SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Miss Mills"/1) | (@(roleclean,performerclean) "Miss Mills")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 15418 matches on Performance Comments, 4627 matches on Performance Title, 1869 matches on Event Comments, 244 matches on Roles/Actors, and 0 matches on Author.
Event Comment: Benefit Mills. At the particular Desire of several Ladies of Quality

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: As17300214, but Mrs Trusty-Mrs Mills.
Cast
Role: Mrs Trusty Actor: Mrs Mills.
Role: Manly Actor: Mills

Dance:

Event Comment: Benefit Mills. As 27 Nov. 1738

Performances

Mainpiece Title: The Careless Husband

Performance Comment: As17390115, but Foppington-Macklin; Lady Betty-Mrs Mills; Edging-Mrs Pritchard.
Cast
Role: Lady Betty Actor: Mrs Mills
Role: Sir Charles Actor: Mills

Afterpiece Title: The King and the Miller of Mansfield

Song: II: The Noontide Air, as17390407

Dance: III: Grand Ballet-Muilment; V: Minuet-Denoyer, Mrs Walter

Event Comment: [See Mills' letter, 11 Dec., hay.

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: As17441112, but Plume-Mills, 1st appearance here this season.

Afterpiece Title: The Lying Valet

Cast
Role: Mrs Gadabout Actor: Miss Bradshaw

Song: As17441217

Dance: As17441217

Event Comment: Benefit Muilment. Mr Garrick's Indisposition not suffering him to play, I have prevail'd upon Mr Mills to endeavour to play his part, as well as the shortness of the time will permit, which I hope will be more agreeable to my Friends than changing the Play. Being the last time of performing till the Holidays. [Craftsman No. 580 this day, quoted in the Gentlemen's Magazine, included a brief plea for the present ministry to get the Play-house Act repealed.

Performances

Mainpiece Title: The Fair Penitent

Performance Comment: As17450207, but Lothario-Mills.
Cast
Role: Lothario Actor: Mills.
Role: Lucilla Actor: Miss Minors.
Role: Lavinia Actor: Miss Budgell

Afterpiece Title: The Lying Valet

Cast
Role: Mrs Gadabout Actor: Miss Bradshaw

Dance: II: New Grand Dance-Muilment; III: New Dance-Muilment; V: Muilment

Song: IV: Gentle Shepherd-Mrs Arne

Event Comment: Benefit Mrs Mills. Mainpiece: By Particular Desire. [Letter in the General Advertiser in appreciation of the elegant fireworks displayed at the New Wells, Goodman's Fields, this evening.

Performances

Mainpiece Title: Julius Caesar

Performance Comment: As17470328 but Antony-Giffard; Portia-Mrs Mills; Soothsayer-I. Sparks.
Cast
Role: Portia Actor: Mrs Mills
Role: Caesar Actor: Mills

Afterpiece Title: The Suspicious Husband Criticised

Song: I: Cantata-Sullivan; IV: Lowe

Dance: II: Comic Dance-Mechel, Mlle Mechel; V: Comic Dance, as17470410

Event Comment: Benefit for Mrs Mills. Tickets deliver'd out by Taswell, Sg Piettro, and Mr Oswald, as well as those for Lady Jane Gray will be taken. Receipts: #128 (Cross)

Performances

Mainpiece Title: Much Ado About Nothing

Performance Comment: As17520319 but Hero-Mrs Mills; Margaret-Mrs Yates.
Cast
Role: Hero Actor: Mrs Mills
Role: Ursula Actor: Miss Minors

Afterpiece Title: The Shepherd's Lottery

Cast
Role: Phillis Actor: Miss Norris

Dance: Sg Piettro, Mad Janeton Auretti, Master Piettro

Event Comment: Benefit Mills. Boxes on the Stage, as 17 March

Performances

Mainpiece Title: The Provok'd Wife

Cast
Role: Heartfree Actor: Mills
Role: Belinda Actor: Mrs Mills

Afterpiece Title: The Mock Doctor

Performance Comment: As17400322 but Dorcas-Mrs Pritchard; Leander-Ray; Charlotte-Miss Thynne.
Cast
Role: Charlotte Actor: Miss Thynne.

Music: I: Preamble on Kettle Drums-Master Ferg; concluding with Handel'sWater Musick-

Dance: II: La Matelote-Desnoyer, Mlle Chateauneuf; III: Muilment; IV: Le Tambourine-Mlle Chateauneuf

Song: V: The Noon Tide Air (Comus)-Beard

Performances

Mainpiece Title: A Bold Stroke For A Wife

Performance Comment: Feignwell-Woodward; Modelove-Dyer; Obadiah-Gibson; Perriwinkle-Shuter; Tradelove-Anderson; Freeman-Clarke; Sackbut-Buck; Simon Pure-Costollo; Aminadab-Mas. Morgan; Mrs Prim-Mrs Pitt; Ann Lovely-Miss Macklin.
Cast
Role: Ann Lovely Actor: Miss Macklin.

Afterpiece Title: The Old Maid

Performance Comment: Old Maid-Mrs Walker; Harlow-Davis; Young Clerimont-White; Capt. Cape-Lewis; Heartwell-Gardner; Mrs Harlow-Miss Elliot.
Cast
Role: Mrs Harlow Actor: Miss Elliot.

