SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Merchant of London"/1) | (@(roleclean,performerclean) "Merchant of London")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1176 matches on Performance Title, 954 matches on Event Comments, 478 matches on Performance Comments, 2 matches on Roles/Actors, and 0 matches on Author.
Event Comment: [Letter from Mlle Auguste to the Public stated that Fleetwood had refused to answer her letter, whence she had withdrawn and engaged with Rich, of which fact she appraised Fleetwood who still kept her name on the bills. Her reason for leaving Fleetwood was her having heard that on 4 Dec. he had read a letter on the stage at dl to her discredit. See London Daily Post and General Advertiser.] Receipts: #80

Performances

Mainpiece Title: The Double Gallant

Afterpiece Title: Harlequin Shipwrecked

Song: I: Early Horn-Lowe; III: Happy Pair-Beard

Dance: II: Sailor's Dance, as17411015; IV: The Italian Peasants, as17411205

Event Comment: RRylands MS.: Mrs Clive play'd. London Daily Post and General Advertiser: Mrs Clive, who has been lately dangerously ill at her lodgings in Great Queen St., is so well recover'd that she will perform this night at Drury Lane, in the Famous Comedy of Shakespear's call'd As You Like It. Receipts: #100

Performances

Mainpiece Title: As You Like It

Dance: LLe Genereux Corsaire-Fausan, Signora Fausan only; but see17411214

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: Harlequin Shipwrecked (from Rylands MS

Performance Comment: ). [The London Daily Post and General Advertiser had announced The Fortune Tellers as17411112.]

Song: I: Bright Author of My Present Flame-Lowe; III: The Early Horn-Lowe

Dance: II: A Concerto-Mlle Mechel; IV: The Italian Peasants, as17411205

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: Fortune Tellers

Performance Comment: See17411112. [Afterpiece in Daily Advertiser, but not in London Daily Post and General Advertiser.]

Dance: LLes Matelotes, as17411110

Ballet: lso% Les Satires Puny. As17420106

Event Comment: TThe London Magazine (Feb. 1742) reprinted an article from the Universal Spectator of this date on an Indian's observations on the manners of the English, which included a general account of a night at the theatre, in which the scene shifting and the music seemed most impressive to the writer

Performances

Event Comment: RRehearsal deferred by Garrick's illness. London Daily Post and General Advertiser: Whereas it has been industriously reported to my prejudice, that I was at the Masquerade in the Habit of a Madman; this is to assure the Gentlemen or Ladies, who are offended at me, without Cause, I was not at either of the Masquerades this Season, as can be testify'd by several Gentlemen in whose Company I was. If any Person has a Mind to be further satisfy'd, I will fully convince them of the Truth of this Advertisement. David Garrick

Performances

Mainpiece Title: The Wonder

Afterpiece Title: Lethe

Dance: WWelchman's Triumph, as17420210

Event Comment: Benefit Neale and Desse. Tickets to be had of Neale, a Silk Dyer in David St., Moor's in the Playhouse Passage; and at Mr Desse'd, at Gresham's, Shoemaker, in York St., Covent Garden. London Daily Post and General Advertiser announced Chrononhotonthologos as afterpiece by Rylands has The King and Miller, Receipts: #140

Performances

Mainpiece Title: The Provoked Wife

Afterpiece Title: The King and Miller of Mansfield

Dance: I: By particular desire, a Chacone-Desse; III: Running Footman's Dance, as17420428

Song: IV: Song-Lowe

Event Comment: At the Great Theatrical Booth, Bowling Green. By Permission. Benefit Laguerre and Boaman. By a Company from the Theatres-Royal, for their Diversion, a Concert...gratis, etc. Boxes 3s. 6d. First Gallery 1s. 6d. Upper Gallery 1s. 6 p.m. Daily Advertiser lists Miss Hippisley for Miss Prue in mainpiece and for Kitty in afterpiece, and Mrs Yates for Melissa. In the London Daily Post and General Advertiser bill Mrs Dunstall doubles two roles

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Lying Valet

Performances

Mainpiece Title: Jane Shore

Performance Comment: Hastings-Garrick, 1st time; Dumont-Delane; Belmour-Mills; Jane Shore-Mrs Pritchard; Alicia-Mrs Woffington (Daily Advertiser), Mrs Roberts (London Daily Post and General Advertiser); Duke of Gloster-Macklin; Catesby-Winstone; Ratcliff-Blakes.

