Event Comment: Benefit for Miss Chapman. Morning Chronicle, 14 May: Tickets to be had of Miss Chapman, No. 33, Norfolk-street, Strand. Receipts: #176 12s. 6d. (59.5.6; 3.14.0; tickets: 113.13.0)

Event Comment: Benefit Miss Jones, the Mayor's Daughter, who has so furiously espoused the Court-Interest

Event Comment: Benefit Miss Jones, the Mayor of Pasquin's Daughter. Mainpiece: Written by the Author of Pasquin. Afterpiece: Written by a Female Politician

Event Comment: Benefit Ridout, Raftor, Miss Bennet. By Particular Desire. [Tickets for Reed and Master Ferg taken also.

Event Comment: Published at 1s. 6d. Romeo and Juliet, revised by Theo. Cibber, first rev[ived] in Sept. 1744 at the Theatre in the Haymarket. Now acted at the Theatre Royal in Drury Lane. Great objects only strike the Gen'rous Heart@Praise the Sublime, o'er look the Mortal Part@Be there your judgment, Here your Candor shown@Small is our Portion-and we wish 'Twere none.-Prologue to Comus alter'd, &c. To which is added a Serio-Comic Apology for part of the life of Theophilus Cibber, Comedian, written by himself. Interspers'd with Memoirs and Anecdotes relating to the Stage managements, Theatrical Resolutions, &c., also Cursory Observations on some Pribcipal players. Particularly, Mr Quin, Ryan, Delane, Mrs Woffington, Mrs Ward, Miss Bellamy, Mr Garrick, Barry, Mrs Cibber, Mrs Clive, Mrs Pritchard and others. Likewise Original Letters that passed between the late Sir Thomas deVeil and Mr Theophilus Cibber relating to the Stage Act. "Each Puny Critic can Objections raise@The Greatest still is Knowing when to praise,"-Buckingham. Concluding with a Copy of Verses called The Contrite Comedian's Confession. Printed for C. Corbett &c. (General Advertiser). [This pamphlet details Cibber's troubles with Fleetwood during the years 1743-46.] Receipts: #160 (Cross); #151 11s. (Powel)

Event Comment: N.B. We have engag'd Mr King; & Miss Baker from Ireland, one Mr Moody, a Stroler,-Mr Beard is gone to Covent Garden, 'tis said to be manager Mr Mossop to Ireland. Receipts: #120 (Cross). Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. Places from Mr Varney at the Stage Door. No admittance behind scenes. [The customary note about prices and admittance will not be noted further here.] [At the opening of the theatres this season appeared an essay in Goldsmith's Bee, giving close observations upon actors, and deploring the relative stiffness and formality of English actors in comparison with the French. Advised English actors to travel abroad. Yet (Vol. 1759, p. 12) commented on the magnificnece of "our theatres as far superior to any others in Europe where plays only are acted. The great care our performers take in painting for a part, their exactness in all minutiae of dress, and other little scenical proprieties has been taken notice of by Riccoboni." Complains of the convention of laying a rug before a dying scene and of the vacant expressions of mutes on stage.

Event Comment: LLady Townly a $Miss Hart-Her 1st appearance-Some Applause (Hopkins MS Notes)

Event Comment: Benefit for Miss Madden, Mr Thompson, Mrs Hartle, Symmonds, Walters. Tickets deliver'd by Francis, Abbot, Widow Trott, Wilkinson, Mrs Griffiths, Mrs Hitchcock, and Mr T. Ansell will be taken

Event Comment: Benefit for Miss Brunton. Mainpiece: Not acted these 4 years [not acted since 18 May 1784]. Receipts: #138 9s. 6d. (85.14.0; 5.3.6; tickets: 47.12.0)