Dance: II: A Tambourine, as17641015; End: La Femme Maitresse, as17641004

Event Comment: [Last time of performing till the Holidays. Miss Brown identifield by Winston MS 10 and playbill for 29 Oct. 1772 as the young lady, although Miss Potts and Mrs Woodman would seem likely candidates too.] Paid Dunstall the Balance of Theatrical Fund profit #68 1s. 6d. (Account Book). Receipts: #209 17s. 6d. (Account Book)

Performances

Mainpiece Title: The Beggar's Opera

Cast
Role: a Hornpipe Actor: Miss Twist.

Afterpiece Title: Man and Wife

Dance: II: Comic Dance, as17711031

Event Comment: By Permission [of the Lord Chamberlain]. Mainpiece [1st time; C 5 (?), author unknown. It was 1st advertised in Morning Chronicle, 15 Dec. 1783, for performance on 26 Jan. 1784, as "A new Comedy called The Artful Patriot; or, The Rage of the People." Prologue by Thomas Stewart (Morning Post, 23 Feb., which also gives names of T. Davis and Miss Hemet. Author of Epilogue unknown. MS not in Larpent; not published]. The Doors to be opened at 5:00. To begin at 6:30

Performances

Mainpiece Title: The Patriot

Performance Comment: Principal Characters by Wilkinson, Parker, Cross, Hunter, Miller, Powell, Shatford, Smith; Miss Watson Sen., Miss Forde, Miss Watson Jun., Miss Frederick, Miss Hemet. Cast not known. New Prologue [spoken by T. Davis] and Epilogue [spoken by Miss Hemet] .

Afterpiece Title: The Reprisal; or, The Tars of Old England

Performance Comment: Characters by Cross, Schultz, Cooke, Parker, Morgan, Gardin, Mills, Burden, Liddel, Barfield; Miss Hemet, &c. Cast not known .
Event Comment: Mainpiece [1st time; CO 3, by James Cobb. Larpent MS 1050; published (pirated) 1795]: The Musick, principally new, composed by Storace, with a few Pieces selected from Anfossi, Mozart, Bianchi, Ditters and Sarti. The Scenes and Decorations are all designed and painted by Greenwood, except the View of the New Settlement, which is by Capon. The Dresses, &c. are executed by Johnston and Miss Rein. Books of the Songs to be had in the Theatre. Powell: Cherokee rehearsed at 9:30. Receipts: #340 5s. 6d. (284.5.0; 54.13.0; 1.7.6)

Performances

Mainpiece Title: The Cherokee

Performance Comment: Principal Characters. Europeans: Kelly, Master Welsh, Cooke, Dignum, Hollingsworth, Bannister Jun., Bannister, Suett, Mrs Crouch, Sga Storace, Miss Leak, Mrs Bland. Indian Chiefs: Barrymore, C. Kemble, Sedgwick, Caulfield. Indian Warriors-Phillimore, Dubois, Fairbrother, Boimaison, G. D'Egville, Butler, Keys, Nicolini, Roffey, Whitmell, Wells, Garman, Banks; Chorusses-Danby, Evans, Lyons, Maddocks, Trueman, Welsh, Fisher, Annereau, Atkins, Aylmer, Boyce, Bardoleau, Brown, Cook, Denman, Dixon, Dorion, Dorion Jun., Fisher, Pilbrow, Tett, Walker, Willoughby, Master DeCamp, Mrs Bramwell, Mrs Boimaison, Mrs Butler, Miss Chatterley, Miss Gawdry, Miss Granger, Miss Menage, Miss Redhead, Miss Stageldoir, Mrs Iliff, Miss Davies, Mrs Maddocks, Miss Beaufort, Miss Brooker, Mrs Brigg, Mrs Barrett, Miss Bourk, Mrs Harris, Mrs Haskey, Miss Phillips; Cast from Songs (E. Cox, 1794): Europeans: Col. Blandford-Kelly; Henry-Master Welsh; Officer-Cooke; Ramble-Dignum; Average-Hollingsworth; Jack Average-Bannister Jun.; Ser. Bluster-Bannister; Jeremy-Suett; Zilipha-Mrs Crouch; Eleanor-Sga Storace; Fanny-Miss Leak; Winifred-Mrs Bland; Indian Chiefs: Malooko-Barrymore; Zamorin-C. Kemble; Ontayo-Sedgwick; Patowmac-Caulfield; Indian-Phillimore; Partheca-Mrs Bramwell.

