SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "May"/1) | (@(roleclean,performerclean) "May")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1809 matches on Event Comments, 175 matches on Performance Comments, 72 matches on Performance Title, 59 matches on Roles/Actors, and 1 matches on Author.
Event Comment: MMiss Cheney Rose for the 1st time (Hopkins). Mainpiece: Not Acted these 4 Years. [See 21 May 1760.] Receipts: #217 7s. (MacMillan)

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Rites of Hecate

Dance: III: A New Comic Dance call'd, the The Shepherdesses, or, La Faux a Veugle-Mas. Clinton, Miss Street, Miss Ford. scholars to Gerhardi

Event Comment: Afterpiece: Not perform'd these 13 years. [See 10 May 1750.] Decorated with new Cloaths and Scenes

Performances

Mainpiece Title: The Earl Of Essex

Afterpiece Title: Perseus and Andromeda; or, the Cheats of Harlequin

Event Comment: By Command of their Majesties. The great concourse of people at this theatre before the usual time of opening the doors, having been so great as to overpower the persons who were placed to receive the tickets; and as many were forced into the Theatre without an opportunity of paying for their admittance, Mr Giardini is under the greatest concern lest offence should be taken by those not being able to get in, who had sent for tickets to this office. He has given orders that those tickets shall be admitted tomorrow, as the opera of Siroe (by particular desire) is to be performed (Public Advertiser, 23 Jan.). [Pickpockets, including one former soldier, took three diamond earrings, and one hair-ornament set with brilliants, from members of the audience on this night (Daily Advertiser). Found, a new Silver Sword in the Opera House Lobby on S. 21 Jan.; the Owner, by describing the Sword-Knot, may, on applying to the Orange-Woman at the House, have it restored (Daily Advertiser, 24 Jan.).] Lost on going to the Opera a Brilliant Diamond Cross composed of nine brilliants, by Lord Conyngham. Reward of 10 Guineas for Return (Public Advertiser, 23 Jan.)

Performances

Mainpiece Title: Leucippo

Dance: As17640114

Event Comment: There will not be any Tickets sold at the Office for this Night. Those disappointed from not being able to get in to the performance on Saturday last shall be admitted this evening at Siroe or on Saturday next when Leucippo will be performed again; but in case any Lady or Gentleman should choose rather to have their money, it will be paid at the treasurer's office at the theatre this morning, from ten to three O'clock, on returning the tickets. As every precaution was taken to facilitate the entrance of the company by obtaining an additional guard, besides two magistrates who were so kind as to attend with an additional number of constables; nevertheless the weight was so great from the throng that the centinels and the peace officers were forced from their posts, the doors burst open and broke to pieces, to the very great prejudice of the manager. Mr Giardini humbly hopes that those...who had not the opportunity of paying when they were carried in by the torrent, will be so good as to send their money to Mr Spilsbury. Picked up at the Opera House Last Saturday Night a black satin cloak lined with White and a black lace round it. Recovery may be had of Major Spinnage for the cost of the advertising

Performances

Mainpiece Title: Siroe

Dance: I: Duberval; II: Le Matellot Provencalle, as17640110; III: A New Dance, The Encampment-

Event Comment: Mainpiece: Not acted these two years. [See 13 May 1762.

Performances

Mainpiece Title: The City Wives Confederacy

Afterpiece Title: Perseus and Andromeda and the Arcadian Nuptials

Event Comment: Mainpiece: Not acted these two years. [See 21 May 1762.

Performances

Mainpiece Title: Love For Love

Afterpiece Title: Perseus and Andromeda and the Arcadian Nuptials

Event Comment: MMr Lee play'd Majr Belford. Mr Packer being ill (very bad) (Hopkins). Very bad indeed (Hopkins Diary-MacMillan). Mainpiece: Not acted in two years. [See 5 May 1762.] The Mistake oblig'd to be deferr'd on account of the indisposition of a Principal Performer. Receipts: #123 10s. (MacMillan)

Performances

Mainpiece Title: The Funeral

Afterpiece Title: The Deuce Is in Him

Dance: End: The Provancalle, as17631014

Event Comment: Benefit for Holtom, Buck, Dibdin and Miss Sledge. Mainpiece: Not acted in 3 years. [See 11 May 1762.] Afterpiece: Music by Dibdin

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Shepherd's Artifice

Event Comment: Benefit of Miss Mozart of eleven, and Master Mozart of seven Years of Age, Prodigies of Nature. At the Great Room, Spring Garden, St James's Park. Tickets at half a guinea each. By Permission of the Lord Chamberlain. [For Wolfgang Amadeus Mozart and his sister. Their father had brought them to visit London in May. See hay 21 Feb. 1765. They remained through July 1765. See also Grove's Dictionary of Music and Musicians, III, p. 539 (3rd edn. New York, 1947).

