SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Master Clayton"/1) | (@(roleclean,performerclean) "Master Clayton")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 1271 matches on Performance Comments, 1031 matches on Performance Title, 414 matches on Event Comments, 77 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Mlle Roland and Master & Miss Jenny Poitier

Performances

Mainpiece Title: Orazio

Dance: NNew Dances-

Event Comment: Benefit for Leviez, Ballet Master. Tickets deliver'd for Romeo and Juliet will be taken. Mr Leviez is oblig'd to change the play on account of Mrs Cibber's illness. Romeo advertis'd but Mrs Cibber's illness chang'd it (Cross). Tickets to be had of Leviez at his house in Great Queen St., and of Hobson at the Stage Door. Receipts: #180 (Cross); house charges, #63 (Powel)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Miss in Her Teens & Ye Scene of Peace

Dance: III: Hornpipe-the Little Swiss; IV: Scotch Dance, as17490118; V: Savoyards, as17480920

Event Comment: Benefit for Cross and Burton. Last time of acting Mainpiece this season. Afterpiece: A farce of my own, call'd the Henpeck'd Captain; or, the Humours of the Militia--damn'd before half over (Cross). [Afterpiece never printed. The Larpent MS lists the following characters: Capt. Teazable, Clermont, Mons Durtete, Brigadier? Sersnet, Capt? Druget, Col? Damask, Capt? Citern, Capt? Oldport, Capt? Patty@pan, Lt? Suet Pestle, Muster Master, Serjeant, Monsieur, Mrs Teazable, Angellica, Gusset. The men are all reserve officers in the Militia who parade occasionally in fine uniforms. See note, 1 May about publication.] Receipts: #139 (Cross); charges, #63 (Powel)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Henpeck'd Captain

Song: George Burton 1st appearance on that stage

Event Comment: [See 27 May.] Benefit of a Grammar School Master. Terence's Andria in the original Language, with a New Latin Prologue, and an Occasional English Epilogue. After which will be spoken in English an allegorical Eulogy called Mimus. It is hoped the late disappointment (as it was in all its circumstances unaviodable) will be no detriment to the performance

Performances

Mainpiece Title: Andria

Event Comment: Mainpiece: Comedie du Nouveau Theatre Italien. Received from Four Representations acted...#188 18s. 4d.; 56 Subscriptions at Five Guineas each #294; From a Subscription by Mr Arthur, Master of White's Coffee House #367 10s. (British Magazine, V (August, 1750), p. 322)

Performances

Mainpiece Title: Les Jeux De L'amour Et Du Hazard

Afterpiece Title: La Coquette sans la Savoir

Event Comment: Whereas Doctor John Francis Croza, late Master of the Company of Comedians at the Opera House in the Haymarket, escaped fro me on Tuesday Evening last: whoever will secure or cause him to be secured, so that I may re-take him, shall have a reward of thirty pounds immediately, paid by me Henry Gibbs, one of the Tipstaffs attending the court of Common Pleas, Southampton St., Covent Garden, Tea Merchant. N.B. The said John Francis Croza is a thin man, about Five feet five inches high, of a swarthy Complexion, with dark brown eyebrows, pitted with the small pox, stoops a little in the Shoulders, is about 50 Years of age, and takes a remarkable deal of Snuff, talks Italian and French, but speaks very little English (General Advertiser)

Performances

Event Comment: Last Tuesday Signior Pasquali, Master of the Band of Music at the Theatre Royal, Mr Cibber and some other prominent players arriv'd from England to act the ensuing season [in Dublin]. Mrs Bland arriv'd [in Dublin] last Sunday from England and will appear tomorrow night in the character of Miranda in the Busy Body. Receipts: #180

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Anatomist

Event Comment: Receipts: #40 (Cross). [The Epilogue Occasioned by the Two Occasional Prologues published in the General Advertiser. Fifty-one lines ending: @"No more shall either rack his brains to teaze ye@But let the Contest be who most shall please ye." [In the form of a story, mocking Garrick and Berry]: "Once on a time two boys were throwing dirt@A gentle youth was one, and one was somewhat pert.@Each to his Master with his tale retreated,@Who gravely heard their different parts repeated,@How Tom was rude, and Jack poor lad ill treated."