Afterpiece Title: The Wedding Day

Performance Comment: As17941105, but Packer_; C._ Kemble; Miss_ Tidswell; Miss_ Heard.
Cast
Role: Lady Autumn Actor: Miss Tidswell
Role: Hannah Actor: Miss Heard
Event Comment: Afterpiece [1st time; P 3 (except for 1st two performances, which were 2), by James Harvey D'Egville. Synopsis of action (C. Lowndes [1795])]: A Representation calculated to shew the extent and powers of the New Stage, and which has been in preparation during the whole of the Season (notice on playbill of 10 Feb.). The Musick composed by Krazinsky Miller. The Scenes, Machinery, Dresses and Decorations are entirely new. The Scenery designed and executed by Marinari, and his Assistants. The Machinery designed by Cabanel, and executed by him and Jacobs. The Dresses and Decorations by Johnston and Miss Rein. Powell: [The pantomime] was astonishingly well received, except the chorus of 'Happy Pair' at the end, which was so shamefully managed that the performers met with, what they much deserved, great disapprobation. The acting of the piece was in general well conducted, but the Processionv [The Piece will conclude with the Entry of Alexander into Babylonv, and his Marriage with Statirav (playbill)], for want of room to arrange behind, was unavoidably sent on in a very confused manner...Alexander's car could not be sent on this evening, not being yet complete. [These difficulties are somewhat surprising, in view of the fact that the pantomime had had 54 rehearsals. And see 13 Feb.] 11 Feb.: Chorusses to New Ballet rehearsed at 10; Natural Son at 11; New Ballet at 11; New Ballet (full rehearsal) at 6; 12 Feb.: New Ballet rehearsed at 12. Receipts: #504 3s. 6d. (417.2.0; 83.16.6; 3.5.0)

Performances

Mainpiece Title: The Natural Son

Performance Comment: Sir Jeffery Latimer-Suett; Blushenly-Palmer; Capt. O'Carrol-Moody; Jack Hustings-King; David-Burton; Lady Paragon-Miss Farren; Miss Phebe Latimer-Miss Pope.

Afterpiece Title: Alexander the Great; or, The Conquest of Persia

Performance Comment: Macedonians: Alexander-J. D'Egville; Hephestion-Aumer; Clytus-Dubois; Perdiccas-Fairbrother; Parmenio-Phillimore; Ptolemy-Caulfield; Attalus-Benson; Eumenes-Bland; Philip-G. D'Egville; Officers-; Guards-; Attendants-; Thalestris-Mrs Fialon (1st appearance on this stage); Amazons-Miss Collins, Miss Heard, Miss D'Egville, Miss Redhead, Miss Stageldoir, Miss Stuart, Miss Tidswell, Mrs Bramwell; Persians: Darius-Fialon; Son of Darius-Master Menage; Oxathres-Boimaison; Memnon-Webb; Arsites-Maddocks; Spithridates-Banks; Raesaces-Lyons; High Priest of the Sun-Roffey; Sysigambis-Mrs Cuyler; Parisatis-Mrs Hedges; Artemisia-Mrs Butler; Statira-Miss J. Hilligsberg (1st appearance on this stage); Satraps-Kelly Jun., Evans, Brady, Caulfield Jun., Powell, Creed; Attendant Females-Miss Brooker, Miss Phillips, Miss Daniel, Mrs Harris, Mrs Haskey, Miss Chatterley, Miss Granger, Mrs Jones, Miss Menage, Miss D'Egville; Priests-; Persian Army=-.
Event Comment: Mainpiece [1st time; CO 3, by James Hook Jun. Larpent MS 1065; not published; synopsis of plot in Pocket Magazine, May 1795, p. 334]: The Musick composed by Hook? Sen. The Scenes, Dresses, Decorations and Machinery are entirely new. The Scenery of the Opera designed and painted by Greenwood and Capon. The Masque and Decorations by Marinari. The Machinery by Cabanel and Jacobs.The Dresses by Johnston and Miss Rein. Books of the Songs to be had in the Theatre. [Afterpiece in place of The Adopted Child, advertised on playbill of 5 May.] Receipts: #269 8s. (213.0.6; 53.16.0; 2.11.6)

Performances

Mainpiece Title: Jack Of Newbury

Performance Comment: Characters by Palmer, Kelly, Dignum, Suett, R. Palmer, Bannister Jun., Master Welsh, Phillimore, Mrs Crouch, Sga Storace, Miss Leak, Mrs Bland. [Cast from Songs (C. Lowndes, 1795), and Larpent MS: Jack of Newbury-Palmer; Sir Murdock O'Connel-Kelly; Edgar-Dignum; Flaw-Suett; Crafts-R. Palmer; Knap-Bannister Jun.; Page-Master Welsh; Rowland-Phillimore; Dame Eleanor-Mrs Crouch; Emma-Sga Storace; Blanche-Miss Leak; Kathlane-Mrs Bland. [To conclude with an Emblematical Masque in Honour of the Royal Nuptials [see cg, 6 Apr.], called .To conclude with an Emblematical Masque in Honour of the Royal Nuptials [see cg, 6 Apr.], called .
Cast
Role: Blanche Actor: Miss Leak

Afterpiece Title: The Triumph of Hymen

Performance Comment: Hymen-Master DeCamp; Cupid-Master Welsh; Mercury-Fialon; Apollo-Aumer; Hercules-G. D'Egville; Castor-Fairbrother; Pollux-Boimaison; Psyche-Miss Granger; Diana-Miss Collins; Zephyrus-Mrs Fialon; Flora-Miss F. D'Egville; Britannia-Mrs Cuyler; Plenty-Mrs Butler; Commerce-Mrs Hedges; Loves, Graces, Chorus-Miss Menage, Miss Wheatley, Miss S. D'Egville, Mrs Beaufort, Mrs Brooker, Mrs Brigg, Miss Bourk, Mrs Bramwell, Miss Redhead, Miss Gawdry, Miss Stageldoir, Miss Chatterley, Cooke, Danby, Evans, Lyons, Maddocks, Welsh, Trueman.