Performances

Mainpiece Title: A Concert Of Vocal And Instrumental Musick

Music: FFirst Violin solo-Barthelemon; Violincello Concerto-Ciri; Harpsichord and Organ-Miss Mozart, Master Mozart

Event Comment: Mainpiece: Not acted these 5 years. [See 8 May 1760.

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: Thomasand Sally

Dance: III: The Jealous Woodcutter, as17641101

Event Comment: Benefit for Mrs Ward. Mainpiece: Not acted this season. Afterpiece: A comedy of one act by Mrs Cibber not acted these 12 years. [See 2 May 1753.] None admitted behind Scenes

Performances

Mainpiece Title: The Rival Queens; Or, The Death Of Alexander The Great

Afterpiece Title: The Oracle

Dance: III: The Sicilian Peasants, as17641001; End: A Hornpipe-Miss Pitt

Event Comment: Benefit for Miss Pope. [Farce revived; see 1 May 1758.

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: The Frenchified Lady never in Paris

Dance: III: The Medley, as17641120; End: The Irish Lilt, as17641011; End Farce: A Minuet-Sg Giorgi, Miss Pope

Event Comment: Benefit for Miss Brent. Part of the Pit will be railed into the boxes. Ladies and Gentlemen, who have taken Boxes, or Places, before Miss Brent's Benefit was advertised, are requested to send for their tickets, otherwise such Boxes or Places cannot be insured. Tickets deliver'd for the 21st of March will be taken. No Person can be admitted behind the Scenes, Nor any money retuned after the curtain is drawn up. Books of the Opera to be sold at the Theatre. Tickets to be had of Miss Brent, in the Piazza, next the Church, Covent Garden; and of Mr Sarjant, at the stage-door of the theatre, where Places for the Boxes may be taken

Performances

Mainpiece Title: Artaxerxes

Dance: II: A Tambourine, as17641015

Event Comment: Benefit for Davis, Hallam, Mrs Dyer. None admitted behind Scenes. Afterpiece: Not acted these three years. [See 2 May 1763.

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: Harlequin Statue; or, The Jealous Farmer Outwitted

Dance: I: A New Scotch Dance, as17650429 II: A New Hornpipe-Miss Snow (in character of a sailor) 1st appearance on any stage; End: The Jealous Woodcutter, as17641101

Event Comment: The Fourth Day [sic]. The Ceiling of the Gallery is raised, and Ventilators fixed in proper Places, that the House may be kept as cool as possible. [Notice repeated in subsequent bills.

Performances

Mainpiece Title: The Commissary

Afterpiece Title: The Knights

Dance: End: A Comic Dance, as17650610

Event Comment: Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. Places may be taken from Johnson at the Stage Door. No money will be taken at the stage door. None will be refunded after Curtain is drawn up. To begin at 6 o'clock. [Footnote not further noted. Garrick on his return from the continent first introduced a method of illumination by lights not visible to the audience, thus replacing the huge chandeliers (Genest, V, 86). Published this season, A Critical Balance of the Performers at Drury Lane last Season, a broadside sheet at 1s., printed for C. Moran. This scale of the following twelve values war applied to 43 actors and actresses: (A score of 20 under each heading was perfect.) Figure; Grace; Spirit & Ease, Sensibility & Truth; Dignity & Manners; Expression & Pantomime; Low Humor; Genteel Humor; Elocution and voice; Dress; Dumb show; Noise. Beside each actor was listed his outstanding parts. (See Copy in Huntington Library.)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Polly Honeycombe

Event Comment: By Permission of the Magistrates. Deferred from Wednesday 2 Oct. on account of the badness of the weather. The nobility, gentry and all other charitable and humane persons are invited. A collection will be made at the door for the unhappy sufferers by the late distressful Fires at Montreal in Canada, and Honiton in Devonshire. The whole sum collected to be equally divided....The Singers and Band of Music perform gratis. The doors to be opened at 10:00, the Music to begin at 11:30. The company may depend if the weather should continue bad, that the Music will be in the Great Room

Performances

Mainpiece Title: Rehearsal Of New Songs, Full Pieces And Overtures

Event Comment: Mainpiece: By Desire. Afterpiece with alterations and additions. [A song sung in the "New Scene in Harlequin's Invasion" appears in The Jester's Magazine, May 1766, p. 254. Harlequin enters with a Dancing Bear, and sings four stanzas in broken English about the advantages of dancing, for men, women, philosophers, and politicians. Harlequin's speech is Frenchified English.