Performances

Mainpiece Title: The Funeral; Or, Grief A-la-mode

Afterpiece Title: Lethe

Dance: III: New Running Footmen's Dance, as17501020; IV: Hornpipe-Mathews, the Little Swiss

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Queen Mab

Performance Comment: As17501226, but now lists Master Vernon, his 3rd appearance upon any stage.
Event Comment: Mainpiece: By Particular Desire. The Play of the Revenge, mentioned in one of yesterday's papers to have been rehearsed on Saturday last in St Paul's School, was got up by some of the scholars during the late holiday, without the consent or knowledge of the Master, but will not be performed on Saturday (General Advertiser). Receipts: #120 (Cross)

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: Queen Mab

Dance: Devisse, Mad Auretti

Event Comment: Benefit for one Jones and a Dang Master (Cross). No building on stage. Tickets deliver'd out for the Confederacy will be taken. Receipts: #120 (Cross)

Performances

Mainpiece Title: King Henry Viii

Afterpiece Title: Duke and no Duke

Dance: Sg Piettro, Mad Janeton Auretti

Song: Beard

Music: CConcerto on Violin cello-Mr Jones

Event Comment: Afterpiece: Not acted these 4 years. Full prices. [See 10 March 1750.] Mr Maddox ye Ballance Master perform'd [on the rope] in it. Great Expectations not answer'd (Cross). [See ridicule of this afterpiece at dl 6 Nov. and the summary account of the disturbance it produced, as recorded in the Gentleman's Magazine (Nov. 1752, p. 535): The Town had been allured to Covent Garden by a wire dancer and some strange animals, which the manager brought together from Sadler's Wells and the Fair. Mr Garrick ridiculed this perversion of theatrical entertainment, by exhibiting a mock entertainment of the same kind. At this the town was offened, and a party went one evening determind to damn it; a person of some distinction [Fitzpatrick] who was very busy in this laudable attempt threw an apple at Woodward and hit him. Woodward resented the blow by some words, which, by the gentleman's account, implied a challenge, but by Woodward's no such thing. Woodward's account is confirm'd by the affidavits of many; that of the gentleman only by his own, though the box in which he sat was full. The Inspector espoused the cause of the Gentleman; and the Covent Garden Journalist of the comedian.'

Performances

Mainpiece Title: Lady Jane Gray

Afterpiece Title: The Fair

Event Comment: Benefit for Master Benjamin Hallet and Sig Gapatono

Performances

Mainpiece Title: The Old Woman's Oratory

Song: TThe Dust Cart-Toe; accompanied-, Bombasto; Grand Dance in the Old British Taste-; Hornpipe-Timertoe

Event Comment: By His Majesty's Command, no Persons whatsoever to be admitted behind the Scenes. [Repeated.] Director-Vanneschi, A New Opera. With New Decorations, etc. To begin at 6:00 p.m. Boxes and Pit a half guinea. Gallery 5s. [Repeated.] No Servants will be admitted into the Footman's Gallery, but those that attend their Masters or Ladies to the said Opera

Performances

Mainpiece Title: Nerone

Event Comment: Died M Destrade, Dancing Master, late of Covent Garden (Winston MS 8)

Performances

Mainpiece Title: Saul

Event Comment: Benefit ye Masters & Mrs Graham shar'd (Cross). Last time of performing the Mainpiece this season. Receipts: #160 (Cross)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Fortunatus

Performances

Mainpiece Title: Mrs Midnight's New Carnival Concert; Or, The Old Woman's Oratory

Performance Comment: Set for a Smoking Pipe, a Tankard, a Bassoon, a Pair of Tongs, two Wooden Spoons, a Salt Box, and a Pair of Slippers, by the best Italian masters, viz.: Sig Zappino, Sig Sallybotino, Sig Diavolino, Sig Ferrareni, Sig Cochinino, Sig Batterino, Sig Ciavartino, several others (just arrived from the Republic of San Marino).

