Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly in the wording. The salaries this season were #94 7s. 8d. per day; #566 6s. per week. Kemble's note as to total receipts is short by 8 pence.] Prices: Box 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. [Unfavorable review of Meeting of the Company in The Westminster Magazine (Sept., p. 472). The actor Aickin referred to this season is J. Aickin. Francis Aickin left dl before the beginning of this season. He was dismissed by Garrick in May. See Booden, Private Correspondence of David Garrick, I, 651-55.] Paid Renters #8; Advanced Mr Watson (box office keeper) #10; Ditto to Mr Mortimer (box office keeper) #15 (Treasurer's Book). [The funds to the box office keepers was operating cash which was returned 29 May 1775. Payment to Renters was same for each acting night until the eighty-eighth night (9 Jan. 1775) when it dropped to #4 nightly, since half of the stock holders (the Old Renters) were paid up by that time. The remaining 100 nights of the season plus 11 Oratorio nights yielded #448 to the Renters. No further mention of this item of expense will be made this season.] Total to Renters #1,152. Receipts: #212 14s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Drummer

Performance Comment: Tinsel-Dodd; Sir George-J. Aickin; Vellum-Parsons; Fantom-Packer; Butler-Baddeley; Gardener-Weston; Coachman-Moody; Lady Trueman-Mrs Hopkins; Abingail-Miss Pope.
Cast
Role: Abingail Actor: Miss Pope.

Afterpiece Title: The Meeting of the Company

Performance Comment: Parts-King, Weston, Parsons, Aickin, Hurst, Bransby, Wright, Ackman, Miss Platt. Bayes-King; Weston-Weston; Parsons-Parsons; Patent-Aickin; Hurst=-Hurst; Prompter-Ackman; Phill-Wright; Miss Platt-Miss Platt (character assignments tentative based on Huntington Library MS).

Afterpiece Title: The Irish Widow

Dance: I: The Irish Fair-Atkins, Mrs Sutton