SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "May"/1) | (@(roleclean,performerclean) "May")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1809 matches on Event Comments, 175 matches on Performance Comments, 72 matches on Performance Title, 59 matches on Roles/Actors, and 1 matches on Author.
Event Comment: [Author of Prologue unknown. Epilogue by the author of mainpiece (Town and Country Magazine, May 1779, p.269).] Receipts: #146 17s. (110.19.0; 34.15.6; 1.2.6)

Performances

Mainpiece Title: The Double Deception

Afterpiece Title: Who's the Dupe

Dance: As17790417

Event Comment: Mainpiece [1st time; T 5]: Written by the Author of Percy [Hannah More. Prologue by the author; Epilogue by Richard Brinsley Sheridan (see text)]. Public Advertiser, 1 Dec. 1779: This Day is published The Fatal Falsehood [sic] (1s. 6d.). Afterpiece [1st time; CO 2, by Charles Dibdin]: The Overture and all the Music composed by Dibdin. With new Scenes, Dresses, and Decorations to both Pieces. Books of the Entertainment to be had at the Theatre. Public Advertiser, 6 May 1779: This Afternoon at three is published The Chelsea Pensioner (1s.). The Doors to be opened at 5:30. To begin at 6:30 [same for rest of season]

Performances

Mainpiece Title: Fatal Falshood

Afterpiece Title: The Chelsea-Pensioner

Event Comment: Benefit for Harwood, Thompson & Miss Wright [who had 1st appeared as a singer in the oratorios, 19 Feb.]. Public Advertiser, 3 May: Tickets to be had of Harwood at Mrs Powel's, New Nelson-street; of Thompson, No.7, Great Marlborough-street; of Miss Wright, No. 136, Drury-lane. Receipts: #267 4s. (69.5.0; 19.2.6; 0.6.6; tickets: 178.10.0) (charge: #105). The Doors to be opened at 5:30. To begin at 6:30 [same for rest of season]

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Padlock

Song: As17790503

Entertainment: End: Imitations-Bannister Jun

Event Comment: Benefit for Waldron and Miss Abrams. Morning Chronicle, 6 May: Tickets to be had of Waldron, No. 16, Glanville-street, Rathbone Place; of Miss Abrams, Little Bridges-street. Receipts: #138 5s. (50.10; 22.17; 0.9; tickets: 64.9) (charge: #71 4s. 6d.)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Comus

Dance: In IV: Dance-Henry, Miss Armstrong

Song: As17790413

Event Comment: Benefit for Wright and Butler, carpenter. Afterpiece: To conclude with the Scene of the Waterfallv, as it was originally performed. Public Advertiser, 5 May: Tickets to be had of Wright, No. 24, Bennet-street, Westminster; of Butler, next door to the Theatre. Receipts: #267 9s. 6d. (37.11.0; 13.8.6; 0.4.0; tickets: 216.6.0) (charge: #74 14s.)

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: The Elopement

Dance: End II: Hornpipe-Wright

Song: As17790503

Event Comment: [Opera in place of Enea e Lavinia, announced in Public Advertiser, 10 May.

Performances

Mainpiece Title: La Buona Figliuola

Dance: As17790429

Ballet: Annette et Lubin. As17790429

Event Comment: By Command of Their Majesties. Every Man in his Humour and The Irish Widow [both announced on playbill of 13 May], which were to have been performed this Evening, for the Benefit of Fawcett and Sga Crespi, are obliged to be deferred till Monday next. Receipts: #216 2s. 6d. (193.7.0; 22.7.6; 0.8.0)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Who's the Dupe

Dance: End I afterpiece: The Coopers, as17781211

Ballet: End III: The Humours of Newmarket. As17790503 at cg Jockeys-Dagueville, Harris, Master Dagueville, Master Holland; Ladies-Miss Ross, Sga Tinte, Miss Armstrong

Event Comment: Benefit for Mrs Bradshaw, Mrs Love & Mrs Johnston. Mainpiece: Not acted these 3 years. Public Advertiser, 1 May: Tickets to be had of Mrs Bradshaw, at Nichol's, baker, Bridge Street, Covent Garden; of Mrs Love, No. 36, Gerrard Street, Soho; of Mrs Johnston, No. 97, near Craven Buildings, Drury-lane. Receipts: #120 1s. 6d. (31.10.0; 20.13.0; 0.7.6; tickets: 67.11.0) (charge: #66 7s.)