Afterpiece Title: Tit for Tat

Event Comment: Mainpiece [1st time; MD 3, by Prince Hoare. Larpent MS 1126; not published; synopsis of plot in Monthly Magazine, May 1796, p. 320]: With new Scenes, Dresses, Decorations, &c. The Musick principally composed by the late Mr Storace [who had died on 19 Mar.], with a few Selections from Paisiello, Haydn and Sarti. [Grove, under Storace, states that the music was completed and prepared for the stage by Kelly and Sga Storace.] The Scenes designed and executed by Marinari and assistants. The Dresses by Johnston, Gay and Miss Rein. Books of the Songs to be had in the Theatre. "It was exceedingly tedious the first night, not being over till eleven o'clock. Since, it has been prudently cut down, and yet has lost nothing. A prologue, written on the very morning of representation, deploring the loss of the composer, was spoken (perfectly) by the last unfortunate Benson [for whom see 9 June. It was written by Hoare (Universal Magazine, May 1796, p. 362), and Was perhaps spoken only on the 1st night; it is not listed on any playbill]" (Monthly Magazine, May 1796, p. 320). "In short, possessing all the science of Harrison, the melody of Incledon, and the pleasing articulation of the late Mrs Kennedy, we have no hesitation in pronouncing [Braham] the first public singer of the present day. He was three times encored. His action is indifferent, and his dialogue scarcely audible" (Morning Herald, 2 May). Receipts: #297 14s. (258.10.6; 38.19.6; 0.4.0)

Performances

Mainpiece Title: Mahmoud; Or, The Prince Of Persia

Performance Comment: [Characters-Aickin, Kemble, Braham (1st appearance on any stage i.e. as an actor, not a singer]), Packer, Suett, Bannister Jun., Kelly, Dignum, Sedgwick, Maddocks, Cooke, Caulfield, Evans, Webb, Trueman, Wentworth, Phillimore, Banks, Master Gregson, Miss Menage, Miss Leak, Miss Miller, Mrs Bland, Sga Storace; Cast from Songs (no pub., 1796): Sultan-Aickin; Mahmoud-Kemble; Noureddin-Braham (whose 1st appearance on the stage was at cg, 21 Apr. 1787); Helim-Packer; Barakka-Suett; Abdoul Cassan-Bannister Jun.; Mossafer-Kelly; Hassan-Dignum; Malek-Sedgwick; Petitioners-Caulfield; Muley-Banks; Aladdin-Miss Menage; Balsora-Miss Leak; Zobeide-Miss Miller; Desra-Mrs Bland; Zelica-Sga Storace; unassigned-Maddocks, Cooke, Evans, Webb, Trueman, Wentworth, Phillimore, Master Gregson; General Chorus-Danby, J. Fisher, Welsh, Master DeCamp, Atkins, Boyce, Brown, Denman, Fisher, Tett, Aylmer, Caulfield Jun., Dibble, Gallot, Willoughby, Annereau, Bardoleau, Cook, Walker, Miss Arne, Mrs Boimaison, Mrs Bramwell, Mrs Butler, Miss Chatterley, Miss Jackson, Mrs Maddocks, Miss Mellon, Miss Stuart, Miss Wentworth. [Prologue, not listed on playbill, spoken by Benson.]Prologue, not listed on playbill, spoken by Benson.]

Afterpiece Title: All the World's a Stage

Event Comment: This piece was greatly Cut & Alter'd. the 5th Act Entirely left out & many Airs interspers'd all through; got up with a vast deal of trouble to everbody concern'd in it but particularly to Mr Coleman, who attended every Rehearsal & had alterations innumberable to make. Upon the Whole, never was anything so murder'd in the Speaking. Mr W. Palmer & Mrs Vincent were beyond Description bad; & had it not been for the Children's Excellent performance, (& particularly Miss Wright who Sung delightfully) the Audience would not have Suffer'd'em to have gone half thro' it. The Sleeping Scene particularly displeas'd. Next day it was reported, The Performers first Sung the Audience to S leep, & then went to Sleep themselves (Hopkins). Fairies pleas'd--Serious parts displeas'd--Comic between both (Cross Diary). This piece of Shakespear's was greatly cut and altered,--the fifth act entirely left out,--and many airs introduced--got up with a vast deal of trouble to all concerned, but particularly to Mr Colman, who attended every rehearsal, and had alterations innumerable to make. Upon the whole, I believe, never was piece so murdered as this was by the singing speakers, in which Mrs Vincent and Mr W. Palmer were beyond description bad; and had it not been for the children's excellent performance (particularly Miss Wright, who ran away with all the applause and very deservedly) the audience would not have suffered them to have gone half thro' it.--The sleeping particularly displeased. The next day it was reported, the performers sung the audience to sleep, and then went to sleep themselves (Hopkins Diary-MacMillan). Overture and airs composed by the most eminent English masters. Book of the play sold at the theatre, 1s. [See "A Midsummer Night's Dream in the Hands of Garrick and Colman," PMLA, June 1939.] Receipts: #98 7s. (MacMillan)

