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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Master Pring"/1) | (@(roleclean,performerclean) "Master Pring")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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2432 results for: Keyword - Master Pring
We found 1269 matches on Performance Comments, 1030 matches on Performance Title, 408 matches on Event Comments, 1 matches on Roles/Actors, and 0 matches on Author.

1
20 March 1793 @ Covent Garden

Event Comment: [The playbill lists Mrs Clendining as singing As when the dove, but "An apology was made for the absence of Mrs Clendining...Master Pring was allowed to sing her song" (Public Advertiser, 21 Mar.).

Performances

Mainpiece Title: A Grand Selection 0

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: Overture, March-(Scipio); Tears such as tender fathers shed-Bartleman [Deborah]; Around let acclamations ring-Incledon, Chorus [Athalia]; His mighty arm-Kelly [Jephtha]; As when the dove-Master Pring [Acis and Galatea]; The many rend the skies-Chorus [Alexander's Feast]; Gentle airs-Incledon; accompanied on the violoncello-C. Ashley [Athalia]; From mighty Kings-Mrs Crouch [Judas Maccabaeus]; Fix'd in his everlasting seat-Chorus [Samson].Samson].
Cast
Role: As when the dove Actor: Master Pring

Afterpiece Title: Grand Selection 3

Music: End Part II: a trio for violin viola and violoncello-G. and R. and C. Ashley

2
03 March 1786 @ Drury Lane Theatre

Event Comment: Tickets to be had and Places [for the boxes] to be taken of Fosbrook, at the Stage Door of the Theatre. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]. Books of the Performance to be had at the Theatre. New Lady's Magazine, Mar 1786, p. 110: performance under the direction of Dr Arnold, who conducted from the organ. I know that my redeemer liveth sung by Miss George; He was despised and rejected by Master Pring; How beautiful are the feet by Mrs Forster

Performances

Mainpiece Title: The Messiah

Performance Comment: Principal Vocal Parts by Bellamy, Arrowsmith, Carter, Master Pring; Mrs Forster, Miss George .

3
21 May 1662 @ Theatre in Vere Street

Event Comment: The King's Company. Pepys, Diary: To the Theatre to The French Dancing Master, and there with much pleasure gazed upon her (Lady Castlemaine); but it troubles us to see her look dejectedly and slighted by People already. The play pleased us [Pepys and Mrs Pepys] very well; but Lacy's part, the Dancing Master, the best in the world

Performances

Mainpiece Title: The French Dancing Master

Performance Comment: [For authorship, see16610311@2.] Dancing Master-Lacy.
Cast
Role: Dancing Master Actor: Lacy.

4
11 March 1662 @ Theatre in Vere Street

Event Comment: The King's Company. See Herbert, Dramatic Records, p. 118. See also The Variety, in Bentley, Jacobean and Caroline Stage, III, 149-51; and James Shirley's The Ball; or, French Dancing Master, in Bentley, V, 1079. See also 10 Nov. 1661

Performances

Mainpiece Title: The French Dancing Master

Performance Comment: [The Variety? by William Cavendish, Duke of Newcastle.] Dancing Master-Lacy?. See16620521.
Cast
Role: Dancing Master Actor: Lacy?. See16620521.

5
26 March 1668 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. Downes (p. 30): This Comedy in general was very well Perform'd. Pepys, Diary: I alone to the Duke of York's house, to see the new play, called The Man is the Master, where the house was, it being not above one o'clock, very full. But my wife and Deb. being there before, with Mrs Pierce and Corbet and Betty Turner, whom my Wife carried with her, they made me room; and there I sat, it costing me 8s. upon them in oranges, at 6d. apiece. By and by the King come; and we sat just under him, so that I durst not turn my back all the play. The play is a translation out of French, and the plot Spanish, but not anything extraordinary at all in it, though translated by Sir W. Davenant, and so I found the King and his company did think meanly of it, though there was here and there something Pretty: but the most of the mirth was sorry, poor stuffe, of eating of sack posset and slabbering themselves, and mirth fit for clownes; the prologue but poor, and the epilogue little in it but the extraordinariness of it, it being sung by Harris and another in the form of a ballet