Performances

Mainpiece Title: The Plain Dealer

Afterpiece Title: The Quaker

Song: As17790503

Event Comment: Benefit for Fawcett and Sga Crespi. Morning Chronicle, 12 May: Tickets to be had of Fawcett, Craven Buildings, Drury-Lane; of Sga Crespi, No. 26, Poland-street, Oxford-street. Receipts: #194 3s. 6d. (32.8.0; 14.5.6; 0.10.0; tickets: 147.0.0) (charge: #105)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The Irish Widow

Dance: End I: Grand Dance, Chaconne (composed by Zuchelli)-Henry, Miss Armstrong, Sga Crespi; and a Minuet-Zuchelli, Sga Crespi; End I afterpiece: As17780919

Event Comment: Benefit for Green and Ansell, box-keepers. Tickets sold at the Doors will not be admitted. Public Advertiser, 8 May: Tickets to be had of Green, the corner of Norris-street, St. James's, Haymarket; of Ansell, Davies-street, Berkeley-square

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: The Farmer's Return from London

Afterpiece Title: Midas

Event Comment: Benefit for Mrs Colles, the Widow Legg & Miss Kirby. Morning Post, 17 May: Tickets to be had of Miss Kirby, No. 70, Long-acre [others not listed]. Receipts: #225 15s. (37.9.0; 11.11.6; 1.2.6; tickets: 175.120) )charge: #105)

Performances

Mainpiece Title: The First Part Of King Henry Iv

Afterpiece Title: The Rival Candidates

Event Comment: Benefit for Booth, Mahon & L'Estrange. Tickets delivered for Friday, May 7th, will be taken. Tickets sold at the Doors will not be admitted. Mainpiece: Not acted these 7 years [acted 16 Apr. 1773]

Performances

Mainpiece Title: Illumination

Afterpiece Title: The Albion Queens; or, The Death of Mary Queen of Scots

Afterpiece Title: The Farmer's Return from London

Afterpiece Title: Comus

Event Comment: Benefit for Wood, Percey, Shade & Cameron. Tickets delivered by Lewis, Hodges, Gardner, and for Monday, the 31st of May, will be taken. MS annotation on Kemble playbill: "I believe this was the last time of Mr Henderson's acting at Drury Lane, except when he played Jaques in As You Like It for Mrs Robinson's Benefit, April 7, 1780. See October 18, 1779, Covent Garden Bills." Receipts: #301 6s. 6d. (19.14.0; 2.14.6; 0.14.0; tickets: 278.4.0) (charge: #105)

Performances

Mainpiece Title: The Second Part Of King Henry The Fourth

Afterpiece Title: The Register Office

Dance: End IV: As17780919

Event Comment: Mainpiece: With accompaniments to the Airs composed by Thomas? Linley? Sen. [Miss Wright's 1st appearance, as an actress, was at this theatre on 7 May 1779.] Afterpiece: With Alterations and Additions; To conclude with a Grand View of Greenwich Hospital, designed by DeLoutherbourg. Paid Land Tax 3rd & 4th Qtrs. to Lady Day #41 16s. Receipts: #187 3s. 6d. (151.3.0; 35.15.6; 0.5.0)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Queen Mab

Dance: III: Hornpipe-Walker. [This was danced, as here assigned, in all subsequent performances.

Event Comment: [Henry is identified in playbill of 15 Nov. He had been acting in America since 1767 (Dictionary of American Biography); and see 18 Apr. 1780.] "We cannot but object to [his] calling handkerchief hand-kercher, according to the old Saxon termination. Perhaps he may be justifiable [sic] on the strict rules of etymology, but singularity always looks like affectation" (Morning Chronicle, 18 Oct.). Receipts: #109 2s. 6d. (91.15.0; 17.2.0; 0.5.6)

Performances

Mainpiece Title: Othello

Afterpiece Title: The Elopement

Event Comment: Afterpiece [1st time; B 3, by Richard Brinsley Sheridan. Prologue by the Hon. Richard Fitzpatrick (Public Advertiser, 3 Aug. 1781)]: With a Procession. [This was included in all subsequent performances. For the Sea Fight see 20 Nov.] With New Scenes, Dresses and Decorations. The Scenery designed by DeLoutherbourg, and executed under his direction. The Doors to be opened at 5:15. To begin at 6:15 [same for rest of season, except on 1 May 1780]. "The House was so crowded that there were many disturbances, one so great that Smith when he had nearly finished 'To be or not to be' was obliged to leave the Stage, and when the noise subsided, to return and begin the soliloquy again... As The Critic took up two hours and a half in performance, it must of necessity be considerably shortened" (Morning Chronicle, 1 Nov.). "The scene of the battle with the Armadav [was] executed in the most masterly manner. The Motion of the sea, the engaging of the ships, and the destruction occasioned by the fire-ships were happily contrived and accurately represented" (London Chronicle, 1 Nov.). Account-Book, 9 Nov.: Paid R. B. Sheridan on Acct. of Critic #320. Receipts: #241 19s. 6d. (222.11.0; 19.3.6; 0.5.0)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Critic; or, A Tragedy Rehears'd