Performances

Mainpiece Title: A Midsummer Night's Dream

Performance Comment: Characters-Vernon, Bransby, W. Palmer, Burton, Parsons, Hopkins, Yates, Love, Baddeley, Ackman, Clough, Mrs Vincent, Miss Young. Fairies-Miss Rogers, Miss Ford, Miss Wright, Mas. Cape, Mas. Raworth. Theseus-Bransby; Egeus-Burton; Lysander-Vernon; Demetrius-W. Palmer; Quince-Love; Bottom-Yates; Flute-Baddeley; Starveling-Parsons; Hippolita-Mrs Hopkins; Hermia-Miss Young; Helena-Mrs Vincent; Snout-Ackman; Snug-Clough; Oberon-Miss Rogers; Titania-Miss Ford; Puck-Mas. Cape; Fairies-Miss Wright, Mas. Raworth; (Edition of 1763) Characters-Hopkins; In Act V, a Fairy Dance-Mas. Clinton, Miss Street, Miss Rogers, Miss Ford, others; Overture, Airs- by the most eminent English Masters.
Event Comment: Mainpiece [1st time; C 4, by George Colman elder. Prologue by the author (Morning Chronicle, 13 Oct.). Scenery by Rooker (ibid. 1 Sept.). Larpent MS 490; not published; synopsis of plot in London Magazine, Sept. 1779, pp. 405-7]. "The first three acts want business, and the denouement is rather suddenly brought about...The greatness of the task of performing a character of which Mrs Abington had been announced as the intended representative seemed to inspire [Miss Farren] with additional zeal, and helped her to gain additional credit" (Morning Chronicle, 1 Sept.)

Performances

Mainpiece Title: The Separate Maintenance

Performance Comment: Principal Characters-Palmer, Dimond, Aickin, Gardner, Stevens, Kenny, Jackson, Edwin, Parsons, Mrs Webb, Mrs Hitchcock, Mrs Lloyd, Mrs Poussin, Miss Wood, Mrs Lefevre, Miss Hale, Miss Twist, Mrs Cuyler, Miss Farren. [Cast from Gazetteer, 1 Sept.: Leveret-Palmer; Lord Newbery-Dimond; Touchwood-Aickin; Fraction-Gardner; Jacky Minim-Edwin; Lord Oldcastle-Parsons; Lady Oldcastle-Mrs Webb; Miss English-Mrs Hitchcock; Mrs Frankly-Mrs Lloyd; Lady Didapper-Mrs Poussin; Grace-Miss Wood; Mrs Fustian-Mrs Lefevre; Mrs Revel-Mrs Cuyler; Lady Newbery-Miss Farren; Stevens, Kenny, Jackson, Miss Hale, Miss Twist; [Larpent MS 490 lists the parts as above, and adds: Buckle, Varnish, Mons Epingle, Mrs Coiff. Prologue-Palmer. [This was spoken, as here assigned at all subsequent performances.]This was spoken, as here assigned at all subsequent performances.]

Afterpiece Title: The Mayor of Garratt

Dance: As17790818

Event Comment: Benefit Mrs Clive. Part of the Pit railed into Boxes and Stage will be formed into Amphitheatre, where servants will be admitted to keep places. Afterpiece: Farce of Two Acts never before acted. [MacMillan lists the characters from the Larpent MS and points out that no indication of assignment appeared: Sir John Bayfield , Sir Charles Freelove , Sir James Trueman , Mr Lovenight , Captain Squander , Lady Bayfield , Miss Croston , Lady Di Clatter , Miss Gibberish , Mrs Lovenight , Miss Prue , Mrs Goodfellow , and servants . Two deputy licensers seem to have been operating at this time, for Garrick sends his plays to Edward Capel, and Rich his to Chetwyn.

Performances

Mainpiece Title: The Mistake

Afterpiece Title: Every Woman in Her Humour

Performance Comment: Principal parts-King, Yates, Moody, Austin, Packer, Mrs Clive, Miss Macklin, Miss Pritchard, Miss Haughton, Mrs Bennet, Miss Hippisley, Miss Simson, Mrs Bradshaw, Mrs Yates.