Performances

Mainpiece Title: The Man's The Master

Performance Comment: Edition of 1669: Prologue-; Epilogue in a Ballad-Two; [Downes (Roscius Anglicanus, p. 30): Master-Harris; The Man-Underhill; Singing the Epilogue [like two Street Ballad-Singers-Mr Harris, Mr Sandford. [According to the Catalogue of the MS Music, Christ Church, John Bannister set a song for this play.]According to the Catalogue of the MS Music, Christ Church, John Bannister set a song for this play.]
Cast
Role: Master Actor: Harris

6
04 May 1734 @ Drury Lane Theatre

Event Comment: For the Benefit of the Editor of Shakespear. For the Entertainment of the Grand Master, and the Antient and Honourable Society of the Free and Accepted Masons. N.B. By Appointment of the Grand Master, the Brethren are desir'd to meet at the Castle Tavern, Drury-Lane, cloath'd; thence to go in Procession, as usual, to the Play

Performances

Mainpiece Title: Henry Iv, Part Ii

Dance: I: Irish Trot by Young Master Oates. II: A new Comic Dance by Master Oates and Miss Oates Jr. V: Grand Dance of Momus, as17340426

Performance Comment: II: A new Comic Dance by Master Oates and Miss Oates Jr. V: Grand Dance of Momus, as17340426.

Song: The usual Songs, adapted to the Subject of Masonry. II: The Enter'd Prentice's Song. IV: On, On, my dear Brethren. V: Let Matrimony be now my Theme

7
28 April 1749 @ Covent Garden

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Damon and Phillida

Dance: Master J. Granier, Master J. Granier's Sister

Performance Comment: Granier, Master J. Granier's Sister.

8
10 November 1749 @ Drury Lane Theatre

Event Comment: [Query: Is Master Jonno the little Swiss?] Paid 1!2 year's Window Tax #3 14s. 9d.; and 1!2 year's Land tax #45 16s.; Paid Mrs Rogers for wax & Brick dust 4s. 8d. (Treasurer's Book). Receipts: #130 (Cross); #122 14s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Provok'd Husband

Song: Master Mattocks

Ballet: SSavoyard Travellers. As17491109, but Children Savoyards-Little Swiss, Master _Jonno

Performance Comment: As17491109, but Children Savoyards-Little Swiss, Master _Jonno.
Cast
Role: Children Savoyards Actor: Little Swiss, Master _Jonno.
Role: Principal Savoyards Actor: Grandchamps, Mad Auretti, Matthews, Mrs Addison, Pelling, Shawford, Harrison, Master Shawford, Mad Mariet, Mrs Baker, Mrs Memi, Miss Cole
Role: Peasants Actor: Macneale, Mad DeLaContri, Master Simons, Master G. Yates, Vaughan, Mrs Shawford, Mrs L'Font, Miss Shawford.

9
02 July 1767 @ Haymarket Theatre

Event Comment: A Tragedy for Warm Weather. Written after the manner of the Worst, as well as the Best of the English Poets, containing amongst a Variety of Particulars, curious, entertaining, and pathetic, the Rebellion of the Journeymen Taylors on the Score of Wages, etc. Neville MS Diary: Half past Six went to ye Haymarket Theatre but could not get into ye Pit or first Gallery, so stood on ye last row of the shilling Gallery, tho' I could see little, to see how ye Taylors, a new tragedy for warm weather, would go off, being the first night of its performance. 3rd Act hiss'd-ye Gods in ye shilling Gallery called for ye Builder's Prologue-hissed off ye part of ye Old Maid twice and Davies who came to make an excuse. The Gentlemen, many of whom were there, cried No Prologue" but to no purpose. At last Foote said if he knew their demands he would be ready to comply with them. The noise ceasing, after some time he was told the Builder's Prologue was desired. He said he had done all in his power to get the performers, having seen them. After some time he came and informed them he had got the performers together, and if the House would be pleased to accept of ye Prologue in our dresses as we are you shall have it." This was followed by great clapping which shows the Genius of our English mobility ever generous after victory. Left ye House after ye Farce began. [Flints were journeymen tailors who refused to comply with the masters' terms and the regulations of the magistrate, in contradistinction to those who submitted and were in derision stiled Dungs. The term dates from 1764-OED. An extract from the Occasional Prologue (the Builder's Prologue) in prose on the opening of the Theatre Royal in the Haymarket, by Foote published in the London Magazine July 1767, p. 351. Foote, Scaffold, and Prompter are the three participants. Foote tells Scaffold he will be paid by the audience. Scaffold notes that the audience must in that case be pleased at all times. Foote promises no long processions [will] crowd my narrow scenes." He assumes that any of the reforms he plans will but echo the public voice. The Prompter then calls the actors on.