Performances

Mainpiece Title: The School For Lovers

Afterpiece Title: The Harlequin's Invasion

Event Comment: Mainpiece: Not acted these twenty years. [Additions by Bickerstaffe.] Afterpiece: Not acted these 5 years. [See 26 May 1762.

Performances

Mainpiece Title: The Plain Dealer

Afterpiece Title: The Virgin Unmasked

Event Comment: [W+Winston MS 9 notes that Rich's Register names Jane Shore and The Royal Chace for this night. If so, see casts for 9 Oct. (Jane Shore) and 7 Dec. (The Royal Chace). Credence may be given this note by the fact that the next performance of Summer's Tale is listed in playbills as 20 Jan. 1766, the Fifth Day.

Performances

Mainpiece Title: The Summer's Tale

Dance: As17651209

Event Comment: Author's Day. [Publication of the play announced in the Public Advertiser this day, along with the following "puff" by Censor Dramaticus: "Sir: I have just given the new comedy, the Double Mistake, its first reading, and must confess I never was better pleased at a first reading than at present: It is chaste, sententious and genteel in its dialogue, interesting in its plot, the characters all of consequence, strongly marked and happily kept up, and even the virtuoso entertaining without being tiresome. I heartily wish it success, and congratulate the author on such a production, which shows that virtuous principles in high life render the persons that possess them doubly charming, and add real grace and dignity to their appearance in public life....I hope I may be believed when I say I have not the most distant knowledge of the author, and that impartiality shall ever be, and ever was my constant plan in observations of this kind."

Performances

Mainpiece Title: The Double Mistake

Event Comment: Benefit for Mr and Master Burton. Tickets deliver'd by W. Yates and Miss Berkley will be taken. Afterpiece: Not acted these two years. [See 9 May 1764.

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Catherine and Petruchio

Dance: End: New Tambourine, as17660123

Event Comment: Benefit towards the Increase of a Fund, established by the Performers of the Theatre Royal Covent Garden for the Support of Decayed Actors and their Families. This Fund having been begun by voluntary contributions among the performers, improved by a proportionable Weekly Deduction on their salaries, and intended as a reciprocal Provision for them their widows and children, in sickness and infirmity, it is humbly hoped and appeal to the Generosity of the Public will not be taken amiss. Such of the Nobility, Gentry, &c. who are pleas'd to favour this Undertaking, are desired to send for places, Box or Pit tickets, to Mr Sarjant, at the Stage Door. Mainpiece [by John Banks]: Not acted these 20 years. Occasional Prologue, written by Hull [printed in the Jester's Magazine, May 1766, p. 241]

Performances

Mainpiece Title: The Albion Queens; Or, The Death Of Mary Queen Of Scots

Afterpiece Title: Perseus and Andromeda

Event Comment: By Desire. Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for Boxes may be taken of Mr Sarjant(Only)Book-Keeper at the Stage Door. No Money to be received at the stage door, nor any money returned after the curtain is up. [Customary note at foot of each bill during season. Only significant variations will be noted.] Present the Duke of Gloucester, Prince Henry, the Princesses Brunswick, Louisa and Caroline (Account Book). Receipts: #224 3s. (Account Book)

Performances

Mainpiece Title: King Henry V

Afterpiece Title: Coronation

Performances

Mainpiece Title: The Clandestine Marriage

Performance Comment: Lord Ogleby-King [1st time since his accident, 17 May 1766]; Sir John Melvil-Holland; Sterling-Yates; Lovewell-Powell; Canton-Baddeley; Brush-Palmer; Serj. Flower-Love; Traverse-Hurst; Trueman-Aickin; Miss Sterling-Miss Pope; Fanny-Mrs Palmer; Betty-Mrs Abington; Chambermaid-Miss Plym; Mrs Heidelbery-Mrs Clive; New Epilogue-Miss Pope. [See17661017] .See17661017] .

Afterpiece Title: The Hermit