Event Comment: Mainpiece: Not acted these 3 years. [See 20 Dec. 1769.] Paid half year's Land Tax for theatre due Mich. last #35; ditto for Widow Lights #6 10s. 6d.; ditto for House in Bow Passage #1 5s., and for its window lights 15s. (Account Book). [The reviewer for The Town and Country Magazine the following month was disappointed with Miss Barsanti as Estifania.] Receipts: #134 7s. 6d

Event Comment: Mainpiece: By Particular Desire. Rec'd stopages #20 8s. 6d. N.B. The [authors] charges should have been put #73 10s. [this night] instead of #84, vide. 27 Nov. next; Paid salary list #513 17s. 6d.; Messrs Clinch and Dimon 5 guineas each, #10 10s. as per order; Miss Mansell per order #3 3s.; Mr French on acct #10 (Treasurer's Book). Receipts: #168 19s. Charges: #84. Profits to Author of Irish Widow: #84 19s. (Treasurer's Book)

Event Comment: Paid Tallow Chandler's 4th Bill #41 6s. 5d.; Spermacetti Candles, #132 18s. Mr Tomlinson for Men's cloaths #11 11s.; Mr J. French on acct #20; Miss Hopkins, 15 nights (19th Dec. incl.) #3 15s. (Treasurer's Book). [The sixth edition of Wm. Law's Absolute Unlawfulness of Stage Representations was published this year (1st. edn. 1726) This day was published the Preliminary Number of the Westminster Magazine, which, monthly, included a section called The English Theatre, which observed generally on the state of the Stage, and commented specifically on new plays. Its view of the stage in general was not as sanguine as had been that of the writer for the Town and Country Magazine (1 April 1772). "We are of opinion, that the English Theatre is now in its decline. Whether it is that the stores of Dramatic Subjects or of Dramatic Genius are exhausted, is not immediately obvious; but there is a fault somewhere....We have seen the Morning star of Wit--the Noon too is past; we have now arriv'd at its evening...There is in Arts, as in Empires, a progress which leads to Refinement; and this refinement leads to Ruin." According to the writer the meridian glory of the English stage was during the reign of Queen Anne. Reviewer damns the Irish Widow, refuses to discuss the Gamesters (revived), damns the Rose and praises the Garrick alteration of Hamlet. This year also appeard Granny's Prediction, a 53-page pamphlet attack on Mrs Barry, condemning her on moral grounds (polygamy) and on aesthetic grounds, commenting on each of her characters. By a spiteful female relative Elizabeth Franchetti.] Receipts: #142 10s. (Treasurer's Book)

Event Comment: Paid salary list #513 17s. 6d.; Miss Mansell on acct #5 5s.; Mr Clinch on acct #5 5s.; Rec'd Stopages #16 13s. Receipts: #154 14s. (Treasurer's Book)

Event Comment: Mr G. very fine in Hastings Miss Young's first appearance in Alicia pretty well She was a little too Mad Mrs Canning a Widow made her first appearance upon the Stage in Jane Shore a Small mean figure very little power (very So, So.) great applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording.] Rec'd Stopages #30 5s. 6d.; Paid Salary list #522 18s.; Mr King 6 nights extra salary #3; Mr Johnston's Music Bill for Alfred, &c. #19 16s. 9d.; Mr Baddeley on note per Mr. G G #21. Receipts: #267 11s. (Treasurer's Book)

Event Comment: The Bills were posted for the School for Wives but Mr King sent word about Eleven o'clock that he was so ill he could not play & fresh bills were put up for Zara. Mrs Barry being out of Town Miss Younge play'd Zara & was very well receiv'd (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording.] Paid Chorus 2 nights (this incl.) #4 1s. Receipts: #195 10s. (Treasurer's Book)

Event Comment: Benefit for Jones, Walker, Mrs Simson and Mrs Cross. Tickets deliver'd by Mas. Blanchard, Stevens, Miss Berkley will be taken. Paid Mr Loutherbourg on acct #41 13s. 4d. (Treasurer's Book). Receipts: #187 19s. Charges: #65 2s. Profits to beneficiaries: #22 17s. (Treasurer's Book)