Performances

Mainpiece Title: The Taylors

Performance Comment: Master Taylors: Francisco-Foote; Campbello-Bannister; Regniades-Castle; Pearcy-Gardner; Higgleston-Newton; Flints: Abrahamides (Chief Flint)-Shuter; Bernardo Bernardo-Davis; Isaacos-Palmer; Jackiades-Weston; Bartholomeau-Smith; Humphreymingos-Loveman; Dungs: Zacharides-Thompson; Phillippominos-Keen; Timotheus-Pynn; Taylors Ladies-Mrs Jeffries, Mrs Burden, Mrs Gardner; Attendants to the Ladies-Mrs Denton, Mrs Kirby, Mrs Palmer; New Prologue-Foote.

Afterpiece Title: The Old Maid

10
21 May 1779 @ Covent Garden

Event Comment: Tickets delivered by Dagueville (ballet-master), Cushing, Simpkinson, Master Jackson, J. Bates and Mrs Ackman for Tuesday the 25th instant will be admitted this Night. Brunsdon's outstanding Tickets for Cymbeline will also be received

Performances

Mainpiece Title: The Comedy Of Errors

Afterpiece Title: The Liverpool Prize

Dance: End I: La Chasse de Diane-Dagueville's Pupils, Master Holland, Master Dagueville, Miss Dagueville, Miss Armstrong, with a new Minuet and Gavot; End IV: The Embarkment for Cytherea=, as17781125, but Master _Dagueville, Master _Holland, Langrish, Miss +Ross; End I afterpiece: +The Burgomaster, as17790216

Song: As17790127

11
18 May 1797 @ Drury Lane Theatre

Event Comment: Benefit for Master Welsh. Morning Herald, 18 May: Tickets to be had of Master Welsh, No. 9, Margaret-street, Westminster. Receipts: #355 9s. 6d. (72.13.6; 58.13.0; 4.12.0; tickets: 219.11.0) (charge: free)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The Prisoner

Performance Comment: As17961203, but Juliana-Master Chatterley; Chorus of Soldiers-_Evans, _Welsh, _Atkins, _Burrows, _Meyers, _Caulfield Jun., _Denman, _Fisher, _Tett, _Aylmer, _Dibble, _Gallot, _Potts.
Cast
Role: Juliana Actor: Master Chatterley

Song: End IV: Listen to the Voice of Love-Master Welsh

Music: End: A Lilliputian Performance-; consisting of a Quintetto for First Violin-Master Pinto, aged 11 years; Second Violin-Master Sharp, aged 11; Violoncello-Master Ware, aged 10; Piano Forte-Miss Hoffman, aged 9; Voice-Master Welsh. The Musick composed expressly for the Occasion by Dr Arnold

12
22 May 1739 @ Drury Lane Theatre

Event Comment: Benefit Master Ferg and Miss Wright,the Lilliputian Burgomaster and Colombine. As 27 Nov. 1738

Performances

Mainpiece Title: The Beaux Stratagem

Afterpiece Title: The Devil to Pay

Music: Second Musick:A Concertoby Henry Burgess Jr-; The Overture: The First Concerto of Signor Corelli-; Preamble on the Kettle Drums-Master Ferg

Dance: I: Punches-Master Ferg, Miss Wright; II: By Desire, French Peasants-Poitier, Mlle Roland; III: Pierots-Master Ferg, Miss Wright; IV: Wooden Shoe Dance-Master Ferg; V: A new dance-Miss Wright

Song: a G Grand Chorus-, out of Alexander's Feast, for Trumpets, French-Horns, Kettle-Drums

