Event Comment: Benefit for Mrs Yates. Pit and Boxes laid together where servants will be allowed to keep places. Those Ladies and Gentlemen who have taken places in the Pit, are humbly desired to come as early as posible, for their own conveniency, and to prevent trouble in getting to their seats. Charges #66 5s. Balance to Mrs Yates #39 18s., plus income from 713 Box & Pit seats (laid together for price purposes) #178 5s. Paid Miss Atkinson and Miss Pope for walking 12 nights in Man & Wife; 26 Nights in Harlequin's Jubilee; 12 Nights in Timanthes #6 5s. each. Paid Mrs Warwell for walking 12 nights in Man & Wife #1 10s.; Paid Miss Lawrence and Mrs Bates 5s. each for walking 2 nights in Harlequin's Jubilee (Account Book). Receipts: #106 3s

Event Comment: Benefit Dunbar, Jones, Atkinson, Pritchard, Bride (General Advertiser). Benefit for Dunbarr & Boxkeepers (Cross). Tickets deliver'd for Love's Last Shift will be taken. On Friday next the Roman Father will be acted at Drury Lane, being the last time of the company's performing this season

Event Comment: Benefit for Stede, Redman, Mrs Bambridge, Miss Minors, Miss Ferguson and Miss Morrison. Tickets deliver'd also by Goodall, Rawlings, Miss Allen, Widow Dupre, Mrs Hitchcock. No charges made, but House receiv'd 1!2 value of all income. Receipts: #16 14s. 6d. @Tickets Box Pit Gallery Value 1!2 Value@Stede 7 74 81 #20 19s. #10 9s. 6d.@Redman 8 71 38 #16 9s. #8 4s. 6d.@Goodall .. 46 34 #14 16s. #7 8s.@Mr Rawlings 16 57 65 #19 1s. #9 10s. 6d.@Miss Minors 17 71 26 #17 10s. #8 15s.@Mrs Ferguson 8 73 91 #22 1s. #11 6d.@Mrs Allen .. 25 19 #5 13s. #2 16s.@Morrison 26 41 55 #18 3s. #9 1s. 6d.@Dupre 10 44 57 #14 16s. #7 8s.@Hitchcock 23 67 34 #19 4s. [Seems to have rec'd full value #77 6s. 6d.]@Total 115 614 530 #173 17s.

Event Comment: Benefit for Shuter and Miss Haughton. Tickets at stage door. [For criticism of Shuter and Miss Haughton, see Genest, IV, p. 363, from The Present State of the Stage in Great Britain and Ireland, 1753. Nineteen of the Fifty-five pages of this pamphlet defend the stage on classicial authority and moral grounds from attacks by the religious bigots, and present an ideal picture of a manager, laying under some contribution, it would seem, the character of a manager presented ten years earlier (1743) in Queries to be Answered. The author especially likes the moral of Tate's alteration of Lear. The remaining pages give a paragraph or two of criticism to the leading actors and actresses in some of their most affecting parts (sixteen pages to Drury Lane Performers, all of whom appear in the author's eye to be either "Excellent" or "Very Good.") The remaining space is devoted to the performers at Covent Garden and at the Theatre Royal in Dublin. All those spoken of fare well in the hands of this bound-to-be pleased critic. Shuter is here commended for ability to play an Old Man convincingly though he was but 22 years old, and to play at all considering his lack of education. He possesses a great fund of drollery, and bids fair to be as great in low comedy as it is possible for man to conceive.' Miss Haughton described as an actress of promise. Seems never to have got the better of a lisp, and a Newcastle manner of pronouncing the letter 'r.'] Receipts: #290 (Cross)

Event Comment: Benefit for Miss Dulisse. Afterpiece By Particular Desire of several Ladies of Quality