Afterpiece Title: La Pantomime du Charpentier

Dance: An Extraordinary Original who will not touch the Ground either with his hands or feet-

Event Comment: Benefit for Miss Haughton--masters share (Cross). Full Prices. That there may be no Obstruction in the Machinery, there will be no building on the stage. Tickets of Miss Haughton, in Chandois St., and at Stage Door. Receipts: #100 (Cross)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: Proteus

Event Comment: Benefit for Sga Passerini. Pit and Boxes half a Guinea. Gallery 5s. The Overture and some songs composed by his Majesty the King of Prussia. The Remaining songs by the best masters as Quantz, Nichelman, Benda. The Duet and chorus-Graun, chief composer of the court, poetry-Villati. The afterpiece "an Italian Pastoral.

Performances

Mainpiece Title: Alexander's Feast

Afterpiece Title: Charlottenburg Festeggiante

Event Comment: Benfit for Master Moor, Berrisford, Palmer, Broad (Cross). Mainpiece: Not acted this season. Receipts: #260 (Cross)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Miss in Her Teens

Dance: II: Hornpipe-Harrison

Performances

Mainpiece Title: King Henry Viii

Afterpiece Title: The Oracle

Performance Comment: By the children. Cross Master Simson, Miss Pope, Miss Simson, Miss Poplin. [See17551218.]
Event Comment: Benefit for Old Cole [William Cole] Citizen of London and Family, under Misfortunes, who has been a Free Mason these thirty years, and Master of several Lodges. Being the last time of performing till the Christmas Holidays

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Cheats of Scapin

Dance: As17561217

Song: By the Desire of the Friends of Old Cole we will endeavor to sing a Song at the End of the Play (Public Advertiser)

Event Comment: Notice is hereby given, that the Annual Feast of the Shakespeare Society will be held on Wed. 2nd of March next, at the Shakespeare's Head Tavern in Covent Garden; and that tickets are left with the Master of that House to be disposed of to the Gentlemen who subscribed for Tickets for the last Feast, and who are to call for them at any time within thirty days from the date thereof. Such tickets as are not in that time called for will be delivered to the Stewards to be otherwise disposed of. The person's name to whom a Ticket is deliver'd will be endors'd thereon, and no other person can be admitted thereby. E. B. Secretary (Public Advertiser)

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: Harlequin Sorcerer

Event Comment: Written by Mr Hume. Author of Douglas. Went off wth. great Applause (Cross). A New Tragedy. The Music composed by Dr Boyce. As this is the 1st night of representation, and much depends upon keeping the scenes clear, 'tis hoped no gentleman will be offended that he cannot be admitted upon the stage or into the orchestra. [See Theatrical Review, 1757 and Beginning of 1758 for contemporary comment on source, and at act-by-act progress of play. Judicial but appreciative. Finds some rant and bombast, as well as inconsistency, in Lysander 's characterization: "If...not...known that the author of Agis is the same to whom we are indebted for Douglas, one would not have suspected those two tragedies to have sprung from the same pen...Agis inspires us with admonition; Douglas speaks forcibly to our softer feelings. In Douglas he has shown himself perfect master of nature and the human heart: in Agis of contrivance in point of plot and incidents. What a masterpiece may not we expect from such talents when united in one tragedy!"] Receipts: #200 (Cross)

Performances

Mainpiece Title: Agis

Event Comment: Benefit for Leviez [Ballet-Master]. Tickets of Leviez at the last House on the right hand in Bedford Buildings in the Strand, and of Varney at the Stage Door, where places may be taken. Receipts: #180 (Cross)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Englishman in Paris

Dance: End: A new Grand Dance-the Children; End Farce: Minuet-Leviez, Miss Macklin