13
28 April 1750 @ Drury Lane Theatre

Event Comment: Benefit for Master Mattocks and Mlle L'Contri. Paid Salary List #296 10s. 6d.; Mrs Hobson a bill 3s. (Treasurer's Book). [The George Garrick Treasurer's Book breaks off at this point. It records for 165 nights, a total income of #17,296 9s. as against a total outlay of #12,055 14s. 5d. Cross, who jots down receipts in round figures, and is almost always high, indicates the income from the 164th to the 174th and last night to be #1,446, but since all except one night (11 May) were benefits, the theatre probably received only about #800 (At #63 per benefit). Total income for this season is estimated to be, therefore, #18,096 9s. It is difficult to estimate end of season expenditures. At least #789 10s. 6d. went out in the three final pay days of the season and probably another #500 went out in bills before the books were closed at Midsummer. From this it appears that the profits to the managers that year came to about #4,600.] This day is Publish'd The Actor at 3s. In One Volume (dedicated to the Managers of the British Theatre. A treatise on the art of playing, interspersed with theatrical anecdotes, critical remarks on plays and occasional observations on audiences Printed for R. Griffiths (General Advertiser). Receipts: #120 (Cross). [Income missing from Treasurer's Book.

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Lethe

Performance Comment: As17500425 but Fine Gentleman-King; Mercury-Master Mattocks; Tattoo-_ .
Cast
Role: Mercury Actor: Master Mattocks

Song: I: The Highland Lad (set by Master Arne)-Master Mattocks; III: Singing-Master Mattocks

Dance: II: La Sabotiere-Master Maltere, Miss Foulcade; IV: Les Fantasies de la Dance-Mlle DelaContri; End: Minuet-Mathews, Mlle Contri

14
11 May 1796 @ Drury Lane Theatre

Event Comment: Benefit for Master Welsh. [2nd piece in place of The Sultan, advertised on playbill of 10 May. Medley is identified in MS list in Kemble playbills of new performers for this season.] "A riot took place this evening, occasioned by the performance of Skirmish by a new actor. This person, wanting every quality requisite for the stage, performed so very much to the dissatisfaction of the audience, that the piece was mutilated in such a manner that for some time it was insisted on that the whole should be repeated more perfectly and by another actor. This being impossible, some mischief was threatened, but after a short time the disturbance ceased" (European Magazine, June 1796, p. 396). Morning Herald, 30 Apr.: Tickets to be had of Master Welsh, No. 9, St. Margaret-street, Westminster. Receipts: #292 4s. (84.11.6; 47.15.6; 12.14.0; tickets: 146.19.6; odd money: 0.3.6). (charge: free)

Performances

Mainpiece Title: The Smugglers

Cast
Role: Edward Actor: Master Welsh

Afterpiece Title: The Virgin Unmask'd

Afterpiece Title: The Deserter

Song: End: the favourite duett from Sampson, My Faith and Truth-Miss Leak, Master Welsh; End 2nd piece: Listen to the Voice of Love (composed by Hook)-Master Welsh

15
07 July 1796 @ King's Theatre

Performances

Mainpiece Title: Antigona

Dance: End I: a new Ballet in one act, Flore et Zephire-Didelot, Gentili, Fialon, Lahante, Hamoir, Giani, Roffey, Simpson, Master Menage, Mme Rose, Mme Hilligsberg, Mme Bossi, Mlle Parisot, Mme Vidi, Mlle Cabanel [Cast from Beaumont (see below): Cleonise-Mme Hilligsberg; +Flore-Mme Rose; +Bergeres-Mlle Parisot, Mme Bossi; +Zephire-Didelot; +L'Amour-Master Menage; +Un Petit Amour-Miss Hill.]; End Opera: [a new grand Dramatic Ballet in 3 acts, in the +Scotch style, L'Heureux Naufrage [; or, Les Sorcieres Ecossoises; Principal Performers in both dances-Didelot, Gentili, Fialon, Lahante, Hamoir, Giani, Roffey, Simpson, Master Menage, Mme Rose, Mme Hilligsberg, Mme Bossi, Mlle Parisot, Mme Vidi, Mlle Cabanel

Performance Comment: ]; End Opera: [a new grand Dramatic Ballet in 3 acts, in the +Scotch style, L'Heureux Naufrage [; or, Les Sorcieres Ecossoises; Principal Performers in both dances-Didelot, Gentili, Fialon, Lahante, Hamoir, Giani, Roffey, Simpson, Master Menage, Mme Rose, Mme Hilligsberg, Mme Bossi, Mlle Parisot, Mme Vidi, Mlle Cabanel.
Cast
Role: Principal Performers in both dances Actor: Didelot, Gentili, Fialon, Lahante, Hamoir, Giani, Roffey, Simpson, Master Menage, Mme Rose, Mme Hilligsberg, Mme Bossi, Mlle Parisot, Mme Vidi, Mlle Cabanel.

