SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Master Harris"/1) | (@(roleclean,performerclean) "Master Harris")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1446 matches on Performance Comments, 1100 matches on Performance Title, 485 matches on Event Comments, 16 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for several: Master Cape, C. Roberts, West, Tomlinson, Mortimer. Tickets deliver'd for This Night will be taken. [Tomlinson's Epilogue in Larpent MS 213.] The mute speaks again, and mimics tragedians and comedians [See 20 May.

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The King and the Miller

Dance: II: Hornpipe-Master Cape (Scholar to Walker); IV: Hearts of Oak, as17620421

Song: III: If o'er the Cruel Tyrant Love, as17620513

Entertainment: New Sketch of his own picture drawn from the life by way of Epilogue-Mr Tomlinson, his second time of attempting to speak on the Stage

Event Comment: The worst House I ever saw.--This morning Mr Packer's mother died, and we were oblig'd to get Mr Parsons to do Vizard, and Mr Baddeley Smuggler.--No apology was made, and I believe nobody took any notice of the change.--Miss Street and Master Clinton, Dancers, first time, greatly applauded (Hopkins Diary--MacMillan). Receipts: #63 3s. 6d. (MacMillan)

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Genii

Dance: II: A Comic Dance, call'd The Provancalle-Master Clinton, Miss Street , being their first appearance on this stage

Event Comment: Benefit of Miss Mozart of eleven, and Master Mozart of seven Years of Age, Prodigies of Nature. At the Great Room, Spring Garden, St James's Park. Tickets at half a guinea each. By Permission of the Lord Chamberlain. [For Wolfgang Amadeus Mozart and his sister. Their father had brought them to visit London in May. See hay 21 Feb. 1765. They remained through July 1765. See also Grove's Dictionary of Music and Musicians, III, p. 539 (3rd edn. New York, 1947).

Performances

Mainpiece Title: A Concert Of Vocal And Instrumental Musick

Music: FFirst Violin solo-Barthelemon; Violincello Concerto-Ciri; Harpsichord and Organ-Miss Mozart, Master Mozart

Event Comment: Benefit for Fishar, Ballet Master and Sga Manesiere. Entertainments by Children for that night only. Charges #64 5s. [Profit to each #21 11s. 9d. plus income from tickets: Fishar #38 14s. (Box 57; Pit 107; Gallery 84); Sga Manesiere, #29 13s. (Box 60; Pit 55; Gallery 64).] Paid Barratt (wax chandler) #201 5s.; Paid Buxtons and Co., (oyl men) #135 16s. (Account Book). Receipts: #107 8s. 6d. (Account Book)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Chaplet

Dance: I: A New Tambourine Dance-Master Blurton (apprentice to Fishar, eleven years old, 1st appearance any stage); End I: Rural Love, as17661120; II: A Serious Dance-Miss Capon (Apprentice to Fishar, sixteen years old, 1st appearance any stage); III: A New Pantomime Ballet-Mas. Blurton, Miss Besford (Apprentice to Fishar, ten years old, 1st appearance any stage as a dancer); IV: A Minuet-Fishar, Miss Capon; Double Hornpipe-Fishar, Sga Manesiere

Ballet: End: A New Grand Ballet call'd The Wapping Landlady. Jack (in Distress)-Fishar; the other Sailors-Petro, Hussey, Martin, Reynald, Curtat, King; Landlady-Miles; Milk Woman-Sga Manesiere; other women-Miss D. Twist, Miss S. Twist, Miss Barrowby, Miss Hilliard, Miss Daw, Mrs Viviez

Event Comment: Benefit for Jacobs, Griffith, Mrs Cross and Mrs Millidge. Paid Master Thomson 11 nights (23rd Inst. incl.) #2 15s.; Black Lyon Bill #3 19s. 2d. (Treasurer's Book). Tickets deliver'd for Benefit of Follett, Mas. Cape, Costin and Miss Berkly will be taken. Receipts: #233 18s. 6d. Charges: #74 14s. Profits to Jacobs, Griffith, Mrs Cross, Mrs Millage: #159 4s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: Harlequin's Invasion