Dance: TThe Cow Keepers, as17600313

Event Comment: This Musical Farce of one Act was wrote by Mr G on purpose to introduce Miss Abrams (a Jew) about 17 Years old. She is very small, a Swarthy Complexion, has a very sweet Voice and a fine Shake, but not quite power enough yet-both the Piece and Young Lady were receiv'd with Great Applause (Hopkins Diary). Books of the Songs, Choruses etc. of Afterpiece to be had at the Theatre. The Conscious Lovers oblig'd to be deferred till Monday, with which will be performed the last new Grand Ballet, The Savage Hunters. [Advertisement to the published edition: "The author of this musical Farce, begs leave to inform the readers, if there should be any, that it was merely intended to introduce The Little Gipsy to the public, whose youth and total inexperience of the stage made it necessary to give as little dialogue to her character as possible, her success depending wholly upon her singing-This reason added to another, which is that the piece was produced at an early part of the season, when better writters are not willing to come forth, is the best apology the Author can make for its defects."] Paid 6 days salary list at #104 7s.-per diem, #626 2s.; Mr Lamash on note #5 5s. (Treasurer's Book). [The note on sale of books of the songs and choruses for the afterpiece occurs on all subsequent bills this season in which May Day is mentioned. The songs and chorusses and overture by Dr Arne. The afterpiece reviewed in Westminster Magazine for Nov.: The preparation is palatable, and the hand of the preparer is discoverable from the affinity between the scene of Roger and the Old Man, and that of whittle and Thomas in the Irish Widow....The Music of the overture and Finale were remarkably light and pretty: some of the airs also did Dr Arne credit. As to Miss Abrams, she has a sweet pipe, and a natural shake that charmed us;-If maturity does but strengthen her voice, at the same time that it gives her ease in deportment, she will prove an ornament to the stage."] Receipts: #205 3s. (Treasurer's Book)

Performances

Mainpiece Title: The Fair Penitent

Performance Comment: Horatio-Bensley; Altamont-Brereton; Sciolto-Aickin; Rossano-Whitfield; Lothario-Reddish; Lavinia-Miss Sherry; Lucilla-Mrs Davies; Calista-Mrs Yates.
Cast
Role: Lavinia Actor: Miss Sherry

Afterpiece Title: May Day; or, The Little Gipsy

Performance Comment: Parts by Vernon, Wrighten, Parsons, Bannister, Kear, Legg, Fawcett, Cubitt, etc., Mrs Wrighten, Mrs Scott, Mrs Davies, Miss Platt, Miss Robbins, Miss Hopkins, Miss Jarratt, etc., and a Young Lady. Farmer Furrow-Parsons; William-Vernon; Clod-Bannister; Dozey-Weston; Cryer-Wrighten; Dolly-Mrs Wrighten; Little Gipsy-Young Lady, first appearance on any stage (Miss Abrams); Country lads-Kear, Fawcett, Legg, Cubitt; Country lasses-Mrs Scott, Mrs Davies, Miss Platt, Miss Robins, Miss Jarratt (Genest, V, 480).
Event Comment: Afterpiece: A Comic Opera altered [by Colman] from Gay. The Music entirely new by Dr Arne. Now acted for the first time in 2 Acts. [The 1776 Edition in Bell's British Theatre lists: Achilles-Miss Brown; Philoe-$Miss Valois; Thetis-$Miss Catley. [$Miss Pearce">Mattocks; Peripas-$Reinhold; Lycomedes-$DuBellamy; Diphilus-$Dyer; Ajax-$Dunstall; Ulysses-$Owenson; Diomedes-$Fox; Argytes-$Baker; Deidamia-$Mrs Mattocks; Artemona-$Miss Brown; Philoe-$Miss Valois; Thetis-$Miss Catley. [$Miss Pearce may have played Lesbia).] Paid Banks for the Head of a Figure used in The Fair #1 1s.; Paid Mr Gard for performing 5 nights in the Fair and 3 in the Sorcerer #1. Paid Joseph Besford for performing 5 nights in the Fair 12s. 6d. (Account Book). [Afterpiece unfavorably reviewed in the Westminster Magazine.] Receipts: #149 18s. 6d. (Account Book)

Performances

Mainpiece Title: The Earl Of Essex

Cast
Role: Rutland Actor: Miss Miller
Role: Nottingham Actor: Miss Sherman

Afterpiece Title: Achilles in Petticoats

Performance Comment: Principal Characters-Mattocks, Reinhold, DuBellamy, Dyer, Dunstall, Owenson, Fox, Mrs Mattocks, Miss Brown, Miss Valois, Miss Pearce, Miss Catley.
Event Comment: Mainpiece [1st time; C 5, by Hannah Cowley.] Miss Younge had a song [Wake, thou son of dullness] composed by Michael Arne. Authors of Prologue and Epilogue unknown]: New Scenes and Dresses. Account-Book, 16 June: Paid Mrs Cowley for suspending the publication of the Belle's Stratagem #100. Public Advertiser, 1 Apr. 1782: In a few Days will be published The Belle's Stratagem. A spurious Copy having been published in Ireland [in 1781] make[s] it necessary to observe that the above is the genuine Comedy, as performed at Covent Garden Theatre. Ibid., 9 Apr. 1782: This Day is published The Belle's Stratagem (1s. 6d.). Receipts: #213 19s. (212.15.6; 1.3.6)