16
14 January 1731 @ Academy of Vocal and Instrumental Music

Event Comment: At the Academy of Vocal and Instrumental Musick, Mr Gates, Master of the Children of the Chapel Royal being Director for the Night

Performances

Mainpiece Title: Concert

Music: A Madrigal for 5 Voices by Abbot Stefani, late President of the Academy-; A Piece of Vocal and Instrumental Musick by Sig Faux, Chapel Master to the Emperor-; A Madrigal for 5 Voices by Sig Antonio Lotti, Chapel Master to the Doge of Venice-; Mr Handell's Great Te Deum, J`bilate-

17
10 May 1737 @ Lincoln's Inn Fields

Event Comment: Benefit Hamilton, Mlle Roland, Miss Norris. Tickets for Deshaln, Temple, Master Nansan also taken. Mainpiece: In Imitation of Shakespear

Performances

Mainpiece Title: King Charles The First

Afterpiece Title: The Honest Yorkshireman

Cast
Role: Gaylove Actor: Master W. Hamilton
Role: Squire Sapscull Actor: Master J. Hamilton

Song: I: Dialogue (composed by Purcell)-the Masters Hamilton; III: A Song of Lord Flame's out of the Opera of All Alive and Merry-Master W. Hamilton

Dance: II: Tambourine-Mlle Roland; V: A new Serious Dance-Mlle Roland

18
03 March 1738 @ Drury Lane Theatre

Event Comment: Benefit Master Ferg, who performs the Punch and Burgomaster, Scholar to Mons Livier. 5s., 3s., 2s., 1s. 6 p.m

Performances

Mainpiece Title: Concert

Music: Consisting of several Select Pieces by Mr Handel and other Eminent Masters, and taken from the most favourite Operas-; The Vocal Parts-Mr Beard, Mrs Clive; being several Favourite Songs in Italian and English-Mr Beard, Mrs Clive; A Preamble on the Kettle@Drums-Master Ferg; with two New Minuets-; Chorus out of Atalanta for French@Horns and Trumpets-, the two French-Horns two little Negro-Boys (Scholars to Mr Charles, who never perform'd before); Concluding with the Anthem, God save the King-

Dance: WWooden Shoe Dance-Master Ferg; Shepherd's Mount (a ballet)-

19
30 May 1739 @ Drury Lane Theatre

Event Comment: Benefit Ray, F. Shepard, Rogers, Green, Master Brooks, Miss Morrison. Tickets for the Misses Scott also taken

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The King and the Miller of Mansfield

Dance: I: Pierots-Master Ferg, Miss Morrison; II: Saraband-Miss Morrison; III: Comic Dance-Miss Scott Ynger; IV: Tambourine-the Elder Miss Scott; V: Scaramouches-Master Brooks, Miss Morrison

20
19 April 1743 @ Covent Garden

Event Comment: Benefit Harrington, Master Gillier, Miss Allen, and others

Performances

Mainpiece Title: The Siege Of Damascus

Afterpiece Title: Perseus and Andromeda

Dance: CCharacters of Dancing-Janneton Auretti; Tambourine-Master Gillier; L'Aimable Vainquers-Master Gillier, Mlle Janneton Auretti

21
09 May 1759 @ Drury Lane Theatre

Event Comment: Benefit for Leviez (Ballet Master). Receipts: #140 (Cross)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Queen Mab

Cast
Role: Puck Actor: Master Rogers

Dance: III: A New Grand Dance-the two Master Roters, Master Settree, Miss Twist, Miss Simson; IV: By Particualr Desire, a Minuet-Leviez, Miss Macklin

22
19 May 1767 @ Covent Garden

Event Comment: Benefit for Messrs Wignel and Stoppelaer. Neither Piece Acted This Season. The Prologue and Epilogue spoken By particular Desire by Master Wignell. Charges #72 15s. [of which Wignel bore #32 2s. 6d. and Stoppelaer bore #40 12s. 6d. Their deficit codered by income from tickets: Wignel #97 6s. (Box 82; Pit 362; Gallery 225); Stoppelaer #104 15s. (Bhx 118; Pit 377; Gallery 187).] Paid Edward Bamford for the Giant in the Dragon of Wantly #1 1s. (Account Book). With difficulty got into the Pit just before began (Neville MS Diary). [He comments favorably on the play and performers. Liked Shuter, especially, as Sharp in the afterpiece, and thought Miss Baker looked well in men's clothes.] Receipts: #48 7s. (Account Book)