Song: II: The Soldier Tir'd-Mrs Wrighten

Entertainment: V: Bucks Have at Ye All-Master Cape

Event Comment: Mainpiece: By Particular Desire. Tickets deliver'd by Mrs Lampe, and Mrs Jones, Mrs Masters (formerly Miss Lalauze), Besford, Miss Cranfield, Bates, Widow Wise, Widow Emery, and Ledger, and those deliver'd for She Stoops to Conquer will be taken. Doors open half past 5. To begin at half past 6 o'clock

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Man of Quality

Dance: I: A Minuet-Holloway, Miss Cranfield; II: A Minuet-Dagueville, Mrs Masters (Daughter of the late Mr Lalauze)

Event Comment: Benefit for Grimaldi, ballet-master, and Lamash. The Rivals [announced on playbill of 4 May] is obliged to be deferred on account of Dodd's sudden Illness. Tickets delivered by Kenny, and [for] The Rivals will be taken. Paid Printer [of playbills, weekly throughout season] #9. Public Advertiser, 4 May: Tickets to be had of Grimaldi at his house, No. 125, Holbourn; of Lamash, No. 3, Air-street, Piccadilly. Receipts: #175 5s. 6d. (43.10.0; 17.17.6; 0.14.0; tickets: 113.4.0) (charge: #69 19s.)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: Comus

Dance: In: Grand Dance, as17781102, but _Henry, Grimaldi, Master +Mills, Miss +Grimaldi

Song: As17790413

Event Comment: By Command of Their Majesties. [Master Degville and Miss De Camp were from the Royal Circus.]

Performances

Mainpiece Title: The Agreeable Surprise

Afterpiece Title: Peeping Tom

Dance: Mainpiece: With The Nosegay by Master Degville and Miss De Camp (their 1st appearance on this stage)

Event Comment: Benefit for the London Hospital. Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. Places for the Boxes to be taken at the Stage Door of the Theatre; the Doors of which will be opened at 5:30, and the Performance to begin precisely at 6:30. No Money to be returned after the Curtain is drawn up, nor will any Person be admitted behind the Scenes. [Master Braham is identified in Grove. Address by Arthur Murphy (Town and Country Magazine, July 1787, p. 324).] This was the opening night of this theatre, which had been built by and was under the management of John Palmer. Following the afterpiece he explained to the audience the objections of the proprietors of dl, cg and hay to his opening the theatre. He said that he had from the Lieutenant of the Tower of London what he considered to be sufficient permission, but that he would nevertheless close the theatre temporarily. Palmer's difficulty was that he had no really legal permission from anybody for the performance of actual plays. See 3 July, and for further details the head-note to this season. World, 18 July, prints an official accoudting for this night from the theatre's treasurer: Receipts were #273 12s.; paid for music, advertisements, servants, &c. #37 10s.; lost in bad silver #1 19s.; paid the London Hospital #234 4s.; the players acted without salary

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Miss in her Teens

Song: Between acts: The Soldier tired of War's Alarms-a little boy [Master Braham]

Entertainment: Monologue Preceding: Occasional Address-Palmer

Event Comment: Mainpiece: In I a Grand Masquerade. Account-Book: Paid Sloper [master carpenter] for Scene Men #40 17s. 11d. Receipts: #179 0s. 6d. (176.9.6; 2.11.0)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Robin Hood

Song: End IV: The Funeral Procession of Juliet and a Solemn Dirge-; Vocal Parts-Johnstone, Incledon, Townsend, Linton, Blurton, Street, Gray, Lee, Little, Sawyer, Tett, Dyke, Miss Mitchell, Miss Wheatley, Mrs Iliff, Miss Sims, Mrs Whitmore, Mrs Watts, Mrs Follett, Miss Leserve, Mrs Castelle, Mrs Norton, Mrs Gilbert, Mrs Masters, Mrs Lloyd, Mrs Blurton, Miss Walcup, Miss Gray, Miss Burnett, Mrs Martyr