Afterpiece Title: The Lying Valet

Song: IV: Beard

Event Comment: Announced only as A New Sacred Oratorio. [First London Performance.] See Universal Spectator, 19 March, for emphatic objection against performing oratorios in theatres

Performances

Mainpiece Title: Messiah

Music: Concerto on Organ-; Violin Solo-DuBourg

Event Comment: Benefit Shepard. Tickets of Hobson at the stage Door. Mr Shepard humbly hopes his friends will not be offended at the Alteration of the play, he being oblig'd to change it on account of the Indisposition of a Principal Performer. The Tickets deliver'd for Henry VIII will be taken this night (London Daily Post and General Advertiser). Shepard belonged for many years to the House. Fleetwood dismissed him. Let him have a benefit for the money accrued to him. Beard ill and did not act. (Winston MS. from Dyer MS.)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Lying Valet

Song: End of Farce:By Particular Desire, Bumper Squire Jones-Beard

Event Comment: Benefit Page (Housekeeper), Banks and Duck. See London Daily Post and General Advertiser for arrest and seizure of William Brown, notorious pick-pocket in cg playhouse passage

Performances

Mainpiece Title: The Pilgrim

Afterpiece Title: The Virgin Unmask'd

Dance: TThe Happy Lovers, as17421006; Characters of Dancing, as17421025; Grand Comic Ballet, as17430407

Event Comment: Benefit Maclelan, Boromeo and Sga Costanza. Mainpiece By Particular Desire. Tickets deliver'd by Baker, and for Comus will be taken. Lowe from this day sang Mornings in the Grand Concerts of Vocal and Instrumental Music at Ruckholt House, near Low-Layton, Essex.--Advertisement in London Daily Post and General Advertiser

Performances

Mainpiece Title: Love's Last Shift

Afterpiece Title: The Lying Valet

Song: I: a New song by Mr Boyce-Beard; III: Bumper Squire Jones-Beard, Lowe; V: A Cantata by Stanley-Lowe

Dance: II: Peasant Dance, as17420921; IV: The Hussar's Dance- , as17421211, but Checo, Chiaretta, Boromeo, Mlle Bonneval, Sga Costanza

Event Comment: Benefit Stevens, Waters, Brook, Hussey. As we could not have our Benefit on Saturday Last, the Company are so kind to pay for us at us at the Theatre Royal in Lincoln's Inn Fields; we humbly hope that our friends will excuse the Disappointment (it not being in our power to avoid it) and favour us on Friday, 3 June, when tickets deliver'd out for the 28th of May for Drury-Lane will be taken this night at Lincolns Inn Fields..-London Daily Post and General Advertiser. This was not acted at dl. Fleetwood refused and they acted at lif, Friday 3 June. Yates, Taswell, Mrs Macklin, Mrs Pritchard, Mrs Hale of cg and Havard Played. N.B. there was an execution on dl at the time.-Winston MS. from Dyer MS

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Mock Doctor

Song: Beard, Lowe

Event Comment: YYeates, Warner, and Rosoman's Booth near the Pound, Tottenham Court...Noon to 10 p.m., from 4. Aug. to 16 Aug. [Repeated 5, 6, 8, 9, 10, 11, 12, 13, 15, 16 Aug., in London Daily Post and General Advertiser.

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: HHarlot's Progress

Event Comment: TTurbutt and Dove's Booth, end of Hosier Lane, West Smithfield, during the Time of the Fair. [London Daily Post and General Advertiser gives Kevenhuller-$Woodward. Repeated 24, 25, 26 Aug.] Ballance Master, just arriv'd from Paris

Performances

Mainpiece Title: The Glorious Queen Of Hungary

Afterpiece Title: Harlequin Dissected; or, The Biter Bit

Event Comment: Sir, As there have been many reports to my prejudice, I desire you will publish the true and only Reason why I have not yet appear'd upon the stage this winter. Many of the Persons concerned in the late struggle with the Manager, might have been left destitute had I deserted them, therefore I thought it incumbent on me to endeavor at this reconciliation with my own, upon reasonable terms; this I have accomplish'd, and hope I am excusable for not playing 'til it is determin'd. Tho I am sensible my affairs are too inconsiderable to be laid before the Publick, yet as I am their servants, and have been so much favour'd with their Indulgence, I thought it my Duty to convince 'em that it is neither Obstinacy, or Exorbitancy, but a quite different motive, that detains me so long from doing my utmost to contribtte to their Entertainment. I am, Sir your Humble Servant, D. Garrick.--London Daily Post and General Advertiser

Performances

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Performance Comment: As17431116 [London Daily Post and General Advertiser.]