Performances

Mainpiece Title: The Belle's Stratagem

Performance Comment: Principal Characters-Lewis, Wroughton, Lee Lewes, Aickin, Whitfield, Robson, Edwin, L'Estrange, Thompson, Wewitzer, Fearon, Booth, Jones, W. Bates, Quick, Mrs Hartley, Mrs Mattocks, Mrs Morton, Miss Morris, Miss Stewart, Mrs Poussin, Mrs Webb, Mrs White, Miss Younge; [Cast from text (T. Cadell, 1782): Doricourt-Lewis; +Sir George Touchwood-Wroughton; +Flutter-Lee Lewes; +Saville-Aickin; +Villers-Whitfield; +Courtall-Robson; +Silvertongue-Edwin in text: $W. Bates]; Gentlemen-L'Estrange, Thompson; +French Valet-Wewitzer; +Porter-Fearon; +Dick-Stevens; +Mountebank-Booth; +Crowquill-Jones; +Hardy-Quick; +Lady Frances Touchwood-Mrs Hartley; +Mrs Racket-Mrs Mattocks; +Miss Ogle-Mrs Morton; +Kitty Willis-Miss Stewart; +Lady-Mrs Poussin; +Letitia Hardy-Miss Younge; W. Bates, Miss Morris, Mrs Webb, Mrs White are unassigned; +Prologue-Edwin; Epilogue-Miss Younge. [These were spoken as here assigned, at all subsequent performances.]These were spoken as here assigned, at all subsequent performances.]

Afterpiece Title: Cross Purposes

Cast
Role: Emily Actor: Miss Ambrose
Event Comment: [This was Parsons's last appearance on the stage. He died on 3 Feb. 1795.] Powell: Miss DeCamp absent [from afterpiece], Miss Stageldoir Italian Girl. Inconstant rehearsed at 11; New Ballet at 12. Receipts: #262 14s. 6d. (185.16.6; 72.2.6; 2.15.6)

Performances

Mainpiece Title: The Cherokee

Performance Comment: As17941223, but Indian Warriors-_Keys, _Nicolini, _Roffey, _Whitmell, _Wells, _Garman, _Banks; Chorusses-_Dorion Jun., _Fisher, _Pilbrow, _Tett, _Walker, _Willoughby, Master _DeCamp, Miss _Granger, Miss _Menage, Miss _Redhead, Miss _Stageldoir, Mrs _Iliff, Miss _Davies.

Afterpiece Title: The Critic

Cast
Role: Italian Girls Actor: Miss Leak
Role: Nieces Actor: Miss Heard, Miss Collins
Role: Tilburina Actor: Miss Pope.
Event Comment: This Farce is taken From the Midsummer Night's Dream, by Coleman, & is a very pleasing Farce, & well receiv'd by the Audience (Hopkins). Songs of the Entertainment to be given at theatre. Mdsr Night's Dream Cut. Serious parts quite out. Went off well (Cross Diary). This Farce is taken from The Midsummer Night.-Mr Colman thought it was a pity so much pains and expense as was bestowed on the Midsummer Night's Dream should be thrown away,-he luckily thought of turning it into a farce, which alteration he made in one night,-and now I think as pleasing a farce as most that are done.-Miss Wright? is vastly great in her songs (Hopkins Diary-MacMillan). [See "A Midsummer Night's Dream in the hands of Garrick and Colman," PMLA, June 1939.

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: The Fairy Tale

Performance Comment: Characters by Yates, Baddeley, Clough, Love, Parsons, Ackman. Fairies-Miss Ford, Miss Wright, Mas. Raworth, Miss Rogers, Mas. Cape; To conclude with a Fairy Dance-Mas. Clinton, Miss Street, Miss Rogers, Miss Ford; Bottom-Yates; Quince-Love; Flute-Baddeley; Starveling-Parsons; Snug-Clough; Snout-Ackman (deduced from text).

Dance: TThe Italian Gardiners, as17631119

Event Comment: Benefit for Holtom, Buck, Dibdin and Miss Sledge. Mainpiece: Not acted in 3 years. [See 11 May 1762.] Afterpiece: Music by Dibdin

Performances

Mainpiece Title: Macbeth

Performance Comment: Macbeth-Ross; Macduff-Clarke; King-Gibson; Malcolm-Anderson; Donalbain-Bennet; Seyton-Gardiner; Siward-R. Smith; Fleance-Mas. Morgan; Banquo-Sparks; Lenox-Hull; Hecate-Wignell; Murderers-Buck, Holtom; Witches-Dunstall, Costollo; Lady Macduff-Mrs Barrington; Lady Macbeth-Mrs Ward; With the Original Music. The Vocal parts-Mattocks, Legg, Baker, Dibdin, Miss Poitier, Mrs Lampe, Mrs Jones, Miss Polly Young; Dances-and Decorations incident to the play.

Afterpiece Title: The Shepherd's Artifice

Performance Comment: Parts-Mattocks, Dibdin, Fawcett, Miss Miller, Miss Poitier; Alexis-Mattocks; Strephon-Dibdin; Sylvia-Miss Hallam; Caelia-Miss Poitier (Genest, V, 58); Parts-Fawcett, Miss Miller playbill, however, does not list Miss Hallam; Dance incident to the Entertainment,-Duquesney, Miss Valois. Larpent MS 240 lists parts as Palemon, Strephon, Thyrsis, Caelia and Sylvia.
Event Comment: Mainpiece: by Shakespeare, in 5 acts. With New Music, Scenes, Dresses and Decorations. Public Advertiser, 6 Jan.: The Shipwreck, which opened the Piece, was designed and executed under the Direction of DeLoutherbourg. The new Airs and Chorusses are composed by Linley Jun. The Musical Instrument (played behind the Scenes) is the Invention of Merlin. Morning Chronicle, 6 Jan.: Caliban is by much the best performed character in the piece... The dresses were rich, but to our amazement those of Ferdinand, Sebastian, &c. were in the Spanish taste. [Ibid., 8 Jan., remarks that the entire omission of I. i is to be regretted. Miss Field and Mrs Cuyler are identified by MS annotations on Kemble playbill.] Receipts: #231 9s. 6d. (211.19.0; 17.5.6; 2.5.0)