Performances

Mainpiece Title: The Wives' Excuse; Or, Cuckolds Make Themselves

Performance Comment: Edition of 1692: Prologue-Mr Betterton; Lovemore-Betterton; Wellvile-Kynnaston; Wilding-Williams; Courtall-Bowman; Springame-Mich. Lee; Friendall-Mountford; Ruffle-Bright; Musick Master-Harris; Mrs Friendall-Mrs Barry; Mrs Sightly-Mrs Bracegirdle; Mrs Wittwoud-Mrs Mountford; Mrs Teazall-Mrs Cory; Betty-Mrs Richardson; Epilogue-Mrs Barry.
Cast
Role: Musick Master Actor: Harris
Event Comment: Afterpiece: A New Musical Entertainment in 2 Acts [by Theodosius Forrest] never pebformed. With a New Overture by Dr Arnold. The Airs chiefly selected from the most eminent masters. [Larpent MS 392 confirms the character names and adds a Country Lad and a Country Lass. The Westminster Magazine for Oct. condemned the Weathercock: "To speak of this piece as a literary compostiion, it was throughout a dull, uninteresting narrative, told in duller numbers. Considered in a dramatic light, it was still less defensible....The overture by Dr Arnold was trite, except the last movement, which had great merit, and was universally admired....We expected in spite of the numerous Orders sent in by the Author and Managers, that it would have met with its deserved fate on the first representation, it was, however, somehow carried through that and a second night's hearing-on the third evening, however, it received a formal damnation."

Performances

Mainpiece Title: The Distress'd Mother

Afterpiece Title: The Weathercock

Performance Comment: The Characters- Mattocks, Reinhold, Mahon,Young, Quick, Miss Brown, Mrs Masters Mrs Mattocks; The Dances-Harris, Miss Ross; Amyand-Mattocks; Ready-Quick; Selvyn-Mahon; Sir Rowland-Reinhold; Delia-Miss Brown; Harriet-Mrs Mattocks (Genest, V, 512).
Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 2. See also Nicoll, Restoration Drama, p. 347. There is no certainty that this is the premiere. A song, A heart in love's empire, with music by Robert Smith, and another, Let's drink dear friends, set by Thomas? Farmer, are in Choice Songs and Ayres, The First Book, 1673. The Dedication in the edition of 1672 is to Prince Rupert and states: tho' of thirty times it has been acted, you seldom fail'd to honour it with your presence. Downes (Roscius Anglicanus, p. 32): The next new Comedy [at dg] was the Mamamouchi, or the Citizen turn'd Gentleman, Wrote by Mr Ravenscroft [cast as in edition of 1672 except French Tutor and Singing Master, by Mr Haines: (He having Affronted Mr Hart, he gave him a Discharge and then came into our House)]; This Comedy was look[ed] upon by the Criticks for a Foolish Play; yet it continu'd Acting 9 Days with a full House; upon the Sixth the House being very full: The Poet added 2 more Lines to his Epilogue, viz. @The Criticks came to Hiss, and Dam this Play,@Yet spite of themselves they can't keep away.@ However, Mr Nokes in performing the Mamomouchi pleas'd the King and Court, next Sir Martin, above all Plays

Performances

Mainpiece Title: The Citizen Turned Gentleman

Performance Comment: Edition of 1672: Mr Jorden-Nokes; Young Jorden-Cademan; Mr Cleverwit-Crosby; Sir Simon Softhead-Underhil; Trickmore-Harris; Cureal-Sandford; Maistre Jaques-Angel; Lucia-Mrs Bitterton; Marina-Mrs Burroughs; Betty Trickmore-Mrs Leigh; Prologue-; Epilogue-. See also below.
Cast
Role: Trickmore Actor: Harris
Event Comment: The Duke's Company. This date of the premiere is not known, but the presence of Cademan (who was injured in August 1673) in the cast suggests a late spring or early summer production. In addition, two songs, in the play, Beauty no more shall suffer eclipse, and Full round the health good natured and free, both set by Robert Smith, are in Choice Ayres and Songs, 1673 (which was entered in the Stationers' Register, June 1673). It is possible, then, that the play was first given early as May 1673. Downes, Roscius Anglicanus, p. 33: A Comedy call'd The Reformation, Written by a Master of Arts in Cambridge; the Reformation in the Play, being the Reverse to the Laws of Morality and Virtue; it quickly made its Exit, to make way for a Moral one