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Camp

Performance Comment: Principal Characters by Webster, Moody, Parsons, Bannister, Baddeley, Miss Kirby, Mrs Wrighten. Cast adjusted from playbill of 10 May 1780, and Morning Chronicle, 16 Oct. 1778: William-Webster; O'Daub-Moody; Gage-Parsons; Serjeant Drill-Bannister; Mons. Bluard-Baddeley; Sir Harry Bouquet-Dodd; Nancy-Mrs Robinson; Lady Gorget-Mrs Cuyler; Lady Sash-Mrs Baddeley; Countrywoman-Miss Kirby; Nell-Mrs Wrighten.
Event Comment: Mainpiece: Not acted these 2 years [acted 23 May 1778. As afterpiece the playbill announces the 24th night of The Critic, but it was not acted (see 1 Jan. 1780). Its substitute is listed in the Account-Book.]. Receipts: #162 2s. (135.2; 26.9; 0.11)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Camp

Dance: I: Masquerade, Dance-

Song: With the Funeral Procession. Vocal Parts-Gaudry, Edwards, Fawcett, Holcroft, Chaplin, Shaw, Miss Abrams, Miss Collett, Miss Kirby, Miss Coats, Mrs Granger, Mrs Booth, Mrs Smith, the Miss Stageldoirs, Miss Simson

Event Comment: By Permission [of the Lord Chamberlain]. Benefit for a Gentlewoman. Mainpiece: Not acted these 7 years. [Author of Prologue unknown.] Afterpiece: Written by Thomas King, Esq. The Doors to be opened at 5:00. To begin at 6:30. The Public may be assured that the principal Performers in the above play and farce are Persons accustomed to the Stage, and that the utmost Attention will be paid to the credit of Performance. Tickets delivered by Mrs Lefevre and Blackburn will be admitted

Performances

Mainpiece Title: The Modish Wife

Afterpiece Title: Wit's Last Stake

Dance: End II: Miller

Entertainment: End: Variety of Rhetorical Imitations-a Gentleman (1st appearance [unidentified])

Event Comment: Mainpiece: Not acted these 2 years. [Henderson's 1st appearance as Alwin was at Bath, 1 May 1777.] Receipts: #141 1s. (137.16; 3.5

Performances

Mainpiece Title: The Countess Of Salisbury

Afterpiece Title: Harlequin Every-where

Event Comment: The 9th Night [Benefit for the Author (on playbill of 7 Feb.)] of Zoraida is obliged to be deferr'd on account of Mrs Yates's Illness. [The same Benefit was announced on playbill of 11 Mar., but the play was again deferred. See 1 May 1781.] Receipts: #132 16s. 6d. (103.17.0; 28.15.6; 0.4.0)

Performances

Mainpiece Title: The Plain Dealer

Afterpiece Title: Fortunatus

Event Comment: Benefit for Mrs Palmer (the Lady who perform'd Calista). [Mainpiece: Prologue by Thomas Baker.] No Person to be admitted without a ticket, which may be had of Mrs Palmer, No. 13 Pierpont-Row; at the King's Head Tavern in the upper-Street; and at the place of Performance. [The date of the performance of The Fair Penitent, of which play Calista is the heroine, has not as yet come to light.

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Deuce is in Him

Event Comment: Benefit for Lewis. Morning Chronicle, 15 Mar.: Tickets to be had of Lewis at his house, Broad-Court. Mainpiece: Not acted these 20 years [not acted since 2 May 1758]. 2nd piece [1st time in London; INT I: ascribed to John Philip Kemble, 1st acted at York, 27 Mar. 1779]. Receipts: #230 5s. (192.9; tickets: 37.16) (charge: #105)

Performances

Mainpiece Title: The Double Gallant; Or, The Sick Lady Cured

Afterpiece Title: The School For Scandal Scandaliz'd

Afterpiece Title: The Flitch of Bacon

Event Comment: Benefit for Mrs Colles, Miss Abrams & Miss Kirby. Public Advertiser, 4 May: Tickets to be had of Mrs Colles at Smith's No. 10, Bow-street, the corner of Martlet Court, Covent Garden; of Miss Abrams, Little Bridges Street, Covent Garden; of Miss Kirby at Andrews's, No. 70, Long Acre. Receipts: #203 7s. (28.1; 14.16; 1.11; tickets: 158.19) (charge: #90 2s. 6d.)

Performances

Mainpiece Title: The Committee

Afterpiece Title: The Quaker

Event Comment: [Afterpiece in place of The Jubilee, announced on playbill of 6 May.] Receipts: #141 2s. 6d. (109.14.0; 30.10.0; 0.18.6)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Genii