Performances

Mainpiece Title: The Fair Quaker Of Deal

Afterpiece Title: The Lying Valet

Dance: III: Blind Man's Buff, as17670516; End I Farce: Double Hornpipe, as17670427

Entertainment: After: The Prologue to the Apprentice-Master Wignell; End Farce: an Epilogue addressed to Most Noble Order of Bucks-Master Wignel

Ballet: End I Farce: The Wapping Landlady. As17670427

23
30 April 1703 @ Dorset Garden Theatre

Performances

Mainpiece Title: The Cheats Of Scapin

Afterpiece Title: The Comical Rivals; or, The School Boy

Music: As17030423

Dance: The Devonshire Girl, being now upon her Return to the City of Exeter, will perform three several Dances, particularly her last New Entry in Imitation of Mademoiselle Subligni, Whip of Dunboyn by Mr Claxton, her Master-The Devonshire Girl; ...And at the desire of several Persons of Quality (hearing that Mr Pinkeman hath hired the two famous French Girls lately arriv'd from the Emperor's Court), They will perform several Dances on the Rope upon the Stage, being improv'd to that Degree, far exceeding all others in that Art.-two famous French Girls; Newest Humours of Harlequin , as perform'd by him before the Grand Signior at Constantinople-father of two famous French Girls; Also the Famous Mr Evans, lately arriv'd from Vienna, will shew you Wonders of another kind, Vaulting on the Manag'd Horse, being the greatest Master of that kind in the World-Mr Evans

Performance Comment: ..And at the desire of several Persons of Quality (hearing that Mr Pinkeman hath hired the two famous French Girls lately arriv'd from the Emperor's Court), They will perform several Dances on the Rope upon the Stage, being improv'd to that Degree, far exceeding all others in that Art.-two famous French Girls; Newest Humours of Harlequin , as perform'd by him before the Grand Signior at Constantinople-father of two famous French Girls; Also the Famous Mr Evans, lately arriv'd from Vienna, will shew you Wonders of another kind, Vaulting on the Manag'd Horse, being the greatest Master of that kind in the World-Mr Evans.
Cast
Role: being the greatest Master of that kind in the Worl Actor: Mr Evans.

24
19 September 1734 @ Drury Lane Theatre

Performances

Mainpiece Title: The Alchymist

Performance Comment: Subtle-W. Mills; Face-Mills; Abel-Cibber; Sir Epicure-Harper; Ananias-Johnson; Tribulation-Griffin; Kastril-Miller; Dapper-Master Arne; Surly-Oates; Lovewit-Shepard; Doll Common-Mrs Charke; Dame Pliant-Mrs Shireburn; Neighbors-Winston, Wright, Jones, Leigh .
Cast
Role: Dapper Actor: Master Arne

Afterpiece Title: A Burgo-Master Trick'd

Performance Comment: Burgo-Master-Nivelon; Harlequin-Le Brun; Colombine-Miss Mann; Burgomaster's Servant-Cibber; Scaramouch-Janno; Peasants-Pelling, Janno, Davenport; Peasant Women-Mrs Pelling, Mrs Davenport, Miss Oates .
Cast
Role: Burgo Actor: Master-Nivelon
Role: Master Actor: Nivelon
Role: Burgomaster's Servant Actor: Cibber

Dance: I: The Black Joke. II: Revellers. III: Pierots. IV: Les Bergeries. By Poitier, Nivelon, Essex, Pelling, Chose, Davenport, Janno, Mrs Walter, Mrs Pelling, Miss Mann, Miss Brett

25
16 June 1736 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Beaux Stratagem

Afterpiece Title: The Generous Free-Mason

Music: A Solo on the Violin by Master Oates, Scholar to Charke

Dance: II: Irish Trot by Master Oates. III: A new dance by Master and Miss Oates. IV: A new dance by Mr and Mrs Davenport. V: Peasant by Master and Miss Oates

Performance Comment: III: A new dance by Master and Miss Oates. IV: A new dance by Mr and Mrs Davenport. V: Peasant by Master and Miss Oates .