Afterpiece Title: The School Boy

Dance: SScotch Dance, as17431124

Event Comment: No Money will be taken behind the scenes, nor any money to be return'd after the Curtain is drawn up. The following Letter, signed A By-Stander was inserted in the London Daily Post and General Advertiser: As I am absolutely unconcerned in all the now subsiding Theatrical Disputes, I hope the following observations upon what happened last Tuesday Night at Drury Lane will not be thought unworthy the Publick attention. The Manager of a theatre is to regard the General sense of the Town, and not any Faction form'd thru pique or resentment; Such a Faction may be Noisy, it may be Insolent, but never can be Considerable enough to force either the Manager or the Publick into their terms. Their outrages are equally insults upon the Understanding of the Town, as they are injuries to the Property of the Manager. Therefore if the Manager shall at any time give way to such proceedings, Then and not till Then, the Publick has a right ot find fault with him. The stage Then becomes a property to the insolence of a few misled people; and all theatrical diversions, which in this and other countries used to be directed by Decency and Publick Approbation are sacrificed to a pitiful Personal Resentment. If the above propositions are undeniable, the following Queries are submitted to the Publick, and the answer to them will determine the Reasonableness of the Tuesday Night Riot: I. Whether the Rioters were not Inconsiderable in their numbers and Circumstances? II: Whether any Gentleman can answer to himself, for doing in a Body, a thing which no Gentleman can justify for doing by himself? III. Whether the Rioters can justify their breaking into the Boxes, and taking possession of the seats, which were taken by many persons of Quality and Distinction, at the same time refusing to pay anything; thereby robbing the Manager of all the money of the Boxes, and most part of the Pit? IV. Whether the Manager ought to suffer in his property for the private quarrel between any two actors, as was the case...? V: Whether if such insolences are not discountenanced in the most effectual manner by the Town, any publick diversion can continue longer than a noisy inconsiderable Cabal pleases? VI. Whether any other motive than a regard to Public Decency would have hindered the Manager and Mr. Garrick's friends (who were treble the number) from treating the rioters as they deserved? I should be glad to see the above questions fairly and impartially answered

Performances

Mainpiece Title: The Rehearsal

Performances

Mainpiece Title: Richard Iii

Performance Comment: [The bill in London Daily Post and General Advertiser is mutilated. Quin's playing Richard is discernable. See17431210.]

Afterpiece Title: The Royal Chace

Event Comment: Tragedy reviv'd. As written by Shakespear. The Characters new Dress'd. [See G. W. Stone Jr., Garrick's Handling of Macbeth," pp. 609-28.] An Essay on Acting (London, 1744): In which will be Consider'd the Mimical Behaviour of a Certain Fashionable faulty Actor....A short criticism on His Acting Macbeth. [See especially first part, pp. 1-12, on Acting; second, pp. 12-27, on Garrick as Macbeth.

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Columbine Courtezan

Event Comment: Written by Sir John VanBrugh. Last night their Royal Highnesses the Prince and Princess of Wales, Prince George and Prince Edward were at the Theatre Royal in Covent Garden to see the Comedy of Aesop and the Rape of Proserpine.-London Daily Post and General Advertiser

Performances

Mainpiece Title: Aesop

Afterpiece Title: The Rape of Proserpine

Event Comment: We hear the new Pantomime Entertainment that was perform'd last night at Drury Lane was receiv'd with great applause, the Scenes, Deceptions, and Decorations all being in an entire new taste.--Daily Advertiser. [This "puff" worded identically with that appearing the day before in the London Daily Post and General Advertiser.

Performances

Mainpiece Title: Cato

Afterpiece Title: The Amorous Goddess

Event Comment: Benefit Havard and Mrs Ridout. Tickets deliver'd for The Orphan will be taken....But if you are for a good sober piece, that has a great deal of good sense in it, and but few absurdities, pray read the play of Regulus. The run of the Town is against it, but whether it is the dulness of the poetry, or the nobleness of the sentiments that makes fine folks dislike it, I am unwilling to determine.--Series of Letters between Mrs Elizabeth Carter and Miss Catherine Talbot (London, 1808), I, 35

Performances

Mainpiece Title: Regulus

Afterpiece Title: The Lying Valet

Event Comment: Mainpiece: By Command of their Royal Highnesses the Prince of Wales and Princess of Wales. This day is Publish'd The Case of Mrs Clive Submitted to the Publick. [This is Mrs Clive's 22-page complaint against the 'opression' of the managers of both patent theatres, who, it seems, formed a cartel to drive down actors' salaries, and caused by Mrs Clive's unemployment. She was dropped from Covent Garden without due notice and not for cause. She was not applied to by the Manager of Drury Lane, although he knew her to be unemployed, because he still owed her #160 12s. Her case seemed doubly hard to her since she had equipped herself with a fine wardrobe for theatrical use, had acted diligently in main and afterpiece, often on the same night to the prejudice of her health; had been at great expense in Masters for singing, for which article alone the managers now give #6 a week." Concludes by pleading for publick support of her Case. She returned to cg to play Lappet in the Miser, 30 Nov. She states that the published list of salaries in the London Daily Post of 15 Oct. 1734 is incorrect.

Performances

Mainpiece Title: Macbeth

Dance: LLe Gondalier, as17441010; Scotch Dance-Villeneuve, Mrs Delagarde