Performances

Mainpiece Title: The Reformation

Performance Comment: Edition of 1673: Prologue-; Camillo-Samford; Pacheco-Ant. Leigh; Tutor-Underhil; Antonio-Harris; Pedro-Cademan; Leandro-Cosby [Crosby (?)]; Lysander-Medbourne; Mariana-Mrs Caff [Clough (?)]; Ismena-Mrs Johnson; Juliana-Mrs Batterton; Lelia-Mrs Osborn; AEmilia-Mrs Lee; Nurse-Mrs Norris.
Cast
Role: Antonio Actor: Harris
Event Comment: Benefit for Redman, Wild, Roffe and Mrs Naylor. Tickets deliver'd by Master Harris will be taken

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Commissary

Cast
Role: a Hornpipe Actor: Mas. Harris.

Ballet: End: The Wapping Landlady. As17710422with Double Hornpipe, as17710422

Event Comment: Afterpiece: A New Pantomime (never performed). The Music entirely new, by Fisher, New Scenes, Machines, Dresses, and Decorations. Books of the Songs, Chorusses, &c. to be had at the Theatre. Nothing under FULL PRICE will be taken. [The note about full prices and availability of books of songs, &c. accompanies each subsequent bill for Sylphs this season. The Westminster Magazine (Jan. 1774) fears the afterpiece may have been composed by Woodward. The reviewer recounts the story in some detail, likes the paintings and scenery, but states categorically: "We do not hesitate to pronounce it the worst Harlequin entertainment we remember to have seen...The music too is very insipid and pilfered from other masters."] Receipts: #237 3s. 2d. (Account Book)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Sylphs; or, Harlequin's Gambols

Performance Comment: Harlequin-Lewes; Principal Sylph-Miss Brown; Other characters-Quick, King, Wignell, Fox, Baker, Thompson, Banks, Wild, Harris, Davis, Hollingsworth, Mrs Pitt, Mrs Willems, Mrs Helme, Mrs White; Colombine-Miss Twist; The Dances-Fishar, Miss Valois, Miss Capon; To Conclude with a Capital Scene- never exhibited by Servandoni.
Event Comment: Benefit for Mrs Woodman, late of Covent Garden, left a Widow with five Children. By Permission of the Lord Chamberlain. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. To begin at 6:00 p.m. [Public Advertiser, 21 Feb., contained a long letter concerning the small attendance on this occasion: "One of the finest Female Singers this Country has for many years produced is now, through a Series of Misfortunes as unavoidable as unforeseen, in a State of Wretchedness scarcely credible. [Her husband, a schoolteacher, died.] Alas! she had five helpless innocent to drink of the same bitter Cup, to harrow up all the Heartstrings of a Mother, and to tear her Soul unavailingly for that Support, of which she herself was depriv'd by the Death of their Father. [The expenses of the benefit performance exceeded the receipts of the house.] Calamity became heaped upon Calamity, and she is now weeping in a Prison, over her unhappy little ones, for a Sum not exceeding #50." Appeal is made for gifts to relieve her. On 23 May, Mrs Woodman released from prison, gave a Benefit Concert at the Crown and Anchor Tavern, concluding with an Occasional Musical Address to the Town called The Grateful Acknowledgment, written and the music compiled from a most eminent Master by Adam Smith, sung by Mrs Woodman.