Performances

Mainpiece Title: The Tempest

Performance Comment: Prospero-Bensley; Stephano-Moody; Trincalo-Baddeley; Caliban-Bannister; with songs-Bannister; Gonzalez-Aickin; Alonzo-Bransby; Sebastian-Farren; Francisco-Norris; Boatswain-Carpenter; Antonio-Hurst; Master of the Ship-Wrighten; Ferdinand-Vernon; Ariel-A Young Lady (A Scholar of Linley; 1st appearance upon any stage [Miss Field]); Miranda-A Young Lady (1st appearance upon any stage [Mrs Cuyler]); Chorus of Spirits-Gaudry, Legg, Fawcett, Kear, Carpenter, Chaplin, Holcroft, Follett, Mrs Scott, Miss Abrams, Miss Collett, Miss Jarratt, Miss Boyd, Mrs Love, Mrs Booth, Mrs Pitt, Mrs Smith.

Afterpiece Title: Harlequin's Invasion

Dance: I: a Dance of Spirits (composed by Gallet)-Mlle Dupre; III: [a Fantastic Dance-Grimaldi; [Both these dances, as here assigned, except on 14, 25 Apr. and 0 May, were included in all subsequent performances.] End IV: The Double Festival, as17761107, but Giorgi, +Blurton

Event Comment: Mainpiece [1st time; T 5, by Robert Jephson. Prologue by the author (Gentleman's Magazine, Jan, 1782, p. 36). Another Prologue, by the Right Hon. Luke Gardiner, "not arriving in London time enough for the first exhibition of the Count of Narbonne, was not spoken" (ibid.). Epilogue by Richard Josceline Goodenough, but beginning with 20 Nov. it was superseded by a new Epilogue written by Edmond Malone (see text)]: With new Scenery and Dresses. Public Advertiser, 1 Nov.: The Management of The Count of Narbonne is . . . under very good Care: Mr Horace Walpole, with a Fondness nothing less than fatherly, directs that part of the Affair which respects the Scenes and Dresses, while Henderson takes Charge of the Rehearsals and the casting of inferior Parts... [Henderson] is to wear a Dress which is lent him from among the Antiquities at Strawberry Hill. "I have been at the theatre, and compromised the affair of the epilogues: one is to be spoken to-morrow, the friend's on the author's night. I have been tumbling into trap-doors, seeing dresses tried on in the green-room, and directing armour in the painting-room" (Walpole [16 Nov. 1781], XII, 95). "I never saw a more unprejudiced audience, nor more attention. There was not the slightest symptom of disapprobation to any part ... It is impossible to say how much justice Miss Younge did to your writing. She has shown herself a great mistress of her profession, mistress of dignity, passion, and of all the sentiments you have put into her hands. The applause given to her description of Raymond's death lasted some minutes, and recommenced; and her scene in the fourth act, after the Count's ill-usage, was played in the highest perfection. Mr Henderson was far better than I excepted from his weakness, and from his rehearsal yesterday, with which he was much discontented himself. Mr Wroughton was very animated, and played the part of the Count much better than any man now on the stage would have done. I wish I could say Mr Lewis satisfied me; and that poor child Miss Satchell was very inferior to what she appeared at the rehearsals, where the total silence and our nearness deceived us. Her voice has no strength, nor is she yet at all mistress of the stage. I have begged Miss Younge to try what she can do with her by Monday. However, there is no danger to your play: it is fully established" (Walpole [to the author, 18 Nov. 1781], XII, 95-96). Public Advertiser, 28 Nov. 1781: This Day is published The Count of Narbonne (price not listed). Receipts: #164 10s. 6d. (163/0/6; 1/10/0)

Performances

Mainpiece Title: The Count Of Narbonne

Performance Comment: The Characters by Henderson, Wroughton, Lewis, Thompson, Fearon, J. Bates; Miss Satchell, Mrs Morton, Miss Younge. [Cast from text (T. Cadell, 1781), and London Chronicle, 19 Nov.: Austin-Henderson; Raymond-Wroughton; Theodore-Lewis; Fabian-Thompson; Officers of the Count-Fearon, J. Bates, Painter, &c.; Adelaide-Miss Satchell; Jacqueline-Mrs Morton; Hortensia-Miss Younge.] With a new Prologue [spoken by Wroughtton] and Epilogue [spoken by Miss Younge (see text). These were spoken, as here assigned, at the first 13 performances only (see17811215)] . With a new Prologue [spoken by Wroughtton] and Epilogue [spoken by Miss Younge (see text). These were spoken, as here assigned, at the first 13 performances only (see17811215)] .
Cast
Role: Adelaide Actor: Miss Satchell
Role: Hortensia Actor: Miss Younge.

Afterpiece Title: The Deaf Lover