Event Comment: Benefit for Miss Wewitzer

Event Comment: The Two Misers is unavoidably oblig'd to be deferr'd. Books of the Entertainment [The Two Misers?] to be had at the theatre. Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. No persons admitted behind the scenes, nor any money returned after the curtain is up. Places for the Boxes to be taken, of Mr Sarjant (only) at the Stage Door. The Doors to be opened at Half after Five o'clock. To Begin exactly at Half after Six. Vivant Rex and Regina. (Customary footnote for succeeding Playbills. It will not be repeated here. The Westminster Magazine, September, p. 459, indicates a Prelude was also given this opening night, consisting of several of the actors comparing notes on their various successes, casts of parts, droll accidents, which they had experienced during their different summer excursions. Mattocks, Dunstall, Lee Lewes, Miss Barsanti, and Hull participated. The reviewer reported the content of their reminiscences, but disliked the jumbled nature of the Prelude. Another account in the Morning Post, 21 September.] Note: For performance at hay 20 September, see Season of 1774-1775, p. 1905

Event Comment: Leonora by Miss Abrams first time-so, so (Hopkins Diary). Paid Machin (chorus singer) #3 10s.; Mr Lalonese for men's cloath's #13 13s. Receipts: #188 9s. 6d. (Treasurer's Book)

Event Comment: Benefit for LaMash, Griffith, Blurton, and Cubitt. Paid salary list #621 16s. 6d. (Treasurer's Book). Tickets delivered by Miss Berkley will be taken. Mainpiece: Nor acted these two years. [See 8 April 1774.] Receipts: #57 11s. 6d. Charges: #71 9s. Deficit to La Mash, Griffith, Blutton, and Cubitt: #13 17s. 6d. (Treausrer's Book)

Event Comment: The Provoked Husband and Rival Candidates was given out for Tuesday. On Sunday Morning Mrs Yates sent word she was ill and could not play--sent to Miss Younge, and she sent word that she was ill in bed--King sent word he had a sore Throat, and could not play--so that we could do no Play but the Committee and Rival Candidates. On Monday the Managers met, but nothing was settled. At twelve o'clock Mrs Baddeley sent word she had a sore Throat, and could not play in the Riv[al] Can[didates] (Hopkins Diary). The Hypocrite and The Christmas Tale are obliged to be deferred. "[Smith] has a good figure, is gentlemanlike, and decent in everything he undertakes. When we allow that, we have said all; he wants both feeling to be affected, and powers to convey his feelings, if he had them. In fine, in spite of all the partiality of his friends, or the ignorant prejudices of those who never judge but at second hand, his performance of Richard was little more than a strong union of judgement and industry, unaided by nature. He should woo genteel Comedy oftener; and not that coy sister of hers, who certainly holds Smith at the point of her lance" (London Magazine, Oct. 1776, p. 511). Receipts: #186 18s. 6d

Event Comment: [In mainpiece the playbill retains Miss Leeson, but she "being suddenly indisposed, Mrs Whitefield yesterday, at very short notice, undertook the part of Cleora" (Morning Chronicle, 7 Feb.).] Paid Woodfall on acct. of his Two [Benefit] Nights #150 [and see 20 Feb.]. Receipts: #233 17s. (230.14; 3.3)

Event Comment: On Account of Mrs Yates's Indisposition A Trip to Scarborough [announced on playbill of 20 Mar.] is obliged to be deferred. [The playbill retains Mrs Abington as Miss Prue, but "Last Saturday night, Mrs Abington being suddenly taken ill, Mrs Mattocks supplied the Part in Love for Love; and though we will not pretend to put her comic Abilities on a Level with those of Mrs Abington, yet her Performance was exceedingly humourous and entertaining" (Gazetteer, 24 Mar.).] Paid Mrs Abington in lieu of a benefit #200. Receipts: #218 8s. (188.0.0; 28.15.6; 1.12.6)

Event Comment: "[Henderson] appears to have cultivated the gifts of nature, with great industry; he promises better to attain the character of a player of consummate judgment than a great player, properly so called. Edwin, in spite of his thin voice and disgusting articulation, is at least equal to half his London contemporaries; and exhibited proofs that neither his conception, nor style of playing, is limited to a particular cast of parts, or mode of acting" (London Magazine, June 1777, p. 288). [ Miss Barsanti was from the Crow Street Theatre, Dublin.