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Devil to Pay; or, the Wives Metamorphosed

Performance Comment: Sir John Loverule-Wooler; Jobson-Massey; Doctor-Lloyd; Butler-A Gentleman; Cook-Baldwin; Footman-Trotter; Coachman-Lewis; Fiddler-Williams; Lady Loverule-Mrs Nost; Nell (by particular desire)-Mrs Harris (a fruiteress from Tunbridge-Wells) who performed it in that place three times with great applause.
Cast
Role: Nell Actor: Mrs Harris

Dance: II: Hornpipe-Rawlins

Song: End Opera: Aileen a Roon-Mrs Woodman

Event Comment: Benefit for Dagueville (ballet master) and Sga Vidini. Doors open half past 5. To begin a half past 6 o'clock

Performances

Mainpiece Title: Edward And Eleonora

Afterpiece Title: A Duke and no Duke

Dance: II: New Dance Call'd The Academy-; in which will be introduced the New Court Minuet, Rigadoon (never perform'd before)-Mas. Holland, Miss Armstrong; with a Minuet, Allemande-Mas. Dagueville, a Girl only 5 years old; to conclude with a new Cadrille-Sg and Sga Zuchelli, Dagueville, Sga Vidini; End: a New Dance call'd The Humours of the New@Market Races with all the usual performances,-Dagueville, Harris, Rudd, Mas. Holland, Miss Ross, Miss Armstrong, Sga Vidini; to conclude with the Pony Races-

Performance Comment: Holland, Miss Armstrong; with a Minuet, Allemande-Mas. Dagueville, a Girl only 5 years old; to conclude with a new Cadrille-Sg and Sga Zuchelli, Dagueville, Sga Vidini; End: a New Dance call'd The Humours of the New@Market Races with all the usual performances,-Dagueville, Harris, Rudd, Mas. Holland, Miss Ross, Miss Armstrong, Sga Vidini; to conclude with the Pony Races-.
Event Comment: Benefit for Wilson. Second Course [1st time; M. INT I, by James Cobb. Larpent MS 567; not published]: With Songs and a New Overture. Entrement [1st time: INT I, by Charles Stuart. Larpent MS 566; not published]. Desert: Never acted here; by Permission of Harris [proprietor of cg. The playbill assigns Princess Huncamunca to Mrs Kennedy, but "Huncamunca was very well performed by a Lady who resembled Mrs Kennedy in her voice" (Public Advertiser, 23 Aug.; and see 24 Aug.)]

Performances

Mainpiece Title: the Feast Of Thalia; Or, A Dramatic Olio

Afterpiece Title: First Course, a substantial Dish from: Henry IV

Afterpiece Title: Second Courae, a Comic Dish, never serv'd up before: Kensington Gardens; or, The Walking Jockey

Afterpiece Title: Third Course, an Operatic Dish: The Son-in-Law

Afterpiece Title: Also by way of Entremet: Ripe Fruit; or, The Marriage Act

Afterpiece Title: Desert: Tom Thumb

Performance Comment: Mr Noodle-Bannister; Mr Doodle-Bannister Jun.; Tom Thumb-Master Edwin; Lord Grizzle-Edwin; Ghost of Gaffer Thumb-Simpkinson; King Arthur-Wilson; Princess Huncamunca-A Young Lady (1st appearance on any stage [unidentified]); Glumdalca-Mrs Webb; Plumante-Mrs Lefevre; Queen Dollalolla-Mrs Cargill. [As no Supper will be provided, the Cloth will be removed by Eleven o'Clock.As no Supper will be provided, the Cloth will be removed by Eleven o'Clock.
Cast
Role: Tom Thumb Actor: Master Edwin

Song: In Second Course: Auld Robin Gray-Miss Harper

Event Comment: [In mainpiece the playbill retains Kemble, but "The Publick are respectfully informed that Kemble having been attacked in the course of Last Night with a violent Pleurisy, which confines him to his Bed, Charles Kemble has undertaken to read the part of Mahmoud, and hopes for your kind Indulgence" (printed slip attached to BM playbill (Harris, Vol. V)). Afterpiece in place of The First Floor advertised on playbill of 3 May.] Receipts: #315 4s. (252.6.6; 60.19.0; 1.9.6; tickets not come in: 0.9.0)