Event Comment: Mainpiece [altered by John Philip Kemble]: With new Scenes, Dresses, Decorations, and Machinery. In Act I, at the opening will be introduced, for the First Time a Battle between the Macedonians and the Persians. In Act IV, the Royal Banquet. [These were included in all subsequent performances.] The Scenes designed and painted by Marinari. The Dresses and Decorations by Johnston and Miss Rein. The Machinery by Cabanel. "[In the last scene] the expiring tone with which [Kemble] pronounces 'Cover me'; his shivering, when wrapt round in the imperial robes; his wan and wasted countenance; the manner of his labouriously drawing his legs together, and their aguish knocking when they meet, surpass all description" (Monthly Mirror, Jan. 1796, p. 180). Receipts: #375 2s. 6d. (306.14.6; 67.3.0; 1.5.0)

Event Comment: Benefit for Miss Sherry and Miss Wright. Tickets delivered by Daglish will be taken. Tickets sold at the Doors will not be admitted. Public Advertiser, 22 Apr.: Tickets to be had of Miss Sherry, No. 2, Little Russel Street, Covent Garden; of Miss Wright, No. 54, Drury-lane. Receipts: #257 15s. (48.9.0; 10.8.6; 0.11.6; tickets: 198.6.0) (charge: #89 5s. 6d.)

Event Comment: Benefit Ray, F. Shepard, Rogers, Green, Master Brooks, Miss Morrison. Tickets for the Misses Scott also taken

Event Comment: Tickets delivered for this Evening [Account-Book: by Brady, Dale, the D'Egvilles, Jones, Lyons, Powell, Sherratt, Smith, Whittow, Mrs Heard, Mrs Haskey, Mrs Mills, Miss Palmer, Mrs Shaw] will be admitted. [Miss Davies's 1st appearance, billed as "A Young Lady," was at the hay, 28 July 1786.] Receipts: #279 12s. 6d. (16.1.0; 10.8.6; 0.6.0; tickets: 252.17.0)

Event Comment: Benefit for Miss Hilliard. Tickets of Miss Hilliard at Mr Pervil's, Auctioneer, upper end of Bow St., Covent Garden; and of Sarjant at the Stage Door of the Theatre, where places for Boxes may be taken. Tickets sold at the Doors will not be admitted. Receipts: #24 2s. 6d. in cash. Charges #64 5s. Deficit to Miss Hilliard #40 0s. 6d., coverd by income from tickets #79 17s. (Boxes 101; Pit 278; Gallery 129). Paid for 7 doz. wax candles at 24s. per dozen #8 8s

Event Comment: Mainpiece: Not acted these 3 years. Tickets delivered by the young D'Egvilles, Jones, Newbold, Shaw, Dale, Purser Sen., Smith, Aberdein, Mills, Miss Tidswell, Mrs Heard, Miss Dancer, Miss Bradshaw, Mrs Haskey, will be admitted. Receipts: #241 8s. 6d. (23.4.0; 15.3.6; 0.15.0; tickets: 202.6.0)

Event Comment: Mainpiece: With new Scenery, Dresses and Decorations. [This was the version, altered probably by Joseph George Holman, in which he appeared in Dublin on 29 July 1794, on which occasion the playbill reads, "Dressed in the Habits of the Times, and with other Alterations, adopted in its Representations 19 [recte 11] Nights last Winter, at the Theatre Royal, Covent Garden." It further states that the part of Ophelia would be performed "without the Airs, and with a considerable Restoration of the Text." No record of what these alterations consisted of has come to light. In III.iv Hamlet's father was represented by a life-sized portrait that hung over the chimney, and the Queen wore a large miniature of Claudius on her arm as a bracelet (London Chronicle, 10 Oct.). The words of the Dirge are printed in European Magazine, Nov. 1793, p. 393; they are stanza X of Shakespeare's Passionate Pilgrim. Miss Poole had appeared as a singer at king's and at Vauxhall in 1787 and at the cg oratories in 1791.] Afterpiece: Not acted these 2 years [and in place of The Prisoner at Large, advertised on playbill of 8 Oct.]. Receipts: #332 4s. (330.3; 2.1)