Performances

Mainpiece Title: Mahmoud

Performance Comment: As17960430, but Mahmoud-C. Kemble; Muley-_; unassigned-Master _Gregson; Miss_ Menage; General Chorus-_Annereau, _Bardoleau, _Cook, _Walker.
Cast
Role: unassigned Actor: Master _Gregson

Afterpiece Title: The Citizen

Event Comment: Benefit for Quick, Furkins, Wilkinson, Abbott, Symonds, and others. Tickets deliver'd by Pullin, Claridge, Mrs Griffiths, Bagg, Bassan, Stephenson and Constable will be admitted. [Green and Ansell paid up their deficiencies for 2 June.] @Tickets Box Pit Gallery Value 1!2 Value@Quick 1 20 31 #8 18s. #3 9s.@Furkins 12 52 34 #13 6s. #6 13s.@Wilkinson 27 10 16 #10 3s. #5 1s. 6d.@Abbott 5 56 65 #16 12s. #8 6s.@Simmonds 5 36 24 #8 9s. #4 4s. 6d.@Pullen 2 71 46 #14 10s. #7 5s.@Claridge 8 24 1 #4 11s. #2 5s. 6d.@Griffiths 20 27 #6 1s. #3 6d.@Bagg 36 24 #7 4s. #3 12s.@Bassan 5 50 16 #8 13s. #4 6s. 6d.@Stephenson 23 78 45 #20 6d. #10 3s.@Asbury Gallery 22 8 #3 8s. #1 14s.@Total House value #120 1s. plus the receipts.@ Paid Master Harris for his performance this season #4 4s. Receipts: #25 3s. 6d. (Account Book)

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: Orpheus and Eurydice

Dance: II: Hornpipe-Miss Stede, 2nd time (scholar of Fishar)

Event Comment: The Last time of the Company's performing this season. The Oxonian in Town, cannot be perform'd on account of the indisposition of a performer. Doors open at Half past 5. To begin at Half past 6. [Account Book indicates the following as paying up their deficiencies or half value of tickets: Perry, Gardner, Legg, Mrs Lampe and Mrs Jones, Wignell, Barnshaw, Wild, Mrs Hartle, Miss Brown, Ellis and Sherratt. Master Harris receiv'd #5 5s. for his performances this season. The Salary list for 25 May, recording payments for a ten day Period, amounted to #639 2s. 2d., or about #63 per day. Basic house charges of #63 may have been based on this salary figure, with the extras of candles, music, wardrobe, &c. added. See 6 June.] Receipts: #67 12s. (Account Book)

Performances

Mainpiece Title: Cyrus

Afterpiece Title: The Apprentice

Dance: End: The Merry Sailors, as17680920

Event Comment: The Duke's Company. Pepys, Diary: Against my judgment and conscience (which God forgive, for my very heart knows that I offend God in breaking my vows therein) to the Opera, which is now newly begun to act again, after some alteracion of their scene, which do make it very much worse; but the play, Love and Honour, being the first time of their acting it, is a very good plot, and well done. Downes (pp. 21-22): This Play was Richly Cloath'd; The King giving Mr Betterton his Coronation Suit;...The Duke of York giving Mr Harris his...and my Lord of Oxford gave Mr Joseph Price his...and all the other Parts being very well done: The Play having a great run, Produc'd to the Company great Gain and Estimation from the Town

Performances

Mainpiece Title: Love And Honour

Performance Comment: Downes (Roscius Anglicanus, pp.21-22): Prince Alvaro-Betterton; Prince Prospero-Harris; Lionel-Joseph Price; Duke-Lilliston; Evandra-Mrs Hester? Davenport. [Possibly Peg Fryer acted the Old Widow; when she appeared at lif on 11 Jan. 1720, she was announced as having appeared in Love and Honour when she was young. As she was 85 in 1720, she was about 26 at this time.]Possibly Peg Fryer acted the Old Widow; when she appeared at lif on 11 Jan. 1720, she was announced as having appeared in Love and Honour when she was young. As she was 85 in 1720, she was about 26 at this time.]
Cast
Role: Prince Prospero Actor: Harris
Event Comment: The Duke's Company. Pepys does not indicate that this performance is the premiere, and Summers, The Playhouse of Pepys, p. 137, states, without offering his evidence, that the play first appeared on 11 Aug. 1664. The play also appears in Herbert, Dramatic Records, p. 138. If Pepys saw the premiere, the play was possibly given on 15, 16, 17, 18, 19, 20, 22, 23, 24 Aug. Pepys, Diary: Mr Creed dining with me I got him to give my wife and me a play this afternoon, lending him money to do it, which is a fallacy that I have found now once, to avoyde my vowe with, but never to be more practised I swear, and to the new play, at the Duke's house, of Henry the Fifth; a most noule play, writ by my Lord Orrery; wherein Betterton, Harris, and Ianthe's parts are most incomparably wrote and done, and the whole play the most full of height and raptures of wit and sense, that ever I heard; having but one incongruity, or what did not please me in it, that is, that King Harry promises to plead for Tudor to their Mistresse, Princesse Katherine of France, more than when it comes to it he seems to do; and Tudor refused by her with some kind of indignity, not with a difficulty and honour that it ought to have been done in to him. Downes, Roscius Anglicanus, pp. 27-28: This Play was Splendidly Cloath'd: The King, in the Duke of York's Coronation Suit; Owen Tudor, in King Charle's: Duke of Burgundy, in the Lord of Oxford's, and the rest all New. It was Excellently Perform'd, and Acted 10 Days Successively

Performances

Mainpiece Title: The History Of Henry The Fifth

Performance Comment: Edition of 1669: King Henry the Fifth-Harris; Duke of Bedford-Underhill; Duke of Exeter-Cogan; Earl of Warwick-Aingel; Bishop of Canterbury-Lylinston [Lilleston]; Owen Tudor-Betterton; The Dauphin-Young; Duke of Burgundy-Smith; Earl of Chareloys-Cadiman; Constable of France-James Noke; De Chastel-Norris; Bishop of Arras-Samford; Count of Blamount-Medborne; Monsieur Colemore-Floyd; Queen of France-Mrs Long; Princess Katherine-Mrs Betterton; Princess Anne-Mrs Davis; Countess of La Marr-Mrs Norris.
Cast
Role: King Henry the Fifth Actor: Harris
Event Comment: The Duke's Company. This apparently was not the first performance, but the time of premiere is not known. Pepys, Diary: My wife and I and Mercer to the Duke's house, and there saw The Rivalls, which is no excellent play, but good acting in it; especially Gosnell comes and sings and dances finely, but, for all that, fell out of the key, so that the musique could not play to her afterwards, and so did Harris also go out of the tune to agree with her. Downes (p. 23): The Rivals, A Play, Wrote by Sir William Davenant; having a very Fine Interlude in it, of Vocal and Instrumental Musick, mixt with very Diverting Dances: M Price introducing the Dancing, by a short Comical Prologue, gain'd him an Universal Applause of the Town....And all the Womens Parts admirably Acted; chiefly Celia, a Shepherdess being Mad for Love; especially in Singing several Wild and Mad Songs

Performances

Mainpiece Title: The Rivals

Performance Comment: Downes (Roscius Anglicanus, p.23): Theocles-Harris; Philander-Betterton; Cunopes the Jailor-Underhill; Pepys: Celania?-Mrs Gosnell; Edition of 1668 adds: Arcon-$Young; Polynices-$Smith; Provost-$Sandford; Heraclia-$Mrs Shadwell; Leucippe-$Mrs Long; Prologue-Price.
Cast
Role: Theocles Actor: Harris